Before he heads to a Galaxy far far away Adam Driver has a small matter of an indie Psychological Thriller Hungry Hearts where he'll explore a different 'dark side'. The film is set for a limited release next month IFC Films have released the official trailer reveals a father love to protect his child from his wife's paranoia.
Hungry Hearts tales the story of New York City newlyweds Jude (Adam Driver) and Mina (I Am Love's Alba Rohrwacher) have a seemingly perfect relationship. But things take an unsettling turn with the birth of their son. Convinced that the baby must be kept free of all contaminants, Mina develops fanatical obsessions with veganism, cleanliness, and purity that may kill the child unless Jude can stop her. With stunning performances from Driver and Rohrwacher, this intense psychological drama suggests that sometimes a parent’s love can be the scariest thing of all.
Since it's world premiere at Toronto Film Festival last year the film has been getting some good reviews that good luck followed it to London too. Whilst some are promoting this as a romantic drama however it's more a thriller with dark and sinister undertones, them been the mental health of Rohrwacher's character. It's good to see a film underline the awareness of first time mums and how sometimes under the joy of been a mother for first times we forget the question "how are you mum?".
Hungry Hearts gets an US 5th June limited/VOD release, co-starring Jake Weber, Roberta Maxwell, and David Aaron Baker.
First thing to note about Chained is: it is not a pleasant viewing experience.
Second thing to note about Chained is: it will probably rot your soul a wee bit.
From Jennifer Lynch (yes, that’s David Lynch’s daughter) comes possibly the most brutal study in serial killers you’ll see this year and I don’t feel too pedantic saying that even though its only February. This truly intense piece of film, is unrelenting in its focus and painful in its portrayal of life with a serial killer.
A young boy (Evan Bird) is forced to become the personal slave of a serial killer cab-driver called Bob (Vincent D’Onofrio), after him and his mother are kidnapped and the mother murdered. As a strange relationship forms between the two, not unlike a master-apprentice, the boy, (now older and portrayed by Eamon Farren) must choose whether to follow in his captor’s footsteps or make desperate attempts to flee the horror of the isolated home.
Even the first ten minutes is enough to deeply unsettle any seasoned horror fan, and it kinda roller coasters from there, reaching highs that have you so wound up you’ll want to look away and lows that will make you ponder the sad and inevitable lifestyles inherent to many abusive childhoods. These lows are where D’Onofrio shows his true worth, in those sad wretched moments masked with rage and in the flashbacks of a life plagued with violence and cruelty. His quiet lisping voice and gaited wander are so adept at masking the strength and ferocity of a murderer, that at some points you can’t help but feel sorry for him. But then, that’s Lynch’s point: there’s a feeling that this piece doesn’t really have a villain in the traditional sense, there’s too much cause and effect going about to simply mark any of the characters down as “evil”. By the end, though, he definitely deserves his comeuppance,
This careful characterisation allows the bizarre father/son relationship between Bob and Rabbit to grow without ever seeming laughable. Farrer’s barren performance is painful to watch but in that good way reserved only for truly distressing thrillers, kind of like Leland Orser in Se7en. Stuttered words and the furtive body language of a terrified child in a teen’s body all hint at years of systematic abuse and exposure to a life less cared for. Lynch is careful with which details of Rabbit’s life she presents to us, and which she holds back, since this is an intricate study in psychological horror it could easily be upset by anything too out-there.
There’s an ironic tone under all this misery matched with a deft and startling eye for detail. Bob’s taxi, scrawled luxuriously with the word Comfort is unsettling start to finish, Rabbit’s seemingly mile-long chain is near iconic, and Bob’s house in the middle of a lush green field seems like a prison island out at sea, to name a few wee details. That’s not to mention Bob and Rabbit playing trumps with the slain girls’ I.D. cards. There are a lot of clever little touches and beautiful framings which play with the restricted space of the house also, ensuring the film has merit as a cinematic construction as well as a heart-wrenching psyche-disturbance.
This is why it’s such a shame the ending flops.
A last minute dash for a twist leaves the film switching tracks far too late and the message gets thrown into the air. Its disappointing and does render the film slightly less than if it had stayed on its simple but strong premise.
Overall an intense and wholly unsettling affair thanks to careful scripting and a jaunting, claustrophobic style. D’Onofrio’s stellar performance is one of the best screen killers in a long time, whilst Lynch’s direction maintains an impressive near-perfect study of the cycle of abuse, spoiled only by an outlandish finale.
She is certainly a 'daddy's girl' Jennifer Lynch as her latest film Chained is showing her daddy David Lynch has certain been a 'father figure' to her inspiring twisted wholesomeness.
This Friday will see the limited cinema release of Chained starring Vincent D'Onfrio as Bob the serial killing taxi-driver, but he is a serial killer with a difference. One of his victims had a boy and he raises him not as a father/ son relationship but to be his protege calling him rabbit instead of Tim his correct name, but will he follow his new found daddy's steps?
Below is a new creepy clip which shows the new family set up is not as happy and dynamic as it should be.
Chained is set for a limited release in UK cinemas on 1st February with the film been released on DVD& Blu-Ray from 4th February. Chained stars Evan Bird, Jake Weber and Julia Ormond.
