Frightfest 2012: Sinister Review

The “found footage” flick. Possibly the most derided genre of horror, even more so than the slasher movie these days. With film after film seeing light of day via DVD you’d think found footage films are heading for burn out. But then along comes Sinister. Playing on the “found footage” conceit, the movie is however less a found footage film than a film about found footage. If Paranormal Activity and Insidious captured the imaginations of cinema audiences everywhere then Sinister is surely set to do the same. With a similar “found footage meets haunted house” premise to the aforementioned films, the movie tells the story of true-crime writer Ellison who, desperate to repeat the success of his earlier work, moves his family into a home where a horrific quadruple homicide took place (footage of which opens the film in a stunning fashion). Of course Ellison doesn’t tell his wife and kids the truth about their new home, however it doesn’t take too long for them to find out… Discovering a box of ‘home movies’ in the attic, Ellison spins the Super 8 reels, sitting stunned as the gruesome murder footage plays out. As he comes to realise that the murder he is investigating goes a lot further than just his house, he also realises the toll his investigation may take on his family. When it comes to horror movies everything has already been done, from slasher movies to found footage films there really is nothing new under the sun. So it takes a lot for any new movie to feel refreshing and new. Thankfully Sinister is one such film. Directed by Scott Derrickson, who was responsible for the better than average The Exorcism of Emily Rose, Sinister is a masterpiece film-making; not only playing on genre tropes but using them to spectacular effect. From the grindhouse style Super 8 footage of the grisly murders, to the creepy haunted house bangs and bumps, we’ve seen it all before but here it works – so much so that it made even this horror fan jump out of his seat a couple of times! Best of all the script, by director Derrickson and film critic C. Robert Cargill (aka Massawyrm from Ain’t It Cool News), doesn’t treat the audience like idiots. Characters spout lines that the audience are thinking and just when the events reach a terrifying crescendo Ellison moves his family out of the house! If you’ve ever seen a haunted house film you’ll know the feeling of shouting at the screen, almost begging the characters to movie out – here they do. It’s a very small thing but it’s just the tip of the iceberg in terms of the nuances found in the films fantastic script. Ethan Hawke gives an astonishingly strong performance as crime writer Ellison, a man whose behaviour is less than exemplary. He lies (and keeps lying) to his family about the house; he lies about why, as his family falls apart, he is really forcing them to stay; and he lies to himself about his real motivations – money and fame rather than trying to solve the crime. However despite all that Hawke manages to imbue Ellison with a likeability – after all deep down he’s a man who’s only trying to provide for his family the way he knows how. Hawke’s performance also goes a long way to convince the audience of the believability of the more supernatural aspects of Sinister. Speaking of which, the films “villain” Mr. Boogie, is on the surface yet another stereotypical movie boogeyman but between the skillful way in which the character is revealed, and later his true ideology, the cliche of a “boogeyman” can quickly been forgiven. Especially given the movies stunning final twist… Sinister really is one of the best, and scariest, American horror films I’ve seen in years. Someone give Derrickson and Cargill the greenlight to make another – I’ll be first in the queue. This was a review by Phil at Blogomatic3000 Rating:15 UK Release Date: 28th August 2012 (Frightfest) 5th October 2012 (UK&Irish cinema release) Directed by:Scott Derrickson Cast:Ethan Hawke, Vincent D'Onofrio, Clare Foley, Juliet Rylance,

Frightfest 2012: Paura 3D

The second film from the Manetti Brothers’ whose The Arrival of Wang played Frightfest Glasgow and is scheduled as part of the Re-Discovery Screen at London Frightfest 2012, Paura 3D (literally translated as Fear 3D) is billed as a 3D thrill ride into terror and whilst the film has its moments (no matter how minor), it cannot compare to the sheer brilliance of the Manetti’s sci-fi opus Wang.

Paura 3D tells the story of mechanic Ale, who after overhearing a conversation between a wealthy customer and the garage owner, takes his best friends, Simone and Marco on a trip to the wealthy owners Rome villa intent on having a wild weekend in his luxury mansion. Bored after raiding the fridge, swimming in the pool and playing video games one of the trio decides to explore the house, never expecting what he finds in the basement…

Lensed in 3D, but loosing nothing in 2D, Paura is a strange film. Filled with a sleazy atmosphere, the film embraces all that is exploitation – extreme examples of sex, violence and gore – only it does so in a way that doesn’t allow the audience to connect with the film. There’s no emotional investment in any of the characters, least of all the three leads who are an unlikeable bunch and the script is less than stellar. The films only saving grace IS the exploitation aspects, which are nothing we haven’t seen before a hundred times and after a while even those run out of steam, leaving a film that feels shallow and uninteresting. The complete antithesis of The Arrival of Wang.

