Frightfest 2012 - Tulpa 3D

Tul-pa (from the Tibetan): meaning a magically produced illusion or creation. The concept of a being or object which is created through sheer discipline alone. It is a materialized thought that has taken physical form.
Italian rock star turned director Federico Zampaglione made a splash in 2009 when his first film Shadow played to a packed audience at London’s Frightfest. Returning some three years later and after teasing the film at Frightfest Glasgow earlier this year, Zampaglione unleashed Tulpa on an eager and willing audience. Word of mouth had built the film up to be one of the must-see films of Saturday, and I for one wasn’t disappointed.

The film tells the story of businesswoman Lisa Boeri: she has a good job, she’s well respected and at the top of her career but she keeps a secret. By night she goes to a seedy club named Tulpa, owned by a guru who teaches her his bizarre esoteric philosophy on finding spiritual and psychological freedom by having anonymous sex with complete strangers. However Lisa finds out her sex club partners are all being murdered in horrible ways one-by-one by a black-gloved killer who seems out to destroy her life. But Lisa can’t talk to the police for fear of revealing her secret and ruining her career, so she has to unmask the anonymous assassin herself…

Taking the tropes of 70s giallo and updating them for a modern audience, Tulpa is an odd, yet fun, mix of the familiar and the new. Adding copious amounts of sex (much more than many of the giallo of the Italian cinema heyday) and not holding back on the violence, Zampaglione throws in a little supernatural edge in the form of Tibetan mysticism to create a neo-giallo that would make even Dario Argento jealous.

Packed with some of the countries biggest stars, including Claudia Gerini in the lead role, Tulpa marks the return of the giallo to the forefront of the Italy’s cinematic output. And from the gloved maniac’s first kill to the final reveal Tulpa is both a nostalgic look back at a now much-maligned genre and a bold statement on its future. All writ large on the screen by a director who has an obvious love for the genre and the talent to see it through.

This was a review by Phil at Blogomatic3000

Rating: 18
UK Release date: 26th August 2012 (Frightfest)
Directed by: Federico Zampaglione
Cast:: Nuot Arquint, Laurence Belgrave, Michela Cescon, Michele Placido

Jamie Bell & Connie Nielson To Star in The Nymphomaniac?

Lars Von Trier and Hollywood may have a fairly healthy relationship but with Judges of world famous film festivals like Cannes, some press is a completely different ball game. As usual we always wait to see how the Danish auteur will shock us with his next project and we know it's going to be The Nymphomaniac a sex based film which you would assume would scare off some of the talent, then you would be wrong to think that. With Charlotte Gainsbourg , Stellan Skarsgaard (Daddy again for 8th time at 61!) possibly joined by  Nicole Kidman, Willem Dafoe rumoured to sign on they've been joined by Shia LaBeouf (yes Sam Whitwicky) and looks like Tintin & Rushmore's Mrs Calloway have signed on too.

THR are reporting Jamie Bell, Connie Nielson who are joined by a number of Von Trier film regulars Nicolas Bro (War Horse), Jesper Christensen (Mr. White in Quantum of Solace and Casino Royale) and Jens Albinus (Idiots), Shanti Roney and Severin von Hoensbroech have all signed on. Who'll they'll play we don't know but all we know Von Trier's erotic flick is 2 parts which will have softcore and explicit hardcore scenes and last week Shia Labeouf attempting to rid of his Transformers past going arthouse revealed that info on those particular scenes arrived with the disclaimer. When he broke the news that he was going to 'get it on' he seem to react like adolescent teen boy doing it for the first time, but despite Von Trier's love of creating things that are 'raw' his production team have said body doubles and visual effects will be used.

Here's a reminder of the synopsis:

NYMPHOMANIAC is the light and poetic story of a woman’s erotic journey from birth to the age of 50 as told by the main character, the self-‐diagnosed nymphomaniac, Joe. On a cold winter’s evening Seligman, an old bachelor, finds Joe semi‐unconscious and beaten up in an alleyway. After bringing her to his flat he sees to her wounds while trying to understand how things could have gone so wrong for her. He listens intently as she over the next 8 chapters recounts the lushly branched-‐out and multi faceted story of her life, rich in associations and interjecting incidents.

