Genre:
Horror, sci-fi Distributor:
Arrow Video Rating: 15 Release Date:
29th September 2014 (UK) Director:
Thom Eberhardt Cast:
Catherine Mary Stewart, Kelli Maroney, Robert Beltran,
buy:Night of the Comet [Dual Format DVD & Blu-ray] Night of the Comet is a very entertaining 80s B-Movie. It’s a crossbred of teen movie, sci-fi and horror film. It wears its cinematic influences on its sleeve and its influences are obvious like Dawn of the Dead, The Omega Man, Invasion of the Body Snatchers etc. It would in turn also become a big influence on Joss Whedon’s Buffy the Vampire Slayer.
A comet is set to a hit the earth and it’s the first time there has been one of this ilk since the destruction of the dinosaurs. The teenager Reggie Belmont (Catherine Mary Stewart) works at a local movie theatre and stays over night in the projection room with her boyfriend Larry (Michael Bowen). However outside of the cinema everybody has turned to red dust or has become a zombie. A zombie soon kills her boyfriend and Reggie runs back and finds her sister Samantha also survived so they have to survive the post-apocalyptic landscape Southern California.
The film is very much of its time, it has the big hair, the neon clothes, the cheesy power pop soundtrack that are stereotypical of 80s films. It also has a relatively witty screenplay by its director Thom Eberhardt, you find out in the special features the tone was also problematic but it ended up being a comedy. It’s certainly not the greatest film ever made but it has enough charm and humour to entertain pretty much anyone and it’s also refreshing to see girls as the protagonists in these kinds of films.
The transfer Arrow has used showcases’ the film’s vibrant neon aesthetic quite well. It features 3 commentaries, one by director, one by the film’s star and one by the production designer. It also features about an additional 45 minutes of interviews with cast and crew. It’s finished out with the film’s theatrical trailer and a booklet with new writing on the film.
After it's Film 4 Frightfest Halloween last year the UK Blu-ray and DVD release of Mark of the Devil, once proclaimed as “positively the most horrifying film ever made”, Mark of the Devil finally arrives uncut in the UK on 29th September 2014 with both English and German audio tracks.
With Mark of the Devil, writer-director Michael Armstrong created a bloody and brutal critique of state-funded brutality and religious corruption with a doomed romance at its centre. The use of real torture implements, which Armstrong had found in the Mauterndorf Museum, added to the realism of the picture and made it all the more shocking and the violence unpalatable. In America Mark of the Devil was distributed with the marketing gimmick of a free sick bag provided for every patron.
In the UK the BBFC were obliged to sit through the entire uncut film and deemed it “vicious and disgusting.” They recommended that a certificate be refused entirely and provided a list of required cuts to make the film acceptable for an X certificate.
Altogether the required cuts amounted to 2,100 feet of film; approximately twenty-four minutes running time. However, despite being awarded an X certificate, Mark of the Devil never received a theatrical release in the UK. In 1993 Redemption Films resubmitted the uncut film with cuts still demanded which amounted to more than four minutes. Described by the BBFC as a film whose “primary urge is with the dynamics of inquisitorial torture”
Another ten years later a DVD was released by Anchor Bay Entertainment which was also cut, although by only 38 seconds. Three cuts were made to the scene in which the blonde woman is tortured on the rack. The cuts removed her naked breasts as it was an unacceptable combination of sexually titillating and violent images under the BBFC guidelines at that time.
This means that finally, after more than forty years, the full-blooded, full-frontal version of Mark of the Devil can be released onto an unsuspecting UK public making its UK Blu-ray debut on 29th September 2014 in a newly restored transfer with a host of extra features including an audio commentary by Michael Armstrong, moderated by Calum Waddell, an exclusive feature-length documentary, Mark of the Times, which looks at the emergence of the ‘new wave’ of British horror directors that surfaced during the sixties and seventies. The documentary will feature contributions from Michael Armstrong, Norman J. Warren (Terror), David McGillivray (Frightmare), Professor Peter Hutchings (author of Hammer and Beyond) and famed film critic Kim Newman.
Other special features included on the disc include, Hallmark of the Devil, which sees author and critic Michael Gingold looks back at Hallmark Releasing, the controversial and confrontational distributor that introduced Mark of the Devil to American cinemas and Mark of the Devil: Now and Then which looks at the film’s locations and how they appear today.
The disc will also feature interviews with composer Michael Holm and actors Udo Kier, Herbert Fux, Gaby Fuchs, Ingeborg Schöner and Herbert Lom. Alongside this, the Blu-ray will also feature outtakes, the original theatrical trailer, a reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys and a sizable collector’s booklet featuring new writing on the film by Adrian Smith and Anthony Nield, plus an interview with Reggie Nalder by David Del Valle, all illustrated with original stills and artwork.
Synopsis
A bloody and brutal critique of religious corruption, Mark of the Devil sees horror icon Udo Kier (Flesh for Frankenstein, Suspiria) play a witchfinder’s apprentice whose faith in his master (Herbert Lom) becomes severely tested when they settle in an Austrian village. Presided over by the sadistic albino (a memorably nasty turn from Reggie Nalder), the film presents its morality not so much in shades of grey as shades of black.