Personally it was hard to watch Paura 3D and not be a little disappointed. After loving the Manetti Brothers’ sci-fi flick, seeing them produce something so generic and so dated (this is the type of film both Italy and the US were churning out during the slasher movie fad of the 80s), is heartbreaking. Here’s hoping the brothers Manetti find their mojo again for their next genre film…

This was a review by Phil from Blogomatic3000

Rating:18
UK Release Date: 25th August 2012 (Frightfest)
Directed by: Antonio Manetti, Marco Manetti
Cast: Francesca Cuttica, Peppe Servillo, Lorenzo Pedrotti, Domenico Diele, Claudio Di Biagio

Frightfest 2012: Errors Of The Human Body Review

The debut feature from screenwriter Eron Sheean, who was responsible for penning The Divide for Xavier Gens (which also starred Michael Eklund), Errors of the Human Bodyis a film that belies genre-specific categorisation. Part Michael Crichton medical thriller, part David Cronenberg body-horror, with a hint of the classic Frankenstein, it’s both a challenging and intriguing film – although it is not without its faults. The film follows Canadian scientist Dr Geoff Burton (Eklund) who takes up a position at a scientific institute in Dresden, Germany, with the intention of continuing his research into random embryonic abnormalities – research borne out of a personal tragedy (the death of his infant son) that has haunted him for years. Hooking up with his former intern, Dr Rebekka Fiedler, now one of the top researchers at the institute, Burton becomes fascinated by her research into a regeneration gene, one that could have possibly saved his son. But it’s not only Dr. Burton who’s interested in her research as he finds out when he spies the mysterious and creepy Jarek (Lemarquis) using her formula on the mice in his basement ‘mouse house’. Racked by guilt over his son and fixated on Jarek, sure he’s plotting something nefarious, Burton steals one of the lab mice to run his own tests. However when his experimentation goes wrong and he’s bitten by the mouse, Dr. Burton becomes convinced he’s become infected, a human test subject for Jarek’s modified regeneration gene, and he might not be wrong… Errors of the Human Body couldn’t be more timely. Playing on the fears of genetic modification and stem cell research, the film is a dark, often bleak, look behind the curtain of science, showing the true price of medical breakthroughs – doctors pushed to the brink, experimentation that many would say borders on the inhumane, and the possible future consequences of (medical) success. These themes, whilst central to the film, run parallel with the very human story of Dr. Burton, whose life and deeds have made him a broken man. Thankfully Eron Sheean cast the perfect actor for Dr. Burton in Michael Eklund. One of the best character actors working today (you’ll know the face even if you don’t know the name), it looks like Eklund really threw himself into the role of Burton and his commitment really gives the character a believability and an emotional resonance that grounds the film come it’s almost fantastical conclusion. The film is not without its problems however. With an over-long running time, Errors of the Human Body suffers from too many endings and a third act that drags out the action to almost a snails pace. I understand that writer/director Sheean wants to show the gradual breakdown, both physical and mental, of Dr. Burton but that could have been achieved without a ridiculously long montage of him running through Dresden. However despite the films issues, with Errors of the Human Body Sheean has managed to craft an interesting, intelligent thriller that never panders to the audience, never gets bogged down in medical mumbo-jumbo, and best of all never stoops to the usual “science gone bad” style story we typically see from these types of genre film. For that he must be applauded. This Was a review from Phil at Blogomatic3000 Rating:18 UK Release Date: 27th August 2012 (Frightfest) Directed by: Eron Sheean Cast: Michael Eklund, Karoline Herfurth, Tómas Lemarquis, Rik Mayall, Ulrich Meinecke

Dark Mirror Review

★☆☆☆☆

In more skilful hands Pablo Proenza’s Dark Mirror could have come off as an average haunted house story,

but loose direction and some seriously messy writing cement this feature as total low-end nonsense. The story has potential on paper but the real problem comes from an accumulation of bad features that quickly turn the viewer against the film. The plot seems basic and hap-hazard, the story falls frequently into soap opera, the acting isn’t too good, effects look cheap, and the story fails at making us care one jot about anyone involved. Overall the film looks and runs like your least favourite episode of Goosebumps. The story starts as a Seattle family finally choose a house in South California to their liking,Debbie (Lisa Vidal) is drawn to the house due to its bizarre windows and the fact an artist lived there before them. Slowly, the house begins to reveal a mysterious side as people connected to Lisa disappear and she notices a hooded figure following her everywhere she goes.

