Blu-Ray Review - The Kings Of Summer

Rating:
15
DVD/BD Release Date:
30th September 2013 (UK)
Director:
Jordan Vogt-Roberts
cast:
Nick Robinson, Gabriel Basso, Moises Arias, Nick Offerman
Buy:
The Kings of Summer [Blu-ray]

Kings of Summer has became the surprise critics darling of the 2013 summer period. It premiered at this year’s Sundance film festival under its original name “Toy’s House”. Britain’s best film critic Mark Kermode made a video blog about how it caught him by surprise when he attended a screening. It actually got pushed back a couple weeks because the critics responded so well to it.

The story is a pretty simple story a teenager called Joe Toy who doesn’t really get on with his dad and him and 2 other friends decide to build a house to live in the woods. They don’t tell their respective parents where they are going and it’s becomes a media sensation in the town. It’s a coming of age story with a real heart and at times darkness which is extremely rare.

It’s reminiscent of films like Stand by Me, Breaking Away and even to an extent the much-underrated Youth in Revolt from a few years ago. It mixes comedy and drama and in this case quite broad comedy, which isn’t always successful but it does have a handful of laughs. It does however work it’s charm on you and you do really care about the boys. It’s not quite as good as those other films but it’s a remarkable little gem.

It’s got a interesting use of music, it starts with the Thin Lizzy song “Cowboy Song” and also used MGMT and somehow it works. Kings of Summer is beautifully filmed by Ross Reige who is definitely a cinematographer to look out for. It has great use of slow-mo and not as cliché that is very refreshing. It’s the director, writer and cinematographer’s first film that is astonishing cause it’s such a self assured piece of work.

It got a limited release in August but it’s out on Blu-ray and Dvd at the tail end of September and it’s really worth checking out.

★★★★☆

Ian Schultz

The Kings Of Summer Review

Rating: 15
Release date:23rd August 2013 (UK)
Director: Jordan Vogt-Roberts
Cast: Nick Offerman, Moises Arias, Nick Robinson, Alison Brie
Oh for a teenage summer. Those long months that roll on forever, answering to no teacher, endlessly outside and bargaining new bedtimes. Remember those? Director Jordan Vogt-Roberts certainly does, and hopes you do too, recalling them with the misty-eyed nostalgia inflected in his coming-of-age comedy The Kings of Summer.

Set in the midst of a hazy summer holiday, his debut feature focuses on Joe Toy (Nick Robinson) – a high-school student dogged by parental rules and longing for the freedom adulthood brings. He’s not alone, best friend Patrick (The Big C’s Gabriel Baso) is similarly plagued by the incessant nagging and banal conversation a life under the parental home can bring. Breaking point is reached when Joe’s bitingly snarky dad, Frank (Nick Offerman) humiliates and grounds him (those two cardinal sins of teenage-hood) for the final time. With little persuading he enlists the help of Patrick, he too convinced an escape from the nonsensical questions from clueless parents is needed. A plan is hatched, an old-fashioned breakout. Not just any breakout though, theirs holds loftier ambitions.

Utilising their suspect DT skills, the pair set about building a house of their own, tucked away in the woods where, crucially, “nobody will find them”. A rule-free summer is on the cards with nothing to answer to other than their own whims.

Joining them is stock kook Biaggio – a bug-eyed curiosity the two are unable to shake off. Heavily indebted to Zach Galifianakis’ role in the Hangover films, his off-the-wall, zany oddball is plastered on a bit too thick and heightens the somewhat uneasy tone of the film. Is Vogt-Roberts going for laughs, or something a little deeper? There is of course nothing wrong with aiming for both but here there’s a distinct mismatch. Dreamy, Mallick inspired shots of nature sit uncomfortably side-by-side with strained, random one-liners thrown in at will and jarring with any established lightness of touch.

The coming-of-age film isn’t complete without a fight and we get one here, emerging over quarrels of the heart, with shared affection for female interest Kelly (Erin Moriarty). The ensuing tension gets twisted with the odd pacing of the film, characters changing drastically and far quicker than anything attributed to teenage hormones, with Joe suddenly resembling a Colonel Kurtz-esque wild man of the land.

True to adolescence, parents are an after-thought but the majority of sharp lines are saved for Offerman as the Parks and Recreation actor steals much of the limelight from the younger co-stars and box-ticking characters around him.

The criticism to be found lies with the pacing and tone, switching from one to another too quickly, leaving an at times somewhat confused effect, begging the question of what Vogt-Roberts was reaching for. Whatever it is, and despite moments of genuine promise, Kings of Summer falls just short.

★★½☆☆

Matthew Walsh

This is a repost of our Sundance London Film Festival review

Sundance London: The Kings Of Summer Review

Oh for a teenage summer. Those long months that roll on forever, answering to no teacher, endlessly outside and bargaining new bedtimes. Remember those? Director Jordan Vogt-Roberts certainly does, and hopes you do too, recalling them with the misty-eyed nostalgia inflected in his coming-of-age comedy The Kings of Summer.

