DVD Review - Doc Of The Dead (2014)

Genre:
Documentary, Horror
Distributor:
Altitude Film Distribution
Rating:15
DVD Release Date:
30th March 2015(UK)
Running Time:
81 mins
Director:
Alexandre O. Philippe
Buy:Doc Of The Dead [DVD]
The zombie has become the monster of the 21st century, encompassing all our foetid woes of death, infection, geo-politics, economy issues, even anxieties around gender, sexuality, and pets. Alexandre Phillip, the man who brought us The People vs. George Lucas, peels back years of zombie history to poke around at the inner-workings of a lucrative and mind-boggling global craze in Doc of the Dead.

Doc of the Dead spends a lot of time covering ground most horror fans will have considered for themselves or heard elsewhere, but its still an enjoyable watch, including fantastic clips and comparative case study. Even though it dodges the nitty-gritty around a flourishing industry/community, it does manage to conjure some interesting ideas about the walking dead’s lingering appeal. The zombie is able to absorb multiple political discourses because it is the monster most like us. A pity then that the worldwide appeal and reincarnation of the zombie is somewhat abandoned with very few non-British or American films discussed. Zombie culture has burst the banks of cult following and successfully navigated the blockbuster environment, but it relied on worldwide saturation of the form rarely explored here.

Phillipe is quite clearly a zombie fan and often lets his boyish enthusiasm parade on screen. Short sketches of zombie reportage and survivalist upset the balance of a well-cultivated series of interviews and observations. Phillipe’s overexcitement in the presence of zombie icons is appreciable but hardly keeps the discussion as concise as it could have been. Featuring interviews with the likes of Tom Savini, George A.Romero, Simon Pegg, and Max Brooks, Doc of the Dead pulls it out the bag when it comes to a star-studded genre cross-section. It could have done more though. Phillipe seems more interested here in examining the evolution of the zombie through artists’ work, which is interesting, but leaves you hungry. More exploration of the zombie’s reactionary function would have been enough to put more bite in this pleasant, often-hilarious, but meandering examination.

The definitive zombie culture documentary has perhaps not quite arrived, but Doc of the Dead is a great look at the development of the western zombie. A terrific selection of well-edited interviews and clips is at the forefront of this eclectic exploration.

★★★1/2
Scott Clark

GFF 2015 Review - Clown (2014)

Genre:
Horror, Comedy
Distributor:
StudioCanal UK
Screened:
Glasgow Film Festival
DVD Release Date:
2nd March 2015 (UK)
Director:
Jon Watts
Cast:
Eli Roth, Peter Stormare, Laura Allen , Andy Powers,Christian Distefano
Buy:Clown [DVD]

Jon Watts’ Clown is an exceptional example of how much fun can still be had in the darkest corners of the horror genre without sacrificing a good story. Playing it straight in the realm of clown horror proves a bit of a tone twister, but actually works pretty perfectly in this Eli Roth produced monster movie.

When the clown for his son’s birthday party doesn’t show up, loving father and real estate agent Kent (Andy Powers) is forced to don a mysterious clown suit he finds at one of his houses. But the suit doesn’t come off, instead altering Kent’s body and behaviour, giving him a taste for child-flesh.

Like Sinister, Clown plays on the old “found object” terror, but by its half way mark, it’s taken on more of a Rare Exports vibe, unearthing the horrific truth behind an everyday icon and letting chaos spark at every turn. Watts is astute not to lose his head amidst the terror and confusion. Keeping the ideals of yester-year’s monsters and camp creature-features alive through kitschy gore details and fabulous practical effects is a wise move. It lends further startling substance to a film that already has so many great ideas, the least of which is to structure itself like a slasher for kids, complete with its own set of rules.

Scribe Christopher D. Ford obviously had a total hoot crafting this sadistic little screenplay, and you can’t blame him. This is the perfect update of the clown horror film, a well-considered venture into social anxiety via a garish and gory display of child mutilation, body horror, bright colours, and total madness. Screw IT, Clown wipes the floor with contemporaries and its entire repertoire of inspirations alike, but still has a great time doing it. Its not just on Watts and Ford though, Powers is integral to the meat of the story, because, after all, there’s still a man inside that foul suit. Peter Stormare shows up as the expert/previous owner fo the suit and seems to be having a ball spouting bonkers sentiments whilst terrifying all the films’ sane characters..

