Eureka Video Announce Their Masters Of Cinema October/November Releases

Eureka Entertainment have announced via their twitter feeds (@eurekavideo & @mastersofcinema) the forthcoming releases in The Masters of Cinema series for the months of October and November 2013.

Proudly presenting films from 6 different countries, spanning 67 years, and encompassing classic Hollywood, silent cinema, and the finest in global art cinema, The Masters of Cinema Series is as eclectic as ever in its October and November 2013 line-up – a 5-release slate that includes directors F.W. Murnau, Kenji Mizoguchi, Howard Hawks, Fritz Lang, Metin Erksan, Ahmed El Maanouni, and Ermek Shinarbaev.

In October, we welcome Hollywood legend Howard Hawks into the series for the first time with his John Wayne Western classic Red River alongside the worldwide Blu-ray première of Fritz Lang's Dr. Mabuse, der Spieler. [Dr. Mabuse, the Gambler.] and a strictly limited-edition box-set of late-career films by Kenji Mizoguchi.

More cinematic treats follow in November with a gorgeous new restoration of F.W. Murnau's vampire horror classic Nosferatu (following a UK theatrical release just in time for Halloween), and the very first multi-film release in an exciting new partnership with Martin Scorsese's World Cinema Foundation, a non-profit organisation dedicated to preserving and restoring neglected films from around the world.

Across 5 standout releases, which include no less than 14 films, world and UK premières abound, with new restorations aplenty, Eureka! Entertainment’s Masters of Cinema Series continues its quest to release the very finest in world cinema, using the very best available materials, all with a meticulous attention to detail and design.

Managing Director of Eureka Entertainment, Ron Benson comments “Among other highlights, it is a real privilege to establish a new partnership with Martin Scorsese's World Cinema Foundation in the US, and to continue through all of our releases to be part of a worldwide cinephile community dedicated to preserving and celebrating the treasures of more than a century of cinema.”

BFI Announces It's DVD & Blu Ray Releases For Remaining Part of 2013

This autumn the BFI will make available on DVD a superb collection of rare and previously unseen ghost and horror titles from the BBC archives. Released as part of the BFI’s GOTHIC: THE DARK HEART OF FILM blockbuster project (www.bfi.org.uk/gothic), these long-unseen gems will delight many fans of British horror and classic TV drama.

Highlights in October include:

• The legendary Play for Today drama Robin Redbreast (1970) – an unsettling tale of ‘folk horror’ that’s considered a precursor to 1973’s The Wicker Man (DVD)
• The three surviving, terrifying episodes of the long-unseen 1972 ghost story anthology Dead of Night (DVD)
• Classic Ghost Stories (1986), five spine-tingling tales from the pen of MR James, presented by Robert Powell (DVD)
• An extended six-disc repackage of the best-selling BBC Ghost Stories for Christmas (DVD)

Highlights in November include:

• A BFI Flipside Dual Format Edition presentation of the BBC’s Schalcken the Painter (1979). This highpoint of BBC arts filmmaking will be presented in High Definition from a rare 16mm source recently discovered in the BFI National Archive
• The 1977 BBC gothic horror anthology Supernatural starring a host of British acting legends including Billie Whitelaw, Robert Hardy, Denholm Elliot and Jeremy Brett (DVD)

Other Gothic releases include:

• Scary Stories – a collection of creepy films from The Children’s Film Foundation featuring The Man From Nowhere (1976), Haunters of the Deep (1984) and Out of the Darkness (1985) (September 2013, DVD)
• A three-disc Dual Format special edition of Rupert Julian / Lon Chaney’s original The Phantom of the Opera (1925) (November 2013)
• The BFI National Archive digital re-mastering of Thorold Dickinson’s dark psychological drama Gaslight (1940) (November 2013, Dual Format Edition)

October also sees the long-awaited Blu-ray premiere of Akira Kurosawa’s Seven Samurai (1954) – presented as a steelbook exclusively at www.zavvi.com .

Rescheduled releases for December include the previously announced Dual Format Editions of Roberto Rossellini’s Stromboli (1950) and Journey to Italy (1954), and Alain Robbe-Grillet’s Trans-Europ Express (1967) and Successive Slidings of Pleasure (1974).

Click here to see a picture gallery of packshots along with the news: http://www.bfi.org.uk/news-opinion/news-bfi/announcements/bfi-dvdblu-ray-releases-announced-autumn-2013

The Birth Of A Nation (Masters Of Cinema) Blu-Ray Review

Rating:NR
BD Release Date (UK):
29th July 2013
Director:
D.W. Griffith
Cast:
Lillian Gish, Mae Marsh, Henry B. Walthall
Buy: (BLU-RAY)
The Birth of a Nation is one of the most notorious films in film history and rightfully so. The film is probably the most important film of the silent only possibly topped by Battleship Potemkin. The film is directed by one of the very first true masters of cinema D.W. Griffith and is rightfully included in Eureka’s Masters of Cinema range. The film over the almost 100 years since it’s release has been indicted for being just racist trash. It’s no questionably incredibly racist but it’s a film with full of such amazing cinematic craftsmanship. The racism is so over the top are times it’s laughable especially the infamous 2nd half.

The film is a nutshell is about 2 families; one is Northern Stonemans and the Southern Camerons. They are friendly and one of the Stoneman boys falls in love with one of the Cameron girls. However the American Civil War happens. Sons of both families die during the war. After the war John Wilkes Booth (played by later noted director Raoul Walsh) assassinates President Abraham Lincoln.

