Luis Prieto's PUSHER Review

Luis Prieto's British made update of Nicolas Winding Refn's 1996 film, Pusher, received its world premiere at this year's Edinburgh International Film Festival . The Spanish director has presented us with a gripping, adrenaline fuelled ride, which is by far one of the most exciting British crime thrillers in recent years.

Frank (Richard Coyle) may just be London's most unlucky drug dealer. After a deal goes horrendously wrong, he finds himself owing a ruthless Serbian crime boss over £55,000. In a desperate search for money, Frank soon finds his life spiralling out of control and relationships with those around him beginning to crumble.

It is hard to deviate from certain traditional elements in this genre, for example, risky deals and unrelenting Mr. Big figures are always going to feature. However, these elements feel utterly fresh and skilfully handled in Pusher, thanks to Prieto's energy as a storyteller. The Spanish director's film feels like a fusion of the classic British crime thriller (Coyle's performance drawing some parallels to that of Stacey Keach in 1977 feature, The Squeeze), with an added vibrant, modern twist.

The tension rarely drops in Pusher, creating a truly gripping ride. This is furthered by Simon Dennis' striking cinematography - creating a visually impressive piece taking on pulsing neon infused clubs to dank warehouses, with equal impact. Pusher also captures the ruthless and gritty criminal underworld of London through Frank's encounters with Serbian crime Boss, Milo (Zlatko Buric, star of Refn's original Pusher Trilogy) - most notably in one suspenseful scene involving bolt cutters and a finger. The high octane thrills are paired with a energetic electronic dance score from Orbital, fitting the tone of Pusher perfectly.

Even Pusher's day by day narrative structure acts as reflection of Frank's impending deadline, ebbing closer. This means it is hard not to feel part of the dealers' journey as he uses every resource he has to get money - whether it be calling in on old loans from vulnerable customers or simply by taking it from the sleaziest clients. Even Pushers' emotive conclusion is cut off in the height of anguish and tension, leaving the viewer to question the outcome.

Richard Coyle's solid lead performance thrusts us into the desperation and angst that faces the character, however, we as the audience are always on his side. Agyness Dean's supporting turn as Frank's girlfriend, Flo, proves equally flawless. Flo simply wants a better life for herself and Frank - she works as a dancer and escort, careers that are beneath her, and as viewer you want to see her and Frank happy. Zlatko Buric's intense performance as Milo also proves to be a chief scene stealer throughout Pusher.

Luis Prieto's Pusher proves to be an exhilarating, thrill ride that holds the viewer in a vice-like grip from start to finish. The vibrant cinematography combined with an outstanding lead performance from Richard Coyle and a razor sharp score from Orbital, help make Pusher one of the strongest British crime thrillers in recent years.

Andrew McArthur 

★★★★☆

Rating: 18
UK Release Date: 12th October 2012
Director: Luis Prieto
Stars: Richard Coyle, Agyness Deyn , Zlatko Buric, Paul Kaye

Frightfest 2012 - Outpost II: Black Sun Review

During the 1945 endgame of World War II, German scientist Klausener worked on frightening new technology with the power to create an immortal Nazi army. Now a NATO task force is hurriedly deployed to Eastern Europe to uncover what sinister enemy exactly appears to be mercilessly killing everything in its path.  It soon becomes clear that what they are facing is no ordinary foe. Only Lena, a gutsy investigator on the trail of notorious war criminal Klausener, can accept the reality of what they are up against – a battalion of living dead Nazi Storm Troopers. With the help of Wallace, an adventurer who has been chasing Gestapo secrets for years, the duo team up with a Special Forces Unit to venture deep behind enemy lines. Their mission: to fight their way back to the source of this evil zombie platoon and prevent supernatural technology being used to create the Fourth Reich.

Making its UK debut four years after the original, Outpost II: Black Sun is to Outpost what [REC]2 is to [REC] or what Aliens is to Alien. In other words, consider Outpost 2 the action-movie sequel to the horrific original. Yes, this sequel replaces the atmosphere and horror of the first film with scene after scene of machine-gun toting soldier battling lumbering Nazi zombies. In fact the film has more in common with the Resident Evil franchise, being less about the zombies and their devastation and more about the action set pieces. Don’t get me wrong, the zombies in Outpost II are bloody brutal blighters, eviscerating and digesting their human prey. It’s just that they also suffer from the same problem zombies had in low-budget zombie flicks of the 80s… they look like men wearing rubber masks!