Written and directed by Michael Armstrong, who would later pen Eskimo Nell, The Black Panther and House of the Long Shadows, this classic shocker has lost none of its power over the years – especially now that British audiences can finally see it in one piece.
Special Features
· High Definition Blu-ray (1080p) and Standard Definition DVD presentation of the feature, transferred from original film elements – available uncut in the UK for the first time!
· Optional English and German audio
· Optional English subtitles for the deaf and hard of hearing
· Newly translated English subtitles for the German audio
· Audio commentary by Michael Armstrong, moderated by Calum Waddell
· Mark of the Times – exclusive feature-length documentary from High Rising Productions on the emergence of the ‘new wave’ of British horror directors that surfaced during the sixties and seventies, featuring contributions from Michael Armstrong, Norman J. Warren (Terror), David McGillivray (Frightmare), Professor Peter Hutchings (author of Hammer and Beyond) and famed film critic Kim Newman
· Hallmark of the Devil – author and critic Michael Gingold looks back at Hallmark Releasing, the controversial and confrontational distributor that introduced Mark of the Devil to American cinemas
· Interviews with composer Michael Holm and actors Udo Kier, Herbert Fux, Gaby Fuchs, Ingeborg Schöner and Herbert Lom
· Mark of the Devil: Now and Then – a look at the film’s locations and how they appear today
· Outtakes
· Gallery
· Reversible Sleeve featuring original and newly commissioned artwork by Graham Humphreys
· Illustrated collector’s booklet featuring new writing on the film by Adrian Smith and Anthony Nield, plus an interview with Reggie Nalder by David Del Valle, all illustrated with original stills and artwork
Genre:
Fantasy, Horror, Comedy Distributor:
Arrow Video
Rating: 15 Director:
Brian DePalma Cast:
Paul Williams, William Finley, Jessica Harper Buy: Phantom of the Paradise Steelbook [Blu-ray]
Phantom of the Paradise came out after Brian De Palma’s Sisters which was inspired by Alfred Hitchcock and Georges Franju. It also predated the glam rock meets horror film musical The Rocky Horror Picture Show in which comparisons can easily be made. It’s also one of De Palma’s finest films to date; only some of the later films like Carrie,Blow Out (his masterpiece) or his most widely known film Scarface transcend it.
It’s partly inspired by Phantom of the Opera, but what’s probably a more noticeable inspiration is the old tale of Faust. Cinema has been retelling the story of Faust since the early days of film- from Murnau’s film of Faust to Terry Gilliam’s Dr. Parnassus. It’s also a biting satire on the music business with the Devil incarnated as Paul Williams, the record label boss of Swan, who also wrote all the film’s songs.
William Finley - who has been working with De Palma since his student film days - plays the Phantom. The Phantom starts out life as a Randy Newman, an Elton John type character or indeed any early 70s singer/songwriter type named Winslow Leach. Swan likes Randy’s music, and in turn decides to steal it because he needs a catalyst to open his new venue The Paradise. Winslow objects and is thrown into jail but escapes and attempts to destroy the record label's pressing of the cover of his song. Following Winslow's disfiguration from his accident, he becomes the phantom and begins to seek revenge.
It would be unfair not to mention Gerrit Graham’s stellar performance as Beef; the ridiculously camp rock n roll diva who is set to headline The Paradise. One of the film’s greatest gimmicks are the band’s that Swan manages, changing names and styles throughout - from the Juicy Fruits (50s nostalgia band) to The Undead (Alice Cooper esq. rock) – they are all the same band. Jessica Harper, who actually starred in the quasi sequel to Rocky Horror Shock Treatment, plays the young singer the Phantom is trying to pursue.
Jack Fisk, who is one of the most well respected production designers in the business, designed the film. He is married to Sissy Spacek (who is credited as a set dresser on the film) and has worked with Terrence Malick, PT Anderson, David Lynch et el. It’s beautifully designed with bright colourful sets, and it’s also one of the best shot films of De Palma’s career with great use of fish eye lenses, long takes and split screen - all techniques of which De Palma made his name, while it even includes one if not the best on-screen parody of the shower scene in Psycho.
Phantom of the Paradise was very ahead of its time, coming out before Glam Rock became big in the US due to massive success of Kiss, who have been accused of ripping off the Undead’s makeup. Over the years it’s gained a rabid cult following with notable fans including Quentin Tarantino and Guillermo Del Toro. It’s also one of the most scathing attacks on the music business in film history. The reception and the film’s lack of commercial success may be due to the its tone, which is extremely zany in a Sam Raimi-esque way, but the next scene can be a slice of gothic horror.
The disc includes a great documentary on the film, which was previously only available on the French special editions (where the film was a big hit). The biggest new extra is a fantastic 70-minute interview with Guillermo Del Toro interviewing Paul Williams. Typically of Arrow, the transfer and sound is top notch.
Genre:
Sci-Fi, Action, Comedy BD Release Date:
3rd February 2013 (UK) Distributor:
Arrow Video Rating:
15 Director:
Donald G. Jackson, R.J. Kizer Cast:
roddy piper,Julius LeFlore, RCB, Sandahl Bergman Buy: Hell Comes to Frogtown [Dual Format DVD & Blu-ray] Hell Comes to Frogtown, the title kinda says it all. It’s a unabashedly b-movie in the way that makes the film truly awful in every way and not even in a so bad it’s mind kind of way. It has somehow over the years became something of a very minor cult classic and I guess this must be down to the presence of a certain wrestler turner actor Roddy Piper.
