Darknet Webseries Launches Online With Vincenzo Natali Episode

Adapted from Japanese series Tori Hada Darknet has launched it's episode directed by Cube,Splice director Vicenzo Natali. Described as an bitsize nightmare journies into urban horror. 'Darknet offers snippets of people's lives being interrupted by vivid instances of unexpected violence or shocking strangeness. Shot in a visceral style that cranks up the creep factor, viewers become part of Darknet, a mysterious network of disturbing imagery and stories that exist just under the surface of our ordered and safe society.'

The series will run it's full episodes exclusively via newly relaunched Canadian channel Superchannel as well as Darknet website. A total of six episodes will be aired with the first episode starring David Hewlett and Michelle Alexander whose lives become intertwined with Darknet a website where people can submit strange tales of intrigue and murder.


Source: QuietEarth

Horror Channel celebrates British horror classics with a Brit-cult season

November on Horror Channel sees network premieres for a memorable collection of strange cult oddities and forgotten British horror classics, kicking off with the network premiere of Nicolas Roeg’s THE MAN WHO FELL TO EARTH, starring David Bowie. Joining Bowie in the realm of the weird and wonderful is Roy Boulting’s psychological ground-breaker TWISTED NERVE, Michael Powell’s controversial PEEPING TOM, Robert Fuest’s Hitchcockian AND SOON THE DARKNESS and Jimmy Sangster’s Hammer classic FEAR IN THE NIGHT.

Also, there are UK TV premieres for Emmerdale actor Dominic Brunt’s directorial feature film debut BEFORE DAWN, Lulu Jarmen’s disturbing BAD MEAT and Padraig Reynold’s festival favourite RITES OF SPRING.

Fri 1 Nov @ 22:55 – THE MAN WHO FELL TO EARTH (1976)

Based on the 1963 novel of the same name by Walter Tevis, this cult classic stars David Bowies (in his debut film role), as an extraterrestrial who crash lands on Earth seeking a way to ship water to his planet, which is suffering from a severe drought. It also stars Candy Clark, and Hollywood veteran Rip Torn and is produced by Michael Deeley and Barry Spikings, who reunited for work on another epic, The Deer Hunter.

Fri 7 Nov @ 22:55 – AND SOON THE DARKNESS (1970)

Starring Pamela Franklin and Michele Dotrice this on the edge of your seat thriller, tells the story of two young English women on a cycling holiday in the French countryside. Cathy, distracted by a local man, parts company with Jane. When her friend fails to rejoin her, Jane returns to the last place she saw her. Cathy has vanished. Alone and with a limited knowledge of French, Jane frantically searches for her missing friend.

Fri 15 Nov @ 22: 55 – TWISTED NERVE (1968)

Director Roy Boulting brings out the best in actor Hywel Bennett, who plays Martin, a disturbed young man with a dysfunctional mother and a cold-hearted step-father. Martin, pretends, under the name of Georgie, to be mentally retarded to be near Susan (played by Hayley Mills), a girl he has become infatuated with, killing those who get in his way. But when Susan rejects him, she becomes the next target.

Fri 22 Nov @ 22:55 – PEEPING TOM (1960)

Peeping Tom stars Carl Boehm as Mark Lewis a part-time photographer who is a serial killer, murdering women while using a portable movie camera to record their dying expressions of terror. The film's controversial subject and the harsh reception by critics effectively destroyed Michael Powell's career as a director in the UK. However, it attracts a cult following and is now considered a masterpiece.

Fri 29 Nov @ 22:55 – FEAR IN THE NIGHT (1972)

This psychological horror thriller follows a young woman (Judy Geeson), recovering from a nervous breakdown, who takes up a new position working in a boys' boarding school. She soon begins to believe she is losing her mind when she starts being terrorised by a one-armed man. Directed by Jimmy Sangster and produced by Hammer Film Productions, it also stars Joan Collins, Ralph Bates and Peter Cushing.

Wed 6 Nov @ 22:55 – RITES OF SPRING (2011) *UK TV premiere

After kidnapping the nine-year-old daughter of a wealthy socialite and hiding out in an abandoned school, a group of kidnappers falls prey to a recurring terror, a bloodlust that comes every first day of spring. Part kidnap heist, part slasher movie, this is director Padraig Reynolds’s feature film debut, which scored highly on the festival circuit. It stars AJ Bowen, Anessa Ramsey, Sonny Marinelli and Katherine Randolf.

Wed 20 Nov @ 22:55 – BAD MEAT (2011) **UK TV premiere**

In Canadian director Lulu Jarmen’s splatter sensation, a boot camp for troubled teens becomes a nightmarish charnel house when spoiled meat transforms the staff from sadistic fascists into something much, worse. Get ready for spilt blood, vomit, faeces and bile – in the strangest, weirdest destined-for-cult-dom in ages. Stars Elizabeth Harnois, Dave Franco, Mark Pellegrino, & Jessica Parker Kennedy

Sat 23 Nov @ 22:55 – BEFORE DAWN (2012) * UK TV premiere

Dominic Brunt, better known as veterinarian Paddy Kirk in ‘Emmerdale’, has written and directed a terrific zom-rom horror. Alex (Dominic Brunt) and Meg (Joanne Mitchell) go for a weekend in the Yorkshire countryside in an effort to save their relationship. Unfortunately the picturesque holiday area chosen comes under attack from the walking dead and Meg is soon going to find out the depth of Alex’s love.



Plus there are network premiers for Brian Yuzna’s RETURN OF THE LIVING DEAD 3 (1993), Sat 2 Nov, 22:40; David Lynch’s MULHOLLAND DRIVE (2001), Sat 9 Nov, 22:55; Jonathan Levine’s ALL THE BOYS LOVE MANDY LANE (2006), Sat 16 Nov, 22:55 and Greg McClean’s WOLF CREEK (2005), Sat 30 Nov, 22:50.

TV: Sky 319 / Virgin 149 / Freesat 138

www.horrorchannel.co.uk | twitter.com/horror_channel

The Future Of Film is Smart, Its Personal Most Of it's LED

[image source  Sony]

You may have noticed many people constantly saying 'the world is getting  smaller' and  let's be honest that is a true statement. 10, 20 years ago the talk of travelling from UK to the other side of the world was talk of the wealthy but now that is reality. As the world becomes smaller, more cosmopolitan technology is evolving, as are the demand of the film fan, and Sony are in the forefront of  how we get the the ultimate movie experience.