Interestingly Outpost II: Black Sun doesn’t waste time catching up on events that took place in the first film – it references them yes, but doesn’t spend any time dwelling on them. However it turns out that bar knowing who the villainous old Nazis are you don’t really need to have seen the first one to watch the sequel. You might not know who one or two of the referenced characters, including someone who died in the original movie, are but that doesn’t stop you from “enjoying” the film.

The big problem with Outpost II, besides being a 15-rated action movie rather than a gory zombie flick, is that the cast all seem to be taking the film way too seriously. The recently released Nazi zombie flick Bloodstorm was a whole lot schlockier than this but thanks to the cast knowing its limitations it was a fun, if dumb, movie. However here it’s the opposite. Everyone takes it so bloody seriously! Its not high art people, it’s a zombie movie! It’s almost like everyone involved thought the were making the Schindler’s List of straight to DVD horror movies.

In case you’re wondering, this does set things up for a third film. So it turns out Outpost really is the UK’s version of Paul W.S. Anderson’s Resident Evil franchise after all… It won’t stay dead!

This was a review by Phil at Blogomatic3000 

Rating: 15
UK Release Date: 25th August 2012 (Frightfest) 27th August 2012 (DVD/BD)
Directed by: Steve Barker
Cast: Richard Coyle, Clive Russell , Michael Byrne 

Frightfest 2012:Grabbers Review

★★★1/2☆ Jon Wright's Irish set horror, Grabbers, feels like a welcome return to the days of the 1980s creature features laced with comedy. So far, it is also the most entertaining horror film of this years' Edinburgh International Film Festival. After several dead whales wash up on the shores of Erin Island, Garda Officers Ciarán O'Shea (Richard Coyle) and Lisa Nolan (Ruth Bradley) are set on the case. They soon discover the presence of blood-sucking, tentacled aliens  on the island, promptly named "grabbers". However, it soon becomes clear that these creatures have an aversion to alcohol - so let the drinking ensue! Part of the joy of Grabbers, is that it never takes itself too seriously, balancing both comedic and horror elements single handedly. It replicates the effortless whimsical charm of timeless monster features like Gremlins, Tremors and Critters - ensuring this is a fun watch from start to finish. Even the basic premise of Grabbers gives you an insight into the cheeky nature of the film - who doesn't want to see a town of drunks battle against aliens? Grabbers may be fun, but it does not skimp on the darker horror elements. There are plenty of unexpected jumps and scares spread throughout - something that many other of Festival's horror films have been lacking. Wright's uses the eerily isolated Irish coastline for numerous creepy set pieces, from an attack on the beach to a country house invasion. There are also a variety of sweeping aerial shots capturing the picturesque qualities of the Irish setting. Many a horror film has been let down by the eventual unveiling of its antagonist. Sometimes not seeing the source of the terror is far scarier than what is actually presented. However, the creature effects team behind the monsters in Grabbers, ensure that this is not the case. These are convincing, nasty looking monsters that are just as sinister on screen as they are when out of shot. Grabbers also boasts a strong cast of excellent British character actors in well-written and engaging roles. Richard Coyle, who excelled in this year's Pusher remake, brings a truly endearing performance to Grabbers, whilst also proving to be equally talented whilst handling more comedic elements. The relationship between his slack, heavy drinking Garda officer and Ruth Bradley's straight-laced, young recruit, provides some welcome laughs. Bradley shows a wonderful sense of comic talent in Lisa Nolan's transformation from loveable prude to an even more loveable drunk - she is completely terrific throughout. Russell Tovey pops up for a smaller supporting role which provides a few laughs, but as good an actor as he is, the role is more annoying than entertaining. A hilarious supporting cast continue Grabbers' charm offensive from Pascal Scott's turn as the town's cheeky GP to David Pearse and the excellent Bronagh Gallagher as the quaint local pub landlords. Grabbers is a thoroughly enjoyable return to classic creature feature horror/comedy. Atmospheric direction, a perfectly comic screenplay and charming performances help Grabbers stand out from the rest of the festival's horror pictures. It is great fun.

