7 April 2017
1 March 2017
17 December 2016
10 December 2016
16 October 2016
8 July 2016
11 June 2016
16 May 2016
8 March 2016
4 March 2016
31 August 2015
13 July 2015
27 June 2015
17 May 2015
Horror, Sci-fi, Thriller
2015 Dead By Dawn (UK)
Release Date: TBC
Carol Kane, Dan Fogler, Jemima Kirke, Lou Taylor Pucci
The exorcism sub-genre has successfully stood its ground time and time again in every mode of the horror genre, so it’s a tough place to make your voice heard. Even then, Jordan Galland’s Ava’s Possessions is an absolute treat, not least because there seems to be a lack of post-exorcism films. Ava (Louisa Krause) is a young and beautiful girl who’s just been exorcised after a month of demon-fuelled mayhem. Agreeing to sign on with a support group for other people like her, Ava sets about atoning for her digressions, coming to terms with her benign other half, and unravelling the mystery of what happened to her.
Once the film starts, Galland quickly gets us on board, mixing his demonic PTS with staunch referencing, vibrant colouring, and a wicked sense of humour. The result is a Day-Glo package of horror goodies that might be camp as Christmas, but still has the balls to bite. Krause makes a splendid lead keeping a tight rein on Ava’s fluctuating personality and dark dark turns. Imagine Linda Blair going full-Cage for a demonic Bad Lieutenant and you’re getting closer to Ava’s Possessions. It’s a truly remarkable experiment in horror.
As with any experiment in horror, there might not be enough spooks and shade to keep genre-racists at bay, Ava’s Possessions is its own beast and doesn’t take kindly to shoehorning. Galland is an obvious fan of horror films, but he has no interest in recreating the gloomy nihilism of classic possession stories. Instead he exploits every facet of his script visually to ensure it’s a magnificent spectacle for any audience: a piece of possession pop art dripping with colour and an awareness of what its audience has seen and wants to see.
Like any great story, the film starts with the pieces scattered and shattered, confusingly, ominously out of reach. Like 13 Sins last year, Dead by Dawn 2015 has its twisting adventure: a moral sink-hole where characters and audience swirl until liberated by the crushing tide of familial secrets and spiritual danger. But the facts of the plot aren’t the only nostalgic endeavours. A fantastic, varied, and magnetic cast of genre regulars, and outright watchables, (William Saddler and Deborah Rush) pins Ava to the board of credibility in a rabid attempt at ensuring our engagement.
Whether or not Galland is a horror fan is totally irrelevant since the genre will only survive in the hands of people who have the audacity to change it, rather than releasing films that, though void of originals, are still really just remakes. Ava’s Possessions is a fresh-faced triumph and one of the most vibrant genre experiences you’ll have this year.
Ava's Possessions (2015) Official Teaser Trailer from Jordan Galland on Vimeo.
10 March 2015
You may say to yourself "Again?!!!" but to true film fans will relish a rare chance to see Ridley Scott's 1982 sci-fi Masterpiece Blade Runner on the big screen again, watch new trailer.
After numerous special editions for the home release and fans of the cult film argue which one is the best, we have to say the best is to relive the enjoyment of the big screen. BFI are bringing the film back to UK cinemas for a limited release and if your of a certain age group (like myself) either too young or weren't born so we see this as a rare chance.
So what version version will we watch? BFI are distributing Blade Runner:The Final Cut the version approved by director Ridley Scott, here's what he said about this version...
“The Final Cut is my definitive version of BLADE RUNNER, and I’m thrilled that audiences will have the opportunity to enjoy it in the way I intended – on the big screen. This new trailer captures the essence of the film and I hope will inspire a new generation to see BLADE RUNNER when it is re-released across the UK on 3 April.”
Graced with extraordinary sets, ground-breaking special effects, stunning costumes and photography, Blade Runner: The Final Cut brilliantly evokes a dystopian vision of the future. Breathtaking city vistas, rain-drenched neon-lit streets and gloomy interiors combine with Vangelis’ sweeping, sensual score to conjure an oppressive futuristic Los Angeles, a dark and dehumanising landscape where the sun no longer shines.
Blade Runner: The Final Cut will make an limited UK cinema release from 3rd April, check BFI website for a list of cinema who will show the film.
24 February 2015
14 February 2015
8 February 2015
1 February 2015
10 January 2015
If you adore Alien, Blade Runner Eli Sasich's Science Fiction short Atropa will be right up your street, paying Homage to classic gritty sci-fi of 1970s & 1980s.
Sasich's beautifully created film tells the tale of a space detective (Anthony Bonavetura) whose sent on a deep space mission to investigate the missing research vessel Atropa, but what he finds everything is not what it seems.
There's also a big nod to the sci-fi horror Event Horizon here, a fantastically constructed film and for short with impressive CGI. Atropa is another fine example to filmmaker wannabe's that sometimes crating something smaller with plenty of TLC is a smarter move than going the juggular with a full feature. Here's hoping those with the power in film have there eyes on Sasich's fantastic film as it's a film we love to see created into a full feature.