The radical congressmen are determined to punish the South and by doing so they alienating white Southerners. Ben Cameron forms the Ku Klux Klan to fight back against the radical congressmen giving blacks “more rights than their white counterparts.” The film becomes increasingly becomes more and more absurd especially with the fried chicken eating mostly black legislature scene and the portrayal of African Americans as basically anarchic savages. To add insult to injury most of the black characters in that lovely old technique of blackface and the “Negro speak” intertitles are absurd.

The film boosts truly stunning cinematography and composition. The battle scenes are truly stunning and the end scenes with the KKK on horseback racing down to save the white people of the town are spellbinding. D.W Griffith are invented most of the editing techniques that are still used today. The film basically started feature length films as a realistic option, they’re about a dozens attempts previously… mostly lost sadly. It started the rise of Hollywood as a dominating force in the world for better or worse.

The Birth of a Nation a is film that is very much of it’s time and that has to be taken into account when your watch it. The film is clearly racist and pro-KKK even though D.W Griffith’s own beliefs has been much debating in the almost 100 years since it’s release. However as everyone knows the time it was made was a very racist time decades before the civil rights movement. His next film Intolerance was his response to the film’s criticism over its portrayal of the KKK and African Americans. Intolerance was all about how we should all come together and be tolerant of each other.

The film is an important piece of history that shouldn’t be dismissed outright. The film still deserves to be studied by students of film. The great Charles Chaplin once said “D.W Griffith was the teacher of us all” and he had a point. Masters of Cinema as always has released the film with loads of bonus features including a documentary and many of D.W Griffith’s civil war short films on both blu-ray and dvd.

★★★★☆

Ian Schutz

Lotte Reiniger's The Adventures of Prince Achmed (1926) on BFI Blu-ray & DVD

Director:
Lotte Reiniger
Dual DVD Release Date:
19th August 2013 (UK)
Buy:
The Adventures of Prince Achmed (DVD + Blu-ray)
On 19 August 2013, the BFI will release Lotte Reiniger’s The Adventures of Prince Achmed (Die Abenteuer des Prinzen Achmed) on Blu-ray for the first time in a Dual Format Edition (includes a DVD disc) with a newly recorded narration and the original orchestral score, along with a selection of short films and an illustrated booklet with contributors including Marina Warner.

Three years in the making, this beautiful 1926 silhouette animation brings to life magical tales from the Arabian Nights. The earliest surviving animated feature film – preserved in the BFI National Archive – it has been hailed as one of the world’s most innovative and influential animations.

Handsome young Prince Achmed is brave and eager for adventure, so when the most powerful sorcerer in the world challenges him to fly a magic horse, Achmed plunges headlong into a series of exciting escapades which take him from Baghdad to China via the enchanted spirit lands of Wak-Wak.

Made in card, cut entirely by hand, and then manipulated using sheets of lead joined by wires, Reiniger’s exquisite shadow characters move intricately through colourful worlds of demons, witches, beautiful princesses and flying castles. The incredible talent and creativity shown here has influenced the animation in other films including Snow White, Harry Potter and the Deathly Hallows and The Sword in the Stone.

Special Features

• Presented in both High Definition and Standard Definition
• Original orchestral score by Wolfgang Zeller
• Newly recorded alternative narration based on Lotte Reiniger's own translation of her German text Die Abenteuer des Prinzen Achmed, spoken by actress Penelope McGhie
• The Adventures of Dr Dolittle (Lotte Reiniger, 1928, 30 mins): a series of three short films based on the classic stories by Hugh Lofting
• The Flying Coffer (Lotte Reiniger, 1921, 8 mins): a poor young fisherman tries to rescue the Emperor of China's daughter who is imprisoned in a sky high pagoda
• The Secret of the Marquise (Lotte Reiniger, 1922, 2 mins): an early advert for Nivea skin care products
• The Lost Son (Lotte Reiniger, 1974, 14 mins): the New Testament parable animated in Lotte Reiniger's inimitable style
• The Star of Bethlehem (Lotte Reiniger, 1956, 18 mins): the nativity story with music by Peter Gellhorn, performed by the Glyndebourne Festival Chorus
• Illustrated booklet with newly commissioned essays by Jez Stewart and Philip Kemp and a contribution by Marina Warner

The Killing Of A Chinese Bookie Blu-Ray Review

Rating:
15
BD Release Date:
15th July 2013
Director:
John Cassavetes
Cast:
John Cassavetes, Ben Gazzara, Timothy Carey, Seymour Cassel
Buy: (3-Disc Limited Edition) The Killing of a Chinese Bookie was my introduction to work of John Cassavetes many years ago. It’s probably his most accessible film in a way; it’s inspired by film noir (which John Cassavetes acted in a handful in his time) but it’s a very arty and gritty take on it. Its much more story focused than most of his work that certainly helps its accessibility. It also came near the end of his golden period of filmmaking, which was from Faces to Gloria.

The film stars frequent Cassavetes collaborator Ben Gazzara who plays Cosmo Vittelli. He is a strip club owner and is making his last payment of his gambling debt to this sleazebag loanshark (played by the film’s producer/cinematographer Al Ruban). He celebrates this by taking his 3 favourite dancers out and it eventually ends in another poker game and he looses $23,000. The mob uses this against him so he will do a hit for them. He believes it to be some small-time Chinese bookie but in reality it’s a capo of the Chinese mafia “the heaviest cat on the West Coast”. He manages to perform the hit but soon realises he is double-crossed.

The film not unlike many of his other films was originally released in a much longer cut. It was originally released in a 135 minute cut but he pulled it after a week and Ben Gazzara hated this version and said it was too long. It was eventually recut in a much more accessible shorter cut of 108 minutes. It mostly cut the strip club routines but true to Cassavetes’ form he ordered the scenes in the new cut. The BFI Blu-ray includes both cuts.

