Raindance 2012: Confine Review

A tale of robbery, suspense, torment, kidnap and murder; with Confine, director and writer Tobias Tobell has managed to conjure up that most elusive and miraculous of things; a genuinely torturous horror movie.
Following an horrendous car crash, former model Pippa (Daisy Lowe) has been reduced to a gibbering, neurotic shut-in, limping around her flat and communicating only via telephone or Skype. Facially disfigured by the accident, she never ventures from the safe confines of her living space, preferring to remain locked-away, dealing art in order to raise money for various charitable causes; the many hundreds of magazines that populate her bedroom, are a constant reminder of the life she has known and lost.
Pippa’s life of seclusion comes to an end courtesy of Kayleigh (Eliza Bennett) and Henry (Alfie Allen), a couple of criminals involved in a nearby jewellery heist, who make Pippa a prisoner in her own home, before brutally turning on each other.

Confine attempts to generate a sense of discomfort, of visceral, verbal horror by placing its emphasis on the uneasy, potentially deadly relationship which is struck up between Pippa and Kayleigh. An unknown quantity, Kayleigh veers dangerously between perniciously cute, and sadistically violent. The result is a movie which may well have been superb, if it weren’t so incomprehensibly written or woodenly acted.

As she wobbles around the screen, wheezing into paper bags and muttering garbled nonsense, Daisy Lowe looks every inch a model pretending to be an actor pretending to be a model. At 5 foot 4 in heels and 8 stone wet-through, Eliza Bennett may well be the least physically intimidating villain imaginable. So ghastly is the double-act performed by Daisy Lowe and Eliza Bennett, it very quickly becomes difficult to watch. Protracted moments of supposedly-threatening dialogue, become toe-curlingly embarrassing, as the women bicker like a couple of siblings fighting over the last Turkey Drummer.

 With so much of the film focusing so intently on the knife-edge relationship between Pippa and Kayleigh , there’s simply nowhere for its actors to hide; or its audience for that matter.

Chris Banks (@Chris_in_2D)

★☆☆☆☆

Rating: NC 15
UK Release Date: 1St October 2012 (Raindance Film Festival)
Directed By: Tobias Tobbell
Cast: Alfie Allen, Eliza Bennett, Daisy Lowe, Corinne Kempa

Confine Trailer from Two Bells Productions on Vimeo.

The Angel's Share DVD Review

★★★★☆

Ken Loach’s affable crime movie brings together a group of low-rent, ex-offenders through a community service course in Glasgow. Chief among them is Robbie (Paul Brannigan), a young father who, after barely avoiding a long custodial sentence, finds himself presented with a final chance to turn his faltering life around. Under the guidance of supervisor, Harry (John Henshaw), and with the help of new friends Mo (Jasmin Riggins), Albert (Gary Maitland) and Rhino (William Ruane), Robbie develops a passion for whisky, and with it a chance to escape his troubled past.

Loach has, for the most part, done a decent job of melding the contrasting elements of the down-at-heel kitchen sink drama, with the daft whimsy of a Highlands whisky heist. Brannigan, in particular, is successful in his ability to instil genuine empathy for a character who’s no angel himself. He’s also more than adequately aided by an amusing and largely comprehensible supporting cast, with Maitland standing out as the profoundly dim-witted Albert.

Loach’s ability to temper the comedy with the uglier elements of Robbie’s life, or vice versa, is evident for only two thirds of the story though. As the drink begins settle in the hearts and minds of the audience, Robbie’s past misconducts are conveniently washed-away in a tide of priceless Scotch. It reflects well on Loach and his cast then, that this shift from reality to fancy doesn’t entirely ruin the experience.

There’s more than enough spirit to be found at the bottom of the bottle, to redress the balance of a slightly lopsided story.

Extras on the DVD include a short making-of documentary, featuring interviews with Loach and the cast, who remark on his collaborative approach to filmmaking, as well as Brannigan’s real-life troubles, and his connection to his character.