The look of the film is a major issue. It frequently lets itself down through some cheesy camera movements that make it seem like the product of clumsy hands. Don't be fooled by the poster, the film never once achieves a dark tone as strong as that. And unfortunately the duff vibe of the film seems to rub off on Vidal who dances between some pretty good moments and some God-awful ones. Admittedly any punchy scenes come in the last twenty minutes which are by far the most interesting of the piece.The finale seems almost a separate film, enjoying a good pace and some genuine thrills, still, bad editing and some plain silly nonsensical actions result in a mixed bag of an ending A few interesting undeveloped ideas are skimmed past, but too few to rescue what, for the most part, is a disjointed and joyless affair.

SCOTT CLARK

UK Rating:15
Release Date: 3rd September 2012
Directed by:Pablo Proenza

Cast: Lisa Vidal, David Chisum, Lupe Ontiveros, Christine Lakin

Frightfest 2012: Tulpa 3D Review

Tul-pa (from the Tibetan): meaning a magically produced illusion or creation. The concept of a being or object which is created through sheer discipline alone. It is a materialized thought that has taken physical form.

Italian rock star turned director Federico Zampaglione made a splash in 2009 when his first film Shadow played to a packed audience at London’s Frightfest. Returning some three years later and after teasing the film at Frightfest Glasgow earlier this year, Zampaglione unleashed Tulpa on an eager and willing audience. Word of mouth had built the film up to be one of the must-see films of Saturday, and I for one wasn’t disappointed.

The film tells the story of businesswoman Lisa Boeri: she has a good job, she’s well respected and at the top of her career but she keeps a secret. By night she goes to a seedy club named Tulpa, owned by a guru who teaches her his bizarre esoteric philosophy on finding spiritual and psychological freedom by having anonymous sex with complete strangers.However Lisa finds out her sex club partners are all being murdered in horrible ways one-by-one by a black-gloved killer who seems out to destroy her life. But Lisa can’t talk to the police for fear of revealing her secret and ruining her career, so she has to unmask the anonymous assassin herself…

Taking the tropes of 70s giallo and updating them for a modern audience, Tulpa is an odd, yet fun, mix of the familiar and the new. Adding copious amounts of sex (much more than many of the giallo of the Italian cinema heyday) and not holding back on the violence, Zampaglione throws in a little supernatural edge in the form of Tibetan mysticism to create a neo-giallo that would make even Dario Argento jealous.

Packed with some of the countries biggest stars, including Claudia Gerini in the lead role, Tulpa marks the return of the giallo to the forefront of the Italy’s cinematic output. And from the gloved maniac’s first kill to the final reveal Tulpa is both a nostalgic look back at a now much-maligned genre and a bold statement on its future. All writ large on the screen by a director who has an obvious love for the genre and the talent to see it through.

This was a review by Phil at Blogomatic3000
Rating: 18
UK Release date: 26th August 2012 (Frightfest)
Directed by: Federico Zampaglione
Cast:: Nuot Arquint, Laurence Belgrave, Michela Cescon, Michele Placido

Frightfest 2012: V/H/S Review

★★★★1/2

Found footage horror, V/H/S has completely revitalised a played-out, repetitive style of filmmaking with six chilling anthology tales. Ti West (House of The Devil), Glenn McQuaid ((I Sell The Dead) and Adam Wingard (A Horrible Way To Die) are just three of the directors to contribute to this chilling anthology.

V/H/S opens with a group of criminals assaulting young women and vandalising property. They are hired by an anonymous client to break into an abandoned house and obtain a mysterious video tape. The group begin to work their way through a series of terrifying tapes, each revealing a different short film.