The film is a great piece of cynical neo-noir 70s filmmaking in the vein of Chinatown or Night Moves. It’s boosts a wonderful performance by the always great Ben Gazzara (I’m sure the Coens watched this before they cast him in The Big Lebowski due to his role in this). His performance really makes the film, which is not unlike most of Cassavetes’ films where the leading actor or actress makes the film like for example his wife Gena Rowlands in many of the films. It’s different cause it’s male protagonist when a good majority of his films have a female one.

It’s one of John Cassavetes’ best films partly due to its accessibility. If you’re a fan of Scorsese’s early films and other noir inspired films of the 70s it’s very much worth your time. BFI has released a 3-disc special edition, which includes the film on both Blu-ray and dvd and a bonus disc with a feature length doc on John Cassavetes, a short, a interview and the film itself includes scene selected commentaries by the producer and Cassavetes’ friend and contemporary Peter Bogdanovich.

★★★★★

Ian Schultz

BFI To Bring Satyajit Ray’s The Big City To Cinema's Across UK.

On 16 August the BFI brings Satyajit Ray’s The Big City to cinemas across the UK. This richly absorbing tale of family and city life from the master of Bengali cinema is set in mid-50s Calcutta, a society still adjusting to Independence and gripped by social and financial crisis.

The film’s nationwide release will coincide with a two-month complete retrospective of the director’s work at BFI Southbank during August and September.

Subrata Mazumdar (Anil Chatterjee), a young bank clerk struggling to support his entire extended family on a meagre salary, firmly believes that ‘a woman’s place is with her cooking pots’. Unsurprisingly, he experiences conflicting emotions when his wife Arati (Madhabi Mukherjee) helps out by taking a job as a door-to-door ‘salesgirl’ peddling knitting machines to rich housewives. Though shy and nervous to begin with, Arati soon proves a huge success, relishing her new-found independence (not to mention the joys of lipstick) and thoroughly upsetting the family dynamic.

Bengali star Madhabi Mukherjee, with her expressive frown and mischievous smile, gives a ravishing, spirited performance as Arati. This was Mukherjee’s first film with Ray (she was later to star in his Charulata) and she confessed herself ‘stunned’ by his extraordinary ‘woman-centred’ screenplay, so different from anything she had previously encountered. Indeed, Ray originally considered calling the film ‘A Woman’s Place’.

Yet, for all his focus on Arati’s problems, Ray – who is renowned for his breadth of sympathy – also deploys warmth, abundant humour and deep psychological insight in his depiction of a large, multi-generational cast of characters, including Arati’s conservative old father-in-law, her studious teenage sister-in-law, her feisty Anglo-Indian colleague and her benevolently despotic boss.

For this new restoration of The Big City, undertaken in India, the original negative was scanned at a high resolution (2K), enabling the film’s epic scale and intimate detail – from the portrayal of bustling urban life to the exquisite play of emotions on Arati’s face – to emerge in greater beauty and clarity.

Now re-released by the BFI to mark its fiftieth anniversary, The Big City, with its emphasis on conflicting social values – and most particularly on the role of women – feels as fresh and relevant as ever.



The Big City is part of The Sayjit Ray season next month at The BFI Southbank from 16th August, more details here.For listings of when The Big City will be playing near you please check with your local independent/Arthouse cinema for exact dates.

Eureka Entertainment Announce Their August/September Line Up

Releases from Fellini, Sirk, Antonioni, Pialat and Antonio Campos are set to join the Masters of Cinema Series as Eureka Entertainment announce their release schedule for August and September 2013

Eureka Entertainment have announced via their twitter feeds (@eurekavideo & @mastersofcinema) the forthcoming releases in The Masters of Cinema series for the months of August and September 2013.

From classic Hollywood to the finest in French and Italian art cinema as well as a brand new film by an emerging auteur, The Masters of Cinema Series is as eclectic as ever in its August and September 2013 line-up – a 6-film slate that includes directors Douglas Sirk, Federico Fellini, Michelangelo Antonioni, Maurice Pialat, and Antonio Campos.

Producer of the Masters of Cinema Series, Andrew Utterson stated “In August, we welcome director Antonio Campos into the series for the first time with his remarkably assured second feature Simon Killer alongside worldwide Blu-ray premières of Douglas Sirk's The Tarnished Angels and Michelangelo Antonioni's La notte [The Night].More cinematic treats follow in September with Maurice Pialat's study of the great artist Van Gogh, the worldwide Blu-ray première of Federico Fellini's early masterpiece Il bidone, and the worldwide Blu-ray première of Douglas Sirk's penultimate Hollywood feature A Time to Love and a Time to Die. “

Managing Director of Eureka Entertainment Ron Benson added “Across six standout films, world and UK premières abound, with new restorations aplenty, as we continue our quest to release the very finest in world cinema, using the very best available materials, and all with a meticulous attention to detail and design.”

Watch 20 Minute Behind The Scenes Documentary On Martin Scorsese's After Hours

2012 marked the 70th birthday of probably cinemas most intelligent film autuer, the living film encyclopedia Martin Scorsese. Like any landmark birthday the urge to have an nostalgic look back at that particular  persons work is infectiously curious and how could you resist?

When  you dive through the archives you always come across a film you didn't realise they made or just simply forgotten about. Back in 1980's it's common knowledge Scorsese attempted to direct The Last Temptation of Christ but something prevented him for making it but in 1985 instead he made one of his most underrated films After Hours.