The “plot” of Hell Comes to Frogtown is in a nutshell is most men are infertile due to nuclear waste. There are also mutant frogs and Hell (Roddy Piper) must rescue women from Frogtown and put his seed in them so they can save the human race. The film really drags though it’s 80 minute running time, I fell asleep once but didn’t miss a thing. The depiction of women though out is ridiculously sexist and not even in an ironic campy way, it’s just very crude. I’m also pretty sure many of the actresses were porn stars.
Now we get to the director of this toxic oozing piece of turd Donald G. Jackson who is considered the Ed Wood of the video age. That’s so ridiculously unfair on the pioneering work of Ed Wood who was a visionary director in every way and made a pioneering film Glen or Glenda which was decades ahead of it’s time. Ed Wood had a distinctive style, the film may have been awful but they had something. Hell Comes to Frogtown has nothing to offer the viewer and it’s no wonder Roddy Piper though nobody saw it until years later.
Avoid Hell Comes to Frogtown and just see They Live, which is one of the greatest satires ever mad and stars Roddy Piper. Arrow Video as usual put some great love in this release but the film doesn’t live up to silly title or for fans of They Live. Arrow will be bringing out loads great releases soon so just invest in those.
Arrow Video is thrilled to announce the release of Brian De Palma’s seminal horror fantasy Phantom of the Paradise coming to Blu-ray for the first time in the UK on 24th February. One of 2014’s most hotly anticipated titles from the Arrow Video label, this feature-packed disc will be released as both a Limited Edition SteelBook and deluxe Blu-ray featuring original and newly commissioned artwork by The Red Dress. This exciting Blu-ray release will also include an exclusive collector’s booklet featuring new writing on the film by festival programmer Michael Blyth and an exploration of the film’s troubled marketing history by Ari Kahan, curator of SwanArchives.org, illustrated with original stills and promotional material.
Featuring a bumper crop of bonus features such as Paradise Regained, a 50 minute documentary on the making of the film featuring director Brian De Palma, producer Ed Pressman and members of the cast, The Swan Song Fiasco, a new video piece exploring the changes made to the film in post-production plus alternate takes and bloopers from the cutting room floor, original trailers, a gallery of rare stills and most excitingly a newly filmed 70 minute interview where renowned director Guillermo del Toro interviews Paul Williams.
Brian De Palma’s Phantom of the Paradise came hot on the heels of his early horror film Sisters. De Palma planned both films at the same time but the complex production design and sets forced Phantom into second place due to budgetary constraints. For those who found Sisters to be too much of a Hitchcock rip-off Phantom of the Paradise is a very different film and finds De Palma working with his most wicked sense of humour in this gothic masterpiece.
Phantom’s devoted fans not only claim this to be De Palma’s best film but also far superior to the Rocky Horror Picture Show for cult musical madness. Phantom of the Paradise also claims many celebrity fans including Edgar Wright, Guillermo del Toro and Quentin Tarantino.
Synopsis
Brian De Palma’s inspired rock ’n’ roll fusion of Faust, The Phantom of the Opera and The Picture of Dorian Gray boasts an Oscar-nominated score by Paul Williams, who also stars as an evil record producer who not only steals the work of composer/performer Winslow Leach (William Finley) but gets him locked up in Sing Sing - and that’s not the worst that happens to him along the way.
Few revenge scenarios have ever been so amply justified, but the film is also constantly aware of the satirical possibilities offered by the 1970s music industry, exemplified by Gerrit Graham’s hilariously camp glam-rock star. Jessica Harper (Suspiria) appears in her first major role as the naïve but ambitious singer, on whom Winslow secretly dotes.
Prodigiously inventive both musically and visually, this is one of De Palma’s most entertaining romps, not least because it was so clearly a labour of love.
The super-deluxe package, which is available both as a standard Blu-ray and as a limited edition Blu-ray SteelBook, is full of special features and bonus material. The special features for this edition include:
· High Definition Blu-ray (1080p) presentation of the feature, available in the UK for the first time!
· Optional English SDH subtitles for the deaf and hearing impaired
· Paradise Regained – A 50 minute documentary on the making of the film featuring director Brian De Palma, producer Ed Pressman, the late star William Finley, star and composer Paul Williams, co-stars Jessica Harper and Gerrit Graham and more!
· Guillermo Del Toro interviews Paul Williams (72 mins, 2014)
· The Swan Song Fiasco: A new video piece exploring the changes made to the film in post-production
· Archive interview with costume designer Rosanna Norton
· William Finley on the Phantom doll!
· Paradise Lost and Found: Alternate takes and bloopers from the cutting room floor
· Original Trailers
· Radio Spots
· Gallery of rare stills including behind-the-scenes images by photographer Randy Black
· Collector’s booklet featuring new writing on the film by festival programmer Michael Blyth and an exploration of the film’s troubled marketing history by Ari Kahan, curator of SwanArchives.org, illustrated with original stills and promotional material
· Reversible sleeve featuring original and newly commissioned artwork by The Red Dress [Amaray release only]
· Booklet featuring new writing on the film by John Kenneth Muir, author of The Films of John Carpenter, as well as a re-print of an interview with production designer John Lloyd and make-up effects artist Steve Johnson on the design and effects of the film, illustrated with archive stills and posters
Phantom Of Paradise will arrive on Blu-ray on 24th February from Arrow Video, we will be reviewing the film nearer the time, so stay tuned.