All we know at this stage is the film is going to be released in 2013 producer Peter Aalbæk Jensen is hoping to have the film ready to première at Cannes 2013 which we know might be a little hard with Lars Von Trier been Persona Non Grata. The director however did announce he won't be doing press or interviews which could make this one film Cannes may give into temptation.

source:THR

Rumble Fish Blu-Ray Review

★★★★★

Rumble Fish was one of many films Francis Ford Coppola did post-One from the Heart to try to recoup the costs of that film. It was made right after Coppola’s previous adaptation of S.E. Hilton novel The Outsiders. It is easily his most artistically satisfying and best since his magnum opus Apocalypse Now. It is also a one of Coppola’s personal 5 favourites of his own work.

It tells the story of Rusty James (played by a very young Matt Dillon, who has starred in 3 of 4 S.E. Hilton adaptations) who is a young but not book-smart but very street-smart teenager who is a member of a rag-tag gang of youths. The film starts with him taking up an offer for a fight with a rival gang leader Biff Wilcox. Matt Dillon’s older brother the legendary Motorcycle Boy (played by a pre-plastic surgery Mickey Rourke) had made a truce between the gangs to stop the rumbles before he left for California. Rusty decides to go ahead with the fight despite this. The Motorcycle Boy mysterious comes back the end of the fight and wins it for his young brother. The Motorcycle Boy like his alcoholic father (Dennis Hopper) is intellectual and has no time for gang fights despite he can knock anyone out easily. The rest of the film plays out like a Greek tragedy and is also about time running out for Motorcycle Boy.

The film’s influences are from Greek Mythology with references to the story of Cassandra but also it’s a film that is very referential to film. The film is very of referential stylistic decisions inspired by German expressionism, surrealism and film noir. The film is almost dreamlike in tone, it’s set in Tulsa, Oklahoma like all of Hilton’s stories but unlike his previous The Outsiders, which is much more like a old fashioned style almost Douglas Sirk esq. in it’s use of colour and obviously constructed sets, not that different from One From the Heart.

It’s shot in high contrast black & white cinematography, which is not that different from the better works of Orson Welles, some shots are reminiscent of his version of The Trial. The film also has very crooked angles, smoke and fog which reminiscent of The Cabinet of Dr. Caligari. It also has very extreme close-ups at time that are really innovative. The film also has early usage of time-lapse photography inspired by Koyaanisqatsi which Coppola’s Zoetrope distributed. The film also is completely in black and white except 2 scenes near the end which obviously a reference to the Motorcycle Boy’s colour blindness.

The film has a wonderful cast with a wonderful performance by Mickey Rourke at the height of his power in the 80s. Matt Dillon is great as Rusty James and also great supporting roles from Dennis Hopper, Laurence Fishburne (who Coppola discovered in Apocalypse Now), Coppola’s nephew Nicolas Cage, Chris Penn and the always wonderful Tom Waits. Mickey Rourke approached his performance as "an actor who no longer finds his work interesting" which perfectly sums it up. Coppola also gave him books by French absurdist/existentialist writer Albert Camus and based his look partly on a famous photo of him.

The film includes a wonderful score by Stewart Copeland of The Police. It uses streets sounds, strange rhythms, sounds of clocks so in short a very interesting and innovative like the film it’s in. It also features a wonderful commissioned song for the film by Stan Ridgway of Wall of Voodoo, which is probably my favourite song written specifically for a film.

Rumble Fish is hands down Coppola’s most underrated and misunderstood film, which has a lot more depth than it was given credit during it’s first run. It has been luckily re-evaluated over the subsequent years. I consider it his 2nd best film behind Apocalypse Now and yes that includes Godfather 1 and 2. It’s a strange stylistic film that is unlike any other film with some great performances. It has been recently added to Masters of Cinema range by Eureka Entertainment and rightly so.

Ian Schultz

Rating:18
UK BD (Re) Release: 27th August 2012
Director: Francis Ford Coppola
Cast: Matt Dillon, Mickey Rourke, Diane Lane, Dennis Hopper, Nicolas Cage