Like many little unknown films it's years later before you really appreciate the quality of what you've just watched. After Hours is a kafka-esque surreal black comedy starring Griffin Dunne a young man who crosses paths with a pretty young girl (Rosanna Arquette) at a coffee shop in what turns into a unforgettable night but when you think nothing can go wrong, things go wrong drastically.

The good folks at No Film School have come across this 20 minute documentary which has a brief look at the film talking to the cast especially Dunne and of course Scorsese. You can here some of the reasons why Last Temptation of Christ never materialized but could you say Scorsese has made an movie like this again? Highly unlikely, there's also about 8 or 9 minutes of deleted scenes to be watched here to in a video that's actually quite funny overall too.

Chronicle Of A Summer Blu-Ray Review

Made during the summer of 1960 by anthropologist filmmaker Jean Rouch and sociologist Edgar Morin, Chronicle of a Summer set out to record the everyday lives of a diverse array of Parisians through an highly influential approach to documentary filmmaking that made use of an original mixture of intimate interviews, debates, and observation.

The idea for the film arose when Rouch and Morin served as members of the jury for the first International Festival of Ethnographic Film in Florence, 1959. Rouch remembers Morin approaching him with the following question: “You have made all your films abroad; do you know anything about contemporary France?” Morin then proposed that Rouch should move away from his devotion to African rituals and customs and instead turn his gaze onto the Parisians “and do anthropological research about my own tribe.”

The film hinged on a simple theme: ‘How do you live?’ For Morin, this was a question that “should encompass not only the way of life (housing, work) but also ‘How do you manage in life?’ and
'What do you do with your life?’” These questions were tackled through the film’s redefined approach to the documentary form which was, as the opening voice-over announces, “made without actors but lived by men and women who devoted some of their time to a novel experiment of film-truth’,” or, as it is more commonly known, cinéma vérité.

The film’s interviews, debates, and observations reveal many fascinating insights into Parisian society at the onset of the 1960s. We witness factory workers and mechanics who talk about the oppressive nature of daily work and life; with one interviewee evoking the words of Albert Camus as read in his The Myth of Sisyphus. Then there are the debates surrounding the independence wars in Algeria and Congo which situate the film within discussions of racism and decolonisation.

More recently, Chronicle of a Summer has been read by Richard Brody as “one of the greatest, and perhaps the primordial, Holocaust film.” This interpretation of Rouch and Morin’s documentary as a ‘Holocaust film’ can be seen in the story of Marceline. We are first introduced to Marceline at the beginning of the film; first as an interviewee for the filmmakers’ as they make a first attempt at their experimental documentary technique, and then as an interviewer asking random passers-by: “Are you happy?” It isn’t until much later in the film that the numbered tattoo on her arm is revealed.

Immediately after the revelation that Marceline was a Holocaust survivor, the film presents us with its most intense, haunting, beautiful, and powerful scene. Marceline walks along an almost deserted Place de la Concorde, reminiscing about her experience of the Occupation. Far from making this film one about the Holocaust, what this scene demonstrates is a direct link between the legacy of the Second World War and France’s position as a colonial power clinging onto its territories during a time of decolonisation.

As this review as shown, it is often the filmmakers themselves who can provide the best analysis of their film. So I will end this piece on the excellent Chronicle of a Summer with two quotes by Morin. The first quote relates to the films questioning of how much reality and truth is presented in documentary filmmaking: “I thought we would start from a basis of truth and that an even greater truth would develop. Now I realise that if we achieved anything, it was to present the problem of truth.”

The final quote is taken from the films end in which Rouch and Morin pace up and down the Musée de l’Homme before Morin states: “We wanted to make a film about love, but it turns out to be about indifference.”

★★★★½

Shane James

Rating: 12
DVD/BD Release Date: 27th May 2013 (UK)
Director: Edgar Morin, Jean Rouch
Cast: Marceline Loridan Ivens, Landry, Régis Debray

Buy: Chronicle of a Summer (DVD + Blu-ray)

John Cassavetes' Opening Night Blu-Ray Review

Opening Night is the latest John Cassavetes film BFI being re-released on a dual format blu-ray/dvd combo. They started they’re reissues back in April 2012 with the landmark films Shadows and Faces (which I just picked up the other day). One of the very first reviews I did for the people’s movies / cinehouse was Shadows which to this day remains my favourite Cassavetes directorial effort.

Opening Night is a later Cassavetes film in that golden period of American cinema known as the New Hollywood of the 1970s. Cassavetes was one of the first truly independent American directors of feature films (sometime mistaken as the first but Sam Fuller was a decade before). John would act or sometimes direct Hollywood films so he could fund (and distribute) his more personal improvisational melodramas. John Sayles would later do a similar thing but in that case screenwriting.

Opening Night is very much A Woman Under the Influence (one of Cassavetes’ best films and most well known) goes Broadway. Like A Woman Under the Influence it’s stars John Cassavetes’ real life wife Gena Rowlands who plays the central character Myrtle Gordon, a actress who is rehearsing for her latest play. The play is about a woman unable to admit she is aging and it has many parallels to her own mid-life crisis. Myrtle witnesses a young woman who gets killed after trying to meet her after a preview of the play and this deeply troubles her and she feels responsible for her death. Her feelings of guilt start to interfere with her professional work but she also has a serious drinking problem as well. The film deals with her very complicated relationships with the stage director (played by frequent Cassavetes collaborator Ben Gazzara) producer, fellow actors (including one played by John Cassavetes) etc. She also starts having hallucinations of the dead girl near the end of the film, which reminds you of Black Swan, a similar themed film about the parallels of a stage life and personal life and the eventual merging of the 2.

