Showing posts with label joss whedon. Show all posts
Showing posts with label joss whedon. Show all posts

6 October 2013

Much Ado About Nothing DVD Review

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Rating:4 stars
DVD/BD Release Date:
7th October 2013 (UK)
Kaleidoscope Home Entertainment
Joss Whedon
Alexis Denisof, Amy Acker, Fran Kranz ,Spencer Treat Clark, Reed Diamond, Nathan Fillion,Clark Gregg.
Buy Much Ado About Nothing:
DVD / Blu-ray [Amazon]

When it came to blockbuster spectacle circa 2012, Joss Whedon ruled the waves. His reflective, genre-busting, The Cabin in the Woods had audience and critic alike lauding its equal measures of critique and entertainment. Marvel extravaganza The Avengers knocked it out the part, pulling off an ambitious superhero epic that fulfilled expectations and left us hungry for more. But what did Whedon do next?

Filmed across 12 days at Whedon’s home, this modernisation of the bard’s most humorous work is beautifully realised. His own taste for the comic picks out the silliest physicality and most subtle jokes of the play then relays in his sharp - yet light hearted - way. Much Ado seems to translate Shakespeare’s humour in a way that makes this feature one of the best adaptations to date.

Whedon has always been fairly character driven, The Avengers, for all its action and effects, was essentially driven by the balance of screen time awarded each of its larger-than-life characters. And thus Much Ado is made better time and time again by the band of talent committed to creating this balanced love-play. Alexis Denisof and Amy Acker shine as foe/lovers Beatrice and Benedick, relaying the thin line between love and hate with a vicious kind of tenderness.  Clark Gregg threatens to steal the show as Leonato, his dominating presence and dry humour perhaps fit the script best out of all the cast. When the drama of the lovers perhaps starts to grate, Nathan Fillion professes a comic control second to none as Dogberry.

With this, surely a benchmark for performance has been reached within Whedon’s repertoire, for this is a near-entirely performance based feature. Though, the visual impact of the film is obvious, there are few scenes of genuinely touching image, bar the funeral procession which mixes Gothic imagery with the modern setting, the film can be a bit straight forward. However a tender laid back control of image means his monochrome Shakespeare is impressive and proves the director is just as at home with smaller intimate features as he is with mega-budget fantasy adventures.

A Sleek, sharp, excellently acted, and above all well-orchestrated update, Much Ado About Nothing explores love in all its cruelty and tenderness, whilst keeping intact that staunch element of humour integral to the play. It’s not Luhrmann’s Romeo +Juliet, but it’s definitely Whedon’s Much Ado About Nothing


Scott Clark

13 June 2013

Much Ado About Nothing Review

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Firefly creator Joss Whedon takes on Shakespeare in his latest cinematic release; adapting the Bard’s comedy Much Ado About Nothing – which follows two couples in the time leading up to their marriages, while others scheme to thwart their happiness.

As with Baz Luhrmann’s Romeo and Juliet, Whedon’s film makes use of Shakespeare’s original dialect. However unlike that previous work, Much Ado About Nothing  is not so much set in a strictly modern period; instead exuding a timeless that is not representative of one particular era. This is in part due to the film having been shot in black and white – a factor that Whedon notes was due to a limited budget in addition to its aesthetic value.

The cast are assembled mainly from actors whom the director has worked with on previous projects, including Amy Acker, Alexis Denisof and Nathan Fillion. All are excellent in their roles, and manage the source material very capably; particularly Clark Gregg (The Avenger’s Agent Coulson), performing his comedic turn effortlessly.

Much Ado About Nothing translates to the big screen in such capable hands, with Shakespeare’s humour and Whedon’s wit an appropriate pairing. While this will not appeal to the majority of film audiences, it will undoubtedly please fans of both writers, past and present, and it is good to see that Whedon’s creativity has not floundered following his recent successes. A worthy homage.


Sophie Stephenson

Rating: 12A
Release Date: 14th June 2013 (UK)
Director: Joss Whedon
Cast: Amy Acker, Alexis Denisof, Fran Kranz, Nathan Fillion, Clark Gregg

11 June 2013

Joss Whedon Talks Shakespeare and Superhero’s Ahead of his Latest Release

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Buffy creator Joss Whedon answered my questions at this year’s Glasgow Film Festival; ahead of the UK premiere of his latest big-screen endeavour: an adaptation of Shakespeare’s Much Ado About Nothing. In addition to the release of Much Ado, Whedon is currently working on Avengers 2 and its forthcoming spin-off TV show, S.H.I.E.L.D.