V/H/S manages to fuse so many horror sub-genres together in an innovative and chilling manner, capturing all that fans love in the genre. However, this is not clear from the shaky onset, where teenagers victimise young women, whilst filmed on a handheld camera - it was a struggle to engage with this. As these young men break into the abandoned house and the horror starts, director, Adam Wingard completely pulls it together. This over-arching story is just as tense and disturbing as any of the segments that it flawlessly seems together.

The first segment from David Bruckner (The Signal) entitled Amateur Night follows three college freshmen with video recording spy glasses, hoping to pick up some easy girls and make a sex tape. However, one of the girls who has been brought back's behaviour is a little troubling. This chilling short film is thoroughly well developed, with some completely unexpected and unsettling gory twists.

This is followed by Ti West's Second Honeymoon, a tale of a loving couple staying at an isolated Texas motel whilst on vacation. However, when a creepy young woman starts banging on the door things take a shocking turn. West's short tackles the idea of home invasion, with the intruder filming the sleeping victims on their own handheld camera, showcasing a disturbing twist on handheld camera norms.

The third short, Glenn McQuaid's Tuesday The 17th follows four teens venturing into the woods, where gruesome murders previously took place. This may read like the traditional Friday The 13th teens in the wood style slasher, but McQuaid's killer is created with a completely innovative twist.

Joe Swanberg's The Strange Thing That Happened to Emily When She Was Younger proves to well-crafted, suspenseful ride. Swanberg's tale follows the Skype conversations of a couple, terrorised by ghosts. As a viewer we are thrust into dark, grainy rooms left to scan for the source of terror.

My personal favourite segment, 10/31/98 by collaborative group called Radio Silence proves to be a spectacularly crafted and completely unsettling piece of filmmaking. It follows four men looking for a Halloween party - they end up at a creaky old house with some macabre practices going on in the attic. Radio Silence allow the house to completely come alive, with walls moving and doors disappearing - it is a true visual feast of terror, fusing elements of The Amityville Horror with Rosemary's Baby.

V/H/S is a sure fire treat for horror fans, bringing a much needed spark of energy to the handheld camera style of filmmaking. Each segment is flawlessly crafted and diverse enough to maintain your interest for the near two hour run time. I would go as far to say that it is the strongest horror film of 2012.

Andrew McArthur

Stars: Calvin Reeder, Joe Swanberg ,Jas Sams  
Directors: Adam Wingard, David Bruckner, Ti West, Glenn McQuaid, Joe Swanberg , Radio Silence Release: 25th August 2012 (Frightfest)

Frightfest 2012 - Sleep Tight Review

Director Jaume Balagueró flies solo with Sleep Tight, a film that – like his most famous effort – once again takes place in a apartment building, however this time his film has more in common with the classic cinema of Alfred Hitchcock and Roman Polanski than the modern zombie horror of Balagueró’s [REC].

Sleep Tight follows Cesar (Tosar), the quiet, helpful and polite concierge of an apartment block in Barcelona. However his polite exterior hides something much more… sinister. Relishing in tormenting Veronica, an old lady who lives all alone in her apartment surrounded by her pets and at odds with one of the buildings younger tenants, Cesar spends most of his days plotting against Clara, a happy-go-lucky young woman with whom he has an unhealthy obsession. An obsession that, as the film progresses, gets crueler and deadlier.

It’s clear to see why many have already dubbed this the Spanish equivalent of a Hitchcock flick. Sleep Tight feels very much like the maestro of horror’s Psycho, with Spanish superstar Luis Tosar seemingly channeling Anthony Perkins’ Norman Bates. The film also has shades of Polanski’s early work, in particular Repulsion and, of course, The Tenant. It’s a credit to director Jaume Balagueró that whilst it is set in yet another apartment block, Sleep Tight looks and feels light years away from [REC], yet imbues the same creepy atmosphere.

Like the aforementioned classics of the genre, Sleep Tight succeeds thanks to the performance of its central actor, in this case leading man Luis Tosar. A Spanish acting superstar, Tosar is best know outside of his home country for Miami Vice, the Michael Mann helmed remake of the 80s TV show. Here he gives nothing away in his role as Cesar, playing his emotions and his motivations close to his chest until the films story, and Cesar’s plans for Clara, spiral out of control. At first Balagueró would have us think that Cesar is taking out his frustrations at being lonely on the tenants in his building, but it isn’t until the films stunning, and I do mean stunning, conclusion, that Cesar’s motivations become clear… The pursuit of happiness.

