Showing posts with label Béatrice Dalle. Show all posts
Showing posts with label Béatrice Dalle. Show all posts
21 March 2016
31 March 2015
DVD Review - The ABCs of Death 2 (2014)
Genre:
Horror, Anthology
Distributor:
Monster Pictures
DVD Release Date:
30th March 2015 (UK)
Rating: 18
Directors:
Julian Gilbey, Erik Matti, E.L. Katz, Jen Soska,
+26 more
Cast:
Jen Soska, Sylvia Soska, Martina García, Béatrice Dalle, Ian Virgo
Buy:The Abcs Of Death 2 [Blu-ray]
The ABC’s of Death 2 is a far more accomplished and enjoyable anthology horror than its predecessor. My hopes had perhaps been too high for the first instalment, expecting the epic project (26 directors, 26 short films all instigated by a letter of the alphabet) to showcase the future of horror whilst simultaneously saving it. Well, The ABCs of Death 2 literally streaks past the first to deliver a whooping containment of disgraceful goodies courtesy of the most exciting people in the business.
The nice thing about the ABCs is that it doesn’t seem to favour one director more than the other. The first instalment had problems with consistency mainly because some of the films were crazy longer than others, but here it seems everyone’s been given a max run-time. It just helps to keep the film moving and- more to the point- the less interesting ones won’t be on for long. But what an eclectic array of phantasmagorical delight and nightmarish titillation! The entries are a spectrum of horror if ever there was one. They go from grungy to sleek, gory to squeaky clean, it’s all impressive as an argument for horror’s flexibility. Sci-fi dystopia, folk tales, thrillers, slashers, creature features, character pieces, there’s a wealth of great material.
A is for Amateur (E.L. Katz- Cheap Thrills) and S is for Split (Juan Martinez Moreno-Lobos de Arga) go down the thriller route, tackling synth beat pulp and split-screen home invasion respectively. The Japanese entries are 2 of the best this time around with innovation overriding bamboozlement in both Hajimi Ohata’s O is for Ochlocracy and Soichi Umezawa’s Y is for Youth. Y is particularly impressive, the stunning stop-motion manifestations of a young girl’s rage prove a grotesque but entirely unique presentation for Umezawa’s debut.
Other animation ventures strike gold by pushing the boat out and having fun with the ideas of horror. If you haven’t checked out Robert Morgan’s animations then I urge you to do so; never before has the landscape of nightmares been so aptly manifested. His particular style is a haunting ode to Kafka and Cronenberg, a foul Wallace and Gromit that crawled up out of your subconscious, and in D is for Deloused he’s on tip-top nasty form. On the other hand, Bill Plimton’s H is for Head Games is effortlessly funny and just plain pleasing in its simplicity.
Rodney Ascher’s Q is for Questionnaire is strangely obvious considering the filmmaker’s exquisite deconstruction of The Shining and clear understanding of subtext. Even then it’s still entertaining to watch. The only really bad shorts are Todd Rohal’s P-P-P-P Scary! and Alejandro Bruques’(Juan of the Dead) E is for Equilibrium, though even E doesn’t infuriate as much as Rohal’s excruciating waste of a letter, which fails to get laughs from a hoakey exploitation of stuttering and Lynch.
The most impressive films are K is for Knell (Bruno Samper), a stark and haunting sci-fi tale with a plethora of terrific imagery, Robert Boocheck’s M for Masticate for shameless hilarious drugsploitation and Marvin Kren’s black and white treat R is for Roulette. Steven Kostanski (Manborg) delivers more dark retro fun in W for Wish and proves yet again that he is a particular and talented filmmaker. In the end, The ABCs of Death 2 leaves us on a higher note than the first, climaxing with Chris Nash’s Z is for Zygote and stealing the show as the most ideologically horrific, practically disgusting, film of the anthology.
I could write a few hundred words on each film, but that would be pointless and to be honest I just wouldn’t want to ruin it for you. Even if you hated the first, give the second a go, it’s a consummate expression of horror in all its forms and a showcase of the most vibrant and enjoyable kind.
At this rate, I cannot wait for The ABCs of Death 3.
★★★★
Scott Clark
22 November 2013
Blu-Ray Review - Betty Blue (1986)
Genre:
Drama, Romance,
Rating:
18
Distributor:
Second Sight
BD Release Date:
25th November 2013 (UK)
Director:
Jean-Jacques Beineix
Cast:
Jean-Hugues Anglade, Béatrice Dalle, Gérard Darmon
Buy: Betty Blue: Deluxe 2 Disc Edition [Blu-Ray]
Betty Blue since its release has became one of the most iconic films in World Cinema. The poster just itself is easily recognizable with that picture of Béatrice Dalle as the title character. Jean-Jacques Beineix directed it and he was considered one of the leading lights of the Cinéma du look along with Luc Besson, Leos Carax and to an extent Jean-Pierre Jeunet. These filmmakers rejected the Cinéma vérité of some of the French new wave films of the 1960s and took much inspiration from the American films of the 1970s and specifically the stylization of films like One from the Heart and Rumble Fish by Francis Ford Coppola.
Betty Blue was Beineix first film after the disastrous commercial and critical reception of his film Moon in the Gutter. Beineix was for many the lead lighting of Cinéma du look due to his stunning debut film Diva that took not only France by storm but also the UK and the USA. It was a truly stunning splash and still is a marvel to watch, Beineix was even compared to Orson Welles by noted critic Pauline Kael. Beineix was a “wonder kid” so his next film was deemed to fail naturally not unlike Welles’ own 2nd feature The Magnificent Ambersons.
Betty Blue is a 3 hour long doomed love story about Zorg (Jean-Hugues Anglad) and Betty (Béatrice Dalle) who are madly in love quite literally. Zorg has been working as a handy man on a beach chalet when Betty arrives. She arrives and they fall madly in love in more ways that one. Zorg has been writing a novel and has given up on it till Betty discovers his manuscript and tries to get it published. Betty turns increasing insane and self-destructive and Zorg tries to save her before it’s too late.
Betty Blue isn’t as good as Diva because that film is so contained and so meticulously made. It’s also an hour shorter than the director’s cut of Betty Blue, which helps. This blu-ray also includes a shorter version than is missing around an hour but I only watched the director’s cut.
It’s a sprawling film of what love does to people and how it drives people to madness. The film told though Zorg’s character but the real star of the show is Béatrice Dalle whose performance has left an undeniable mark on cinematic culture. The film comes from hands down the most interesting time for films from France since Godard went downhill after his divorce from Anna Karina. Overall it’s worth getting a copy of it especially since Second Sight has a done a very nice blu-ray package including both cuts and a documentary on the film and Béatrice Dalle’s screen test for her role.
Ian Schultz
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