Much Ado About Nothing departs from the Whedon canon, as unlike fan favourites such as Firefly and The Avengers, it is not science fiction (however – with the film’s script making use of original Shakespearean dialogue – it could be said that this also functions as a form of fantasy). Whedon notes the alterations in filming a much smaller scale production this time around than with The Avengers, saying: “It’s quite different. Ultimately what you’re looking for on the set is that camaraderie, where everybody’s pulling in the same direction. When you’re doing Avengers – and this is something that I’m hoping to rectify – you didn’t really have the same, everybody working on a huge movie, coming off another huge movie (with people much bigger than you are), and going off to do another huge movie with someone much bigger than you are; and their just sort of jobbing. When we did Buffy, people would come up and go ‘Oh, this is my favourite script’, they understood why they were doing everything. When we were shooting Avengers, a crew came up to me on the Helicarrier and said to me ‘Are we in space?’…and I realised oh they haven’t been allowed to read the film, because Marvel is so secret. Also cause there’s so many people and you’ve got to spend so much time blowing stuff up and this that and the other. With this film, I’m at my house, with my best friends, and every day we’re completing at least one – if not more – really thick, meaty delightful scenes. So we go away every day going ‘God we just accomplished all this as opposed to ‘we shot a tenth of that explosion and tomorrow…’. It’s a very different feeling. Ultimately, you try and get to the same thing. The camaraderie on set, of the Avengers themselves, was absolutely terrific. The only problem of them was that they would not. Stop. Talking. They were having so much fun…’Guys we have to shoot a film…will you please shut up’…That didn’t happen on Much Ado because we had twenty minutes to make the film.

Whedon praises his actors – most of whom he has worked with on previous projects – for their ability to handle the source material so well. He states, “A lot of them were classically trained, Alexis and Amy and Reed had theatre experience; and those who weren’t, I just had confidence in, particularly Nathan, who had no confidence in himself; which is an amazing thing to say about Nathan Fillion. He was very worried about it, and he tried to duck out of it. I was like ‘I’ll trim the part, I’ll take you out of that one scene where you don’t talk, but I don’t care how busy you are on Castle, you’re gonna do this!’ He closes the book on Dogberry. I can’t imagine a better version. But for some people it was a little bit new, and tricky; for some who hadn’t it came very naturally. Sean had also never done any Shakespeare and you would never know from the film. He’d also never played a bad guy, I was like ‘Whaaat’… you’re far too pretty not to have played a bad guy.” Fortunately, the filmmaker was lucky enough to get his perfect cast, stating: “You know, yeah I got pretty much everyone I wanted to. I had this idea of Claudio as a jock, as a warrior, and not as a huge wet. I forgot that Fran, when he played the nerd on Dollhouse or the stoner on Cabin, we had to layer tons of clothing on him to hide the fact that he’s incredibly buff. And he’s got such a gentle face and demeanour, you would never think of him as this kind of guy, but I couldn’t have been happier, I think he was absolutely the right guy for it. His commitment, to being a dick, was so great. And Clark I wanted for Leonato, he had fallen out and Tony Head was gonna do it, then he fell out, then Bradley Whitford fell out, everyone’s schedule kept not working. Then finally I called Clark again and said ‘so is that thing that you were doing still happening, in this month?’…he was like ‘You’re fucking kidding right?’ Those were his exact words. He said ‘Don’t you start shooting in three days?’ I was like ‘You can come over now!’ So yeah, I really got exactly who I wanted, even down to the first and second watchmen who I had never met but was just a fan of.