There’s a strong element of cheesy fun at work here, but not quite to the point of outright comedy. Kent’s struggle to remove the haunting outfit is funny, but the resultant body horror genuinely gets under your skin. Once the suit takes hold the film sets on a path of ridiculously confrontational horror and insanity: child abduction, murder, graphic suicide, Stormare’s daft turn, great use of found footage, finger nibbling, kiddy-crunching its all here. A genius sequence of mass-terror at a soft play is arguably the crowning achievement of the feature, delivering every single nightmare you could want from a film about a killer-clown. Watts’ has constructed a perfect mash-up of genre ideals without losing his humour, and he’s done it beautifully.

A funny, but mostly horrifying, monster-flick flaunting terrific scares and a great story. Show your kids, show your wee brothers and sisters. This is the film that fucks children up for life.

★★★★
Scott Clark

DVD Review - Child is Waiting (1963)

Genre:
Drama
Distributor:
Simply Media
DVD Release Date:
16th March 2015 (UK)
Rating: PG
Director:
John Cassavetes
Cast:
Burt Lancaster, Judy Garland, Gena Rowlands, Steven Hill, Paul Stewart,
Buy:A Child Is Waiting [DVD]
John Cassavetes is considered by many to be the father of American Independent cinema; he isn’t in my opinion, as Roger Corman and Sam Fuller predate him, amongst many others. He is however a pioneer in the fact he made these rich, character based dramas that he wrote, directed and put his own money into them. He had a couple years in the early ‘60s before he made his groundbreaking Faces where he almost became a studio director with films like Too Late Blues and A Child in Waiting.

The noted director Stanley Kramer produced A Child is Waiting and they butted heads over the final cut. Despite the post-production turmoil, Cassavetes (who disowned the film), admitted it wasn’t too bad, just a bit overly sentimental for his own taste. It’s a fascinating film for many reasons. Firstly, as a historical depiction of disability on screen, uncommonly (even shamefully today), most of the disabled children are played by actual disabled children which is in tune with Cassavetes’ realistic, improv style.

Judy Garland and Burt Lancaster star in the film, and both gives some of their finest performances in their respective, extraordinary film careers. Lancaster plays the head of the school, Dr. Matthew Clark, and clashes with Garland’s Jean Hansen over his strict teaching methods. Hanson also becomes emotionally involved with one of the kids who Clark considers to be one of their big failures, and they battle over how to education him. Lancaster brings the physicality that he always did due to his background in the circus. Garland also really shows off her acting chops, something that was rarely on display in other films she did.

A Child is Waiting deserves to be re-analysed as one of Cassavetes’ finest films and of his two “Hollywood” films it’s certainly his best, despite obviously being toned down from Cassavetes’ original intentions. Cassavetes had an extremely forward thinking take on the material, stating in the book Cassavetes on Cassavetes, “My film said that retarded children could be anywhere, any time, and that the problem is that we're a bunch of dopes, that it's our problem more than the kids. The point of the original picture that we made was that there was no fault, that there was nothing wrong with these children except that their mentality was lower." The finished film, which Kramer edited, had a bent that was more of it’s time, basically saying the kids are better off in the institute than in the main population.

★★★★
Ian Schultz

DVD Review - He Walked By Night (1948)

Genre:
Film Noir
Distributor:
Simply Home Entertainment
Rating: PG
Director:
Alfred L. Werker, Anthony Mann
Cast: Richard Basehart, Scott Brady, Roy Roberts, Whit Bissell, Jack Webb
Release: 16th March 2015
Buy: He Walked By Night [DVD]
He Walked by Night is a fairly standard procedural noir fare but has enough style to move it up a level. It was directed by Alfred L. Werker even though Anthony Mann finished the film. It’s very loosely inspired by the real life Erwin "Machine-Gun" Walker who committed a similar strings of crimes as depicted in the finished film.

Richard Basehart plays the killer Roy Morgan, who in the beginning shoots and kills a police officer. This is after the police officer questions him because he is acting suspicious outside an electronics store. The rest of the film is basically the police trying to find this mystery man.

The film’s big set piece is it’s climax, in an L.A storm drainage system. It’s very similar to the climactic scene in Carol Reed’s masterpiece The Third Man and begs the question, did Graham Greene or Carol Reed see He Walked by Night? It’s very possible. The film’s director of photography was John Alton, who also shot one of the textbook examples of classic noir The Big Combo and numerous others; his use of light and shadow is partly what brings He Walked by Night up from being a fairly standard film to a solid one.

I would certainly not say He Walked by Night would be the best starting point for a budding fan of noir; there are dozens you should see before. Despite my reservations it has a strong lead performance by Basehart who plays a psychopathic killer very well. Overall, the film has a brutal nihilism that many of the best noirs do, but due to the standard of storytelling it misses it’s mark in becoming a classic.