Let's go back 20 plus years to the 1990's- the demise of the local small cinema and the rise of the multiplex cinemas, to many it was the death of film but now 20 years on you could say this is a godsend. As many people don't have access or refuse to pay the expensive cinema ticket prices, The Laptops, the Tablets and Television we sit in front of everyday are the key to how we get out film experience. When you look back 30 years when James Cameron released Terminator you wonder did he know something we didn't know? Technology is getting smaller and smarter, as Sony's Smart TV proves, they are a film fans best friend.

Since the Internet was created it is common knowledge that watching or even downloading a film legally, the buffering and the time a film takes to download, you could do a shopping come back 2 hours later and we wouldn't be much further. Internet has evolved Broadband makes sure things can run smoothly, with technology such as mobiles, tablets, laptops and even TV's  you can enjoy that film or television programme in the comfort of your own surroundings. Now that we can enjoy and get access to  our favourite films or TV Shows on our Smart TVs we want to enjoy those films in the highest quality  and definition, the best way to do that is on an LED TV. 

Now Cinehouse been a blog dedicated to the best in independent, World Cinema and Arthouse movies, fans of these genres may have to travel for hours to get to the nearest cinema. The leading figures amongst the genres such as Curzon, Picturehouse (even some independent cinemas) now know using internet onto smart Tvs is the future.

There’s nothing that smart about trying to watch a film on your smartphone—you know what you really want is a proper big-screen experience, like what you can get with Sony’s new range of TVs and Smart TVs. These tvs can provide the same visual and sound experience as if you where sitting in your local cinema, even the popcorn you have will be cheaper too! The design of these TVs are elegant but what they will do is provide a clearer, crisper and smoother. If your are interacting with the on demand  services for films, you pay the premium you expect these premium quality TVs will provide.

These TVs also give you access to the film and TV fanatic’s friend, Sony’s TV SideView app. Another feature that can link up your gorgeous new TV interactively with an app-equipped phone or tablet. TV SideView lets you pull up all the key details while you watch: cast, episode info and more. You could say they are the equivalent of the extras you get from the Blu-ray's or DVDs. We will ask you, do you really need to buy Blu-rays whilst the slick, smart Led TV can provide the same?

Put this alongside the rest of the innovations Sony has rolled out his time, including 4K Ultra HD and super-sharp 3D, and you’ve got a lot of great reasons to check out Sony’s new TVs and Smart TVs.The future of film is smart, personal, the future is LED TV.       

Sponsored Post

Boardwalk Empire – Season 3 Blu Ray Review

Rating: 15
DVD/BD Release Date: 5th August 2013 (UK)
Creator: Terence Winter
Cast:  Steve Buscemi, Kelly Macdonald, Michael Shannon, Bobby Cannavale
Buy Boardwalk Empire Season 3: [DVD] / [Blu-ray]
Boardwalk Empire – the winner of 12 Emmy Awards – finally sees its third season released on DVD and Blu-ray, and fans of complex television drama will not be disappointed. Picking up sixteen months after season 2’s shocking finale, this latest season kicks off on New Year’s Eve 1923. Nucky (Steve Buscemi) and Margaret’s (Kelly Macdonald) marriage is tense at best, and there is a new high profile bootlegger in town, in the form of Bobby Cannavale’s Gyp Rosetti.

As can be expected, HBO has once again delivered a first rate show; one which not only rivals, but surpasses in quality most Hollywood films right now. In many ways, parallels can be drawn between Boardwalk Empire and The Wire (another much-praised HBO series). Each episode requires the viewer’s utmost attention if they mean to understand the plot fully, for there is a large amount of characters – residing in a variety of US states – for us to follow. This factor has both its upsides and downsides. On the one hand, this means that each individual storyline cannot be given as much air time as – I for one – would like them to; but on the other, this does result in the few moments we have with them seeming all the more exciting. This is none more true than in the case of the excellent Michael Shannon’s government agent turned outlaw Nelson Van Alder, a truly fascinating character, whose narrative I hope will be given more attention next season.

With season 3, Boardwalk creator Terence Winter has delivered a beautifully constructed period piece, filled with impressive performances from its cast, and outstanding production values which really bring the roaring twenties to life. While many of the show’s themes – loss and loneliness for example – are sombre in tone; these are alleviated by a quirky, upbeat jazz soundtrack and magical photography work. Not to be missed.

★★★★★

Sophie Stephenson

Saving The World From Total Boredom This July The Aquabats Season 1 on DVD!

Join a new generation of super hero in The Aquabats: Super Show Complete Season One comes to UK this July.

Taking outrageously fun entertainment to the next level for kids and adults alike The Aquabats looks set to take over TV screens with an offering of rock out tracks and hearty laughs. This hit CITV TV show finds itself on DVD for the first time in the UK. Featuring a former ska band and a number of set pieces reminiscent of 90’s cartoons and the Power Rangers, The Aquabats are ready for just about anything.

From the creators of Yo Gabba Gabba! and frontman Christian Jacobs comes the perfect blend of live-action and animation! Follow the amazingly wild comic antics of The Aquabats the galaxy's first group of musical crime-fighting superheroes! MC Bat Commander Crash McLarson Ricky Fitness Eagle Bones Falconhawk and Jimmy the Robot will take you along on their most outrageous adventures to protect space from the creatures and super villains out to destroy it! All 13 Season One episodes can now be found in one deluxe collection sure to banish boredom and make anyone an instant fan of the world's most inept superheroes!



Aquabats hits every note with rockin’ success. A blending of both humour, action, animation and music, the Super Show packs in a dazzling performance to make a stunning debut season enjoyable for both adults and kids. With references to 90’s ska and some truly out of this world creations, Aquabats places itself centre stage ready to become an instant cult classic.

The Aquabats! Super Show Season One Arrives on DVD in UK 22nd July. The Aquabats are Christian Jacobs, Richard Falomir, James Briggs , Ian Fowles, Chad Larson. Pre-Order or Buy The Aquabats Complete Season 1 (CITV) [DVD] now!

Dr. Who and the Daleks/Daleks' Invasion Earth 2150 A.D. Blu-Ray Review

In this the fiftieth anniversary year of Dr Who, one of the world's most successful television creations, it's inevitable that talk of the show will be everywhere. Despite all the 'Who-ha' however, there seems little if any mention of the film spin-offs made shortly after the Doctor first appeared on the small screen during the early 1960's. So it's timely that STUDIOCANAL have seen fit to release what is surprisingly, considering the Doctor's cult-like status, his only big screen adventures to date.