Undoubtedly, helming the largest grossing film of all time was a slight change of pace for Whedon. “At the very beginning of Avengers I had a little moment, and thought ‘Oh my God it’s bad…I have a lot of money…’ And, my wife said, ‘It’s just a story’, and the moment she said that I was done with worrying, and I never have since. The flip side of never worrying, is that when it blows up huge, you don’t really get to go ‘Yay’, because you think ‘That was the point. Wasn’t that what we were trying to do?’ And it did, more than I could have hoped. But, that’s because I didn’t hope. I couldn’t afford to think about numbers, because that would hamper my storytelling. All I can say is the first three weeks of doing The Avengers this was more like doing an internet musical than anything I’ve ever worked on: nothing was ready, the actors weren’t available; everything was being juggled at the last minute. Yep, here we are, it’s an internet musical. So you’re always one step ahead of the reaper, or the giant Indiana Jones ball. No matter what you’re working on. Any schedule will give you just not enough time.” Now having a little experience behind his belt, Whedon has been able to engage more fully with the entirety of the creative process second time around: “When I came in on Avengers the first time, the script had to just be thrown out. And so we were under the gun, with storyboarding sequences that I hadn’t even written yet. Which was frustrating, because you cannot let the ball overtake you. As talented as these people are - being some of the best in the business - your job is to be the storyteller, and you’re gonna get something generic if you don’t stay in front of it. Now, I feel like I have an opportunity to design scenes and set-pieces. Not that I didn’t design the ones that are in the first film, but now in a much more relaxed and holistic, and even possibly artistic way.

As Avengers 2 will not hit cinemas until 2015, it is too early to think about what other projects he will take on in the future. Despite being an avid fan, don’t count on another Shakespeare adaptation. “For years I wanted to do a film of Hamlet, until everybody else was, and so I tabled it. It would be delightful to do another film, with this exact cast, in that exact style; but I feel like part of the attraction of it was that it was something I had never done. It is no longer something I have never done and so my heart sort of goes more towards things that are untested, because one wants to challenge oneself, as one realises that one’s life is dwindling.

Finally, I asked Joss: If you could live the life of one of your characters for 24 hours, who would it be? To which he responded: “Well…Benedick gets to make out with Beatrice a lot…Gosh. I think I would probably go with Tony. His life doesn’t suck. I’m already as messed up as he is, so I may as well have a cool flying little suit.”

Joss Whedon's version of William Shakespeare's Much Ado About Nothing is released in UK&Irish cinemas from Friday 14th June.

Sophie Stephenson

24 April 2013

Enjoy The UK Trailer For Joss Whedon's Much Ado About Nothing

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When your filmography is steeped in comic book movies and vampire hunting college girls, cabins in woods it's intriguing to see how they would cope with adapting William Shakespeare play to big the screen. Joss Whedon achieved this when in 12 days when he created Much Ado About Nothing and ahead of it's UK release a UK Trailer has been released.

Using the original sources text Much Ado About Nothing tells a chaotic tale of lovers and their journey to find that love together, a journey of wit and deception. When it came to High school English the Great bard was always on the agenda bringing boredom but also enjoyment to those who could appreciate his work with great effect. But put aside the academic feel to the movie and Much Ado About Nothing is actually a delightfully funny film. With the contemporary setting the film has a nice tone it and using a group of his friends some who have experience in similar production others first time look like they have delivered something refreshingly entertaining.

Much Ado About Nothing will arrive in UK&Ireland on 14th June (USA 7th) and stars Amy Acker, Emma Bates, Spencer Treat Clark, Alexis Denisof, Reed Diamond, Nathan Fillion, and Clark Gregg.

17 January 2013

Much A Do About Something! Glasgow Film Festival Launches 2013 Programme

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On the day the first major film festival of the year Sundance opens in USA, the first official major film festival Glasgow Film Festival launches its 2013 programme which is nothing but exceptional.

Love will be in the air as the the 9th edition of the festival as the festival will open with 2 romantically  themed film with the opening film Régis Roinsard’s Populaire starring French heart throb Romain Duris , The Artist's Bérénice Bejo and Déborah François.If you ever wondered what Joss Whedon did after Avengers Assemble  its making the closing gala film Much A do About Something. A contemporary reworking of William Shakespeare's classic Play created in 12 days with a bunch of friends which include the likes of  Amy Acker , Alexis Denisof, Fran Kranz, Clark Gregg, this is Whedon's foray into arthouse cinema. Populaire will open the festival on Valentine's Day 14 February, Much A Do About Nothing closing the festival on 24th February Oscars night, both films are UK premiere's.

