Showing posts with label blu-ray review. Show all posts
Showing posts with label blu-ray review. Show all posts

28 January 2015

Blu-ray Review - Shoah (1985)

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Genre:
Documentary
Distributor:
Eureka
Release Date:
26th January 2015
Rating: E
Director:
Claude Lanzmann
Buy: Blu-ray - Shoah

Claude Lanzmann started work on what would become Shoah in 1974. He initially had backing from the Israelis but after time went on, they withdrew funds. Six years of the eleven until it’s eventual release in 1985 were simply devoted to getting the interviews. What he finally finished was an extremely long, but fascinating and thoughtful film on the Holocaust, and primarily what happened in Poland.

Shoah runs at a simply exhausting 9 and half hours. Lanzmann takes the brave move of using for the majority of the running time, filmed testimonies with survivors, witnesses and German perpetrators. It also extensively shoots the landscapes of where the camps are, and in a very eerie but effective way, puts you there, even without reconstructions or photographs etc.

The film’s most fascinating elements are stories where you hear about denial. One of the most shocking is when a Jewish woman is trying to warn everyone they are about to be gassed but they tell her to go away, and unfortunately, they get killed as well. It also goes into great detail about the production line aspect of the concentration camps and how a lot of Nazi office workers really didn't know about the final solution until really near the end of the war - if you believe them or not it’s up you to decide. The second part of the film also deals with the heroic attempts by the Jewish to fight back in the Warsaw Ghetto despite knowing it was unwinnable.

Shoah’s biggest flaw is also it’s most controversial one. When it was released in Poland many pundits criticized it as anti-polish propaganda. It does at times show the Polish in not a very good light, for example, a lot of them just stood and watched the atrocities happen, they collaborated with the Nazis, they were already anti-semitic etc. It was criticized for not showing all the great things the Polish did for the Jewish, or the millions of Polish that were exterminated by the Nazis. Lanzmann has admitted part of the film was to show how implicit the Polish were, which was true to an extent, but there was also another side which would have been nice to have it be represented.

It’s quite riveting stuff throughout, there are numerous parts where you zone out for a while, but within 20 minutes you get all wrapped up into the story again. Obviously the film cannot explore the full depths of the Holocaust, because of the scope of the atrocities, it is impossible to make a definitive document, however this is one of the most powerful films made on the subject to date.

Over the years Lanzmann has revisited the subject in another 4 films, mostly made out of outtakes of Shoah with the latest being the recently released The Last of the Unjust. Naturally, they are all included in this Blu-ray set.


★★★★1/2
Ian Schultz

23 January 2015

Blu-ray Review - The Last Seduction (1994)

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Genre
Neo-noir
Distributor:
Network
Release Date:
26th January 2015
Rating: 18
Director:
John Dahl
Cast:Linda Fiorentino, Bill Pullman, Peter Berg
Buy: Blu-ray The Last Seduction


It seems that since the release of The Last Seduction the film has kind of been forgotten in the history of neo-noir. It is also sometimes called an erotic thriller, but it has too much of an air of classiness to really be lumped in with those. The press release for this blu-ray calls it both, but it’s quite clearly a neo-noir in tone and story telling, and it’s not very erotic.

Linda Fiorentino gives her finest screen performance as the manipulative bitch Bridget Gregory. She steals drug money and goes on the run from her husband Clay (Bill Pullman) after he makes a killing on a deal on pharmaceutical cocaine. She hides out in Beston, New Jersey on her way to Chicago and meets a guy called Mike who has a dark secret of his own. They start an affair, but of course Bridget has ulterior motives than some romance with some local. The film concludes with one of the best twist endings of all-time.

It was directed by John Dahl who previously made the noir western Red Rock West starring Nicolas Cage. Dahl (who is not related to Roald) would go on to direct films like Rounders and The Great Raid and a lot of television. The film has a low budget 90s look, which is what the film is, but Dahl’s cinematographer really pulls out all his stops with the lighting and the look as much as the budget allows. Alongside Quentin Tarantino’s early films (it came out the same year as Pulp Fiction) it really brought a revival to the noir imagery and themes.

Bill Pullman plays the husband and he really has a knack for playing noir characters, which I think is partly down to the fact he look like he could have been in a film from the 50s. He deserves more meaty parts like this or Lost Highway than the ones he usually gets. Linda Fiorentino's performance has gone down in the history books as one of the best depictions of the classic femme fatale, but she takes it to such bitchy heights it’s a marvel to see what she did with the character. She was shamefully denied an Oscar nomination because the film was shown on TV before it had a theatrical release. Peter Berg is also extremely good as Mike the local she starts her affair with. It also features an early role for Dean Norris who would later be in Breaking Bad, for which John Dahl actually directed an episode.

