Showing posts with label Ariel Levy. Show all posts
Showing posts with label Ariel Levy. Show all posts

19 September 2013

TIFF 2013 Review - The Green Inferno

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Rating:
18
Release Date:
7th & 9th September (TIFF)
Director:
Eli Roth
Cast:
Lorenza Izzo, Ariel Levy, Daryl Sabara, Kirby Bliss Blanton, Sky Ferreira,

I've said it before and I’ll say it again: I have a love/hate relationship with horror. I love its ingenuity and its ability to ponder the greater mysteries from behind a gory veil, but I’m realistic, I can enjoy entertainment horror when it comes pounding my way, and yet, I have little place in my heart for lazy horror. And that’s just what Eli Roth’s The Green inferno is.

A group of do-gooders rush to the amazon rainforest in order to disrupt forestry that will destroy a rarely seen tribe of natives. After a series of mishaps and an unfortunate mix-up, the group find themselves at the mercy of a vicious tribe of cannibals. This squandered ode to classic 70’s cannibal films like Cannibal Holocaust is the horror auteur’s latest and perhaps most disappointing feature to date. Taking the tried and tested formula of group of twenty-something’s + adventure = terror and brutal dispatch, Roth seems shamelessly at ease with letting his feature trundle along on the road to mediocrity.

My main issue with the film lies in the fact it seems like a glorified excuse to let legendary gore craftsmen Howard Berger and Gregory Nicotero off the leash in a gleefully gory escapade. Make no doubt about it; there are some genius moments of brutality and sedition that will turn the stomachs of the most weathered horror fans. And the scarlet-skinned cannibals of Roth’s jungle nightmare are something to behold- chilling and brutal. But that’s just the problem. Roth makes minimal attempts at backing up his visuals with narrative, style, or substance - which are all forsaken in exchange for what can only be referred to as a gore-coaster.

Saying that there’s an upsetting kind of irony and humour (of the blackest kind) at work here.  There are moments, as with all Roth’s films, that will have you staggered on the peak between laughing and grimacing and that’s something few directors can orchestrate: panic-stricken girls having bouts of explosive diarrhoea in cages with their friends, hordes of cannibals with Emo Philips hair doos racing through the jungle. Tension erupts in moments when we think the more likable individuals of the bunch will be fucked up beyond all recognition, but generally dissipates in a cloud of guts and (dare I say) glory. Like Hostel Part 2 this feels like more of the same, and raises a certain question as to Roth’s actual legitimacy as a horror icon. The Green Inferno does however sport one of the most ludicrous yet hilarious and enjoyable cannabis extravaganzas committed to horror, I won’t say anything because I don’t want to ruin one of the more enjoyable aspects of the film, but its shamelessly ridiculously stupid and kind of lovable simply for that.

Maybe I’ve touched on Roth’s particular brand of genius there. Maybe if you ignore the silliness of it all, the black humour and lack of likable character, there’s a fun way to spend an hour and a bit. Then again, maybe not.

The Green Inferno is as dumb as its characters and irritating in its lack of flare. What it surrenders in story it attempts to reclaim in sheer break-neck gore-splattered tension. Though it works to some degree this is an ultimately lackluster project.

★★ 1/2☆☆

Scott Clark

19 August 2013

Aftershock DVD Review

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Stars: Eli Roth, Ariel Levy,Andrea Osvart, Natasha Yarovenko
Director: Nicolas Lopez
DVD/BR Release: 19th August 2013
Certificate: 18 (UK)
Buy:[DVD] or [Blu-ray]

After his spine-tingling nasty debut Cabin Fever, Eli Roth has fast become one of the most prominent figures in modern horror. However, 2013 has certainly not been a vintage year after producing the incredibly disappointing The Last Exorcism Part II. His second feature this year, Aftershock, a collaboration with Chilean filmmaker Nicolas Lopez does have certain redeeming features but is a far cry from his previous projects.

Aftershock follows an American backpacker (Roth) in Chile, who alongside a group of friends is caught in a gruesome earthquake whilst clubbing. This results in a collapse in the local prison leaving ruthless criminals to terrorise the broken streets.

Aftershock sticks to a similar format to many 'backpackers in peril' horror flicks, opening capturing the idyllic and charming Chilean setting - which is ultimately seen in a darker light post-earthquake. Here you can expect the traditional culture-clash elements between Eli Roth's Gringo and his South American pals - and whilst sticking to a rigid format there is a convincing rapport between the performers.

The earthquake sequence is the strongest element of Aftershock . Lopez directs the scene with a frantic energy as club-goers run from crumbling architecture, falling lights and smashing bottles - all set against a pulsating neon glow. What follows are a series of gore-soaked sequences and injuries which may impress the Hostel-crowd but are unlikely to have much of an impact on the average viewer or even the hardened horror fan.

After this well-shot and somewhat original setting and sequence it's sad to see that Aftershock goes down the route of generic survival horror. The narrative ultimately follows the surviving tourists attempting to avoid the recently-escaped prisoners who seem intent on causing as much carnage as possible. This leads to a variety of attempts to shock the viewer from rape sequences to people being set aflame - none of which have any effect but to make the viewer feel a bit nasty.

This narrative also contains a plot twist that viewers are likely to see coming from a mile-off which is unveiled in the film's church set conclusion. Whilst Aftershock may feel formulaic and predictable for the most part, Lopez's film ends on an amusingly dark shot which is likely to impress regular viewers of horror films.

Aftershock sticks to a rather rigid and predictable formula despite getting off to a strong start with its Chilean setting, standout Earthquake scene and spirited cast. The film's expected attempts to shock and predictable carnage are unlikely to move audiences and largely fall flat.

★★½☆☆

Andrew McArthur


22 December 2012

Eli Roth Earthquake Horror Aftershock Gets First Trailer

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It's been a while since we've had anything from Eli Roth and his latest horror project Aftershock has it's first official trailer. The American filmmaker this time is producing but of all starring in the ecological disaster come horror survival flick about a group of American tourist who go on holiday to Chile decide to have an wild night at a local night club. Things go bad to worse whilst in the club an devastating earthquake hits and when the group thinks the escape from the club was the worse of their worries as chaos runs wild  outside. This one should please fans of Roth as you'll as the trailer progresses into a typical Roth Style horror ala Hostel, though some may question if he should just stick what he does better direct. Have a look decide for yourselves.

Aftershock is the American feature debut of Nicolas Lopez and also stars Andrea Osvart, Ariel Levy, and Selena Gomez.


source: IGN