Chris Banks (@Chris_in_2D)

Rating:15
UKDVD/BD Release Date:24th September 2012
Directed By:Ken Loach
Cast:Paul Brannigan, William Ruane, Gary Maitland, Jasmin Riggins, Gary Maitland, John Henshaw

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Frightfest 2012: Guinea Pigs Review

★★★☆☆

Ian Clark's much anticipated first feature, Guinea Pigs received its debut at this year's Edinburgh International Film Festival. Despite delivering some sharp moments of tension and a realistic style, Guinea Pigs unfortunately lacks in lasting impact.

Eight volunteers are sent to a remote medical facility to begin clinical trials on a new drug, tentatively titled Pro-9. It soon becomes apparent that this is no ordinary drug as extreme side affects begin to appear - you know, like turning into a raging psychopath.

Although the subject of clinical trials has been tackled in the horror genre before, it still remains a chilling concept. Ian Clark furthers these chills by instilling a strong sense of realism throughout Guinea Pigs, most notably through his almost documentary style direction. From the onset, descriptions appear on screen, mixed with unfocussed close ups and establishing shots of the eerie clinical settings which gives Clark's film an unsettling familiarity.

After a rather long but well crafted build up, we get a strong sense of the foreboding horror that is expected to ensue. This is followed by several well executed moments of tension, which fortunately never unveil too much, normally a good tactic in the genre, leaving the viewers' imagination to the work. Unfortunately these tense build up gets wasted with Guinea Pigs lacking in a real scares, jumps or chilling imagery.

Most of the characters are interesting and reasonably well developed, despite all fitting into traditional archetypal genre roles. Leading character, Adam (Aneurin Barnard) although well acted, proves too nice for his own good by making some dodgy decisions - like not leaving the compound when he has the chance. A scene stealing turn from Looking For Eric's Steve Evets, as a clinical test "veteran" adds some wry humour to the proceedings. Other small joys include Chris Larkin's appearance as a wise-cracking Doctor in charge of the proceedings.

Guinea Pigs is a reasonably entertaining watch, with director Ian Clark creating a solid, realistic atmosphere and strong sense of tension, as well as some welcome moments of humour. Unfortunately, Guinea Pigs is lacking in any genuine scares and ultimately proves a bit unmemorable.

Andrew McArthur

Rating:15
Stars: Aneurin Barnard, Alex Reid, Oliver Coleman
Director: Ian Clark
Release: 27th August 2012 (Frightfest 2012)

Shadow Dancer Review

★★1/2☆☆

BBC Films latest production, Shadow Dancer has already met positive receptions at both this year's Sundance and Berlin Film Festivals. Now it is the turn of The Edinburgh International Film Festival to take on this slow-burning British thriller.

James Marsh (Man On Wire, Project Nim) directs Shadow Dancer, an adaptation of ITV Political Editor, Tom Bradby's novel of the same name. After a failed railway bombing, IRA member Colette McVeigh (Andrea Riseborough), is detained by MI5. In order to avoid a length prison sentence, McVeigh is left with no other choice but to act as an informant for the British authorities.

Shadow Dancer requires a lot of patience, this is a particularly slow and brooding, cat and mouse thriller. Marsh's films opens with a completely startling and heartbreaking, 1970s set opening sequence that completely encapsulates the Irish troubles of the time. We are quick to learn that this may be the story of one individual family, but Bradby's haunting story also represents a whole country going through turmoil.

When Shadow Dancer transfers to the 1990s, we see that these troubles are still highly prevalent. This is captured in a tense sequence where McVeigh attempts to detonate a bomb in a British railway station. The pace of the film completely slows after this, building up a brooding sense of unease and tension - a fitting representation of British and Irish relations of the time. Due to this lessened pace, it is quite a struggle to stay engaged with Marsh's film for its' first hour. However, the third act sees the story begin to unravel, as tensions reach boiling point - completely shaking the lives of McVeigh and her family.