The disc is fairly heavy with features, including the longer director’s cut in standard definition, and has a director’s commentary for that cut. The disc also includes a nice sized documentary on the film, behind the scenes footage, and the trailer. The final feature is the John Dahl directed episode of Fallen Angels, a totally forgotten anthology TV show. They were often based on classic stories by the great pulp authors like Jim Thompson, Raymond Chandler etc. They were directed by then young directors who would become well known such as Steven Soderbergh and Alfonso CuarĂ³n, and even megastar actors like Tom Cruise and Tom Hanks directed episodes. If you like the episode included I would recommend tracking down the budget dvds of the second season, they are retitled to the even cheesier title, Perfect Crimes and are currently, little over a pound a piece on Amazon.

Overall The Last Seduction is a film that should be revisited so one can marvel at how solid a director can nail down the noir style decades after that era has died. It may not be as impressive as Chinatown or some of David Lynch’s work but it definitely deserves to go down in history as one of the finest examples. The new blu-ray is by far the best release Network has down in a while and hopefully more people discover this extremely twisted but vastly entertaining modern classic.

★★★★1/2
Ian Schultz

20 January 2015

Blu-ray Review - The Thief of Bagdad (1940)

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Genre
Adventure, Fantasy
Distributor:
Network
Release Date:
26th January 2015
Rating: U
Director:
Michael Powell, Ludwig Berger, Tim Whelan
Cast: Conrad Veidt, Sabu, John Justin, June Duprez
Buy: Blu-ray The Thief of Bagdad

The Thief of Bagdad is one of the benchmarks of fantasy cinema. It is a remake of the earlier silent version with Douglas Fairbanks, even though both are very different. It also happens to be one of the first major films directed by Michael Powell, however like The Wizard of Oz, there were many directors: 3 credited and 3 uncredited. With that being said, the film certainly has Powell’s stamp on it.

Admad (John Justin) is imprisoned by the evil warlock Grand Vizier Jaffar (Conrad Veidt), despite being the rightful heir to the throne of Bagdad. With the help of the thief Abu (Sabu), Admad escapes, and together they go on a fantastical adventure. Admad, now blinded, tries to win back the Princess (June Deprez) and in doing so, must defeat the evil Jaffar.

The film’s greatest strengths are the special effects and cinematography. The film is the first major picture to use extensive blue-screen. Due to the primitive nature of effects at the time, it is visible, yet it is still used in breath-taking ways. The film has two centrepieces: the encounter with Djinn the genie, and even more impressive spider web sequence. The spider sequence terrified a young Terry Gilliam so much so that he would, “wake up in the middle of the night trapped in that spider web, all my bedclothes wrapped around me.” The special effects naturally won the Oscar as did the art direction and cinematography.

The cinematography is as lush and colourful as you would expect from Michael Powell. It was shot by the French cinematographer George Perinal who Powell must have enjoyed working with, as he did so again on The Life and Death of Colonel Blimp. Powell would also work with him again on his later film Honeymoon, however Jack Cardiff, or his former camera operator Christopher Challis, shot many of the classic Powell and Pressburger films.

The Thief of Bagdad should be re-discovered, and hopefully thanks to the new Blu-ray release by Network it will. It has influenced directors as diverse as Terry Gilliam, Martin Scorsese and Francis Ford Coppola. The only real shame in the release is that it’s bonus features are limited to the original theatrical trailer and image galleries.

★★★★
Ian Schultz

19 January 2015

Blu-ray Review - I'm All Right Jack (1959)

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Genre:
Comedy
Distributor:
Studio Canal
Release Date:
19th January 2015
Rating: U
Director:
John Boulting
Cast: Ian Carmichael, Peter Sellers, Terry-Thomas, Richard Attenborough, Miles Malleson
Buy: Blu-ray I'm All Right Jack

I’m All Right Jack is considered one of the great British satirical films, and although it is certainly a good film, it doesn't quite live up to it’s reputation. Back during it’s release it was the highest grossing film of 1959, how times have changed. The film’s highlight is a performance by Peter Sellers as the socialist union shop steward Fred Kite.

The film’s protagonist Stanley Windrush (Ian Carmichael) is an upper class graduate who takes a job at his uncle’s missile factory. However, his uncle plans to have Stanley become the focus of a labour dispute that he plans to profit from. This all goes pear shaped when Kite takes advantage of the dispute for his own agenda.

As is so often the case with Peter Sellers, he completely steals the film from under all the other actors, and according to The Guardian, “it’s a career best performance”. Although that is a ridiculous overstatement, it is definitely considered up there with his finest performances, and Bafta agreed, awarding him Best Actor. British veteran thespians like Dennis Price and the recently decreased Richard Attenborough round off the supporting cast.

Unfortunately the satire is dated and isn't as funny as it should be, but with that being said, it’s still a very enjoyable watch. The film’s 102 running time flies by, and it does have something to say about how the greedy bosses will do anything to make a buck at the expense of their workers. This is certainly an issue that has relevance to today’s political climate. The disc includes a new interview with star Liz Fraser, a featurette on Peter Sellers, and an early Richard Lester short with Peter Sellers.


