BFI to Release Claude Sautet’s Classe tous risques (1960) on Duel Format This February

Brilliantly suspenseful and surprisingly moving, Classe tous risques is a devastating study of loyalty and betrayal, distinguished by a bleak, incisive psychological realism. Previously unseen in the UK, it was released in cinemas by the BFI last September and now comes to DVD and Blu-ray in a Dual Format Edition on 24 February 2014. Special features include a documentary on the life and career of the great Italian-born character actor Lino Ventura.

French gangland boss Abel Davos (Lino Ventura) has been on the run in Italy for a decade in order to escape a death sentence. But when police finally close in, he turns to his old criminal friends to help him and his young family return to Paris. With loyalty in short supply, it takes an insouciant stranger (coolly played by Jean Paul Belmondo in the same year as his breakthrough performance in A Bout de souffle), to come to the rescue.

The directorial debut of the influential Claude Sautet (Un Coeur en hiver, Nelly & Monsieur Arnaud), and based on the novel by death-row-inmate-turned-writer José Giovanni (Le Trou, Le Deuxième souffle), Classe tous risques features a stand-out performance from Ventura as a bad man trying to do right by his children.

Special features

• Presented in both High Definition and Standard Definition
• Brand new restoration
• Monsieur Ventura (Doug Headline, 1996/2014): documentary on the life and career of Lino Ventura
• Original French and US trailers
• Illustrated booklet with newly commissioned essay by the Guardian’s John Patterson

Check out the film's trailer....


Classe tous risques will be released on Dual Format (DVD&Blu-ray) by BFI on 24 February,pre-order/buy Classe Tous Risques (DVD + Blu-ray) [Amazon]

There's No Room At Home In UK Trailer For Boomerang Family (Go Ryeong Haw Ga Jok)

There comes a time when the siblings really need to leave home and make their own homes in Song Hae-Sung's madcap Boomerang Family when the 'kids' are 35, 40 and 44 you question if you are a parental failure?!

After it's UK premiere at Last November's London Korean Film Festival Uk's best Asian Film Distributor Third Window Films are bringing the film to DVD, Next month.

A peaceful household is disturbed by the return of a mother’s (Youn Yuh-Jung) three grown children one after the other. The first is eldest is unemployed freeloader Han-mo (Yoon Je-Moon), second is failed film director In-mo (Park Hae-Il ), and last is double divorcée Mi-yun (Kong Hyo-Jin). Having come back home after leaving the nest years before, they try their best to accommodate each other but constantly bicker and fight nonetheless. Thrown into the mix is Mi-yun’s teenaged daughter from one of her failed marriages, Mi-kyung. How will they ever manage to co-exist under one roof and hold on to a shred of dignity?

DVD Special Features

• Anamorphic Widescreen transfer with 5.1 Surround Sound
• Interviews with the Cast & Crew,
• Making Of,
• Q&A at London Korean Film Festival,
• Theatrical Trailer

Pre-Order/Buy: Boomerang Family [DVD]

Boomerang Family will be released on 24th February on DVD, the film stars Park Hae-Il(The Host),Yoon Jae-Moon (Mother),Kong Hyo-Jin (Volcano High) and Youn Yuh-Jung (The Housemaid).

The Phantom Of Paradise To 'Rock' Your Blu-ray Collection This February

Arrow Video is thrilled to announce the release of Brian De Palma’s seminal horror fantasy Phantom of the Paradise coming to Blu-ray for the first time in the UK on 24th February. One of 2014’s most hotly anticipated titles from the Arrow Video label, this feature-packed disc will be released as both a Limited Edition SteelBook and deluxe Blu-ray featuring original and newly commissioned artwork by The Red Dress. This exciting Blu-ray release will also include an exclusive collector’s booklet featuring new writing on the film by festival programmer Michael Blyth and an exploration of the film’s troubled marketing history by Ari Kahan, curator of SwanArchives.org, illustrated with original stills and promotional material.

Featuring a bumper crop of bonus features such as Paradise Regained, a 50 minute documentary on the making of the film featuring director Brian De Palma, producer Ed Pressman and members of the cast, The Swan Song Fiasco, a new video piece exploring the changes made to the film in post-production plus alternate takes and bloopers from the cutting room floor, original trailers, a gallery of rare stills and most excitingly a newly filmed 70 minute interview where renowned director Guillermo del Toro interviews Paul Williams.