★★★1/2

Ian Schultz

DVD Review - Big Star: Nothing Can Hurt Me (2012)

Genre:
Documentary
Distributor:
UMC
Rating: TBA
Director:
Drew DeNicola, Olivia Mori
Release: 2nd March 2015
Buy: Nothing Can Hurt Me [DVD]
Nothing Can Hurt Me is a documentary of the cult band Big Star from Memphis, Tennessee. They bridged the gap between The Velvet Underground and what would later become punk rock, and more specifically the power pop and paisley underground that would come in it’s wake. It was the brainchild of two songwriters, Alex Chilton and Chris Bell.

The documentary, like the band’s fame, is a bit too late for it’s own good. The film really started filming around the time of Alex Chilton’s death and Chris Bell has been dead since the late ‘70s. Chilton also was notoriously cagey about speaking about his time in Big Star, and when him and Jody Stephens reformed the band, he admitted it was for the money many times. The film’s crucial flaw is that there is no on video interview with Chilton - there are audio interviews and some archive stuff but that’s all. Chilton, after all, wrote most of the band’s enduring songs.

It however does successfully tell the story of the band, and to some extent gets into the heads of the two songwriters, not from the outside but through the people who knew them. It’s very much a musos doc as oppose to a biography of the band; there is a lot of talk about the album’s production. I’m a massive fan of Big Star but, for the most part, couldn’t care less about the production techniques they used. This can also be said of anyone when they talk about the plus and minuses of album’s production.

Sadly there is very little footage of the band, mostly just silent footage of them in the studio. It’s a fascinating story of a band that nearly made it, but due to so many different factors didn’t quite make get there. What a different world we would live in if Big Star were as big as one of their contemporaries like Led Zeppelin. It’s very well made given the limitations they had, but if you're looking for a deeply insightful documentary into the minds of the bands’ songwriters you may come out of it disappointed.


★★★1/2

Ian Schultz

DVD Review - Swimming to Cambodia (1987)

Genre:
Comedy, Drama
Distributor:
Simply Media
Release Date:
16th March 2015 (uk)
Rating; 18
Director:
Jonathan Demme
Cast:
Spalding Gray, Sam Waterston, Ira Wheeler
Buy:Swimming To Cambodia [DVD]
Jonathan Demme, like so many directors of his generation, came through the Roger Corman film school. After “graduating” he struggled throughout the later 70s, making stuff like Last Embrace which he has expressed disappointment with. However, he had a chance to come back with the more idiosyncratic Melvin and Howard which was a big critical success, and made him a director to look out for.

The 80s is really where the case can be made that Demme was one of the finest directors around at the time. He would make great comedies like Something Wild, and Married to the Mob. Simultaneously, he made performance films like the classic Talking Heads concert film Stop Making Sense. His fame, of course, reached it’s height with the release of The Silence of the Lambs, yet since then it’s been very hit and miss, with, for the most part, more misses than hits. He made the awful remake of The Manchurian Candidate, and vowed to only make documentaries and small-scale dramas from then on.

One of the early performance films he made was Swimming to Cambodia. Demme has made many performance films over the years and this one is probably the most similar to Stop Making Sense in style. It’s however not a music film, but a filmed monologue by actor Spalding Gray, talking about his experiences making the film The Killing Fields.

Gray only acted in a few films (and only a few worth seeing) in his career including a couple of pornos! His real love was doing these surreal monologues about his life experiences, often at the off-Broadway venue the Performance Garage in New York City. Swimming to Cambodia was filmed there and was the first of 5 theatrically filmed versions of his monologues.

Demme and his great cinematographer John Bailey film it like a normal film. It’s expertly lit; there is background of a sea, which is to symbolize the South China Sea. Spalding only has two props, which are two maps he points to at different times during the proceedings. Spalding tells the extraordinary story of how he got the part, the filming and the his relationship with his girlfriend (who later became his wife) and everything in-between.

It’s almost plays like Louis Malle’s My Dinner with Andre, which despite being a narrative film is basically a conversation. Funnily enough Demme’s new film, A Master Builder reunites the stars from that film.Grey is a captivating speaker, and very funny and frank about his experiences before, during and after the filming. It does now have a level of melancholy because Gray years later would commit suicide after years of suffering with mental and physical illnesses. It’s an 80s cult oddity that seems to be have been forgotten and should be rediscovered and cherished.