Like many of Cassavetes films he could certain use with some reigning in during the editing process (many of his films have went though many cuts and released and then withdrawn and re-released) and the film suffers from many way too long. It’s round the 2 hour and 30 minute mark with many scenes of the play wasting the running time and being pretty obvious with it’s parallels with Myrtle’s life. Cassavetes was first and foremost an actor and all his films are very much actor’s pieces and he is great and bringing out great performances but they can become too actory and stagey (most evident in this film for obvious reasons). Cassavetes has always struggled with pacing in his films and this is no exception but it has a great performance by Gena Rowlands. I would recommend seeing A Woman Under the Influence before you see this, which is the superior film and performance.

★★★½☆

Ian Schultz

DVD/BD Release Date:27th May 2013 (UK)
Director: John Cassavetes
Cast:John Cassavetes, Gena Rowlands, Ben Gazzara, Joan Blondell

Buy: Opening Night (DVD & Blu-ray)

Pace To Present James Franco's First UK Art Exhibition

The artists first collaborated on Rebel, an exhibition presented at the Museum of Contemporary Art, Los Angeles in 2012. In Rebel, Franco acted as a producer for Gordon, while in this exhibition Gordon has acted as a curator and teacher for Franco.

He's turning into a bit of a renaissance man Hollywood actor James Franco will be showing off his multimedia skills when Pace Gallery in London exhibits the actor's latest multimedia installation  Psycho Nacirema. Curated by Scottish artist Douglas Gordon this June  until  August will be on view to general public, the actor's first major exhibition in the UK

Psycho Nacirema presents a mise-en-scène of director Alfred Hitchcock’s 1960 thriller Psycho, remodelling the infamous Bates Motel where the intrigue of the film takes place, intertwined with the 1920’s Arbuckle scandal.

In Psycho Nacirema, James Franco uses the motel structure as both a physical and literal framework,
reinterpreting iconic scenes from the original film through evocative details such as the motel neon signage or the infamous shower room where the film character Marion Crane, is murdered.One of Gordon’s most well-known works is 24 Hour Psycho (1993), a projection of Alfred Hitchcock’s famous film slowed down to last an entire day which also sparked inspiration for the exhibition

Franco’s installations heighten the psychological entrapment set out by Hitchcock, beckoning the audience to become a participating character within the plot. Split Marion, 2013 a diptych mirror installation, prompts the viewer to join the artist to gaze and be gazed upon, projecting themselves as the characters of Marion Crane and Norman Bates. Compelled to identify with them, the audience is forced to recognise their own neurosis and psychological inadequacies generated by the silver-screen.

Psycho Nacirema makes numerous trans-historical juxtapositions. Principally using Hitchcock’s film as a starting reference, Franco twists it together with the real-life scandal of Fatty Arbuckle, the Hollywood star and first one-million-dollar paid actor charged with the death of the American model and silent film actress Virginia Rappe in September 1921. The Arbuckle case was filled with murky evidence and media speculations which shed a harsh light on the cinema industry.

Franco’s fascination with the subject leads to the final room of the exhibition. A four-way projected film which shows the re-enactment of the scenario that supposedly took place in Room 1219 where Arbuckle was found with Rappe who was mysteriously injured and distressed. Marrying the Psycho thriller with the Arbuckle scandal, the exhibition performs interplay of reality with fiction, compelling the viewers to address how cinema is entrenched in the modern collective consciousness.

“Film is the medium that employs all art forms, but it is contained within the screen. We take this multi-form idea and pull it through the screen, so that the different forms are once again fully dimensional and a new nexus of interaction and significance is created. In this show, we go back to the original locations and images of Psycho and alter them so that once again the viewer's relationship with the material changes. One becomes an actor when interacting with this work. Film becomes raw material and is sculpted into new work.” James Franco, May 2013.

Psycho Nacirema will be accompanied by a catalogue that features a discussion between both artists and Russell Ferguson, Deputy Director for Exhibitions and Programmes and Chief Curator at the Hammer Museum, Los Angeles.

Psycho Nacirema will be on view at Pace London, 6-10 Lexington Street, from 6 June to 3 August.

More information on the event can be found here at pacegallery.com

All Images from Psycho Nacirema © 2013, James Franco, courtesy Pace Gallery

Cinematic Masterpiece Cleopatra To Get Limited Cinema Release

The 50th Anniversary of the 1963 masterpiece CLEOPATRA will be celebrated with a limited engagement theatrical release; it was announced today by Twentieth Century Fox. Screenings will be held from the 12th July at Curzon May Fair, London and select cinemas nationwide. The 243-minute original theatrical version of CLEOPATRA has been meticulously restored to commemorate its golden anniversary. This new digitally restored transfer received a world theatrical premiere as an official selection of Cannes Classics at the 2013 Cannes Film Festival on May 21.

Directed by Academy Award® winner Joseph L. Mankiewicz, the historical epic shot on 70mm film took home four Academy Awards and was the highest grossing films of 1963 earning more than $57 million in its initial release. CLEOPATRA infamously cost an unprecedented $42 million to make (equivalent to over $300 million today) and was racked with scandal as the onscreen love affair between Cleopatra (Taylor) and Mark Antony (Burton) spilled over into real life during the three-year production in Rome. Burton celebrated his great love for Ms. Taylor with exquisite gifts from Bulgari.

In 51 BC, Cleopatra became queen of the Egyptian Empire: the wealthiest and most revered kingdom the world has ever known. More than 2,000 years later Twentieth Century Fox Studios set out to tell her epic story in what would become, at the time, the most ambitious and lavish moviemaking endeavor in Hollywood history. Elizabeth Taylor signed a one million dollar contract to play the title role of Cleopatra, becoming the first female star to command such a sum for one picture. Elaborate sets and costumes, production delays and the relocation of principal filming from London to Rome added to the skyrocketing budget.