Brian De Palma’s Phantom of the Paradise came hot on the heels of his early horror film Sisters. De Palma planned both films at the same time but the complex production design and sets forced Phantom into second place due to budgetary constraints. For those who found Sisters to be too much of a Hitchcock rip-off Phantom of the Paradise is a very different film and finds De Palma working with his most wicked sense of humour in this gothic masterpiece.

Phantom’s devoted fans not only claim this to be De Palma’s best film but also far superior to the Rocky Horror Picture Show for cult musical madness. Phantom of the Paradise also claims many celebrity fans including Edgar Wright, Guillermo del Toro and Quentin Tarantino.

Synopsis

Brian De Palma’s inspired rock ’n’ roll fusion of Faust, The Phantom of the Opera and The Picture of Dorian Gray boasts an Oscar-nominated score by Paul Williams, who also stars as an evil record producer who not only steals the work of composer/performer Winslow Leach (William Finley) but gets him locked up in Sing Sing - and that’s not the worst that happens to him along the way.
Few revenge scenarios have ever been so amply justified, but the film is also constantly aware of the satirical possibilities offered by the 1970s music industry, exemplified by Gerrit Graham’s hilariously camp glam-rock star. Jessica Harper (Suspiria) appears in her first major role as the naïve but ambitious singer, on whom Winslow secretly dotes.

Prodigiously inventive both musically and visually, this is one of De Palma’s most entertaining romps, not least because it was so clearly a labour of love.

The super-deluxe package, which is available both as a standard Blu-ray and as a limited edition Blu-ray SteelBook, is full of special features and bonus material. The special features for this edition include:

· High Definition Blu-ray (1080p) presentation of the feature, available in the UK for the first time!

· Original uncompressed Stereo PCM / 4.0 DTS-HD Master Audio options

· Isolated Music and Effects soundtrack

· Optional English SDH subtitles for the deaf and hearing impaired

· Paradise Regained – A 50 minute documentary on the making of the film featuring director Brian De Palma, producer Ed Pressman, the late star William Finley, star and composer Paul Williams, co-stars Jessica Harper and Gerrit Graham and more!

· Guillermo Del Toro interviews Paul Williams (72 mins, 2014)

· The Swan Song Fiasco: A new video piece exploring the changes made to the film in post-production

· Archive interview with costume designer Rosanna Norton

· William Finley on the Phantom doll!

· Paradise Lost and Found: Alternate takes and bloopers from the cutting room floor

· Original Trailers

· Radio Spots

· Gallery of rare stills including behind-the-scenes images by photographer Randy Black

· Collector’s booklet featuring new writing on the film by festival programmer Michael Blyth and an exploration of the film’s troubled marketing history by Ari Kahan, curator of SwanArchives.org, illustrated with original stills and promotional material

· Reversible sleeve featuring original and newly commissioned artwork by The Red Dress [Amaray release only]

· Limited Edition SteelBook™ packaging featuring original artwork [ SteelBook only]

· Booklet featuring new writing on the film by John Kenneth Muir, author of The Films of John Carpenter, as well as a re-print of an interview with production designer John Lloyd and make-up effects artist Steve Johnson on the design and effects of the film, illustrated with archive stills and posters

Phantom Of Paradise will arrive on Blu-ray  on 24th February from Arrow Video, we will be reviewing the film nearer the time, so stay tuned.

You can pre-order/buy Phantom Of Paradise on Blu-ray or Steelbook Blu-ray

Horror Channel Reviving Hammer Double-bill nights

Vampire vixens, creepy castles, mouldy mummies, satanic sadists and Lee & Cushing on top show. Yes, its Hammer heaven as the UK’s number one TV destination for all things horror presents a HAMMER DOUBLE-FEATURE SEASON, which broadcasts from Sat Feb 1 – Feb 22 @ 9.00pm.