Whilst many a thriller such as this would have a forgone conclusion (after all any movie psycho should get his comeuppance right?), Sleep Tight breaks with convention with a conclusion that offers an explanation for everything that has come before and brought a wry smile to my face. And whilst genre films typically have you rooting for the put-upon heroine, Balagueró reverses genre conventions leaving you happy that Cesar accomplishes his goal. It’s an odd feeling rooting for the films psycho come the films denouement but at the same time a refreshing one – both Balagueró and Tosar must be commended for such an achievement.

A complex, gripping, and in the end unpredictable, thriller that manages, in a genre almost defined by cliche, to shock and surprise, Sleep Tight is yet another sure-fire hit from Jaume Balagueró, proving that Hitchcock’s spirit is still alive and kicking in European cinema.

This Was A review by Phil at Blogomatic3000

Rating: 15
UK Release Date: 26th August 2012 (Frightfest)
Directed By: Jaume Balagueró
Cast: Luis Tosar, Marta Etura, Alberto San Juan, Petra Martínez

Frightfest 2012 – Nightmare Factory Review

In 1989 Greg Nicotero quit medical school and headed for Hollywood to pursue a dream of making monsters. Together with splatter maestros Howard Berger and Robert Kurtzman, Nicotero created the KNB EFX Group. Nightmare Factory is the story of KNB and in particular Greg Nicotero – from humble beginnings, to the rockstar excesses of their fame in the 80s, to today where they known and respected as one of the most prolific make-up effects studios in the world.

From the humourous, yet affectionate, look at Troll 2 with Best Worst Movie, to the decade spanning, in-depth story of the Nightmare on Elm Street series with Never Sleep Again, the horror documentary, a small but growing sub-genre that is steadily becoming one of the most interesting aspects of both the documentary and horror genres. Nightmare Factory is the latest to come along, detailing the story of Greg Nicotero and KNB EFX, from the early days of films such as Intruder and Evil Dead 2 to today, where they provide body after body for AMC’s The Walking Dead – and everything (dodgy mullets included) in between.

Primarily a set of talking head pieces with some of the genres biggest, and most respected names – including George A Romero, Quentin Tarantino, Frank Darabont and Robert Rodriguez – Nightmare Factory is a fascinating look at not only KNB, but also at the ever-changing world of special effects – from early prosthetics and model work, to the CGI-laden FX of today. It also goes into great detail about how KNB’s remit has changed. No longer are they just the go-to guys for gore-strewn horror movies, they now provide make-up effects for some of Hollywood’s biggest blockbusters.

Despite offering an insight into the SFX process and the creation of KNB, you can’t help thinking that Nightmare Factory is little more than a promotional puff-piece, a show-reel for those not aware of KNB rather than a detailed look at one of the most respected effects companies in the world… Still it’s a welcome addition to the genre and is a great watch for fans (myself included) of monster and gore effects.

This was a review by Phil of Blogomatic 3000 

Rating:N/C
UK Release Date: 25th August 2012 (Frightfest)
Directed By: Donna Davies
Cast: Gabriel Bartalos, Howard Berger , Steve Biodrowski, Frank Darabont, John Carpenter

Berberian Sound Studio Review

★★★1/2

Director, Peter Strickland (Katalin Varga) presents us with the truly unsettling look at the power of sound in his latest feature, the Toby Jones lead, Berberian Sound Studio – which makes its world premiere at this years’ Edinburgh International Film Festival.

Set in the 1970s, Berberian Sound Studio follows British sound technician, Gilderoy, as he works in Italy on a gruesome horror film. Soon Gilderoy’s work on this dark feature slowly begins to bleed into his everyday life.

Berberian Sound Studio is certainly not a horror film, instead more of a psychological thriller reminiscent of Hammer Films “Mini-Hitchcocks”. This completely absorbing and brooding drama manages to be unsettling, rather than scary. Strickland’s direction immediately emphasises a sense of foreboding, with the distinctive use of the sounds created in the studio capturing Gilderoy’s troubling mental state.