Arrow Video is excited to announce the UK release of Tinto Brass’ Cheeky and Frivolous Lola. Both titles will be available to own in the UK on 10th February on Dual Format Blu-ray and DVD and feature packaging that will showcase the original poster artwork as well as a reversible sleeve with newly commissioned artwork by The Red Dress. These editions will also include collectors’ booklets featuring new writing on the film by critics Maitland McDonagh and David Flint respectively, both of which will be illustrated with original archive stills.
When free-spirited beauty Carla (Yuliya Mayarchuk) moves to London, her search for a flat leads to a lesbian seduction by estate agent Moira (Francesca Nunzi), much to the horror of Carla’s boyfriend Matteo (Jarno Berardi) still stuck in their native Venice. And then he discovers a cache of letters from an ex-boyfriend, accompanied by a highly revealing and very public photograph of her… Ravishingly shot in two of the world’s great cities, bouncily scored by Pino Donaggio, and crammed with wall-to-wall nudity and casual sexual flings, Cheeky is as lighthearted as its title suggests, but it’s subtler and more philosophical than the average sex romp. In particular, it’s a genuinely moving look at problems arising when a desire to remain scrupulously faithful collides with the lure of baser instincts. Carla genuinely loves Matteo, but how can she reassure him when he spots temptation around every corner?
Frivolous Lola – Synopsis One of the sunniest of Tinto Brass’s erotic comedies, this sets its breezy tone from the opening scene in which Lola (Anna Ammirati) cycles around a small Po Valley town in a flapping skirt that leaves nothing to the imagination. But it’s the 1950s, and her baker fiancée Masetto (Max Parodi) is determined that Lola remains a virgin until their wedding night. However, she is equally set on establishing whether or not he’s a good lover before they tie the knot. His dough-kneading technique seems promising, but how can she be sure without an expert to compare him with? In short, can Masetto live up to the erotic ideals professed by Lola’s mother’s lover (Patrick Mower)? Fortunately, the outwardly innocent town turns out to be a hotbed of licentiousness, with opportunities for voyeurism and maybe more around every corner – all in the interests of self-improving research, of course.
Cheeky - Special Features
· High Definition Blu-ray and Standard Definition DVD presentation of the film uncut and in widescreen for the first time!
· Optional English and Italian audio
· Newly translated English subtitles for the Italian audio
· Featurette on the film with director Tinto Brass
· Original Trailer
· Reversible sleeve featuring original and newly designed artwork by The Red Dress
· Collector’s booklet featuring new writing on the film by critic and author Maitland McDonagh, illustrated with original archive stills.
Frivolous Lola - Special Features
· High Definition Blu-ray and Standard Definition DVD presentation of the film uncut and in widescreen for the first time
· Optional English and Italian audio
· Newly translated English subtitles for the Italian audio
· Original Trailer
· Alternate Italian language opening and closing credits
· Reversible sleeve featuring original and newly designed artwork by The Red Dress
· Collector’s booklet featuring new writing on the film by critic David Flint, illustrated with original archive stills
Genre:
Fantasy, adventure, comedy Distributor:
Arrow Video Rating:
12 BD Release Date:
16th December 2013 Director:
John Carpenter Cast:
Kurt Russell, Kim Cattrall, Dennis Dun, James hong Buy Big Trouble In Little China: Steelbook Blu-ray or Blu-ray [Amazon] Big Trouble in Little China was made John Carpenter when some Hollywood success had came his way with Christine and Starman. Carpenter had redeemed himself in the eyes of Hollywood after the financial disaster of the now acknowledged modern classic The Thing. Carpenter was allowed to make the mad cap Big Trouble and in many ways he paid for it. It was dumbed by the studio in question 20th Century Fox and was a flop but as usual with Carpenter has became something of a cult classic in the following years.
Big Trouble stars Carpenter’s alter ego Kurt Russell as Jack Burton, a sort of an absurdist John Wayne type character. He meets old friend Wang and wins a card match against him. Wang doesn’t have the money and needs to pick him his fiancée from the airport but she is kidnapped for her green eyes and is selected to be a Chinese sorcerer David Lo Pan who is over thousand years old. They must rescue her before it’s too late.
It’s one of Carpenter’s most bizarre films, which is partly due to W. D. Richter’s re-write who was the director of the equally madcap The Adventures of Buckaroo Banzai Across the 8th Dimension. It was originally a western set in 1880s but Richter totally rewrote it only using the original idea of the sorcerer. It’s just truly ridiculous from the beginning to the end and that’s a lot of the appeal. It’s not trying to be serious and knows it’s stupid and ridiculous but that’s what appealed to Russell and Carpenter in the first place.
It’s a really fun film but John Carpenter would follow it with his anarchist masterpiece They Live! which becomes more and more relevant as the years pass. Kurt Russell gives a very fine almost screwball comedy esq. performance in the vein of Cary Grant in Howard Hawks’ films. The real star however is Dennis Dun as Wang who carries the film.