Here is the line-up:

Sat 1 Feb @ 21:00 – DRACULA: PRINCE OF DARKNESS (1966)

This sequel to the 1958 The Horror of Dracula sees the supposedly dead Count Dracula back in bloody business once his trusty servant Klove entices the English Kents - Charles (Francis Matthews), brother Alan (Charles Tingwell), and their wives, Diana (Suzan Farmer) and Helen (Barbara Shelley), inside his welcoming castle. Directed by Terence Fisher, this is seen as the “quintessential Hammer horror"

Sat 1 Feb @ 22:45 - SCARS OF DRACULA (1970)

Directed by Roy Ward Baker, this popular sequel to Taste the Blood of Dracula stars Christopher Lee as Count Dracula, who spreads his evil from his mountaintop castle. When libertine Paul Carlson disappears one night, his brother Simon and girlfriend trace him to the area, discovering a terrified populace. They make their way towards the sinister castle and its undead host. Also stars Dennis Waterman.

Sat 8 Feb @ 21.00 – FRANKENSTEIN CREATED WOMAN (1967)

Directed by Terence Fisher, this popular feature stars Peter Cushing as Baron Frankenstein, who discovers a way of trapping the soul of a dead person. Frankenstein believes he can transfer the soul into a recently deceased female (Susan Denberg) to restore her to life. This is one of the most critically acclaimed Hammer films and Martin Scorsese cites this as one of his favourite films.

Sat 8 Feb @ 22.50 - FRANKENSTEIN AND THE MONSTER FROM HELL (1974)

The aged Baron Victor Frankenstein (Peter Cushing) is housed at an insane asylum where he has been made a surgeon, where, under the alias of Dr. Carl Victor, uses his position to continue his experiments in the creation of man. Filmed at Elstree Studios in 1972 but not released until 1974, it was the final chapter in the Hammer Frankenstein saga of films as well as director Terence Fisher's last film.

Sat 15 Feb @21:00 – THE MUMMY’S SHROUD (1967)

Directed by John Gilling, the film stars André Morell and David Buck as explorers who uncover the tomb of an ancient Egyptian mummy. (played by stuntman Eddie Powell, Christopher Lee’s regular stunt double), brought back to life to wreak revenge on his enemies. It was the third of Hammer's four Mummy films, and the last to feature a bandaged mummy. It was the final Hammer production to be made at Bray Studios.

Sat 15 Feb @ 22:45 - BLOOD FROM THE MUMMY’S TOMB (1971)

This was the swan song for director Seth Holt, who died before filming finished. An expedition, led by Professor Fuchs (Andrew Keir), find the tomb of an evil Egyptian princess. Her preserved, still-bleeding severed hand sports a dazzling ruby ring. Several years later, Fuchs gives the ring to his daughter Margaret (Valerie Leon), who slowly begins to take on the malevolent traits of its original wearer.

Sat 22 Feb @ 21:00 – THE DEVIL RIDES OUT (1968)

The powers of good are pitted against the forces of evil in this gripping tale of Satanism, based on the best-selling 1934 novel of the same name by Dennis Wheatley. Written by Richard Matheson and directed by Terence Fisher, the film stars Christopher Lee, Charles Gray, Niké Arrighi, Leon Greene and Patrick Mower. Christopher Lee has often said that of all his vast back catalogue of films this is his favourite

Sat 22 Feb @ 22:50 - TO THE DEVIL A DAUGHTER (1976)

Directed by Peter Sykes, this was the second of Wheatley's "black magic" novels to be filmed by Hammer, following The Devil Rides Out and stars Richard Widmark, Christopher Lee, Honor Blackman, Nastassja Kinski and Denholm Elliott. Wheatley disliked the film because it did not follow his novel and found it obscene. Wheatley told Hammer Production that they were not to make another film from his novels ever again


Other highlights during Feb include the UK TV premieres of SAWNEY: FLESH OF MAN (Fri 21 Feb @ 22:55) and SHARKZILLA (Tues 25 Feb @ 16:00). Plus there is the Network premiere of OPEN WATER (Fri 7 Feb @ 22:50)

TV: Sky 319 / Virgin 149 / Freesat 138
 www.horrorchannel.co.uk | twitter.com/horror_channel