Dr Who (Peter Cushing) comes up against the mighty force of his most diabolical foe the Daleks, firstly on their home planet of Skaro in Dr. Who and the Daleks (1965) and then on a devastated, futuristic Earth in Daleks' Invasion Earth 2150 A.D.(1966)  Aided by his granddaughter Susan (Roberta Tovey) and various hapless innocents who inadvertently get taken along for the ride, the Doctor must face his biggest fears in order to save the human race yet again.

In the same way that David Niven's outing as 007 in the original film treatment of Casino Royale (1967) is frequently overlooked when discussing the celluloid history of Ian Fleming's super-spy, so too is Peter Cushing's camp though endearingly batty big screen interpretation of the ageless Timelord. Made by Amicus Studios on the back of the BBC series' success, the two films are remarkably similar to the television show at the time, from the age of the Doctor (portrayed as an eccentric, fatherly figure), to him being accompanied by his granddaughter (played in both films by the precocious child star Tovey). On reflection this is hardly surprising considering that Terry Nation, the writer of the television series and creator of the Daleks, was also co-writer of the films along with Amicus supremo Milton Subotsky.

Nation's involvement likely influenced the choice of the Daleks as the enemies in the film adventures. Watching them now the Doctor's most famous adversaries (who really resemble nothing more scary than giant salt cellars on casters), seem created with the big screen in mind. Though it would be several years before the Doctor appeared in colour on television, here he jumps from the screen in vibrant Technicolor as a velvet jacketed nutty professor, whilst the Daleks themselves are given a new vibrancy in acid yellow and neon red as well as the more familiar neutral silver.

Like the television show which suffered when restricted to indoor sets but came alive in later years with the use of outdoor locations, Dr. Who and the Daleks, though undoubtedly fun with its kitsch air of 1960's psychedelia, is pale in comparison to the following year's sequel. Daleks' Invasion Earth 2150 A.D. makes marvellous use of an atmospherically war torn London, when the the Doctor and his companions land the Tardis in a post apocalyptic future. This setting also provides not only the film but perhaps the whole Dr Who mythology with one of its most iconic images - namely the vision of a Dalek emerging from the River Thames, which once seen will remain indelibly etched in the viewer's mind. It is the second film which also introduces a certain risqué'ness in the form of the Dalek's latex clad human slaves - a 'kinky' touch they would likely not have got away with on television during the 1960's.

Apart from the locations, Daleks and a marvellous supporting cast including Roy Castle and Bernard Cribbens, it is undoubtedly Cushing who makes the films comes alive. An actor who was at the height of his fame during the mid 1960's, Cushing had made mad scientists his forte and hence was perfectly suited for the big screen version of Dr Who. Indeed, watching the films now, it is puzzling why he was never asked to take on the role on television as he would undoubtedly have brought a unique zest to the part. A tantalising option fans were unfortunately never to see.

Dr. Who and the Daleks and Daleks' Invasion Earth 2150 A.D. were released on digitally remastered DVD and Blu-ray on 27th May, 2013. Both versions come with a host of extras including audio commentary, cast interviews, still galleries and trailers.

Cleaver Patterson

Dr. Who and the Daleks

★★☆☆☆

Rating: U
DVD/BD Release Date: 27th May 2013 (UK)
Director: Gordon Flemyng
Cast: Peter Cushing, Roy Castle, Jennie Linden
Buy: Doctor Who And The Daleks [Blu-ray]



Daleks' Invasion Earth 2150 A.D.

★★★½☆

Rating: U
DVD/BD Release Date: 27th May 2013(UK)
Director: Gordon Flemyng
Cast: Peter Cushing, Bernard Cribbins, Ray Brooks

Buy: Daleks - Invasion Earth 2150 A.D. [Blu-ray]

Elfie Hopkins To Make UK TV Premier On Horror Channel

Ryan Andrews’ tasty horror thriller, Elfie Hopkins starring Jaime &a Ray Winstone (on screen for the first time together), makes its TV debut on Sat June 27, 22:55, courtesy of Horror Channel.

A twisted tale of cannibalism set in a British rural hunting village, ELFIE HOPKINS stars Jaime Winstone as wannabe detective Elfie Hopkins, whose life changes when a mysterious family moves into her sleepy neighbourhood. Elfie’s appetite for gumshoe excitement is soon matched by the strange and exotic appetites of the sinister Gammons. But will anyone other than best friend Dylan Parker (ANEURIN BARNARD) and local butcher (RAY WINSTONE) believe her before their homeland turns into a cannibal holocaust!

Plus, there are UK TV premieres of three films that are part of the Friday night double-bills that make up the GRINDHOUSE SEASON.(June 7 – June 28) - DEAR GOD NO!, (billed with THE EXTERMINATOR); BARE BEHIND BARS (billed with BAD BIOLOGY and MONSTRO! (billed with 99 WOMEN) The fourth double-bill is NUDE NUNS WITH BIG GUNS, paired with channel favourite THE BEYOND. Welcome to B-Movie heaven – and hell…

June also sees the network premieres of three not-to-be-missed zombie films, George Romero’s classic DAY OF THE DEAD (June 29), the third in his seminal zombie trilogy, Adam Gierasch’s sexy crowd-pleaser NIGHT OF THE DEMONS (June 9) and the all-out Dutch zombie gore-comedy KILL ZOMBIE! (June 16)

Trailers

Elfie Hopkins

Dear God No!

Monstro

Kill Zombie!

TV: Sky 319 / Virgin 149 / Freesat 138
www.horrorchannel.co.uk | twitter.com/horror_channel

BBC Films' West Is West to premiere on BBC Two on Saturday 18th May

BBC Two will premiere West Is West, the sequel to internationally acclaimed and multi-award winning film East is East, on Saturday 18th May at 22:15.

West is Westis a coming of age story about confronting ones true desires and fears, no matter the age.

Thirteen year old Sajid (Aqib Khan) is struggling to meet his Pakistani father’s traditions in his home of Manchester, England. When Sajid finds himself in some trouble after ditching school his father George (Om Puri) decides to send him to Pakistan for a month to live with his first wife, whom he abandoned 30 years ago, to learn discipline and to grow-up. Upon arrival, Sajid finds that his father is not as highly regarded as he may have thought, and that Pakistan is not as idyllic as it was made to seem. George arrives at the end of the month to collect Sajid but is faced with his own self-image issue and realises that he himself has much to learn as well.