In between these two great films this is where Glasgow Film Festival show their progression, strength with other 50 screenings many of them UK, European some cases World Premieres. Fans of Blue Valentine will be eager to see Derek Cianfrance's follow up The Place Beyond The Pines (UK première)starring Ryan Gosling,  Eren Creevy’s Welcome To The Punch starring James McAvoy, Mark Strong will deliver some UK action. 2013 seems to be the year Korea's finest film makers try take over Hollywood  when  Park Chan-Wook's anticipated chiller Stoker starring Mia Wasikowska, Nicole Kidman will take over Glasgow. Fans of Nicole Kidman will be delighted to see the actress will be making a second appearance t Glasgow Film Festival as you can catch in Lee Daniel's The Paperboy which stars Matthew McConaughey, Zac Efron. Richard Geer 's Arbitrage,Broken starring Tim Roth, Michael Winterbottom's The Look Of Love with Steve Coogan, Guillermo Del Toro's Mama, Sundance & London Film Favourite Robot & Frank starring Frank Langella all will make an appearance at the festival too. The Wachowski's Cloud Atlas will make its first British Appearance at the festival,how fitting as one of the film's scenes (with Halle Berry) was filmed only minutes from the festivals main venue Glasgow Film Theatre (GFT).

With over 368 screenings, events, discussion panels, workshops happening in various venues across Glasgow there's bound to be something from everyone.From from Calamity Jane Barn Dance, secret screening within the city's famous clockwork orange , watch Jaws on a Tall Ship or even watch a screening of the silent movie masterpiece The Passion of Jean D'Arc at Glasgow Cathedral.If your not a big fan of contemporary cinema the annual Retrospective will be in force and this year's classic star is James Cagney with a selection of his best films been screened such as Angels With Dirty Faces,Yankee Doodle Dandy and White Heat.

We must n't forget the whole of February is given upto film festival with festivals within festivals with Glasgow Youth Film Festival kicking things off  with Scottish premier of Disney's Oscar nominated Wreck It-Ralph starring the voice of John C Reilly, the festival closing film Michael Gondry's The We And I.Scotland's leading short film festival Glasgow Short Film Festival (7-10 February) bigger and better packed with over 60 of the best short films not just from Scotland, rest of UK but the world. Glasgow Music And Film Festival returns with another pack schedule with music related films, rockumentaries, watch classic films with live scores and off course live performances with the one and only Jane Birkin making a rare live performance in the city. The highlight for myself is the annual horror fest Film4 Frightfest , the london based premier horror festival heads north for its annual mix of gore, monsters and  blood now in it's 8th year and around 930am we will reveal the line up, trust me love horror  you wont be disappointed!

As Glasgow Film Festival is the local film festival for The People's Movies and Cinehouse we will do our best to cover the even to the best we can. Some fantastic films but what I really like is finally now Glasgow looks now to be getting the credit it deserves and if everything goes well, Glasgow film festival will become BFI London Film Festival's strongest rival. I'm fortunate to say I work at GFT the festival's main venue I will be there as reviewer but also working if you know me, do say hello and if your heading to Frightfest I will see you there too!

For more information, book tickets which go on sale from 9.30am today head to

Here is the very detailed Press Release on the Glasgow Film Festival:

Love is in the air as Glasgow Film Festival announces biggest-ever programme.
Film lovers, rejoice! Glasgow Film Festival today announced its most ambitious programme yet: bookended by two very different romantic comedies, kicking off on Valentine’s Day and ending on the night of the 85th Academy Awards.

Supported by Glasgow City Marketing Bureau, Creative Scotland and EventScotland, with 368 screenings, panel discussions, live performances and special events, this is the most extensive Glasgow Film Festival programme to date. It truly is a festival for the whole city, too, spreading out further than ever before into twenty six venues – everywhere from the stately surroundings of Glasgow Cathedral to a secret location somewhere in the depths of the Subway system. There are a record number of UK premieres amongst this year’s films, and GFF’s unique programme of special events celebrating the joy of cinema gets even more innovative in 2013, with contributions from comedians, musicians, comic book legends, fashion designers and even Scotland’s First Minister Alex Salmond. It’s a programme that wears its love of film – and of the cinema-going experience in all its forms – very prominently on its sleeve.

Opening Gala: Populaire   **UK PREMIERE**
On Valentine’s Day, movie lovers will walk down the red carpet for the UK premiere of sparkling French romantic comedy Populaire, starring Déborah François, Roman Duris and The Artist’s Běrénice Bejo. With the retro appeal of Mad Men and the glossy allure of a Doris Day/Rock Hudson tussle, this gorgeous, candy-coated romance between the fastest typist in the world and her handsome, commitment-phobic boss will melt hearts (and inspire wardrobes).