As usual with Arrow Video it boosts a fantastic transfer along with new interviews with Carpenter, Russell along with the cinematographer, producer Larry Franco and even a stuntman. It also includes the commentary, vintage featurette, deleted scenes and music video that were on the previous release.
Genre:
Crime, Thriller, Drama Distributor:
Arrow Video Rating:
18 BD Release Date:
16th December 2013 (UK) Director:
Robert Altman Cast:
Elliott Gould, Nina van Pallandt, Sterling Hayden Buy The Long Goodbye: Blu-ray [Amazon]
One of the films Robert Altman followed up his revisionist western McCabe &Mrs. Miller with was perhaps his most savage genre revision of a career of many with The Long Goodbye. It was his return to Hollywood after he made his more European flavoured psychological thriller Images in Ireland.
One night Terry Lennox askes for a lift down to Tijuana on the US/Mexico border when he visits Marlowe. He obliges and drives him but the next morning he is met by cops when he wakes him informing him Terry Lennox has committed suicide and murdered his wife. It starts a chain of events involving Marlowe tracking done a writer after being hired by his wife and being involved with some local L.A gangsters. As usual when it comes to these tales there is more than meets the eye.
The film is extremely loosely based on Raymond Chandler’s novel of the same title. The source novel featured his most famous creation the Private investigator Philip Marlowe most famously played by Humphrey Bogart in Howard Hawks’ adaptation of The Big Sleep. The screenwriter Leigh Brackett was responsible for both adaptations but they couldn’t be more different and Robert Altman had a lot of input in the final script. Altman’s radical approach to the storytelling was crystalized in the fact he never actually read the entire book and actually was more inspired by Raymond Chandler Speaking, which was a collection of letters and essays.
Elliot Gould plays Philip Marlowe and the case could be made he gives the gives the finest portrayal of Marlowe even though in many ways different from the source character. His portrayal was a clear inspiration for The Dude in The Big Lebowski which itself is a radical homage to Chandler. Marlowe during the famous cat-feeding scene he comes off a bit stoned to say the least that draws parallels to The Dude. He pulls the mumbling wise cracking of Marlowe to a t without it ever seeming false. Gould’s portrayed left such an imprint on Chandler’s estate he was later hired many times to read Chandler’s work on tape.
The Long Goodbye is one of Altman’s more contained films than the more ensemble satirical dramas he is more known for like Nashville, Short Cuts and M*A*S*H. The 70s was clearly the decade the majority of his great work came out even though he had some phenomenal work in the early 90s.
It’s a radical reworking of a much-celebrated author; the British critics were particularly harsh on the film because it wasn’t the Bogart take on Marlowe. It’s one of the few films he made with a clearly defined lead character and it helps the film in many ways and the fact it’s Elliot Gould in his personal favourite performance doesn’t harm the proceedings.
The film was a financial flop on its initial release but has since became a critical and fan favourite. It’s one of the last great neo-noirs of the 1970s along with Chinatown and Night Moves. It was last decade till recently that because of the current Political climates these stories seemed timely and not out of date. Arrow Video has released one of their finest Blu-Rays with a wealth of material including an hour-long doc on Robert Altman, an hour-long conversation with Elliot Gould, old features from the region 1 dvd along with new interviews with specialists on Altman, Chandler and Hard-Boiled Fiction.
Genre:
Sci-fi, horror, cult Release Date:
18th November 2013 (UK) Distributor:
Arrow Director:
Philip Kaufman Cast:
Donald Sutherland, Leonord Nimoy, Brooke Adams, Jeff Goldblum, Kevin Mccarthy, Buy: [Blu-ray] or [Blu-ray SteelBook]
Philip Kaufman unwitting started the trend of remaking classic horror films with his 1978 reimagining of Invasion of the Body Snatchers. It started this trend because it was actually really good and similar remakes followed like The Thing and The Fly. Body Snatchers started life as a novel by Jack Finney and have been adapted 4 times to the silver screen. It was first made in 1956 by Don Siegel and remains the best, the aforementioned 1978 one, the underrated Abel Ferrara take in the early 90s and more the recently the version with Nicole Kidman but let’s try to forget that one.
The film’s protagonist in this take is Matthew Bennell (Donald Sutherland) a San Franciscan heath inspector who hears from a friend Elizabeth (Brooke Adams) that her boyfriend is acting strange around her. Matthew gets his friend in touch with Dr. Kibner (Leonard Nimoy) a psychiatrist. At the same time two of his friends discovered a body that resembles one of them Jack (Jeff Goldblum) that appears to be browing. They call Matt to have a look at it and if he can help
Matt comes down to examine it and heads back to see Elizabeth and finds a pod person version of her growing. Matt gets the real Elizabeth to safety and contacts the police but soon realizes they are pod people. The invasion has started and Matt and his friends can’t fall asleep or they will become pod people as well.
Kaufman’s take is very much of its time it’s set in a post-Watergate world. It has that great 70s paranoia feel and you know from the extremely creepy opening scene something is amidst. This is refined with the inclusion of Robert Duvall’s unsettling cameo as a priest in a playground. It also includes fantastic cinematography from Michael Chapman who also shot Taxi Driver.