Directed by Andy De Emmony, West Is West stars Om Puri alongside Aqib Khan, Linda Bassett, Lesley Nicol, Ila Arun and Jimi Mistry.

interview with Devil's Business director Sean Hogan

On the eve of the UK TV premiere of THE DEVIL’S BUSINESS on Horror Channel, Sean Hogan talks about the future of the horror film industry, the importance of a good script and his forthcoming doc on the UK comic 2000AD.

THE DEVIL’S BUSINESS is broadcast on Sat May 11, 22:55,

Q: How did The Devil’s Business come together?
SH: I’d been waiting a long time for another project to come together, and out of sheer frustration, I had a meeting with my producer Jen Handorf one night and proposed that we made something for very little money, just to get back in the saddle. I’d recently seen Down Terrace and really liked it, and my feeling was that you didn’t need a whole lot of money to make something, just a good script, talented actors and one location. So I sat down and wrote Devil’s Business to be done along those lines. What happened then was, the other project finally happened, but turned out to be a nightmare experience. So once the dust had settled, I really needed to wash the bad taste out of my mouth. So Jen proposed we went back to The Devil’s Business. It came together really quickly after that, we basically pulled it all together in a few months.

Q: Did the script take long to write?
SH: Not really. It was short, for one thing! And I was kind of on a roll when I wrote it; I’d written about five scripts already that year so the gears were well oiled. Besides, it really was one of those times where the characters took over and wrote themselves – it always sounds horribly pretentious when writers say that, but what can I tell you, it’s true! I normally outline much more than I did on Devil’s Business, but in this instance I just sat down and started writing with only a vague sense of what was going to happen. For instance, when I wrote Pinner’s monologue, I didn’t really know what he was going to say or how it would impact the rest of the film; all I knew was that he was going to tell a strange story. And it all just came flooding out. It certainly isn’t always that simple, so I have fond memories of writing it.

Q: Was it a hard movie to cast?
SH: No, we were fairly lucky in that department. We didn’t have a casting director, so it was largely a case of me and Jen scouring Spotlight and looking at showreels etc. That was how we found Billy Clarke, who played Pinner. He was the first person who read for the part and I just loved him immediately. Johnny Hansler was someone I’d auditioned for another film – he wasn’t right for that part but I made a note that if we ever did Devil’s he’d be great for Mr Kist, so we just made him an offer based on that. And Jack Gordon was a recommendation via his agency, who Jen had a working relationship with. Again, he just came in and rocked the audition. Easiest casting process I’ve ever had, despite the lack of resources.

Q: How did you go about funding for the film?
SH: It was private money. We wanted to control the production ourselves - because we’d had enough of meddling, crooked, incompetent executives – so Jen and I invested some money to get things going. And then we approached some other people we knew to kick in some cash as well. We knew that if we tried to get it made through official industry channels it would take forever and we’d have to put up with a ton of less-than-helpful script notes, so we made a decision we’d just do it our way – for less money, but with more control. It was hard work doing it on the budget, but the actual experience of doing it with no outside interference was sheer bliss.
.
Q: The film picked up some great reviews including one that stated “…smart British horror has a touch of the Roald Dahl to it” that’s quite a compliment.
SH: We were very happy with the response, without a doubt. From my perspective, I had no idea how the film would be received; it was just cathartic to make it. I figured that it was such a small production that it might easily disappear without a trace. And besides, it isn’t really a conventional horror film in many ways; it’s quite dialogue-driven and character-based, which always puts some people off. So I was definitely steeling myself for the worst. But then we premiered it at FrightFest and got wonderful reviews, and it went on from there. So I was delighted – I’ve had bad luck with UK distribution in the past, so to get that sort of a reaction was very rewarding. And it definitely made everyone’s hard work worth it.

Q: You must be pleased that the film is getting its UK TV premiere on the Horror Channel?
SH: Certainly am. Again, if you’d said to me when we were shooting it that the film would eventually play cinemas, come out on DVD and then show on TV, I’d have probably asked you what you were on and where could I get some. The Horror Channel has been very supportive of me and so I’m really pleased we’ve found a home here.

Q: What state do you think the British horror movie industry is in?
SH: It’s very tough, certainly at an independent level. DVD sales are down and whilst I think VOD will eventually take up the slack, it isn’t there yet. But horror is reliant on those sorts of areas to make it viable. So you get a lot of distributors asking you to make something along the lines of what was successful last year. Which I hate hearing, not least because that never works. I’ve certainly been asked to make something similar to Kill List, for instance. But Kill List was successful because it wasn’t like anything else at the time, and if you just try and copy that, the audience will smell it a mile off. And anyway, we kept getting compared to Kill List anyway, so why would I want to do that again? I honestly think a lot of it comes down to a lack of respect for the genre; a lot of industry people just see it as product and not worth any serious consideration. Therefore you get a lot of crap being made, just because it ticks certain commercial boxes. And so if you want to do something different, you run into difficulty. But there are definitely good UK filmmakers out there, so I just hope that everyone keeps plugging away and making films one way or another. Because if history shows us anything, it’s that good horror usually comes out of the independent sector anyway.

Q: What advice would you give to anyone wanting to become a director or work in the horror industry?
SH: It’s obvious, but my primary point is always to pay attention to your script. The writing really isn’t worth a damn in most horror films. And yet it costs no money to get your characters and dialogue written properly. So if you can’t write, find someone who can. Similarly, cast good actors – they may not be famous names, but you can certainly find people who can act. Trust me, it’s easy if the script is good – actors are desperate for quality material. Don’t make something that’s just by the numbers – we’ve all seen the classic horror films, doesn’t mean we want to see slavish copies/homages. Figure out what really scares you and put it onscreen – because if it scares you then odds are it will scare someone else. And for god’s sake yes, please try and be scary. Rape and torture are not scary, and I’m so incredibly bored with how much of that we’re seeing right now. It’s easy to be upsetting, but it’s not easy to be scary.

Q: So what are you working on at the moment?
SH: Jen and I are developing a script called No Man’s Land, which is a horror movie set in the trenches of WWI. We’ve had a lot of interest over that, so I’m hopeful we can get that going this year. I’m attached to a bunch of other projects as well, but that’s where I’m focusing right now. I’m also producing a documentary called Future Shock!, which tells the story of the legendary UK comic 2000AD. That’s proving to be a lot of fun, and the response to us making it has been great. That should be ready sometime next year.

Sean Hogan, thank you very much.
Read our review of the Devil's Business here.