At its heart, there is a profound story of family loyalty and dedication running through Shadow Dancer. The quiet resilience of the McVeigh family as they try and make the best out a dark situation is endearing. This is perfectly captured in Andrea Riseborough's stunning lead performance. The actress who thoroughly impressed in W.E. and Brighton Rock, proves to one of Britain's finest young talents with her powerful turn as Colette McVeigh.

Unfortunately, one of the most interesting aspects of Shadow Dancer - the relationship between McVeigh and MI5 agent, Mac (Clive Owen) is completely underutilised. The occasional meetings between the two characters are sporadic, yet prove to be some of the most tense aspects of the film. This is a role that Clive Owen could play in his sleep, giving a solid performance, despite it being a slightly predictable role. Strong supporting turns from Gillian Anderson and Aidan Gillen, add some moments of interest but prove equally underused.
While James Marsh's Shadow Dancer is excellent at building brooding atmosphere and capturing the tension of the time, it proves to be too slow paced to be classed as enjoyable. Andrea Riseborough's performance is the strongest element of the film and ultimately its saving grace.

Andrew McArthur

Rating:15  
Release:  24th August (UK)  
Stars: Andrea Riseborough, Clive Owen, Aidan Gillen,  Gillian Anderson  
Director: James Marsh

Anyone For Dinner? ELFIE HOPKINS UK DVD/Blu-Ray News

Who are the neighbours having for dinner?

 JAIME WINSTONE (Made in Dagenham, Kidulthood) stars in Elfie Hopkins and This August courtesy of  Kaleidoscope Home Entertainment on DVD & Blu Ray. ELFIE HOPKINS - an animal-loving slacker, stoner, and wannabe detective, living in a sleepy hunting village.  Haunted by the death of her mother, Elfie seeks solace from the old school detectives in The Maltese Falcon and Chinatown. She entertains herself by investigating the villagers and upsetting everyone with her imaginative allegations.

Things get serious however with the arrival of trendy city dwellers, the Gammons, who weave seductive tales of adventure and entice the villagers with offers of exotic hunting holidays around the world.  Elfie smells a rat - her mundane existence is about to be blown apart. Blood quickly starts to spill, and it’s no longer just the blood of animals. Elfie discovers the villagers are disappearing and when she finally uncovers the truth, it’s darker than she could ever have imagined… 

Also starring ANEURIN BARNARD (We’ll Take Manhattan), RUPERT EVANS (Hellboy), STEVEN MACKINTOSH (Lock, Stock & Two Smoking Barrels) and British acting legend and father of Jaime RAY WINSTONE (Sexy Beast, Snow White & the Huntsman), ELFIE HOPKINS comes to DVD & Blu-ray 13 August with a host of extras including a Making Of documentary, deleted scenes and original short “Little Munchkin” directed by RYAN ANDREWS. Stay tuned for our review of the film and a chance to win Elfie Hopkins on DVD.  

Pre-Order / Buy :Elfie Hopkins On Blu-ray / On DVD

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Elfie Hopkins (2012) Official Trailer Published via LongTail.tv

UK Superhero Movie Flies into USA, Electric Man Coming To Comic-Con!

"The Maltese Falcon meets The IT Crowd" - Allan Hunter, Screen Daily.
"Really f**king funny" - Screened
"Quirky little comedy gem." - Media Muppet
"An intelligent and well choreographed storyline" - Cinehouse

Electric Man, the micro-budget comedy shot in Edinburgh, has been selected for the prestigious San Diego Comic Con International Film Festival on July 13th – and is the only UK feature film to play at the world famous comic convention this year.  Shot on a micro budget, the film has already gained BAFTA New Talent Awards nominations for its script and score as well as being shortlisted for Best Feature at the Celtic Media Festival. Selection for San Diego Comic Con places the film with the industry big hitters. Director David Barras explains:

“This is a game changer for us. We had already planned for digital distribution later in the year but we were going to limit that to the UK. Comic Con is enormous and we're now looking to give the film a global launchpad.”
The movie was selected as only one of three feature films to play this year's festival from over 200 initial entries.
"As a small independent movie we have to pick and choose where we go. But San Diego was the holy grail for us. Yes, it has blown a massive hole in the budget but we would be mad not to go. Who wouldn't want to be at the same convention as Iron Man 3 and the new Superman movie?"