DVD Review - Computer Chess

Genre:
Comedy, Independent
Rating:
15
Distributor:
Eureka! Entertainment
BD/DVD Release Date:
20th January 2014 (UK)
Director:
Andrew Bujalski
Cast:
Kriss Schludermann, Tom Fletcher, Wiley Wiggins,
Buy: Computer Chess (Masters of Cinema) (DVD & BLU-RAY DUAL FORMAT)
The year of 1984 proved a seminal time for computer nerds. With Orwell's ideas of the impending doom of the human race becoming more apparent, alongside the release of The Terminator and Revenge of the Nerds, it was certainly a time in history which still conjures nostalgia for those who stayed up into the small hours discussing the future of computer technology and their makers. For Andrew Bujalski's latest work, Computer Chess, revisiting such a time resurrects various hypothesises, pandering to them in a manner which reveals something much more sinister underneath.

Set in a nameless budget hotel over a weekend convention, the film presents a group of obsessive computer software programmers as they attempt to compete for a grand prize for the best computer chess programme. Amongst all the competitive bragging and pot induced ramblings on artificial intelligence, the film reveals a larger frame-work of the relationships and insecurities between its characters and their machines, presenting a surreal de-humanised look of a digital age which has only considered to have been lost as technology advanced over time.

A popular Sundance veteran, Bujalski has usually been seen as the master of the American Indie sub-genre Mumblecore. With film-festival hits such as Funny Ha Ha and Mutual Appreciation within his canon, he has a skilful eye in directing intricate character studies where droll, yet textured, dialogue and interactions from actors prevailed over the main story. Unsurprisingly, Bujalski's idiosyncratic style is regularly compared to that of Cassavetes or Rohmer. However, in a refreshing move, he has broadened his skills, presenting a film that is as nightmarishly unique as anything by David Cronenberg or as complex as Shane Carruth's Primer.

Although the neurotic outsider characters which made Bujalski a significant indie director still prevail, exchanges in dialogue soon create a noticeably more ominous atmosphere once the humorous tone shifts into sci-fi surrealism. Starting off like a mockumentary, the cringe inducing obsessiveness of these characters slowly uncovers a few unsettling ideas once they themselves begin to question the power these machines actually have over them. Having one particular system refusing to operate until its chess skills are actually put towards another human soul, an uncomfortable paranoia lingers over the film. Despite these characters speaking at length about the expansiveness of the circuitry within their computers, their difficulty in emotionally connecting with anybody else - or even understanding what their machines are doing – makes one wonder that while the evolution in artificial intelligence still seems infinite, has the development and intelligence of the human race become more rooted sooner than one would think?

Yet, what turns transforms seemingly standard idea for a character driven piece into a compelling puzzle is in the actual look of the film. Entirely shot on an ancient and cumbersome Sony videocamera (the AVC-3260, incase you were wondering), the fuzzy, black and white footage gives a sense that the film was unearthed from the depths of an old government filing cabinet, deemed completely classified. Amplifying the uneasy atmosphere, the simplicity of the camera movements within the competition, combined with a discreet intrusiveness outside it, works well in creating a secretive knowingness from the man in control behind it. In all its retro simplicity, there is a warped satisfaction in being in on the act. Alongside a 4:3 aspect ratio and an unstable picture quality, it boxes these characters within the claustrophobic labyrinth of the hotel.With no sense of escape from these walls or their (now) imperfect mentality, Bujalski reveals an alternative point of view on the origins and mindset of the 'wired' generation that could still arguably be resonant today. Encouraging the viewer to philosophise over its development and origins from all possible angles, the unsettling conclusion concocts an uncertainty towards the future of these characters. It is not so much that the computer nerds came and conquered, it is just that they unconsciously laid the foundations for a future that is today.

★★★★☆

David Darley

Arrow Video Get 'Naughty' With Tinto Brass Double Bill Home Release of Cheeky And Frivolous Lola

Arrow Video is excited to announce the UK release of Tinto Brass’ Cheeky and Frivolous Lola. Both titles will be available to own in the UK on 10th February on Dual Format Blu-ray and DVD and feature packaging that will showcase the original poster artwork as well as a reversible sleeve with newly commissioned artwork by The Red Dress. These editions will also include collectors’ booklets featuring new writing on the film by critics Maitland McDonagh and David Flint respectively, both of which will be illustrated with original archive stills.