CLEOPATRA will be available for the first time ever on Digital HD beginning 28th May 2013. In addition to the film, this HD premiere on iTunes features the 80-minute documentary “Cleopatra: The Film That Changed Hollywood,” made up of film clips, behind-the-scenes footage and interviews that explore the fascinating stories behind this 5-year production.

The CLEOPATRA 50th Anniversary Edition Blu-ray is currently available to own. The 2-disc set is packed with dazzling bonus materials featuring never-before-seen exclusive content including Cleopatra’s lost footage, commentary from Chris Mankiewicz, Tom Mankiewicz, Martin Landau and Jack Brodsky, behind-the-scenes featurettes, and more. Additionally, fans can watch footage from the film’s original theatrical premieres in both New York and Los Angeles.

Anthony Asquith's Underground To Get BFI Release This June

Anthony Asquith's Underground (1928), a subterranean tale of love, jealousy, treachery and murder, evokes the daily life of the average Londoner better than any other film in Britain's silent canon. Restored by the BFI National Archive and following an acclaimed theatrical release in January, the BFI now brings the film to DVD and Blu-ray for the first time on 17 June 2013 in a Dual Format Edition. It is presented with a new orchestral score composed by Neil Brand and performed by the BBC Symphony Orchestra; along with five short complementary films and an alternative score by musician/sound recordist Chris Watson

In the late 1920s Asquith, along with Hitchcock, was one of the most audacious young talents in British film and Underground was his own original screenplay. With its scenes of the bustling tube (passenger behaviour is strikingly familiar) and the capital’s parks, double-decker buses, pubs and shabby bedsits, Asquith masterfully balances the light and dark sides of city life, aided by a superb cast of Brian Aherne and Elissa Landi as the nice young lovers and Norah Baring and Cyril McLaglen as their unhappy counterparts

At just 26, Asquith's direction is assured, efficient and spare with some remarkably cinematic flourishes, clearly inspired by contemporary German and Russian filmmaking. It climaxes with a thrilling chase scene across the rooftops of the Lots Road Power Station.

For many years the restoration of Underground presented insurmountable difficulties, but developments in digital technology have enabled the BFI to make a significant improvement to the surviving film elements.

Special features
• Feature presented in both High Definition and Standard Definition
• Newly commissioned score by Neil Brand presented in 5.1 and 2.0
• Alternative score by Chris Watson
• The Premier and His Little Son (1909-12, 1 min): previously unseen footage of Anthony Asquith as a child
• A Trip on the Metropolitan Railway (1910, 13 mins, DVD only)
• Scenes at Piccadilly Circus and Hyde Park Corner (1930-32, 6 mins, DVD only)
• Seven More Stations (1948, 12 mins, DVD only): a film about the expansion of the Central Line beyond Stratford
• Under Night Streets (1958, 20 mins): a documentary about the tube's nightshift workers
• Illustrated booklet featuring film notes and new essays by Christian Wolmar and Neil Brand.

Pre-order/buy: Underground (DVD + Blu-ray)

John Cassavetes Opening Night To Get BFI UK Home Release This May

The latest release in the BFI’s John Cassavetes Collection, out on 27 May 2013, is the award-winning Opening Night (1977), starring Gena Rowlands, John Cassavetes and Ben Gazarra.

Released on Blu-ray for the first time in the UK, it is presented in a Dual Format Edition (also contains a DVD disc). Numerous extras include an audio commentary, a documentary – Memories of John and Peter Falk (Columbo) talking about John Cassavetes.

Broadway actress Myrtle Gordon (Gena Rowlands) rehearses for her latest play about a woman in denial at the onset of her autumn years. When Myrtle witnesses the accidental death of an adoring young fan, it leads to a crisis of confidence in both her professional and her personal life which threatens to undermine the whole production.

Featuring a startling and compelling performance by Gena Rowlands, which won her the Silver Bear for Best Actress in 1978, Opening Night is arguably one of John Cassavetes’ most self-reflexive works and offers an insightful and intriguing evocation of the theatrical experience from both sides of the proscenium.

Click here to see Peter Falk talking about the director, along with a short clip from the film:

Special Features

• Presented in both High Definition and Standard Definition;
• Audio commentary by Tom Charity, Mike Ferris and Bo Harwood;
• Memories of John (DVD only, 29 mins);
• Falk on Cassavetes: the later years (DVD only, 14 mins);
• Illustrated booklet featuring interviews and essays from Tom Charity, Al Ruban and Peter Bogdanovich

Pre-Order/Buy: Opening Night (DVD & Blu-ray) 1977

The Complete (Existing) Films of Sadao Yamanaka To Get Masters of Cinema DVD Release

Eureka Entertainment have announced the long-awaited follow up to one of the earliest MoC DVD titles — Humanity and Paper Balloons, THE COMPLETE (EXISTING) FILMS OF SADAO YAMANAKA featuring the aforementioned film alongside rare footage of other lost Yamanaka films - overall includes the complete surviving works from this legendary director. The set will be released in a 2-disc DVD edition on 20 May 2013.

The brief but prodigious career of Japanese director Sadao Yamanaka resulted in a catalogue of work characterised by an elegant and unforced visual style, fluid editing, and a beautiful attention to naturalistic performances. Although he made 22 films over a six-year period (before dying of dysentery in a Japanese Imperial Army outpost in Manchuria at the age of 28), only three of them survive, collected here for the first time in the West.