TV: Sky 319 / Virgin 149 / Freesat 138
www.horrorchannel.co.uk | twitter.com/horror_channel

SPARTACUS: WAR OF THE DAMNED DVD

Rome, as they say, wasn't built in a day, and neither was the epic television drama series Spartacus which reaches its climax with the third season Spartacus: War of the Damned, newly released on DVD and Blu-ray this week. The series which has won legions of fans since it premiered with Spartacus: Blood and Sand (2010) and continued with Spartacus: Gods of the Arena (2011) and Spartacus: Vengeance (2012), is a show which is definitely not for the faint hearted. It will take those with nerves of steel to endure both the length and sheer violence of a show which brings graphic onscreen brutality and sex to a whole new level.

The fight against Rome and her oppressive regime, headed by rebel leader Spartacus (Liam McIntyre) and his bloodthirsty generals, reaches a bloody climax when he leads his army into a final battle against the empire in the form of Roman military officer Marcus Crassus (Simon Merrells) and his men. In the ensuing confrontation there can only be one victor in a battle of epic proportions.

It's always hard to be subjective if you are coming to an established television series fresh. Many shows take time to grow on you, with the characters becoming as familiar to fans as their own family and friends, with the story-lines progressing over weeks and years. Which might explain why, if this is the first time you will have seen (or in my case) heard of the Spartacus television series, you may not really get it. Having now watched the show, I have to say that I can't work out for the life of me who it's aimed at.

The show's advertising and promotional campaign makes no bones about the fact that it isn't selling itself as anything other than a drama focusing around war and sex - on which basis it is probably a pretty accurate portrayal of the pass-times of much of the Roman Empire at the time. Following the lives and intertwined relationships of Spartacus and his arch enemy Marcus Crassus, the show is a modern, high-tech take on the old Hollywood sword and sandal epic, albeit with a much grittier edge.

However, authenticity (which the show admittedly has in spades) aside, it's not long before each hour long episode starts feeling like a battle to get through. Full-frontal, man on woman, man on man and woman on woman sex which leaves very little to the imagination, as well as gory, visceral violence (including beheadings, disembowelment and crucifixion) that you wouldn't expect to see outside a video nasty, makes for tough viewing, unless you're a prepubescent teenage schoolboy who gets kicks from watching something he knows he shouldn't. The dialogue by Steven S. DeKnight also grates with a stiltedness which is clearly meant to invoke a period feel, but quickly becomes arduous for the viewer to decipher or comprehend. As for the overuse of the 'f' word which litters the character's vocabulary at every opportunity - one is simply left weary by the end.

I genuinely wish I'd got the show, as it clearly has something of interest for a lot of people. However for this critic it was a particularly unpleasant experience of epic proportions and, like the period of time it depicts, better consigned to the annals of ancient history.

★★☆☆☆

Cleaver Patterson

Rating:18
DVD/BD Release Date: 29th April 2013 (UK)
Director:Steven S. DeKnight
Cast: Manu Bennett, Daniel Feuerriegel, Lucy Lawless, Peter Mensah, Liam McIntyre
Buy Spartacus : War Of Damned:Blu-ray / DVD
Win Spartacus : War Of Damned -Enter Here (new window opens)

Horror Channel Does The Devi's Business With Three UK Premieres For May

Horror fans can sink their teeth into all things dark and dangerous as the menacing month of May ushers in three exciting UK TV premieres - Sean Hogan’s haunting THE DEVIL’S BUSINESS Colin Theys’ apocalyptic zombie thriller REMAINS and Keith Wright’s touching horror comedy HAROLD’S GOING STIFF.

Details of the line-up:

22:55. Sat May 4 – HAROLD’S GOING STIFF (2011)
Keith Wright's very funny and surprisingly touching tale investigates a mystery illness turning men in the north of England into something resembling bloodthirsty ghouls. One such victim is Harold (Stan Rowe), an old man whose transformation into something sub-human might just be arrested by the love of Penny (Sarah Spencer), a dedicated home care nurse. But a group of vigilantes have other ideas.



22:55, Sat May 11 – THE DEVIL’S BUSINESS (2011)
Two hit men, Pinner (Billy Clarke), a cynical veteran and the inexperienced Cully (Jack Gordon), are sent to murder an old associate of their underworld boss. But things are not all what they seem in their quarry’s house and the duo descends into the shadowy darkness of their own tortured souls. Exuding a palpable atmosphere of claustrophobic dread, this is an eerily effective gem from director Sean Hogan. [read our review]



22:55, Sat May 18 – REMAINS (2011)
A vacant casino in Nevada becomes a hellish battleground as a group of human survivors fight a hard-core Zombie apocalypse, in which the infected grow smarter and stronger every day. Based on a graphic novel by Steven Nile, Award-winning Director Colin Theys’ graphic feature stars Miko Hughes, who fans may recognise as the little boy from the original ‘Pet Sematary’.



Other highlights to watch out for:

THE NEW ADVENTURES OF WONDER WOMAN. (Series 1, 1975) Weekdays at 18:00 and 09:00 from Mon May 20. Series 1

One of the most popular cult TV shows from the 70s makes its debut on the Horror Channel. Fans will relish another chance to watch the unforgettable Linda Carter kick ass and ‘bust’ the bad guys.



REEL FEAR SEASON. Fridays at 22:55 from May 3
Fans of found-footage movies will love this line-up, which includes the premiere of GRAVE ENCOUNTERS from The Vicious Brothers , WELCOME TO THE JUNGLE, THE BLAIR WITCH PROJECT, SKEW and Julian Richard’s award-winning THE LAST HORROR MOVIE.


DIRECTOR’S NIGHT WITH ELI ROTH. Thurs May 30 from 21:00
Roth, famed director of CABIN FEVER and HOTEL, took time out at FrightFest Glasgow 2013, during the screening of his new film AFTERSHOCK, to wax lyrical on his love of Italian zombie movies as he explains why THE CITY OF THE LIVING DEAD and DEMONS are great movie inspirations for him.


TV: Sky 319 / Virgin 149 / Freesat 138
www.horrorchannel.co.uk | twitter.com/horror_channel

BBC To Premiere Ralph Fiennes Coriolanus This April

BBC 2 will premiere Ralph Fiennes’ BAFTA nominated contemporary version of William Shakespeare’s political thriller, CORIOLANUS, on Saturday 6th April at 21:45, which will also be simulcast on BBC HD.