Cinema goers in London will have the opportunity to see for themselves what all the fuss is about on Sunday 8th July, when the film plays at The Prince Charles Cinema in Leicester Place. The film has already played to a sold out audience at the cinema in May but the team are bring it back to coincide with the London Film and Comic Con and give the capital's movie goers a sneak peak before they fly to California for the film's big night at Comic Con. Director David Barras will be joined by members of the cast, the writer and the composer to introduce the film and take part in a Q & A. And there'll be a few giveaways on the night.
Electric Man is already a UK success story but the movie is far from your typical British fare. In an industry that is used to producing Scottish films that are usually about shooting up or shooting grouse, Electric Man is a distinct change of pace. Billed as ‘The Maltese Falcon meets Clerks’ the film makers have produced something set in the UK but with a definite American flavour.

The film is still seeking distribution and is looking for sponsors to support a planned UK tour of independent cinemas in the autumn.

About Electric Man
The movie was shot in Edinburgh in late 2010 and made ready for release during 2011. It premiered at the Glasgow Film Festival in February 2012 and had a successful tour of Scotland thereafter.
The film tells the story of Jazz and Wolf, two cash-strapped comic shop owners who need £5,000 in a hurry if they are to save their comic shop in Edinburgh. As luck would have it they chance across a copy of Electric Man issue 1 which just happens to be worth £100,000. But there are other people after the comic and it is soon lost, stolen, switched and switched again as Jazz and Wolf try to save both their business and their love lives.

UK fans will get the chance to see the film this Sunday at the Prince Charles Cinema in London, and I wondered whether you might be able to flag up the screening and the SDCC selection news with a piece on The People's Movies, and mention it to your followers on twitter and Facebook? You can find out more information here ,  or why not head over to the films facebook page or twitter and grab yourself a pair of free tickets in the competitions they run there - @electricmanfilm facebook.com/pages/Electric-Man

You may have also noticed one of the films taglines at the star of the post looked very familiar,yes it's a quote from cinehouse we caught the film at the Glasgow Film Festival and you can read David's review here.

If you are going to Comic Con (12-15 July 2012) in San Diego, California you can find out more info on the film and convention here 

Mark Hamill Going AIRBOURNE This July

Hell quite literally breaks loose at 30,000 feet as passengers on board a Trans-Atlantic bound for New York come face-to-face with an ancient evil. But wait we have a Jedi Master on hand so will the terrified passengers be rescued only one way to find out is to watch Mark Hamill's  first stint in front of the camera in many years in Brittish chiller AIRBOURNE.

As a severe storm front rapidly closes in on the UK, all flights out of East Midlands airport are cancelled – all save Atlantic Sky Airways Flight 686, bound for New York. Shortly after take-off, several passengers become concerned when one of their number inexplicably goes missing. Their anxieties are further increased when it becomes apparent that the flight has veered off course and it is revealed that the plane is carrying an interesting item of cargo: a rare and extremely valuable ancient Chinese vase. The assumption is that terrorists are responsible, but nobody on board is showing their hand – for now. With tensions rising amongst the passengers and crew, violence soon breaks out, forcing those behind the deadly plot to expose their identities.

Meanwhile, on the ground, concerned aviation chiefs and the military have together authorised the launch of fighter jets to deal with what they believe could be a deadly hijack situation. But hijacking is soon proved to be the least of anybody’s worries when the owner of the vase recounts a myth surrounding its ancient origins.

