The first film of the nouvelle vague, or at the very least the first feature directed by a Cahiers du Cinéma critic, Claude Chabrol’s beautifully observed film preceded François Truffaut’s highly acclaimed The Four Hundred Blows by a year. Winning the 1958 Le Prix Jean Vigo award, and receiving praise from friend and colleague Truffaut for being “as masterly as if Chabrol had been directing for ten years,” Le Beau Serge defined the nouvelle vague’s aesthetic with its use of non-professional actors, location shooting, natural black and white photography, and its personal vision.
Opening with the words “this film was shot entirely in the village of Sardent (Creuse). Our warmest thanks to the residents and local authorities there,” Chabrol’s film introduces the audience to François (Jean-Claude Brialy), a Parisian student returning to his home village to recover from a serious illness.
Upon arrival, François seeks out his childhood friend Serge (Gérard Blain), now an unhappily married alcoholic with a baby on the way, and the pair reminisce in an attempt to reconnect. But it isn’t long before the pair become disconnected due to the differences in their circumstances: the superior François is content with his life and his education, whereas Serge has become bitter and discontented at the prospect of a life stuck in a provincial village.
The film ends when François, suffering from some kind of, as the village Doctor jokingly attests, “martyr complex,” tries to ‘save’ his debilitated friend on a snowy night after Serge’s wife goes into a premature labour. A scene wonderfully shot by cinematographer Henri Decaë, chosen because of his expertise in capturing natural light in films such as Jean-Pierre Melville’s Bob le Flambeur.
The film takes a bleak look at the judgements and assumptions held between social classes with a story that could be deemed as being simplistic and somewhat conventional. But what sets it apart, what turns it into something new, is the radical way in which it moves away from that style of filmmaking, much despised by the Cahiers critics, called the Tradition of Quality. With its aforementioned use of natural photography, location shooting, and a personal vision, Le Beau Serge became the standard-bearer for a new generation of filmmakers.
DVD/BD Release Date: 25th March 2013 (UK)
Director: Claude Chabrol
Cast: Gérard Blain, Jean-Claude Brialy, Michèle Méritz
Buy: LE BEAU SERGE [HANDSOME SERGE] (Masters of Cinema) (Blu-ray)
Opening with the words “this film was shot entirely in the village of Sardent (Creuse). Our warmest thanks to the residents and local authorities there,” Chabrol’s film introduces the audience to François (Jean-Claude Brialy), a Parisian student returning to his home village to recover from a serious illness.
Upon arrival, François seeks out his childhood friend Serge (Gérard Blain), now an unhappily married alcoholic with a baby on the way, and the pair reminisce in an attempt to reconnect. But it isn’t long before the pair become disconnected due to the differences in their circumstances: the superior François is content with his life and his education, whereas Serge has become bitter and discontented at the prospect of a life stuck in a provincial village.
The film ends when François, suffering from some kind of, as the village Doctor jokingly attests, “martyr complex,” tries to ‘save’ his debilitated friend on a snowy night after Serge’s wife goes into a premature labour. A scene wonderfully shot by cinematographer Henri Decaë, chosen because of his expertise in capturing natural light in films such as Jean-Pierre Melville’s Bob le Flambeur.
The film takes a bleak look at the judgements and assumptions held between social classes with a story that could be deemed as being simplistic and somewhat conventional. But what sets it apart, what turns it into something new, is the radical way in which it moves away from that style of filmmaking, much despised by the Cahiers critics, called the Tradition of Quality. With its aforementioned use of natural photography, location shooting, and a personal vision, Le Beau Serge became the standard-bearer for a new generation of filmmakers.
Shane James
Rating: 12DVD/BD Release Date: 25th March 2013 (UK)
Director: Claude Chabrol
Cast: Gérard Blain, Jean-Claude Brialy, Michèle Méritz
Buy: LE BEAU SERGE [HANDSOME SERGE] (Masters of Cinema) (Blu-ray)
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