Produced by BBC Films withRalph Fiennes directing and stars alongside Vanessa Redgrave, Gerard Butler, Jessica Chastain, Brian Cox and James Nesbitt. CORIOLANUS is a tense and timeless thriller of power broking, political manipulation and the arguments and prejudices of opposing social extremes, set against a backdrop of a republic caught up in a long and bitter war.

Caius Martius ‘Coriolanus’ (Ralph Fiennes), a revered and feared Roman General is at odds with the city of Rome and his fellow citizens. Pushed by his controlling and ambitious mother Volumnia (Vanessa Redgrave) to seek the exalted and powerful position of Consul, he is loath to ingratiate himself with the masses whose votes he needs in order to secure the office. When the public refuse to support him, Coriolanus’s anger prompts a riot which culminates in his expulsion from Rome. The banished hero then allies himself with his sworn enemy Tullus Aufidius (Gerard Butler) to take his revenge on the city.

Read our review of the film here after you check out the trailer below

Chillerama - Adam Green Interview

Adam ‘Hatchet Man’ Green talks about the future of the genre, why he turned about ABC’s Of Death, his new movie inspired by the artist Alex Pardee and courting controversy as CHILLERAMA gets its Horror Channel UK TV premiere on Sat 30th March at 10.55pm

Q: Your story for Chillerama could be looked at as being controversial by some, how did you pitch it to the other directors?

AG: Actually, Adam Rifkin pitched me the title (The Diary Of Anne Frankenstein) when the four of us first met up to discuss potentially doing this project. He said, “Green, you’re Jewish- you should do Anne Frankenstein.” I said, “But Rifkin, you’re Jewish, too. Why don’t you take that one?” He replied, “Yeah, but what if instead you did it?” And that was sort of it. Though the phrase “the diary of Anne Frankenstein” is a joke that’s been around for decades, I have to admit I was still scared to death of it at first. I mean, who wants to touch that title with a ten-foot pole? Unfortunately, we live in a world full of people who literally seek out reasons to be offended and who love nothing more than to be “outraged” so that they can get attention. Especially coming off of Hatchet 2 and all of the controversy I had just lived through with that film’s public battle with the MPAA and its assassination from cinemas here in the US… the last thing I wanted was to be put in the spotlight for ridiculous negative reasons again. However, I immediately came up with the idea of doing a piece that would be a complete mockery of Hitler and not something that could possibly be taken seriously.

Q: To me its Monty Python at its creative peek meets classic Universal horror, would you agree?

AG: Wow. That’s a very big compliment and yes, that was exactly what I was going for. I walk away from every screening feeling so incredibly proud of the piece. Reviews, awards, and accolades… those are all nice. But as a comedian, there is no feeling of accomplishment greater than hearing an audience howl with laughter to the point that they drown out the film itself. You can’t fake laughter like that. There are no politics or agendas behind that kind of uproarious laughter. It’s the most primal and real reaction you can hope to get and when it happens universally across oceans and language barriers… it’s a wonderful thing.

Q: Do you think the horror genre is in good health at the moment?

AG: I’m excited to see what the next decade will hold. Looking back, filmmakers my age who came onto the scene in the past ten years or so were saddled with some very difficult hurdles. Not only was the “trend” all about remakes over originals (both with the studios who churned the remakes out and the fans who supported them in droves) but we also saw the indie financing industry take a nosedive with budgets and distribution as internet piracy wreaked havoc on us. There was never a harder time than this past decade to get an original (decent budgeted) horror movie made and distributed. But now that remakes have kind of run their course they’re now out of recognizable titles to remake and people are starting to see the light about internet piracy I am optimistic that more and more original horror movies will get a chance to be made and to be seen. As a genre- we’re always alive and well. Horror will never die and we will always survive the passing trends because we’re a “community” unlike fans of other genres. Just walk by the “sleepy queue” for FrightFest later this summer and look at the die hard fans standing in line over-night for tickets (not even knowing 100% what the programming will exactly be yet). Of course we’re fine! We’ve got zombies! The rest of ya’ll are f***** though.

Q: You must be pleased Chillerama is getting its UK premiere on the Horror Channel?

AG: I’ve had a very special connection with the UK audience ever since Hatchet first premiered at UK FrightFest in 2006 and so I’m always especially excited when a new film of mine premieres across the pond. The Horror Channel has been incredibly supportive of my career over the years so this is like a double-win. Who knows? Perhaps Holliston will wind up on the Horror Channel when it arrives in the UK? You never know!

Q: Would you like to be part of another anthology film such as the recent ABCs Of Death?

AG: I was approached for “ABC’s Of Death” when they first started putting the project together but I passed. I was in the middle of post-production on Chillerama when they started assembling their team of directors and the thought of doing another anthology film at that time just wasn’t appealing to me, as fun as the project sounded and as terrific as the people behind it were. While I can never say “never”, right now another anthology just isn’t in the cards for me. Remember, with Chillerama I didn’t just write and direct a segment. My company (ArieScope Pictures) also produced it and put the money and distribution together to make it happen. That’s a hell of a lot of responsibility/heartache and so I couldn’t just make my segment and “let the chips fall where they may”. When you produce a film it is essentially an STD for your company. It never goes away and it is never really over. Wait, did I really just compare Chillerama to syphilis? Yup. Have at it, critics and haters. You’re welcome for that one.

Q: How much involvement have you had with Hatchet III?

AG: I wrote it, I produced it, I’m presenting it, I cast most every actor in it, I was there for every step of pre-production, filming, and post-production, I surrounded our new director with my incredible ArieScope crew, and I had final cut of the film. So let’s just say that it won’t feel like I ever left. If you’re a fan of the first two films I think you’re going to really like what we did with Hatchet III.

Q: So what are you working on at the moment?

AG: Right now I’m finishing up post-production on the second season of my television series Holliston. It’s a massive undertaking each season given that I wear so many hats on the show (writing every episode, being the show runner, directing, and playing one of the main four characters) but it’s far and away my favourite and the most personal project I’ve ever done. Holliston is an absolute joy to work on and I go to work every day surrounded by only my closest of friends. I’m so excited that we’ll soon be starting the process of bringing the series to the rest of the world and we’re all blown away by how quickly and passionately the audience in America embraced this show and this cast. Next week I kick off my tour in support of Hatchet III and the launch of Season 2 of Holliston so I’m basically in a different place every weekend until the end of summer/early Fall. I’m also in the process of shooting Digging Up The Marrow, a “documentary” (kinda) about monsters (sorta) that is inspired by the art of the insanely talented artist, Alex Pardee. We’re keeping the details of that one under wraps for now, but what I can say is that collaborating with a genius like Alex has proved to be a completely soul inspiring and creative re-awakening for not only myself, but for my core crew as well.