Let's be honest how many times have we had to rely on taxi's when local transport even own family members have let us down? Lot's of times! What if you entered one of those lifesavers that actually take your life? Jennifer Lynch's Chained might just be the last fare you'll pay, watch the UK trailer
From the mind of writer/director Jennifer Lynch comes the shocker that stunned audiences worldwide: When he was 9 years old, Tim and his mother were abducted by taxi-driving serial killer Bob (Vincent D’Onofrio). Tim’s mother was murdered. Tim was kept as a chained slave, forced to bury the bodies of young women Bob drags home and keep scrapbooks of the crimes. Now a teenager, Tim (Eamon Farren) and Bob share a depraved father/son/protégé relationship. But who will ultimately sever the bond between ‘family’ and unimaginable horror? Evan Bird (“The Killing”), Jake Weber (“Medium”) and Julia Ormond (The Curious Case Of Benjamin Button, “Mad Men”) co-star in what critics are calling one of the most controversial and uncompromising thrillers of our time.
Chained looks more a psychological horror than one that focuses on less actual murders but the actual aftermath of Bob's atrocities and emotional impact on Rabbit. Boxing Helena gave us a new twist on body in 1990's in 2013 Jennifer Lynch's Chained could potentially bring a fresh new compelling twist on the serial killer genre
Chained is set for a limited release in UK cinemas on 1st February with the film been released on DVD& Blu-Ray from 4th February. Chained stars Evan Bird, Jake Weber and Julia Ormond.
L’enfant terrible Jennifer Lynch, whose previous flick Hissss is yet to see the light of day in many territories (at least legally), is back with Chained, a serial-killer flick that looks like something that has stepped off 70s US television, yet plays like the the more sleazier side of the decade as seen in the grindhouse cinema of 42nd Street and movies such as Taxi Driver – with shades of Henry: Portrait of a Serial Killer thrown in for good measure!
Chained tells the story of Tim, a young boy who following an outing to the cinema with his mother, is abducted by Bob, an unlicensed taxi driver whose cab they hail. Driven out to the wilds of Saskatchewan and to the isolated home in which Bob lives, Tim’s mother (played by a cameo-ing Julia Ormond who also starred in Lynch’s Surveillance) is brutally murdered in front of Tim by the unflinching Bob. Taking Tim under his wing, Bob teaches Tim how to be the obedient slave come son-he-never-had, making him cook and clean and wait on his new “father”, not only that but also clean up after his kills and bury the bodies in the basement. Starting with Tim’s mother. Years pass and Tim, now re-christened “Rabbit” by Bob, remains in non-indentured servitude. However Bob is soon eager to teach the grown Tim the ways of the human body and have him experience a woman – in more ways than one. In short Bob’s looking for an heir to his serial-killing empire, and Rabbit is it.
If you’ve seen Lynch’s Surveillance you may remember her fantastic use of stark, almost empty locales, which gave that film a weird ethereal nature. Well with Chained she does it again, shooting the film in the wilds of Saskatchewan which, whilst contrary to the typical claustrophobic nature of the genre, still manages to make proceedings feel closed-in and isolated despite the vast open landscapes on which the film takes place. The sparse setting is also translated inside Bob’s home, with only enough furniture to make the place liveable whilst remaining a functional “lair” for his serial-killing exploits.
But Chained is not about the landscapes or the locales, it’s all about the characters of Bob and Rabbit; and it’s here where Lynch has once again pulled off somewhat of a coup in her casting choices. With character actor turned TV star Vincent D’onofrio (whose performance as Agent Goren in NBC’s Law & Order: Criminal Intent is one of the television greats) in the lead role as Bob, Lynch has an actor that once again brings his chameleon-like quality to this role. The antithesis of Agent Goren, Bob is a lumbering brute of a man who has a no-nonsense approach to life and to death; and D’onofrio plays the role with an air of pathos, which works to humanise the man even if his deeds are reprehensibly monstrous. However the real revelation is Eamon Farren. Last seen in the less-than-stellar wannabe exploitation flick X: Night of Vengeance, Farren brings a quite, often disarming, calm to his portrayal of Rabbit – this is a teenager teetering on the edge of sanity and he balances fragility and strength (both mental and physical) to perfection. And come the films final act you’re never really sure whether Rabbit has given in to Bob’s indoctrination. It’s credit to Farren that his performance is never lost alongside powerhouse D’onofrio.
Director Jennifer Lynch isn’t afraid to go to some pretty dark places in Chained, there’s an incredible streak of black comedy running throughout – nowhere more so than when Bob and Rabbit play “Go Fish” with the driving licenses of Bob’s dead victims. She also mounts an assault on the ears as well as the eyes, often cutting away from Bob’s actions and leaving the audio to tell the tale; and come the films final denouement it’s sound that continues the story…
A tense, bleak drama about a serial killer and his charge, Chained is for the most part a barn-storming success. It’s just a shame that Lynch chose to throw in a final twist that dampens the effect of all that has proceeded it.
This was a review by Phil at Blogomatic3000Rating:15
Release Date: 26th August 2012 (Frightfest)
Directed by: Jennifer Chambers LynchCast: Vincent D'Onofrio, Eamon Farren, Julia Ormond, Gina Philips, Jake Weber, Conor Leslie, Evan Bird
/ 