★★★1/2
Ian Schultz

16 January 2015

Blu-ray Review - Two For the Road (1967)

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Genre:
Comedy
Distributor:
Eureka
Release Date:
19th January 2015
Rating: PG
Director:
Stanley Donen
Cast: Audrey Hepburn, Albert Finney
Buy: Blu-ray - Two for the Road

Two for the Road is a slightly forgotten film by Stanley Donen (Singin’ in the Rain, Bedazzled, Charade), which has been re-released by Eureka in their Masters of Cinema imprint. It stars Albert Finney and Audrey Hepburn and both have rarely been better. The film’s influence can certainly be seen in Richard Linklater’s rightfully celebrated Before Trilogy.

Mark Wallace (Albert Finney) is a well off architect who is married to Joanne (Audrey Hepburn) in a relationship which is obviously on the rocks. Through a series of flashbacks and flash-forwards the stories of how they fell in love, fell out of love, and got back together are shown. The film is mostly set in parts of Northern France, and more often than not is set on the same road but at different points in their relationship.

It was an interesting period for Hollywood when Two for the Road came out; films like Bonnie &Clyde and Point Blank were murdering the classic Hollywood studio system. I think Donen saw this and decided to make a film which partly owed itself to some of the work from the French New Wave, but simultaneously worked as a mainstream romantic comedy. It was also the first big film that Albert Finney did for an American Studio; he had great success a couple years earlier with Tom Jones (for those who don’t know, it’s not about the Welsh singer). Audrey Hepburn obviously was a massive iconic film star, but even by 1967 her star was fading and she only acted in 5 more films in the next 25 years.

Frederic Raphael, who had a massive success with Darling starring Julie Christie (he won the Oscar for it), wrote the script. It has been said that the interactions between Finney and Hepburn are based on his own relationship with his wife, and it certainly has a feel of an authentic real life romance. Raphael deservingly was nominated for an Oscar for the script.
Christopher Challis shot the film. He learned his trade being a camera operator for Powell & Pressburger, eventually graduating to becoming their DP. Martin Scorsese once said of Challis, “Chris Challis brought a vibrancy to the celluloid palette that was entirely his own, and which helped make Britain a leader in that long, glorious period of classic world cinema”. His innovative work is on glorious display in Two for the Road. The photography of the French landscape just pops with the new Hi-Def transfer.

Two for the Road is fascinating and extremely funny film and a example of old Hollywood director taking his cues from the New Wave but making something still accessible to a mainstream audience in 1960s. It’s editing is fascinating and it’s shot length is extremely short for the period, much more modern than even someone like Sam Peckinpah who is noted for his fast cuts. It’s probably Audrey Hepburn’s finest performance and Finney is always a joy on screen. The film’s influence on future films is undeniable, and it has a wonderful score by Henri Mancini that fits the mood and pace perfectly - he considered it the favourite among his scores.  

The disc contains an interview with Frederic Raphael, a commentary by Stanley Donen, the theatrical trailer and a booklet with essays on the film.

★★★★
Ian Schultz

29 July 2014

Blu-Ray Review - Victim (1961)

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Genre: Drama
Distributor: Network
BD Release Date: 28th July 2014 (UK)
Rating: 12
Running Time: 105
Director: Basil Dearden
Cast: Dirk Bogarde, Slyvia Syms, Dennis Price, Nigel Stock
BuyVictim Blu-Ray

The year is 1961 and homosexuality in the UK is still a crime, this was also the year that filmVictim was released.  It became famous for being the first film in the English language to use the word “homosexual” and one of the first films with a sympathetic portrayal of a gay man. It is also widely believed to have played a role in the eventual overturning of the law banning homosexuality.

The police are after a young man named Jack Barrett who has stolen money from his employer and is on the run. He tries to get in contact with the barrister Melville Farr (Dirk Bogarde) who is married but in reality is gay and had an affair with the young man. Barrett commits suicide after he is caught but Melville is blackmailed.

Dirk Bogarde was widely known to be gay but rarely spoke about his own sexuality even in his own autobiography. It took him astonishing courage to take up the part in Victim in 1961 and gives a wonderfully paranoid performance throughout the film. It was a game changer and an important film for Bogarde’s career and for cinematic history.

The cinematography has a slight noir tinge which suits the material very well; Otto Heller who photographed many of the finest British films ever made such as Peeping Tom, The Ladykillers and The Ipcress File shot it. Basil Dearden-who did some of the most unique films to come out of the 50s and 60s British industry, directed it.

Network has done a very impressive disc for such an important film. The transfer is clean and has the right amount of contrast and grain. The features include a half an hour interview with Bogarde shot during the release of Victim and it also includes publicity materials like the original trailer and stills.


★★★★
Ian Schultz