The vibrant and unsettling power of the sound is so strong, that we never see any of the imagery linked to this gruesome horror film (apart from its blood red opening titles) it is simply talked about, yet seeing these sounds created still has a sinister impact. Who knew hacking a watermelon or smashing some courgettes on ground could have such a chilling impact.

Berberian Sound Studio is at its best when capturing the changing mental state of Gilderoy – most notably one frantic, dream-like sequence where the technician’s life blurs with the Italian horror film as he believes there is an intruder in his apartment. Jones performance is terrifically understated, managing to capture both his initial coyness to his more extreme infuriation whilst working on the project. For an actor, that is traditionally cast in supporting roles, Jones proves to be equally impressive in a leading role.

Unfortunately, a utterly confusing and unnecessary twist ending spoils the foreboding and impact so carefully established throughout Berberian Sound Studio. This extreme twist is not given the build-up that it deserves only working as a method of shocking the viewer, but lacking any clear explanation or clarity. It marks a disappointing end to an otherwise well-crafted piece of cinema.

For the most part, Berberian Sound Studio is a unsettling, brooding psychological horror, boasting a magnificent turn from Toby Jones. The well-crafted narrative and powerful sound use are unfortunately spoilt by an over-ambitious twist ending.

Andrew McArthur

Stars: Toby Jones, Tonia Sotiropoulou , Cosimo Fusco
Director: Peter Strickland
Release: 26th August 2012 (Frightfest) August 31st, 2012 (UK)

Win Truth Or Dare On DVD

Cine-Britannia today have released the new terrifying thriller Truth Or Dare on Blu-ray and DVD starring David Oakes (The Borgias), Jason Maza (Anuvahood), Jennie Jacques (Shank), Jack Gordon (Panic Button), Florence Hall (Jonathan Creek), Liam Boyle (Shameless) and Alexander Vlahos (Merlin). To celebrate the film's release we have 3 copies of the film to give away on DVD.

Five teenage friends are taken hostage by a vengeful psychopath and forced to play a party game with life-or-death consequences.

TRUTH: A group of college friends celebrate the end of term with a party to end all parties. Drink, drugs and sex flow in equal measure as everyone lets loose. As the focus shifts to playing a seemingly harmless game of Truth or Dare it leads to humiliation and pain for one lonely geek.

 DARE: A year later the four friends are reunited as they are invited to a birthday party at a grand stately home. They realize very quickly that this is a party where the guests are definitely not welcome. In a bid for vengeance all are forced to play a sickening and gruesome game of Truth or Dare, where a Dare may well equal death. Sex, lies and murder are all unravelled as the game hurls the group toward a final, fatal twist.

To win a copy of Truth Or Dare on DVD please answer the following question:

Q.Truth&Dare actor Jack Gordon starred  in another hitman thriller with a satanic twist  which was released this month, name that film?

Send your answer, name, address, postcode only to winatcinehouseuk@gmail.com .Deadline for competition is Sunday 16th September, 2012 (2359hrs)

Terms and Conditions

• This prize is non-transferable.
• No cash alternatives apply.
• UK & Irish entries only
  The Peoples Movies, Cinehouse and Cine Britannia  have the right to alter, delay or cancel this competition without any notice
• The competition is not opened to employees, family, friends of The Peoples Movies, Cinehouse,Cine Britannia  employees
• This competition is promoted on behalf of Cine Britanna
• If this prize becomes unavailable we have the right to offer an alternative prize instead.
• The Prize is to win Truth or Dare  part 3 DVDs
• To enter this competition you must send in your answer, name, address only, Deadline September 16th, 2012 (2359hrs)
• Will only accept entries sent to the correct email (winatcinehouseuk@gmail.com), any other entry via any other email will be void.
• If the above form fails please email answer, name address postcode only plus any other instructions to winatcinehouseuk@gmail.com
• automated entries are not allowed and will be disqualified, which could result you been banned.
• The Peoples Movies, Cinehouse takes no responsibility for delayed, lost, stolen prizes
• Prizes may take from days to a few months for delivery which is out of our control.
• The competition is opened to Aged 18  and over 
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• The winning entries will be picked at random and contacted by email
• This competition is bound by the rules of Scotland,England & Wales, Northern Ireland, Ireland.
• By sending your entry for this competition you are confirming you have read and agreed to these Terms & Conditions.

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