When free-spirited beauty Carla (Yuliya Mayarchuk) moves to London, her search for a flat leads to a lesbian seduction by estate agent Moira (Francesca Nunzi), much to the horror of Carla’s boyfriend Matteo (Jarno Berardi) still stuck in their native Venice. And then he discovers a cache of letters from an ex-boyfriend, accompanied by a highly revealing and very public photograph of her…

Ravishingly shot in two of the world’s great cities, bouncily scored by Pino Donaggio, and crammed with wall-to-wall nudity and casual sexual flings, Cheeky is as lighthearted as its title suggests, but it’s subtler and more philosophical than the average sex romp.

In particular, it’s a genuinely moving look at problems arising when a desire to remain scrupulously faithful collides with the lure of baser instincts. Carla genuinely loves Matteo, but how can she reassure him when he spots temptation around every corner?



Frivolous Lola – Synopsis
One of the sunniest of Tinto Brass’s erotic comedies, this sets its breezy tone from the opening scene in which Lola (Anna Ammirati) cycles around a small Po Valley town in a flapping skirt that leaves nothing to the imagination.
But it’s the 1950s, and her baker fiancée Masetto (Max Parodi) is determined that Lola remains a virgin until their wedding night. However, she is equally set on establishing whether or not he’s a good lover before they tie the knot. His dough-kneading technique seems promising, but how can she be sure without an expert to compare him with? In short, can Masetto live up to the erotic ideals professed by Lola’s mother’s lover (Patrick Mower)?

Fortunately, the outwardly innocent town turns out to be a hotbed of licentiousness, with opportunities for voyeurism and maybe more around every corner – all in the interests of self-improving research, of course.



Cheeky - Special Features

· High Definition Blu-ray and Standard Definition DVD presentation of the film uncut and in widescreen for the first time!

· Optional English and Italian audio

· Newly translated English subtitles for the Italian audio

· Featurette on the film with director Tinto Brass

· Original Trailer

· Reversible sleeve featuring original and newly designed artwork by The Red Dress

· Collector’s booklet featuring new writing on the film by critic and author Maitland McDonagh, illustrated with original archive stills.

Frivolous Lola - Special Features

· High Definition Blu-ray and Standard Definition DVD presentation of the film uncut and in widescreen for the first time

· Optional English and Italian audio

· Newly translated English subtitles for the Italian audio

· Original Trailer

· Alternate Italian language opening and closing credits

· Reversible sleeve featuring original and newly designed artwork by The Red Dress

· Collector’s booklet featuring new writing on the film by critic David Flint, illustrated with original archive stills

Watch The Hypnotic First Trailer For Jeff Barnaby's Rhymes For Young Ghouls

Every so often a film comes along which is blessed with visual qualities, powerful and challenges the establishment as well as a voice in film to be reckon with. Canadian film maker Jeff Barnaby is one of those voices and Rhymes For Young Ghouls is his directorial feature debut a film that squares up one of Canada's darkest hours.

Rhymes For Young Ghouls is dark vexing film that tackles Canada's  stance residential schools and the 'civilization' of Aboriginal children to be 'educated' in the white man's way of life. These kids where forcibly removed from their families subjecting them years of abuse and enforced to loose their own cultural identities. This issue may sound very familiar to some as it's the same plight that the Australian Aboriginals where subjected  too and it now seems legally as well as morally many cases can be found in court.

Here's the film's synopsis from The Toronto Film Festival

Set against the backdrop of the residential schools tragedy -- when thousands of Aboriginal children were separated from their families, culture, and language -- his much-anticipated debut feature Rhymes for Young Ghouls resembles an S.E. Hinton novel re-imagined as a surreal, righteously furious thriller. At the tender age of 15, Aila (Kawennahere Devery Jacobs) has taken over the drug business of her father Joseph (Glen Gould) while he serves a stint in prison. Joseph's return signals an abrupt end to Aila's reign as the reservation's drug queen; it also piques the interest of Popper (Mark Antony Krupa), the reserve's corrupt and sadistic Indian agent. The bloody tragedy that unfolds becomes an angry and poetic howl for lost lives, lost opportunities and lost loved ones -- a fever dream whose terrifying fictions are grounded in even more terrible fact.