Set in the midst of a hazy summer holiday, his debut feature focuses on Joe Toy (Nick Robinson) – a high-school student dogged by parental rules and longing for the freedom adulthood brings. He’s not alone, best friend Patrick (The Big C’s Gabriel Baso) is similarly plagued by the incessant nagging and banal conversation a life under the parental home can bring. Breaking point is reached when Joe’s bitingly snarky dad, Frank (Nick Offerman) humiliates and grounds him (those two cardinal sins of teenage-hood) for the final time. With little persuading he enlists the help of Patrick, he too convinced an escape from the nonsensical questions from clueless parents is needed. A plan is hatched, an old-fashioned breakout. Not just any breakout though, theirs holds loftier ambitions.

Utilising their suspect DT skills, the pair set about building a house of their own, tucked away in the woods where, crucially, “nobody will find them”. A rule-free summer is on the cards with nothing to answer to other than their own whims.

Joining them is stock kook Biaggio – a bug-eyed curiosity the two are unable to shake off. Heavily indebted to Zach Galifianakis’ role in the Hangover films, his off-the-wall, zany oddball is plastered on a bit too thick and heightens the somewhat uneasy tone of the film. Is Vogt-Roberts going for laughs, or something a little deeper? There is of course nothing wrong with aiming for both but here there’s a distinct mismatch. Dreamy, Mallick inspired shots of nature sit uncomfortably side-by-side with strained, random one-liners thrown in at will and jarring with any established lightness of touch.

The coming-of-age film isn’t complete without a fight and we get one here, emerging over quarrels of the heart, with shared affection for female interest Kelly (Erin Moriarty). The ensuing tension gets twisted with the odd pacing of the film, characters changing drastically and far quicker than anything attributed to teenage hormones, with Joe suddenly resembling a Colonel Kurtz-esque wild man of the land.

True to adolescence, parents are an after-thought but the majority of sharp lines are saved for Offerman as the Parks and Recreation actor steals much of the limelight from the younger co-stars and box-ticking characters around him.

The criticism to be found lies with the pacing and tone, switching from one to another too quickly, leaving an at times somewhat confused effect, begging the question of what Vogt-Roberts was reaching for. Whatever it is, and despite moments of genuine promise, Kings of Summer falls just short.

★★½☆☆

Matthew Walsh

Rating: 15
Festival date: 25th April 2013
Director: Jordan Vogt-Roberts
Cast: Nick Offerman, Moises Arias, Nick Robinson, Alison Brie

Sundance London Festival 2013 - Our Top 5 Picks

We are just over a week away from the second Sundance festival in London, taking place at the O2 in Greenwich. Robert Redford’s celebration of all things independent leaves it’s home of Utah to bring a selection of films to the cinema fans of England. Last year’s big winner, Beasts of the Southern Wild, used Sundance as the base upon which to launch it’s year of acclaim and awards culminating in a handful of Oscar nods. Is there similar success to be had from this year’s batch? Here’s a pick of just 5 to keep an eye out for.

The Kings of Summer

Harking back to those teenage threats to run away, The Kings of Summer brings us the story of Joe Toy, an adolescent fed-up with his life being dictated to him by his single father. Along with best friend Patrick and fellow outsider Biaggio he flees to the woods where the three go about building their own house where they can live freely, away from the trials of chores and homework. Billed as Superbad meets Stand By Me, this coming-of-age comedy was a big hit at the festival’s US incarnation.

Blackfish

Sundance is renowned for it’s support of documentary’s with last years Queen of Versailles and Chasing Ice both premiering at the festival and this year is no exception. Blackfish looks into the case of Tilikum, a killer whale at SeaWorld responsible for the death of three people. This hard-hitting film suggests the finger of blame should be pointed at the water park itself and the methods it uses to catch and train these wild creatures.

Touchy Feely

The Mumblecore movement may well be closer associated with the SXSW festival but its fingerprints are all over the current wave of American independent cinema. One of the movement’s breakout directors, Lynn Shelton (Humpday, Your Sister’s Sister) brings her latest film to Sundance telling the tale of a massage therapist who becomes stricken with a sudden and somewhat problematic aversion to touch.

Upstream Colour

Writer-director Shane Carruth’s debut film Primer took home the Grand Jury Prize in 2004 baffling the audience with a physics heavy time-travel conundrum. His follow-up Upstream Colour is similarly, if not more, abstract. A man and a woman are drawn together in their awareness of life’s bigger picture, the world connected in one organism. Visually striking and wildly original, this is likely to be a big festival talking point.

Sleepwalk with me

Adapted from his own one-man show, Sleepwalk with me sees former stand-up comedian and playwright Mike Birbiglia wrestle with a struggling career, a failing relationship and the continuous bouts of sleepwalking of the title. Already victorious in the NEXT category of the American Sundance, this debut feature is being praised for both its humour and heart.



Matthew Walsh will be attending The Sundance London Film Festival which opens 25th April until 28th April, so stay tuned for some rather nice reviews!