Showing posts with label jean gabin. Show all posts
Showing posts with label jean gabin. Show all posts

2 October 2014

Film Review - Le Jour se lève (1939)

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Genre:
Crime, Drama, Romance
Distributor:
Studiocanal UK
Rating: PG
Release Date:
3rd October 2014 (Cinema)
27th October 2014 (Home)
Director:
Marcel Carné
Cast:
Jean Gabin, Jacqueline Laurent, Arletty,
buy:Le Jour Se Leve - 75th Anniversary Edition [DVD] [1939]

Le Jour se lève is a prime example of what is known as French Poetic realism. It’s a very important genre because it’s very much a proto version of film noir; it often concerned doomed heroes and more often than not they were crime stories. They also created realism, hence the more Poetic aspect than the documentary realism. Le Jour se lève was directed by Marcel Carné who is one the directors most associated with Poetic realism but other directors associated were Jean Renoir and Jean Vigo who, sadly, died way too young.

The film stars Jean Gabin who was the French star until the 1960s; he was in many great French films and worked with Renoir and Carné many times. Gabin plays François who is a factory worker and you first see him after he kills a man called Valentin and he barricades himself in his room after the police arrive.

The rest of the film is told in flashback, which would become a convention for many noir films to follow. He reflects on how he got in the situation he is in over the course of the long night. It involved some girls, as you might expect, and one of the girls is Valentin’s assistant. The film’s structure was very much ahead of its time and would influence Orson Welles, Jules Dassin, Jean-Pierre Melville and numerous noir films like Detour, so it’s hardly surprising that it was later remade as an American noir film. It also has an air of existentialism that only the French do this well when it comes to crime films. It all comes down to an ending that is as much Camus as it is Hammett.

Jean Gabin gives one of his finest performances in the lead role. He is often forgotten in the scheme of great film actors, partly because he was one of the first; he would be highly influential on people like Marlon Brando and James Dean. He goes through hell and replays his mistakes in his head, and due to Gabin’s performance, you can feel his pain.

Le Jour se lève is getting a theatrical re-release from the 3rd of October in selected cinemas. It will be out on Blu-Ray at the end of October. The new restoration looks beautiful; black and white works particularly well in High Definition. It includes a feature length documentary on the film, along with stuff on the deleted scenes by the Vichy Government, and a featurette on the restoration process.

★★★★
Ian Schultz

31 August 2012

Port Of Shadows (Le quai des brumes) Blu-Ray Review

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★★★★★

Port of Shadows (Le Quai Des Brumes) is a film directed by Marcel Carné is 1930 It stars well-known early French actor Jean Gabin, who was best for his collaborations with Jean Renoir and Carné. The film shares it's cinematic town Le Havere with the recent of the same name. It's also one of the many predecessors to film noir like The Petrified Forest, M, Pépé le Moko (who also starred Gabin). It is perhaps the most grey film eer made, I don't mean that just cause it's black and white but the whole colour palette is very high contrast grey with very little black.

The film tells the story of an army deserter Jean (Jean Gabin) who hitchhikes to the port town of Le Have. He meets a drunk on his first night in town and takes him to a dive bar on the edge of the shipyard. He meets a girl Nelly (Michèle Morgan) and a dog. Her ex lover goes missing, Jean and Nelly hook up, they have to deal with her creepy godfather oh and there are some gangsters as well.

It’s one of the key films of the French poetic realism movement of the mid 30s to early 40s along with other legendary filmmakers like Jean Vigo and the previously mentioned Jean Renoir. It was very much the link between German Expressionism and the Film Noir of the 1940s and 1950s but was equally influences on the French New Wave and the earlier Italian Neorealism. I’m a much bigger fan of poetic realism than the more common socio-realism, which is very prevalent in British cinema. It’s all very much studio based and much more it’s aesthetically concerned then a amazing story, they stories all rather simple. They also tend to share a world-weary view of the world, which is clearly influential on the characters in British film noir.

The film is filmed in glorious high contrast grey film stock, which is so foggy but in a beautiful way, it’s spellbinding. Jean Gabin is totally wonderful in the film, as is Michèle Morgan. It also features the best performance by a dog (Sorry The Artist). Carné uses really effective metaphor of a ship in a bottle to symbolize the characters sense of entrapment. It was actually criticized by government officials as helping the Nazis beat France because of it’s negativity towards the state and the morals of the French Character.

Overall, it’s a wonderful influential piece of proto-noir, which should be seen and cherished. It has been recently reissued by StudioCanal on blu-ray and dvd and is certainly worth tracking down. 


Ian Schultz


Rating:PG
Re Release Date: 10th September 2012 (UK)
Directed by:Marcel Carné
Cast:Jean Gabin, Michel Simon, Michèle Morgan, Pierre Brasseur