Rhymes For Young Ghouls has been named by Toronto Film Festival as on of Canada's top 10 films of 2013 which deliver's in a dark, gritty but humorous manner. It delivers a story that must be told but never forgotten, check out the trailer below and if your Canadian you can catch the film on it's limited cinema release from 31st January.

source:Twitch

Sam Fuller's White Dog Joining The Masters Of Cinema Family In A March Re-Release

Eureka! Entertainment have announced the first UK release of the long-awaited classic White Dog, directed by iconic director Samuel Fuller (The Big Red One, Shock Corridor, Pickup on South Street) and featuring Kristy McNichol, Burl Ives, Paul Winfield, and cameos from Dick Miller, Paul Bartel, Marshall Thompson and Samuel Fuller himself. One of the most controversial films of its era - released briefly in the UK at cinemas and on VHS in the 1980s and rarely seen since, White Dog is a tragic portrait of the evil done by that most corruptible of all animals: the human being! White Dog will be released in a Dual Format (Blu-ray & DVD) edition as part of Eureka! Entertainment's award-winning The Masters of Cinema Series on 24 March 2014.



One of the most controversial American films of the 1980s, Samuel Fuller's White Dog was originally withheld from release in the USA and has been rarely seen since. This head-on examination of racism remains a riveting and startlingly powerful film experience, with superb performances and a brilliant score by the great Ennio Morricone.

When a young actress (Kristy McNichol) adopts a stray white Alsatian she hit with her car, she soon discovers that the dog has been conditioned to attack any black person on sight. Its only chance is Keys (Paul Winfield), an animal trainer focused on breaking the dog's behaviour and finding a way to eradicate its vicious instincts.

An acclaimed and daring late-career highlight for its director, White Dog amply demonstrates Fuller's clear-eyed intelligence, impassioned humanity and filmmaking dynamism. Unavailable in the UK for decades, The Masters of Cinema Series is proud to present its premiere in a new Dual Format (Blu-ray & DVD) edition.

SPECIAL FEATURES:

- New high-definition 1080p uncut presentation, supervised by producer Jon Davison
- Optional English subtitles for the deaf and hearing-impaired
- More to be announced!
- A booklet featuring the words of Samuel Fuller, rare imagery and more!

We will review  Sam Fuller's White Dog near the time, when it's released on Dual format (blu-ray & DVD) on 24th March.

Pre-order/Buy WHITE DOG (Masters of Cinema) (Dual Format Blu-ray & DVD) [Amazon]

You're Next DVD Review

Genre:
Horror, thriller
Rating:
18
Distributor:
Lionsgate Films UK
DVD/BD Release Date:
13th January 2014 (UK)
Director:
Adam Wingard
Cast:
Sharni Vinson, Joe Swanberg, AJ Bowen, Joe Swanberg, Ti West
Buy You're Next: DVD or Blu-ray [Amazon]
Adam Wingard and Simon Barrett are making quite a name for themselves as contenders in modern horror. If you check out 2010’s A Horrible Way to Die, then the two VHS films that have appeared since then, you will see a curve of improvement that should garner some keen interest. The pair’s latest offering is their best to date; a home invasion thriller married with horror imagery, family drama, and a sharp black humour.

You’re Next’s premise is simple: a family celebration interrupted by brutal masked mercenaries, who are surprised to find one of their victims has a knack for violence and survival. After a seductive yet brutal prologue, the heat turns down to allow us entry to its characters proving Wingard and Barrett are wise to the pitfalls of the modern horror film: lack of character = lack of shits given when they get dispatched. And make no mistake they get brutally dispatched. Giving us at least half the film to understand the politics of the Davison family could seem a bit overboard in a film of this ilk, but it’s exactly why You’re Next stands out amidst last year’s slashers and terror trips. That, and a blender.

Sharni Vinson’s turn as Erin is one of the strongest points in the feature, remoulding the classic slasher girl into a merciless home-defence guru come brutal combatant. Vinson’s sharp delivery and no-bullshit attitude will have you cheering in an era still too reliant on the utter stupidity of not just its murder-fodder (steroid huffing jocks and fraternity bitches) but its lead roles too. Gushing about the cast doesn’t stop there, Joe Swanberg flaunts perfect comic timing as Crispian’s asshole brother, House of the Devil director Ti West pops up in a minor role, whilst Stuart Gordon regular Barbara Crampton makes a most welcome return to the screen as the Davison children’s mother.