In the fine tradition of other high-altitude thrillers such as“Executive Decision”, “Snakes On A Plane”, “Passenger 57”, “Red Eye” and “Con Air” and the winner of the British Lion Award at the 2012 British Independent Film Festival, Airborne is a Twilight Zone-esque thriller with a hint of the supernatural and some amazing production values that, for us, places it leagues ahead of what we’ve come to expect from the usual “gangster flick-centric” British indie genre movies. To top it off, it also features a welcome return to the screen for Mark Hamill who in recent years has almost been reclusive while establishing himself as one of the most in-demand voiceover artists in the business. 

Airbourne will be terrifying British skies when it's released by Chelsea Films on DVD July 30th (new release date). The film also stars  Julian Glover (Games Of Thrones), Gemma Atkinson (Boogie Woogie), Simon Phillips (The Rise And Fall Of A White Collar Hooligan), Alan Ford (Snatch), and Fiona Ryan (The Tudors).

EIFF 2012: PUSHER (2012) Review

★★★★☆

Luis Prieto's British made update of Nicolas Winding Refn's 1996 film, Pusher, receives its world premiere at this year's Edinburgh International Film Festival. The Spanish director has presented us with a gripping, adrenaline fuelled ride, which is by far one of the most exciting British crime thrillers in recent years. Frank (Richard Coyle) may just be London's most unlucky drug dealer. After a deal goes horrendously wrong, he finds himself owing a ruthless Serbian crime boss over £55,000. In a desperate search for money, Frank soon finds his life spiralling out of control and relationships with those around him beginning to crumble.

It is hard to deviate from certain traditional elements in this genre, for example, risky deals and unrelenting Mr. Big figures are always going to feature. However, these elements feel utterly fresh and skilfully handled in Pusher, thanks to Prieto's energy as a storyteller. The Spanish director's film feels like a fusion of the classic British crime thriller (Coyle's performance drawing some parallels to that of Stacey Keach in 1977 feature, The Squeeze), with an added vibrant, modern twist.

The tension rarely drops in Pusher, creating a truly gripping ride. This is furthered by Simon Dennis' striking cinematography - creating a visually impressive piece taking on pulsing neon infused clubs to dank warehouses, with equal impact. Pusher also captures the ruthless and gritty criminal underworld of London through Frank's encounters with Serbian crime Boss, Milo (Zlatko Buric, star of Refn's original Pusher Trilogy) - most notably in one suspenseful scene involving bolt cutters and a finger. The high octane thrills are paired with a energetic electronic dance score from Orbital, fitting the tone of Pusher perfectly.

Even Pusher's day by day narrative structure acts as reflection of Frank's impending deadline, ebbing closer. This means it is hard not to feel part of the dealers' journey as he uses every resource he has to get money - whether it be calling in on old loans from vulnerable customers or simply by taking it from the sleaziest clients. Even Pushers' emotive conclusion is cut off in the height of anguish and tension, leaving the viewer to question the outcome.

Richard Coyle's solid lead performance thrusts us into the desperation and angst that faces the character, however, we as the audience are always on his side. Agyness Dean's supporting turn as Frank's girlfriend, Flo, proves equally flawless. Flo simply wants a better life for herself and Frank - she works as a dancer and escort, careers that are beneath her, and as viewer you want to see her and Frank happy. Zlatko Buric's intense performance as Milo also proves to be a chief scene stealer throughout Pusher.

Luis Prieto's Pusher proves to be an exhilarating, thrill ride that holds the viewer in a vice-like grip from start to finish. The vibrant cinematography combined with an outstanding lead performance from Richard Coyle and a razor sharp score from Orbital, help make Pusher one of the strongest British crime thrillers in recent years.

Andrew McArthur

Rating: 18
UK Release Date: 12th October 2012 (World Premiere Edinburgh 21st June 2012)
Director: Luis Prieto
Stars: Richard Coyle, Agyness Deyn , Zlatko Buric, Paul Kaye

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Pusher - Official Theatrical Trailer Published via LongTail.tv

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