Andrew McArthur

Stars: Richard Coyle, Ruth Bradley, Russell Tovey Director: Jon Wright Release: 23rd August 2012 (Frightfest)

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Irish Creature Feature GRABBERS Gets full Trailer!

When it comes to Irish films they seem to be a little stereotypical, lots of booze and comedy but would you include Creature features? No but now you can as the full trailer for Jon Wright's GRABBERS. 

The film made it's U.K debut back in June at this years Edinburgh Film Festival (world premier Sundance) and left with some really positive reviews but now the film has 2 important dates coming up next month, it's Irish cinema release and a second U.K appearance this time at the mighty Film4 Frightfest (the 13th). Starring Richard Coyle, Russell Tovey and Ruth Bradley, the film is been described as 'Father Ted meets Aliens' even 'The Guard meets Tremors' with those quotes you can see why people are buzzing about this comedy horror. You could say this is Ireland's homage to HP Lovecraft with a big doze of Irish hospitality and laughs with Tremors invited along.

We caught the film at Edinburgh Film Festival , read our review and check out the films new poster  below. No UK or USA release dates, August 10th will be the official Irish release date and on August 23rd the film will appear at Film4 Frightfest.

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Grabbers Official Trailer #1 (2012) HD Movie Published via LongTail.tv

Something sinister has come to the shores of Erin Island, unbeknownst to the quaint population of this sleepy fishing village resting somewhere off Ireland’s coast. First, some fishermen go missing. Then there is the rash of whale carcasses suddenly washing up on the beach. When the murders start, it’s up to two mismatched cops–an irresponsible alcoholic and his new partner, a by-the-book woman from the mainland–to protect the townsfolk from the giant, bloodsucking, tentacled aliens that prey upon them. Their only weapon, they discover, is booze. If they want to survive the creatures’ onslaught, everyone will have to get very, very drunk!

EIFF 2012: Grabbers Review

★★★1/2☆
Jon Wright's Irish set horror, Grabbers, feels like a welcome return to the days of the 1980s creature features laced with comedy. So far, it is also the most entertaining horror film of this years' Edinburgh International Film Festival.

After several dead whales wash up on the shores of Erin Island, Garda Officers Ciarán O'Shea (Richard Coyle) and Lisa Nolan (Ruth Bradley) are set on the case. They soon discover the presence of blood-sucking, tentacled aliens  on the island, promptly named "grabbers". However, it soon becomes clear that these creatures have an aversion to alcohol - so let the drinking ensue!

Part of the joy of Grabbers, is that it never takes itself too seriously, balancing both comedic and horror elements single handedly. It replicates the effortless whimsical charm of timeless monster features like Gremlins, Tremors and Critters - ensuring this is a fun watch from start to finish. Even the basic premise of Grabbers gives you an insight into the cheeky nature of the film - who doesn't want to see a town of drunks battle against aliens?

Grabbers may be fun, but it does not skimp on the darker horror elements. There are plenty of unexpected jumps and scares spread throughout - something that many other of Festival's horror films have been lacking. Wright's uses the eerily isolated Irish coastline for numerous creepy set pieces, from an attack on the beach to a country house invasion. There are also a variety of sweeping aerial shots capturing the picturesque qualities of the Irish setting.

Many a horror film has been let down by the eventual unveiling of its antagonist. Sometimes not seeing the source of the terror is far scarier than what is actually presented. However, the creature effects team behind the monsters in Grabbers, ensure that this is not the case. These are convincing, nasty looking monsters that are just as sinister on screen as they are when out of shot.