★★★★
Ian Schultz

DVD Review - Back to 1942 (2012)

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BFI To Release Feng Xiaogang's Back To 1942 Starring Adrien Brody, Tim Robbins, Watch UK Trailer

From acclaimed director Feng Xiaogang (Aftershock, Assembly) comes this breathtaking war epic which revisits one of the most catastrophic periods of 20th-century Chinese history – the famine in Back to 1942 will be released by the BFI on 23 February 2014 on both DVD and Blu-ray with additional special features.

Henan Province during the 1942 Sino-Japanese War. Previously unavailable in the UK,

Zhang Guoli stars as Master Fan, a wealthy landlord who loses everything when he and his family flee their famine-stricken hometown. Academy Award-winner Adrien Brody (The Pianist) co-stars as a courageous American journalist who encounters the horrors of the famine first-hand and endeavours to enlist relief-aid from the Chinese government and expose the plight of the Henan refugees.

Awe-inspiring action and intelligent characterisation combine to masterful effect in this explosive blockbuster.

Back to 1942 was screened at BFI Southbank last February, attended by director Feng Xiaogang, ahead of the major BFI season A Century of Chinese Cinema.



Back To 1942 will arrive in UK on DVD&Blu-ray on 23rd February and we hope to review this closer to release. The film Guoli Zhang, Hanyu Zhang, Wei Fan and of course Hollywood Stars Adrien Brody, Tim Robbins.

Pre-Order/Buy Back To 1942 (Blu-ray Edition which comes a host of extras  which include original trailers, promoreel, a couple of short features. The blu-ray also exclusively have 2 extra features which give a running time of  80 minutes  between them.

DVD Review - Night Moves (2013)

Genre:
Thriller, Drama
Distributor:
Soda Pictures
Rating: 15
DVD/BD Release Date:
12th January 2015 (UK)
Running Time:
112 Minutes
Director:
Kelly Reichardt
Cast:
Jesse Eisenberg, Dakota Fanning, Peter Sarsgaard, Alia Shawkat
Extras:
Interviews With Kelly Reichardt, Jesse Eisenberg, Short Film Trailer
Buy:Night Moves [DVD]
Night Moves, directed by Kelly Reichardt, is not a conventional thriller, yet it remains compelling because of its character-driven, slowly-unfolding nightmare. What stood out most for me in this film was the characterisation and acting; each character was written and casted perfectly.

The film follows Josh (Jesse Eisenberg, The Social Network), Dena (Dakota Fanning, Twilight Saga: New Moon) and Harmon (Peter Sarsgaard, Garden State), three eco-activists who blow up a dam that they believe is harming the environment. However, their protest with good intent quickly becomes a dangerous misfortune. After they blow up the dam, and return to their ordinary lives, everything carries on as normal, making the situation eerily real – there are no high-octane police chases or fight scenes – these genre standards are replaced with increasing paranoia, guilt and numbness.

Eisenberg’s character is a subdued version of the actor’s typically awkward film roles, perfectly portraying a temperamental and troubled eco-terrorist. As the film progresses, and the suspense builds, he becomes more and more erratic and threatening, executed outstandingly by the actor. Dakota Fanning provides incredible support, as an edgy and unreadable college dropout, whilst still retaining a young innocence. Sarsgaard’s character, an ex-marine, appears light-hearted at first, with a calmer approach to the act of eco-terrorism. However, the actor’s performance becomes more chilling as Horman slowly becomes desensitised after the event.

The character relationships are subtle and implied rather than thrown in your face, with the first hour, seemingly, dedicated to character development – learning about their backgrounds and personalities which influence their roles in the second hour’s conflict. A key scene shows a wide shot with all three activists sitting in the car they used to escape from the imminent explosion. Each character’s face is extremely telling as they wait for the sudden eruption of their plan coming together. These character building scenes, at first, can seem slightly un-engaging however, they are integral for the ensuing tension.

The accompanying music, composed by Jeff Grace (composer for the Lord of the Rings trilogy), is quiet and subdued, consisting mainly of piano and pan-pipes, but is still eerie and, at times, unsettling as the onscreen action can become very tense. It becomes clear that the label of ‘thriller’ is not because of anything particularly action-packed and grand, but rather because of the guilt eating away at the protagonists, until they all become extremely fearful and unconfident in a unique way.

This is not a film for someone expecting to be immediately gripped and thrilled, as it sometimes lacks the ability to engage, however, Reichardt’s portrayal of three people made victim to their own psychological decay stays with its audience long after watching.

Night Moves is available on DVD from 12th January.

★★★ 1/2
Jenn Spiers

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