Thursday 14 February (19.30 & 20.15)

Closing Gala: Joss Whedon’s Much Ado About Nothing  **UK PREMIERE**
What do you do when you’ve just made the most successful superhero blockbuster ever? In the case of Avengers Assemble writer/directorJoss Whedon, you invite a group of actor friends to your home for a fortnight and shoot an inspired, inventive version of Shakespeare’s classic battle of the sexes. Stuffed with familiar faces from Whedon’s cult oeuvre (look out for actors from Buffy the Vampire Slayer, Dollhouse and Firefly giving their best hey nonny noes), this Much Ado About Nothing is a warm, witty and accessible take on one of the original rom coms.
Sunday 24 February (20.15)
We are delighted to announce that the Sponsors of our Opening and Closing Galas, Link-Tel Communications have received a New Arts Sponsorship grant supported by the Scottish Government in conjunction with Arts & Business Scotland, as first time Sponsors of the arts.

Allan Hunter, Co-Director of Glasgow Film Festival, said‘Glasgow Film Festival has grown into a massive celebration of every aspect of the moving image. We all spend part of our lives watching films, playing games or catching up with television but there is still nothing to match sharing the experience with fellow enthusiasts, meeting the filmmakers and finding fresh inspiration. We are extremely proud of an ambitious 2013 programme that promises unforgettable moments in venues all across the city.’

Catwalk shows. Live video gaming. DJ sets. GFF’s events programme has always made the festival particularly unique, and this year we celebrate cinema with almost fifty different events from panel discussions to comedy, some embracing the cinematic in television and computer games, some tracing the relationships between film and fashion or music. Highlights include:
  • Entre chien et loup, a series of new commissioned works by some of Scotland’s best artist filmmakers, curated by Henry Coombes and premiering at a fabulous grand ball.
  • The first ever film screening in Glasgow Cathedral will be the 1928 silent classic The Passion of Joan of Arc, with a brand new live score for organ and soprano.
  • Legendary Scottish actor James Cosmo in conversation about his life and career
  • A secret film screening in a hidden location in the depths of Glasgow Subway.
  • Comedian Simon Munnery’s new show, Fylm-Makker.
  • A panel of actors from HBO’s award winning television epic Game of Thrones introduce an episode screening and launch Season Three.
  • The Calamity Jane Barn Dance, at Glasgow’s legendary country and western club, Grand Ole Opry
  • Scary watery movies Jaws and Dead Calm screened – comfortingly enough – on board The Tall Ship.
  • Comic book legends John Wagner (creator of Judge Dredd), our Kapow!@GFF curator Mark Millar (Kick-Ass), and Steve Niles (creator of 30 Days of Night) discuss their work.
  • Hop on board our samba bus and be whisked off to a proper Brazilian Carnival.
  • Live music performances from Jane Birkin, Auricle Ensemble and Lau.
  • Celebrate fifty years of Doctor Who with members of the cast and series writer Tom McRae.
  • DCI Caroline Goode, who led the investigation into the death of young British-Kurdish woman Banaz Mahmod, joins us for a discussion on honour killings.
  • Fashion label Obscure Couture launch their next season collection with an outrageous live catwalk/film extravagana.
  • Detroit techno icon Jeff Mills headlines our day-long Sonic Cineplex, where DJs and musicians create new soundtracks to old film footage.
  • First Minister Alex Salmond reveals his nerdy side, introducing his favourite geek cinema classic.
  • Computer game experts compare highly anticipated game Aliens: Colonial Marines to the original 70mm Aliens, both on the big screen.
  • Dress up like your favourite cult character and walk the red carpet at our Cosplay Gala.

This year, fifty-seven of our films are UK premieres,  including:
  • Stoker, starring Mia Wasikowska and Nicole Kidman.
  • The Place Beyond the Pines, which reunites Ryan Gosling with Blue Valentine director Derek Cianfrance.
  • Neil Jordan’s dark vampire thriller Byzantium, with Saoirse Ronan and Gemma Arterton,
  • Arbitrage, with a bravura performance by Richard Gere.
  • The Look of LoveMichael Winterbottom’s stylish look at the life of Paul Raymond (played by Steve Coogan).
  • Mama, starring Jessica Chastain.
  • The Paperboy, with a Golden Globe-nominated performance by Nicole Kidman alongside Matthew McConaughey.
  • James McAvoy, Peter Mullan and Mark Strong team up for the sleek, powerful thriller Welcome to the Punch.
Glasgow Film Festival is also delighted to host the first public UK screening of the eagerly-anticipated Cloud Atlas, which was partially shot in Glasgow.