It’s one of the finest film remakes of its kind with only The Thing or The Fly surpassing it in quality. Kaufman is a very versatile director who has director stuff like The Wanderers and The Right Stuff and casts the film impeccably. Sutherland feel adds some gravitas to his role, which is rare in the genre. The film also features a cameo by the original film’s lead actor Kevin McCarthy which begs the question is it a remake or sequel.
The blu-ray Arrow has complied is packed to the gills with material; the real highlight is the roundtable discussion with Kim Newman, Ben Wheatley and Norman J. Warren who discuss the film at quite length. The disc also includes a really pretentious interview with Kaufman’s biographer Annette Insdorf along with an interview about Jack Finney from Jack Seabrook and some featurettes from the American MGM blu-ray and a director’s commentary.
Rating:
18 Release Date:
14th October 2013 Director:
Tobe Hopper Cast:
Steve Railsback, Mathilda May, Peter Firth Buy Lifeforce: Blu-ray
Rating:
18 Release Date:
11th November 2013 Director:
Tobe Hooper Cast:
Dennis Hopper, Caroline Williams, Jim Siedow Buy Texas Chainsaw Massacre 2: Blu-ray
The great Arrow Video has re-released two mid 80s Tobe Hopper films, both were part of his 3 picture deal with Cannon films. The films in question are Lifeforce and the unthinkable sequel to his masterpiece The Texas Chainsaw Massacre. He got the deal after the massive success of the overrated Poltergeist, which we all know Steven Spielberg really directed anyway.
Noted British occult, sci-fi and crime writer Colin Wilson novel The Space Vampires is the basis for Lifeforce. When he saw the finished film he famously called up John Fowles who cited his the adaptation of his book The Magus as the worst film adaptation ever, he told him there was a new one Lifeforce. I have never read Wilson’s source novel so I can’t comment if that’s the case.
Anyhow the film is a pretty naff bit of horror sci-fi, it was suppose to be a big budget franchise starter but it bombed quite badly. It’s about a group of astronauts who discover some space vampires in this spaceship hidden in the corona of Hailey’s Comet. Everything goes to shit and a rescue mission is launched and the 3 bodies they found in the spaceship but they look human.
They start to operate on them but they are actually still alive. Despite everything going to shit and the rest of the crew dying, one escape pod gets back to earth (it all seems to be a matter of days) with Colonel Tom Carlson. The Colonel is flown to London (which seems to be only a matter of hours) and warms them of what happened and has a psychic connection to the girl who is one of the bodies. The Space vampire girl breaks free and sucks the souls out of people for energy and England brings in Martial law. It’s called Space Vampires but they more resemble Zombies than vampires.
It’s a passable bit of sci-fi/horror fluff. It has some nice matte paintings and special effects, some terrible acting but it’s about 30 minutes too long for it’s good and is quite a chore at times to get though. The end space vamp zombie apocalypse is gleefully batshit crazy which it gets some props for that. It’s one of many misfires in Tobe Hopper’s career every since his made such a splash with The Texas Chainsaw Massacre, which brings us too…
The Texas Chainsaw Massacre 2 is one of the strangest sequels ever made. It is much in tune with something like Evil Dead 2 than its almost cinema vérité style of the source material. It takes place 13 years after the events of the first Texas Chainsaw Massacre. It starts with almost parody voice over of the first film which gets increasing fast telling you what has happened in the 13 years. It many ways like Evil Dead 2, it’s a retread of the first film. The family having a chainsaw killing spree across Texas and it even has a redo the famous dinner scene from the original.
The film starts with Leatherface killing a bunch of yuppies on the freeway an obvious political statement. The yuppies are harassing a local female radio dj called Strech (Caroline Williams) who records their death on tape. Dennis Hopper than shows up in probably one of his most unhinged performances ever and this is a guy who made a career out of them. He is Lieutenant Boude "Lefty" Enright who is the uncle of Sally and her brother (the guy in the wheelchair) from the original film. The police have been incompetent in bringing the Sawyer family so he is on a mission to find the killers of his niece and nephew.
Strech plays the tape on air so the police are forced to listen to it but the Sawyers hear it and Leatherface and his acid casualty Nam’ veteran Chop Top comes to kill her at the radio station. The film becomes a total bloodbath from this point onwards. She survives and teams up Lefty to finish the Sawyer family for once and for all. Lefty brings a lot of chainsaws.
The film is fascinating mess of a film in the best possible way. It’s a deliberately surreal film from the get-go, which is as different as you can from the original. This may be one of the many reasons why the film was probably panned when it first came out. It has a great 80s aesthetic, which is partly inspired by his previous film The Funhouse, The Sawyers live a disused theme pack out in the desert. It’s all day-glow and obvious a good chunk of the budget when on the almost German expressionist esq. design of their underground home.
TCM2 is a deciding more political film as well even though the original is very much a post-Nam/Watergate film as much as any other 70s film. It is damning on everything from the treatment of veterans, 80s greed, consumerism and so on. In an interview with Tobe Hooper says he considers it one of the finest political films of the 80s and the guy has a point. Horror a genre not known for being particularly political if not somewhat dodgy politically it’s refreshing for a film of this kind to be so political. The award winning human chilli scene definitely brings back memories of Soylent Green.