Adam Green, thank you very much.

TV: Sky 319 / Virgin 149 / Freesat 138
www.horrorchannel.co.uk | twitter.com/horror_channel

Eureka Video Releasing Howard Brenton's TV Noir Drama Dead Head on DVD

Eureka Entertainment have announced the release of DEAD HEAD, the controversial four-part BBC noir drama written by Howard Brenton, available on DVD from 15 April 2013.

London based petty crook, Eddie Cass (Denis Lawson) agrees to pick up a package and courier it across the capital. When nobody answers the door at the drop off address Eddie opens the package and finds a woman's severed head in a hatbox. He panics and dumps it in the River Thames. Returning home Cass is kidnapped by the mysterious Eldridge (George Baker) and his heavies who inform Eddie that he has been framed for the murder. The hatbox belonged to his ex-wife and his fingerprints are all over it. Eddie panics and goes off the rails - boozing and sleeping rough. Eventually he ends up at his ex-wife Dana's house, played by Lindsay Duncan. Whilst he sleeps there, his former partner informs on him, and Eddie once again has to go on the run. The next morning the newspaper headlines reveal the discovery of the gruesome hatbox. Eddie's own private atom bomb has gone off...

Written in 50-minute episodes by playwright Howard Brenton and directed by Rob Walker the series has a top-notch cast including Denis Lawson (Bleak House, Holby City, Perfect Sense) as Eddie Cass, Don Henderson , George Baker (The Spy Who Loved Me, On Her Majesty's Secret Service, Hopscotch), Simon Callow (Amadeus, Four Weddings and a Funeral) and Lindsay Duncan (Rome, Under the Tuscan Sun)

Here's a clip from Dead Head

Never repeated, but never forgotten - this much loved series from the BBC is set to be released in the UK for the first time on any home entertainment format. Available in a 2-disc Special Edition DVD from 15 April 2013.

The Girl DVD Review

The Girl is one of 2 Alfred Hitchcock biopics coming out in soon succession of each other, the other being the simply titled Hitchcock.Toby Jones stars as Hitch in The Girl, who has portrayed a famous dead
person before. He played Truman Capote in Infamous and like The Girl, which had a competing biopic as well Capote.

The Girl’s story is about Tippi Hedren (played by Sienna Miller). Tippi was a very successful model in the early 50s to 60s, Hitchcock was looking for a new Grace Kelly (who starred in a handful of Hitch’s earlier film, including the masterful Rear Window) and found Tippi. He cast her as the lead in his film The Birds. The Birds is often considered the last great Hitchcock film (even though this reviewer who put a case up for the later Frenzy) and was one of the most successful of his entire career. Tippi is tortured throughout The Birds by Hitchcock which climaxes with him lying they were gonna use artificial birds but in reality he choose to use real birds and made her shoot the bird attacking scene for 3 days.

Tippi becoming an overnight sensation because of The Birds. She was under contact to Hitch, who had already made sexual advances to her during the making of The Birds. Despite this due to the nature of the contract, she makes another film with Hitch called Marnie however isn’t as good as The Birds even though it’s certainly the more interesting film. It’s sorta like Hitchcock’s Masterpiece Vertigo’s little sister. It deals with a young woman who is a chronic liar and thief and has some serious psychological issues, which date back to her childhood. After the troubled filming of Marnie, she wants out of her contract from Hitchcock who continually made advances to her during the filming. However he made sure she couldn’t work again till
Charlie Chaplin’s last film and lost out a role for a François Truffaut film.

The Girl is a very mixed bag. It has 2 very fine performances by Sienna Miller and Toby Jones (which is the superior performance).However the film is very much a tv film and that’s fine but it barely cracks the surface level of their relationship and paints Hitch clearly as the villain (which he certainly was). You don’t get any
sort of emotion from Hitch or why he does such horrible things to Tippi. The film also suffers from a low budget film problem that a lot of film posters in Hitch’s room are mock posters for his great films and not the real ones, which probably do to copyright. The other film which is very annoying is Marnie starred Sean Connery and you never see Tippi or Hitchcock interact with Sean during the making of Marnie, there is stand in but you never see his face, this is very distracting. Overall it’s worth seeing on iplayer or renting for the performances but some things are very annoying. It also ends with the laughable appendix that claims “Marnie is now considered Hitchcock’s last masterpiece”.

Ian Schultz

★★★☆☆

Rating: 15
Release Date:26th December 2012 (UK BBC2 ) 7th January 2013 (UK,DVD)
Directed By: Julian Jarrold
Cast: Sienna Miller, Toby Jones and Penelope Wilton

Horror Channel's Horror Club to screen SHIVER

Following the inaugural sell-out showing of INBRED, Horror Club, created by Horror Channel, will host its second event at The Horse Hospital on Tuesday Dec 4 from 7pm with an exclusive preview screening of Julian Richard’s spine-chilling SHIVER.

This special event, open to all horror fans, will be introduced by Horror Channel's Emily Booth and genre expert/writer Billy Chainsaw. Chainsaw will interview Richards after the screening. Richards, an award-winning writer and director, is best known for his ground-breaking serial killer shockumentary THE LAST HORROR MOVIE and the haunting SUMMER SCARS, which won two British Academy Awards.

Julian said today: It's terrific news that Horror Club will be presenting SHIVER in December. I can't wait for the opportunity to watch the film in the company of hard core horror fans"

Entry is free and seats can be won by entering a competition exclusively through Horror Channel, enter comp here.

SHIVER stars John Jarratt (WOLF CREEK) as Franklin Rood, a weird loner laughed at by women. He handles his anger at rejection by creating a police taunting alter ego, The Griffin, and embarks on a spree of horrific murders, seemingly at random, all young women.  However, one manages to escape, for which she earns his respect – and his love. Danielle Harris turns in a powerful performance as Wendy, the girl who has to toughen up quick if she wants to stay alive.  Also stars Casper Van Dien and Rae Dawn Chong.

TV: Sky 319 / Virgin 149 / Freesat 138

 www.horrorchannel.co.uk | twitter.com/horror_channel

Ghost Stories Volume 5 DVD Review

The fifth volume of the BBC’s Christmas ghost stories, released by the BFI next week, sees the combined issue of A View From a Hill and Number 13, the short-lived noughties reincarnation of that excellent strand of yuletide chillers, A Ghost Story for Christmas.