Tange Sazen: The Million Ryô Pot is a gloriously comic adventure yarn as the titular one-eyed, one-armed swordsman becomes embroiled in the hunt for a missing pot that points the way to hidden treasure. In Kôchiyama Sôshun, a subversively humanistic adaptation of a classic kabuki play, a small but invaluable knife stolen from a samurai leads to a chain of an increasingly complex and troublesome set of circumstances. His last film, Humanity and Paper Balloons, is an unsparing ensemble drama set among the lowest rungs of Japanese society in the 18th century.

The Masters of Cinema Series is delighted to present these treasures of world cinema in a long-awaited two-disc DVD set, including rarely-seen fragments of two other lost Yamanaka films.

“Humanity and Paper Balloons is a beautifully shot and well told story” – DVD Times

“There really isn't any questions whether this should be part of your cineaste DVD collection. It is tantamount to being imperative.” – DVD Beaver

“Humanity and Paper Balloons is a fascinating time capsule of a movie that not only reframes the feudal period in which it is set to present a harsh critique of the social and political conditions of the time it was made, but also demonstrates just how tight, coherent, and entertaining films from this period actually were.” – Jasper Sharp, Midnight Eye

SPECIAL TWO-DISC DVD EDITION:
• New digital transfers of all three films
• New English subtitle translations
• Rare fragments of other lost Yamanaka films
• A lengthy booklet, including Yamanaka's will, excerpts from his diaries, essays by Tony Rayns, Shinji Aoyama, Kimitoshi Satô, and more
• More extras to be announced closer to release date

Pre-Order/Buy The Complete (Existing) Films of Sadao Yamanaka: THE COMPLETE (EXISTING) FILMS OF SADAO YAMANAKA (Masters of Cinema) (DVD)

Terracotta Film Club To Present Special Screening of Samurai masterpiece Lady Snowblood

Terracotta Film Club will present a Japanese classic from legendary director Toshiya Fujita for its 4th edition.

This blood-splattered Samurai masterpiece from the golden age of Japanese cult cinema is credited as the main inspiration for Quentin Tarantino’s KILL BILL series.

LADY SNOWBLOOD is a 1973 Japanese film based on a manga and set in 17th century Japan. The film follows Yuki (Meiko Kaji) on her quest for vengeance against those who killed her father, brother and raped her mother, all before she was even born.

'Terracotta Film Club' organisers are delighted to continue showing Asian films regularly on the big screen and this opportunity to show LADY SNOWBLOOD fits perfectly among the other influential classic and contemporary Asian films showcased in the previous months.

Terracotta Film Club will take place every last Wednesday of the month at the Prince Charles Cinema, London



Terracotta Film Club will take place every last Wednesday of the month at the Prince Charles Cinema, London.Lady Snowblood will be screened on Wednesday 24 April at 8.45pm doors open / 9pm film starts. Ticket price: £ 6.50 (Prince Charles cinema members £ 4.00)book your tickets now from here

Synopsis

Meiko Kaji (Female Prisoner Scorpion / Blind Woman’s Curse) is Yuki, a women raised from birth for one terrible, blood splattered purpose...To murder those who raped her mother and left her to rot in a stinking women’s prison, where she died in childbirth. Trained in deadly fighting arts and fatal sword play, Lady Snowblood is cursed to wander the lands in pursuit of her single purpose. She is a demon of vengeance, only sated by the crimson blood of those who stole her mother from her.
Lady Snowblood is a 1973 Japanese film based on a manga called Shurayukihime by Kazuo Koike (Lone Wolf and Cub) and Kazuo Kamimura. Lady Snowblood’s theme song, Shura No Hana, sung by Meiko Kaji (translated by Tarantino as The Flower of Carnage) is also used in Kill Bill, Vol. 1.

John Schlesinger’s Billy Liar Restored On Blu-Ray For 50th Anniversary May Release

Tom Courtenay delivers a star-making turn as William Terrence Fisher (‘Billy Liar’) in one of the most memorable and universally acclaimed films of the 60s.

Running from an unsympathetic working-class family, a pair of demanding fiancées and an insecure job at an undertakers, Billy escapes, Walter Mitty-like, into a world of fantasy where he can realize his dream ambitions. As work and family pressures build to new intolerable levels, Liz (an early, charismatic turn from Julie Christie), enters his drab life and offers Billy the one real chance he’ll ever get to leave the past behind.

Scripted by Keith Waterhouse from his own novel, and sensitively directed by John Schlesinger (Midnight Cowboy), Billy Liar is one of the few comedies of the British ‘New Wave’, marrying visual and verbal wit with a rather poignant rumination on the futility of dreams.

The newly restored version of Billy Liar will also screen as part of this year’s Bradford International Film Festival, hosted by Bradford UNESCO City of Film on Sunday 14 April.

David Wilson, Director of Bradford UNESCO City of Film said, ‘Billy Liar is a key component within Bradford's rich film heritage and formed part of our bid to become the world's first UNESCO City of Film. It is still an important reference within film studies and I am really pleased that the 50th Anniversary edition on DVD/ BLU-RAY will bring the film to whole new audience.'

On Saturday 13 April Tom Courtenay will also be the festival’s guest of honour where he will receive the Lifetime Achievement Award. [more details can be found here]

Special Features
• Remembering Billy Liar with Tom Courtenay and Helen Fraser
• Interview with Richard Ayoade
• A look through the Keith Waterhouse Archive with British Library Curator Zoe Wilcox
• Interview with Saint Etienne's Bob Stanley
• Stills Gallery
• Trailer
Pre-order/Buy Billy Liar 50th Anniversary Edition:DVD / Blu-ray

Studiocanal To release Joseph Losey's The Servant,Accident, Entertaining Mr Sloane

restorations and theatrical re-releases of British classics. March 22 will see a beautifully restored release of Joseph Losey's THE SERVANT for its 50th anniversary. Scripted by Harold Pinter (their first collaboration) and starring Dirk Bogarde and James Fox, it will be screening at selected London cinemas.