Dennis Hopper is so insanely unhinged it’s almost mindblowing he was directed if at all. It’s also worth noting this was after he got “sober” he seems to have had a cocktail of blow and Frank Booth’s helium. It’s kind of a glorious bit of over acting to other side and then some. This was after all the same year as Blue Velvet.
It’s misfires often with it’s zany but extremely black humour. It often does Felliniesq retrends of scenes from the original film but it has a certain bizarre 80s charm that make it worth while and it’s only like 90 minutes. It’s probably his best film since the original film as well.
Both discs include loads of bonus material including feature length docs on Lifeforce and TCM2, numerous interviews, 2 different cuts of Lifeforce (theatrical and director’s), commentaries. TCM2 also includes early films made by Hooper including a rare bland comedic short and feature length film on hippies. I recommend TCM2 but if you’re a fan of Lifeforce you will be overjoyed with it’s blu-ray.
Release Date:
26th August 2013 (UK) Stars:
Craig Warnock, David Warner, John Cleese, Ralph Richardson Buy The Time Bandits: DVD or Blu-ray
To millions he was one member of the iconic comedy team of Monty Python, but to the rest of us The Time Bandits was the film that established Terry Gilliam as more than the Python's resident animator. This month Arrow Video are releasing The Time Bandits digitally remastered on DVD & Blu-Ray chock full of extras too!
Time Bandits is a delightfully inventive children’s fantasy about young Kevin (Craig Warnock) who finds himself travelling through holes in the space-time continuum in the company of half a dozen fractious dwarfs.
Along the way, he encounters Agamemnon (Sean Connery), Robin Hood (John Cleese), Napoleon (Ian Holm) and winds up as a passenger on the Titanic, although not necessarily in that order. But is this just random entertainment laid on for history fan Kevin’s benefit, or part of a wider struggle between the forces of good (Ralph Richardson) and evil (David Warner)?
At the time, this was a rare example of a small-budget British film successfully taking on American blockbusters. Now, it's a much-loved fantasy classic bursting with inspired images and ideas: Gilliam and co-writer Michael Palin (who also appears) are clearly enjoying themselves as much as their audience.
Seeing this is about to get released has unleashed some nice childhood memories and yes kids I'm old enough to remember watching this.Whilst it was typical Gilliam style surreal, silly, fantastical it a Time Bandits essentially a kids film. Though it officially released July 1981 in UK depending where you lived it could take upto 2 years for it to arrive in your local cinema sometimes even longer for the home release! So kids and cinephiles of today you don't realise how lucky you are withing months cinema then home release!
Special Features
- Brand new 2k-resolution restoration of the film from the original camera negative, approved by director and co-writer Terry Gilliam
- Original uncompressed PCM Stereo 2.0 and 5.1 DTS-HD Master Audio options
- Optional English SDH subtitles for the deaf and hard of hearing
- Chasing Time Bandits: A new interview with Terry Gilliam
- Writing the Film that Dares Not Speak its Name: A new interview in which Michael Palin discusses co-writing and acting in Time Bandits
- The Effects of Time Bandits: A new interview in which Kent Houston, founder of the Peerless Camera Company, discusses Time Bandits’ optical effects
- Playing Evil: A new featurette in which actor David Warner remembers producer George Harrison and playing Evil in Time Bandits
- The Costumes of Time Bandits: A new interview with costume designer James Acheson
- The Look of Time Bandits: A new interview with production designer Milly Burns
- From Script to Screen – A new animated featurette in which Milly Burns takes us through her production notebooks, locations photographs and storyboards revealing how twentieth century Morocco was transformed into Ancient Greece
- Original Trailer
- Restoration Demonstration
- Collector’s booklet featuring new writing on the film by critic James Oliver
The Time Bandits is also getting a limited cinema re-release on Friday 9th August, here's where you can catch it:
Prince Charles Leicester Square
Harbour Lights Picturehouse, Southampton
The Belmont Picturehouse, Aberdeen
Cameo Picturehouse, Edinburgh
Picturehouse at FACT, Liverpool
Hackney Picturehouse
Ritzy Picturehouse, Brixton
Exeter Picturehouse
Cinema City, Norwich
City Screen Picturehouse, York
Arts Picturehouse, Cambridge
Dukes at Komedia, Brighton
Curzon HMV Wimbledon
The Time Bandits will be released on DVD and Blu-Ray on 26th August.
Rating: 18 BD Release Date (UK):
29th July 2013 Director:
Brian DePalma Cast:
Nancy Allen, Michael Caine, Angie Dickinson Buy: Dressed to Kill [Blu-ray] Dressed to Kill is a film directed by Brian De Palma really at the peaks of his powers. It comes out after some of his least successful films the experimental Home Movies and The Fury (despite a glowing review by one of his biggest champions Pauline Kael) and a year before his magnum opus Blow Out. The film like many of De Palma’s films owe a clear debt to the Alfred Hitchcock, this is both unintentional and intentional on his part. Dressed to Kill was unfavourably compared to Psycho at the time because he kills the lead early on and the killer is a transvestite (Psycho) or transsexual (Dressed to Kill). The Hitchcock aspects are literally in his DNA cause Hitchcock was such a master of cinema that you can’t help but steal, as any student of cinema knows.