Grabbers also boasts a strong cast of excellent British character actors in well-written and engaging roles. Richard Coyle, who excelled in this year's Pusher remake, brings a truly endearing performance to Grabbers, whilst also proving to be equally talented whilst handling more comedic elements. The relationship between his slack, heavy drinking Garda officer and Ruth Bradley's straight-laced, young recruit, provides some welcome laughs. Bradley shows a wonderful sense of comic talent in Lisa Nolan's transformation from loveable prude to an even more loveable drunk - she is completely terrific throughout. Russell Tovey pops up for a smaller supporting role which provides a few laughs, but as good an actor as he is, the role is more annoying than entertaining.

A hilarious supporting cast continue Grabbers' charm offensive from Pascal Scott's turn as the town's cheeky GP to David Pearse and the excellent Bronagh Gallagher as the quaint local pub landlords.
Grabbers is a thoroughly enjoyable return to classic creature feature horror/comedy. Atmospheric direction, a perfectly comic screenplay and charming performances help Grabbers stand out from the rest of the festival's horror pictures. It is great fun.

Andrew McArthur

Stars: Richard Coyle, Ruth Bradley, Russell Tovey
Director: Jon Wright
Release: 25th June 2012(EIFF)

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Grabbers trailer clip-2012-HD.mp4 Published via LongTail.tv

EIFF 2012: PUSHER (2012) Review

★★★★☆

Luis Prieto's British made update of Nicolas Winding Refn's 1996 film, Pusher, receives its world premiere at this year's Edinburgh International Film Festival. The Spanish director has presented us with a gripping, adrenaline fuelled ride, which is by far one of the most exciting British crime thrillers in recent years. Frank (Richard Coyle) may just be London's most unlucky drug dealer. After a deal goes horrendously wrong, he finds himself owing a ruthless Serbian crime boss over £55,000. In a desperate search for money, Frank soon finds his life spiralling out of control and relationships with those around him beginning to crumble.

It is hard to deviate from certain traditional elements in this genre, for example, risky deals and unrelenting Mr. Big figures are always going to feature. However, these elements feel utterly fresh and skilfully handled in Pusher, thanks to Prieto's energy as a storyteller. The Spanish director's film feels like a fusion of the classic British crime thriller (Coyle's performance drawing some parallels to that of Stacey Keach in 1977 feature, The Squeeze), with an added vibrant, modern twist.

The tension rarely drops in Pusher, creating a truly gripping ride. This is furthered by Simon Dennis' striking cinematography - creating a visually impressive piece taking on pulsing neon infused clubs to dank warehouses, with equal impact. Pusher also captures the ruthless and gritty criminal underworld of London through Frank's encounters with Serbian crime Boss, Milo (Zlatko Buric, star of Refn's original Pusher Trilogy) - most notably in one suspenseful scene involving bolt cutters and a finger. The high octane thrills are paired with a energetic electronic dance score from Orbital, fitting the tone of Pusher perfectly.

Even Pusher's day by day narrative structure acts as reflection of Frank's impending deadline, ebbing closer. This means it is hard not to feel part of the dealers' journey as he uses every resource he has to get money - whether it be calling in on old loans from vulnerable customers or simply by taking it from the sleaziest clients. Even Pushers' emotive conclusion is cut off in the height of anguish and tension, leaving the viewer to question the outcome.

Richard Coyle's solid lead performance thrusts us into the desperation and angst that faces the character, however, we as the audience are always on his side. Agyness Dean's supporting turn as Frank's girlfriend, Flo, proves equally flawless. Flo simply wants a better life for herself and Frank - she works as a dancer and escort, careers that are beneath her, and as viewer you want to see her and Frank happy. Zlatko Buric's intense performance as Milo also proves to be a chief scene stealer throughout Pusher.

Luis Prieto's Pusher proves to be an exhilarating, thrill ride that holds the viewer in a vice-like grip from start to finish. The vibrant cinematography combined with an outstanding lead performance from Richard Coyle and a razor sharp score from Orbital, help make Pusher one of the strongest British crime thrillers in recent years.

Andrew McArthur

Rating: 18
UK Release Date: 12th October 2012 (World Premiere Edinburgh 21st June 2012)
Director: Luis Prieto
Stars: Richard Coyle, Agyness Deyn , Zlatko Buric, Paul Kaye

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Pusher - Official Theatrical Trailer Published via LongTail.tv