A disturbing tale of seduction, sexual and social tension and psychological control, THE SERVANT is a stunning dissection of two men, the wealthy young playboy Tony (James Fox) and his new manservant, Barrett (Dirk Bogarde), and the shifting power dynamic in their initially cosy but progressively more fraught relationship. Winner of three BAFTA awards, it is still recognised as one of the best portraits of British class warfare ever committed to screen.

April 8 will see the Home Entertainment release, on DVD, and as the latest Studiocanal Collection Blu-ray - its first ever blu-ray release. Newly created extras include award winning director Richard Ayoade interviewing James Fox, a new interview with Stephen Wooley, a leading fan of the film and new featurettes. The SCC blu-ray will come in the usual exclusive packaging with newly created booklet

Also April 8, STUDIOCANAL will be releasing the second Losey/Pinter collaboration - ACCIDENT, in a new restoration completed by the BFI and also as a blu-ray premiere. New featurettes with film critics and experts have also been created for the extras.

Rounding out the week's releases will be our DVD release of ENTERTAINING MR SLOANE, the film version of Joe Orton's black comedy starring Harry Andrews and Beryl reed, focusing on the brother and sister pairing who become involved and increasingly infatuated with the sexy young amoral drifter with a mysterious past. The DVD features a new extra of Joe Orton;s last ever chat show appearance, recorded a few months before his tragic death.

8 APRIL THE SERVANT – 50th Anniversary DVD, Studiocanal Collection Blu-Ray& EST

Tony (James Fox), a wealthy young Londoner, hires Hugo Barrett (Dirk Bogarde) as his manservant. Initially, Barrett appears to take easily to his new job, and he and Tony form a quiet bond, retaining their social roles. Relationships begin shifting, however, and they change with the introduction of Susan (Wendy Craig), Tony's girlfriend, who seems to be suspicious of Barrett and to loathe all he represents. Barrett brings Vera (Sarah Miles), whom he presents as his sister, into Tony's household as a maidservant, but it emerges that Vera is actually Barrett's lover. Through Barrett's and Vera's games and machinations, they reverse roles with Tony and Susan; Tony becomes more and more dissipated, sinking further into what he perceives as their level, as the "master" and the "servant" exchange roles

DVD extras: James Fox interviewed by Richard Ayoade / Interview with Wendy Craig / Interview with Sarah Miles / Audio interview with Douglas Slocombe (Director of photography) / Harold Pinter Tempo interview / Joseph Losey talks about The Servant / Stills gallery / Trailer

Blu-ray extras: As above plus Interview with Stephen Wooley (fan of the film) /Harry Burton (Pinter expert) on Harold Pinter / Joseph Losey and Adolfas Mekas at the New York film festival / John Coldstream (Bogarde biographer) on Dirk Bogarde

Buy The Servant On: DVD / Blu-ray

8 APRIL ACCIDENT- DVD, Blu-Ray & EST

The second of director Joseph Losey’s collaborations with playwright Harold Pinter, The Accident is a taut, dark, brilliantly acted dissection of the emotional lives of the English intelligentsia. Dirk Bogarde stars as Stephen, an Oxford Philosophy lecturer, contentedly married to Rosalind but silently resentful of his colleague Charley, whose star is rising as a TV pundit. Among Stephen's students is the casually charming young aristocrat William (Michael York) who has his eye on another of Stephen's charges, Austrian princess Anna (Jacqueline Sassard). Motivated by a dangerous mixture of admiration and envy, Stephen facilitates a meeting between William and Anna. But Stephen's gently magnanimous demeanour conceals a rising tide of anxiety, self-centredness and sexual desperation. Over the course of one drink-drenched summer afternoon in the rolling English countryside, Stephen and Charley's unspoken impulses - charged up by the seductive presence of Anna - break the veneer of English civility

Extras: Talking About Accident documentary featuring an interview with Harry Pinter / · Joseph Losey and Harold Pinter discuss Accident (1957) / Dirk Bogarde biographer John Coldstream discussing Dirk Bogarde – NEW / Harry Pinter expert Harry Burton discussing Harold Pinter – NEW / Interview with feminist author and academic Melanie Williams – NEW / Interview with film critic Tim Robey – NEW

Buy Accident - DVD

8 APRIL ENTERTAINING MR SLOANE- DVD Only

A deliciously dark and humorous story about manipulation and repressed sexuality from controversial playwright Joe Orton. An attractive young charmer by the name of Mr. Sloane weasels his way into the lives of a middle-aged brother and sister, while trying to disguise the truth about his unpleasant past. Sexual tension drives the plot from the very beginning, when the lonely Kath (Beryl Reid) spots Mr. Sloane (Peter McEnery) in a cemetery and invites him to become a boarder. Despite the age difference, Sloane coyly plays along with her flirtations for his own benefit. Their fun seems over when Kath's brother Ed (Harry Andrews) shows up, but the prim and proper gentleman also takes a shine to Sloane, hiring him as his chauffeur and taking particular interest in the young man's tight leather uniform. Kath and Ed's elderly father, however, develops a strong hatred of Sloane, and accuses to him of being involved in an old, unsolved murder.

Buy Entertaining Mr Sloane - DVD

Extras: Eamonn Andrews talks with Joe Orton (Eamonn Andrews chat show episode) / trailer