  • Kevin Cameron’s Alasdair Gray: A Life in Progress, a film as entertaining and multi-faceted as the man himself, featuring Liz Lochhead and the late Edwin Morgan.
  • A Tale of Two Syrias: award-winning documentary filmmaker Yasmin Fedda’s unique, personal take on recent events in Syria.
  • Created especially for GFF with CCA and Stills Gallery, feature film Staande! Debout! is based on true events, examining the aftermath of a strike on a workforce.
  • Outwork, by the internationally-renowned artist filmmaker Stephen Sutcliffe, is the third annual Margaret Tait Award project.
  • The Devil’s Plantationbased on May Miles Thomas’ BAFTA-winning website, is an innovative look at Glasgow’s secret geometery, narrated by Kate Dickie and Gary Lewis.
  • We Are Northern Lights, a film created from submissions across Scotland.
NEW FOR 2013
Three new programming strands for this year’s Festival were announced in November 2012.
  • Buena Onda: New Brazilian Cinema: As Brazil begins to take its place on the world stage, both as an emerging superpower and as the next host nation of the Olympics, we examine some of the great new work coming out of the country. It’s also a great excuse to throw a traditional Brazilian Carnival party, with a samba bus to take you to a secret location, and a special screening of 1970s classic Black Orpheus.
  • James Cagney: Top of the World, Ma! Our retrospective this year takes a long, loving look at the career of the Oscar-winning Hollywood tough guy, from the young street rat–turned gangster of Angels With Dirty Faces, to the menacing obsessive lover of Love Me or Leave Me.
  • Game Cats Go Miaow!: Robert Florence, star of the BBC comedy series Burnistoun, curates a look at the cross-over between cinema and video gaming. A panel of gaming experts review the hotly-anticipated Aliens: Colonial Marines on the big screen, followed by a comparison screening of Aliens itself. A whole host of comedians pack themselves in for Rab’s Video Game Empty, a quiz show with a difference, and we take a searing look at epic game Dark Souls and the whole of the dark fantasy genre.
Our brand new Festival Club takes over CCA’s Terrace Bar every day and night for the duration of the Festival. Rub shoulders with filmmakers and visiting guests, ask the GFF team for advice planning your schedule, take part in a daily programme of debates and discussions and then dance the night away with a great selection of DJs and live acts. Festival Club listings will be online at and posted daily in the GFT foyer.
Glasgow Short Film Festival: 7–10 February
Scotland’s leading short film festival returns with a packed programme of screenings, workshops and parties. This year sixty films compete for the Bill Douglas Award for International Short Film and the Scottish Short Film Award. The 2013 programme pays tribute to the behemoth of underground cinema George Kuchar, forecasts tomorrow’s US indie darlings with a showcase of filmmaking from Columbia University graduates, celebrates the groundbreaking work of Caroline Sascha Cogez and assembles heavyweight panels to ask ‘why can’t women make feature films?’ across a series of discussions during the weekend.

Glasgow Youth Film Festival: 3–13 February
The only film event in the UK curated entirely by 15—18-year-olds presents international film premieres, workshops and events for child, teenage and young adult audiences.  Highlights include premieres of Disney’s Wreck-It Ralph and Michel Gondry’s hilarious comedy The We and the I, plus anime previews and a cosplay parade! GYFF will also be turning the banks of the Clyde into a pop-up cinema and dance space, screening recent dance classic Girl Walk // All Day, and the cast and crew of Channel 4’s Fresh Meat stop by for a masterclass. GYFF also offers a range of practical workshops to aspiring screenwriters and filmmakers.

Glasgow Music and Film Festival (dates as Glasgow Film Festival; Jane Birkin on 29 January)
Curated by the GFF team and long term partners-in-crime The Arches, this year’s GMFF embraces local artists and global greats alike, with live performances from Jane Birkin, techno legend Jeff Mills, gold star folkers LauAlasdair Roberts, and Auricle Ensemble. Witness some intriguing new live soundtracks created to old classics – in particular Irene Buckley’s spine-tingling new score for The Passion of Joan of Arc, for soprano, electronics and organ, in the very atmospheric setting of Glasgow Cathedral. Accompanied by a jam-packed programme of excellent rockumentaries and biopics.

Film4 FrightFest: 22—23 February
Our special horror Fest-within-a-Festival may now be in its eighth year at GFF, but there’s still no let up to that heady mix of mirth, menace, monsters and mayhem that characterises the Film4 FrightFest Glasgow experience