You’re Next flaunts an appreciation for classic horror but doesn’t actively engage, its not taking up the postmodern element but it does feel like a retrospective of late-70’s slasher tropes. Rather than being a rip-off, Wingard and Barrett have recycled some images and tones that bolster their feature as an impressively constructed thriller with moments of horror that actually have the power to intimidate. On a bum note, as the tension winds and the blood splashes, the soundtrack switches to a weird hark-back synth sound, which dangerously compromises the intensity of the film at points. The almost playful scoring highlights why You’re Next works so well: because it doesn’t desperately try to emulate everything that’s gone before.

Genre hybridity does not equal “Game-Changer” however, as many reviews seem to think , and anyone going into the film expecting The Cabin in the Woods will be sorely disappointed. Instead of changing the face of the genre, You’re Next stands its ground as an enjoyable venture by surprising the audience with well executed plot, scares, practical effects, fleshed out characters, and a keen sense of humour. You probably won’t laugh out loud, but there are plenty of moments to remind the audience that Barrett and Wingard are in complete control of their project.

You’re Next is a concise, rip-roaring sort of ride the likes of which only come around every once in a blue moon.  Expertly put together, at points chilling, at points hilarious, always entertaining, here is horror cinema at its most enjoyable from bloody beginning to outrageous ending without forsaking any intensity what so ever.

★★★★☆

Scott Clark

Win Kelly + Victor On DVD

The surprise critical British independent film Kelly + Victor will be released this Monday, 13th January on DVD and Bluray. We have teamed up with Verve Pictures and have 3 copies of the film on DVD up for grabs.

Kelly+Victor is a haunting, candid depiction of a young couple embarking on a passionate and transgressive love affair, from the acclaimed novel by Niall Griffiths. The film is set against the backdrop of a highly cinematic Liverpool, to a searing soundtrack featuring music by a host of acclaimed artists including the Mercury Music Prize-nominated artists King Creosote & Jon Hopkins and Wild Beasts as well as the gifted guitar work of Bill Ryder-Jones (ex-The Coral).
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When Kelly (Antonia Campbell-Hughes) meets Victor (Julian Morris) on the dance floor of a Liverpool nightclub, the attraction is instant. After wandering through the night they find themselves at her flat, making love with a passion and urgency that neither had experienced before. Both Kelly and Victor are struggling to get by as best they can, while the people around them are choosing illegal lifestyles; she is escaping a brutish former lover, while he is being dragged into a world of drugs. It’s when they make love that their darker instincts take over.

Directed by Kieran Evans, Kelly+Victor is a devastating story of obsessive love anchored by two complex but tender performances.To win Kelly + Victor please answer the following question...

Q.What BAFTA was Kelly + Victor nominated for Along with Shell Earlier this week for ?

Deadline is 2nd February 2014 (23:59pm),If you haven’t done already Like us and stay with us at our Facebook page (if you are already liking us just share this post on twitter and facebook). Must be 18 or older to enter.

1.The competition is not opened to employees, family, friends of The Peoples Movies, Cinehouse, Verve Pictures  employees who have the right to alter, change or offer alternative prize without any notice.2.All The Peoples Movies entries must be done via contact form. deadline Sunday(23:59pm) 12 years or older to enter 3.Failure to include any information required to enter could result in your entry been void.  4.automated entries are not allowed and will be disqualified, which could result you been banned, DO NOT INCLUDE telephone numbers as for security reason your entry will be deleted.5.If you are friend or like us at facebook for every competition you enter you get double entry, but you must stay friend/like us all the time,or future entries maybe considered one entry if you are liking us share the post on facebook and re-tweet the post.6.The Peoples Movies, Cinehouse takes no responsibility for delayed, lost, stolen prizes 7.Prizes may take from days to a few months for delivery which is out of our control so please do not complain 8.The winning entries will be picked at random and contacted by email for postal details and will be announced via facebook, sometimes we are unable to confirm winners. Uk & Irish entries only.

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