The film starts with Angie Dickinson (a role she considers her finest) as Kate Miller, a sexually frustrated housewife who is visiting her shrink Dr. Robert Elliot (Michael Caine). She attempts to seduce him but he refuses even though he is attracted to her. She decides to go to the New York Metropolitan museum of art. In the museum scene (which is without any dialogue) she playfully stalks a stranger. They eventually end outside and she hopes into a taxicab with him and they proceed to have sex in the cab. They continue when they get back to his place.
She awakes hours later and then tries to call her husband on the phone explaining she will be late but fells too much guilt. She leaves her fling a note but she is writing it notices a letter than says he has a sexually transmitted disease. She leaves in a rush and leaves her wedding ring goes back and retrieves it. She takes the elevator and it stops on a floor and a very manly looking woman slashes her to death with a razor. The apartments in reality are where Wall Street bankers go with call girls and a call girl Liz Blake (Nancy Allen) witnesses the crime. She is naturally the prime suspect and a target of the killer and she then though the rest of the film tries to clear her name.
Ralf D. Bode very beautifully photographs the film as expected of De Palma in his career especially at this point. It has an operatic over the top nature, which he perfected in Scarface and the earlier Phantom of the Paradise. The film boosts very fine performances from the 3 main characters which an obviously fearless performance by Michael Caine as Dr. Robert Elliot aka. Bobbi. It is brilliantly written by De Palma and has very sharp dialogue throughout. He wrote it after failing to get the rights to Cruising. There is also the right amount of sleaziness and class to make it work.
The always-impressive Arrow Video has beautifully restored the film on Blu-ray. It boosts lots and lots of bonus material including a 50-minute documentary, interviews with all the main actors except Michael Caine and one with the producer and a comparison of the different cuts. It’s a very highly recommended release and look out for later Brian De Palma blu-rays being released by Arrow soon such as Sisters, Phantom of the Paradise and The Fury.
Arrow Video is pleased to announce the worldwide Blu-ray debut of Elliot Silverstein’s 1977 cult horror classic THE CAR on Monday 15th July.
Often referred to as “Jaws on Wheels”, THE CAR has been lovingly re-mastered by Universal Pictures and, for the first time in its history, will finally be available on the Blu-ray format. This landmark release also marks the first time the film has been available with extras.
Starring James Brolin (The Amityville Horror; father of Josh Brolin) alongside Kathleen Lloyd (The Missouri Breaks), John Marley (The Godfather), and Ronny Cox (Deliverance), THE CAR tells the story of a mysterious automobile which goes on a murderous rampage, terrorizing the residents of a small town.
In addition to the HD restoration, Arrow has sourced a host of bonus material and special features, something which has never been done before for this film. The deluxe Blu-ray package includes Audio Commentary with director Elliot Silverstein, two exclusive featurettes on the making of the film and its history, the original theatrical trailer with commentary by John Landis (director of An American Werewolf in London), extended collector’s booklet and, as is becoming customary with Arrow Video’s classic film releases, an exclusive reversible sleeve, containing both the original and newly commissioned artwork. THE CAR’s brand new sleeve comes courtesy of acclaimed illustrator Joe Wilson.
Made when Jaws was still the most successful film of all time, THE CAR has almost exactly the same premise, but replaces the ocean with the Utah desert, and the shark with a Lincoln Continental Mark III, of
possibly supernatural origin.
When two teenage cyclists and a hitch-hiking musician are killed in apparently deliberate hit-and-runs, the police department of Santa Ynez investigates, whereupon the seemingly driverless vehicle turns on its hapless officers as well.
When the car strikes rather too close to the home of Captain Wade Parent (James Brolin), he vows to stop at nothing to defeat it.
espite a police cordon being applied to all roads in the Santa Ynez region, THE CAR still manages to enter the town, causing murderous havoc wherever it roams.
With police officers, bystanders, squad cars, civilian homes, a marching band, and even an innocent gatepost all falling victim to the un-manned killing machine, Captain Parent must stop at nothing if he is to defeat THE CAR and make his beloved town safe once again.
Director Elliot Silverstein (Cat Ballou, A Man Called Horse) keeps everything as slick and streamlined as the car itself, turning the desert landscape into a powerfully mythic backdrop for a potent clash between the forces of good and those of inexplicable, but clearly implacable, evil.
A complete list of the special features included on the deluxe blu-ray release of THE CAR is as follows:
- High Definition presentation (1080p), on Blu-ray for the first time in the world!
- Optional English SDH subtitles for the deaf and hard of hearing.
- Audio commentary with director Elliot Silverstein, moderated by Calum Waddell.
- “Making a Mechanical Monster” – Special effects artist William Alridge remembers The Car.
- “Hitchhike to Hell” – Actor John Rubinstein recalls becoming a victim of The Car.
- Trailer commentary by director and The Car fan John Landis.
- Original Trailer.
- Reversible sleeve featuring original and newly commissioned artwork by Joe Wilson.
- Collector’s booklet featuring new writing on the film by Cullen Gallagher as well as a brand new interview with co-writer Michael Butler, conducted by Calum Waddell, illustrated with original archive stills and artwork.
- Easter Egg.
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