Stretching back to the 1971 offering, The Stalls of Barchester (but pre-empted by 1968’s superbly creepy Whistle and I’ll Come to You), the series was fixture of Christmas television through the decade before the wheels ultimately fell off and it was sadly canned. It was briefly resurrected in 2005 in the shape of A View From a Hill, with Number 13 following a year later, before history unfortunately repeated itself.

In the first of the spectral tales, A View From a Hill, archaeological academic Dr Fanshawe (Mark Letheren) visits the estate of formerly prosperous landowner Squire Richards (Pip Torrens) charged with cataloguing the oddities held within his impressive home. Among the curiosities is a pair of binoculars once belonging to a disreputable amateur archaeologist; a man whose extra-curricular, corpse-centric activities led to his untimely demise on the spot of an old execution site. Taking the binoculars to a nearby hill Fanshawe glimpses the ghostly image of an ancient local monastery, long since ruined; the disturbing apparition suggesting that the binoculars hold some ghastly power imparted by their late owner.

The adaptation of M. R. James’ Number 13 transposes the action from northern Denmark to a closely-knit, rural English setting, in which another academic (this one from Oxford and going by the name Anderson) finds himself in the employ of the local librarian. Anderson’s work revolves around some of the more macabre entries into the town’s archives, ones which reference civil war-era witch trails, and grim accounts of bizarre satanic rituals in nearby buildings. The Oxford man’s involvement in the case becomes more dangerous upon the realisation that his hotel room sits adjacent to a mysterious, occasionally perceptible and sinister room 13, a location with possible links bizarre goings-on.

The BBC’s Christmas ghost stories are uncanny in their ability to ramp-up colossal amounts of tension, and generate a tangible sense of dread in a little over half an hour, all with a miniscule budget. Luke Watson’s ability to suggest the presence of a malevolent woodland entity, stalking the forlorn yet determined Fanshawe in A View is absolutely Blair Witch-esque in its captivating, minimalist creepiness. Pier Wilkie opts to add a dash of visual horror to his tale in 13, in a largely successful move away from the simplicity of the previous story; the occasional moments in which the production’s lack of financial clout is visible are overshadowed by the charismatic and convincing performances of its cast. Paul Freeman is enjoyably devious as the untrustworthy librarian, Greg Wise thoroughly engaging as the uncertain professor who is dragged through the emotional and psychological wringer.

An exercise in economical horror, the DVD extras including essays by BFI Mediatheque Curator, Simon McCallum, author Jonathan Rigby (amongst others), and Christopher Lee’s 2000 reading of Number 13 contribute to a neat package. A fully fledged five-disc box set also available combines all of the BFI’s previous releases to remind you that not all TV is talent shows and Tyneside tantrums.

Chris Banks (@chris_in_2d) 

★★★1/2☆

Rating:12
DVD Release Date: 29th October 2012 (UK)
Directed By: Pier Wilkie, Luke Watson
Cast: Greg Wise, Paul Freeman, David Burke, Mark Letheren, Pip Torrens
Buy Ghost Stories Volume 5:DVD

Moments Worth Paying For Gemma Atkinson Supports Anti-Piracy Campaign In Iconic Way

Two young design students from London have created an innovative take on anti-piracy advertising for the UK film, TV and video industry.

Leighton Pountney (24) and Omri Dvir (27) will see their idea brought to life in outdoor advertising UK-wide, as well across the Internet from today.
Called All for the Price of a Ticket, their idea uses till receipts – with a twist – to celebrate the entertainment value behind the purchase price of a DVD, download or cinema ticket. The campaign has been brought to life in the form of a film quiz called Riddle Me Th?s, which features giant receipts, each offering the public the chance to  solve clues to great films at FindAnyFilm.com, the UK search engine for official film, TV and video.

A host of screen stars are supporting the approach, including BAFTA award winner Adam Deacon and film and TV actress Gemma Atkinson. Their favourite films feature as riddles in the campaign, alongside clues from other film and TV experts, including film critics and bloggers.

 Adam Deacon said: “So much time, energy and passion goes into making films and TV shows, so it’s always disappointing if people choose not to pay for your work. It’s great to see a campaign that celebrates the entertainment value you get back from your DVD, download or cinema ticket.”

 Gemma Atkinson added: “It’s refreshing to see the industry creating a campaign like this with the young people it hopes to inspire. The riddle element is a great way to get people thinking about how film and TV makes you feel – and whether that feeling is something worth paying for.”

The students behind the campaign first submitted their idea to the YCN Annual Student Awards, which spotlight young talent by challenging students to answer a live creative brief. The Industry Trust for IP Awareness, which commissioned an anti-piracy brief for the 2012 Awards, spotted the potential of the concept – and is working with its industry partners to bring it to life.
Omri Dvir, one of the students behind the campaign, said: “We’re thrilled that our idea is being turned into a real campaign. We wanted to get across the point that the price of your film or TV show is great value for all the enjoyment you get in return. You get magical worlds, futuristic technology, great memories and of course countless pub conversations.”

 Liz Bales, Director General of The Industry Trust for IP Awareness, which commissioned the campaign on behalf of the UK film, TV and video industry, said: “We’re delighted to be bringing Omri and Leighton’s idea to life. Our research shows that nearly half of young men today access some of their entertainment from unauthorised sources. So who better to take inspiration from than the generation of people we are hoping to reach?”

The new advertising will form part of the UK film, TV and video industry’s innovative Moments Worth Paying For campaign, which spans cinema, outdoor advertising, PR and social media. It will feature in Clear Channel advertising spaces UK-wide from tomorrow as well as on Findanyfilm.com and a wealth of other film and TV industry websites.

As you can see from the top image Gemma Atkinson one of her 'moments worth paying for' was the iconic scene to re-create an iconic scene from Pulp Fiction becoming Uma Thurman to help promote a Moment Worth Paying For campaign. Below is an behind the scenes video looking at how she becam uma thurman and her talking about her support for the campaign too. Here at The People's Movies & Cinehouse do support the campaign we also believe something has to be done about the pricing structure as well as the overall experience of going to the cinema or buying that DVD or Blu-Ray.Though we might have the home release but let's be honest there is some great scenes from films over the decades that should only be enjoyed in one format that's on the big screen at your local cinema.
To put your film know-how to the test, visit www.facebook.com/FindAnyFilm.