A Force Of One Blu-Ray Review

★★★ 1/2☆

Anchor Bay take us back to the genesis of an icon, in A Force Of One, one of Chuck Norris' first major starring roles. Now remastered on Blu-Ray for the first time, alongside The Octagon, get ready for your very own Chuckfest.

So there's a little problem. During a routine investigation, a crack narcotics team (excuse the pun) is taken down one by one by a karate chopping serial killer. Like all reasonable minded people, the police chief decides that all officers should be fully trained in martial arts. But who could train them? Oh, only Chuck Norris. That's right, Chuck Norris, in the form of karate expert Matt Logan.

Unfortunately, Matt's reluctance to get involved is finally broken, when his adopted son becomes the karate killers latest victim. Soon Matt driven by vengeance is thrust into an epic battle of good, evil and face-kicking.

Regardless of how dated the film may appear - courtesy of Chuck's huge moustache (which dates back to the early 1800s) and surfer hair style, it is hard to deny that it looks good on Blu-Ray. You haven't seen Chuck Norris kicking someone until you have seen it in high definition. Norris, who choreographs the film does a stellar job arranging the fight scenes with a sense of realism and precision, never looking contrived.

A Force Of One is an interesting hybrid of the martial arts feature with the police thriller, which proves to be a refreshing alternative to a simple cop drama or martial arts movie. The concept is silly, police officers being trained in martial arts? Why aren't they just given bigger guns? But that is all part of A Force Of One's seventies charm. Part of the joy of watching a film like this is that it does not take itself too seriously, with everything simply aimed to entertain the viewer.

Part of A Force Of One's pulpy charm comes from Ernest Tidyman's (Shaft, The French Connection) gritty screenplay. Whilst fun for the most part, Tidyman also captures the sense of tension and foreboding that every good crime thriller should come equip with. This paired with Paul Aaron's surprisingly violent direction - especially in the film's final showdown between Chuck and the karate killer, creates a highly memorable watch.

Praise must also go to Chuck's competent acting ability as well as his expert choreography. We feel that Logan is a man driven by revenge and hurt, with Norris also managing to have some fun with the role - particularly through the relationship between him and his colleagues.

A Force Of One is a surprising entry in Chuck's back catalogue. A somewhat silly concept proves to be a bloodthirsty, well executed fusion of the martial arts feature and a gritty cop drama. Norris choreographs with a strong sense of realism and manages to both convince and entertain in the role.

Andrew McArthur

Stars: Chuck Norris, Jennifer O'Neill , Clu Gulager
Director: Paul Aaron
Release: 6th August (UK)
Certificate: 15 (UK)

The Pact Will Invade UK Homes This October

The break-out horror movie smash of the year that has been electrifying hardened genre fans, The Pact combines the supernatural terrors of Paranormal Activity with the tense atmospherics of a serial killer thriller to create a unique, modern-day take on the classic ghost story. This October You will be able to own the film on DVD and Blu-Ray.

Following the death of her mother, Annie receives a phone call from her former drug addict sister, Nicole, imploring her to come back to visit their family home and to attend their mother’s funeral. Still tortured by memories of a troubled childhood, Annie is reluctant to revisit the past, but eventually agrees to Nicole’s request. However, on arrival at the house she finds no trace of her sister and, when Nicole fails to turn up at the funeral, Annie simply assumes she has relapsed into drug use as a way of dealing with her loss. Not wishing to spend the night alone in her mother’s house, Annie invites her cousin, Liz, and Nicole’s estranged young daughter to stay over.

But it’s not long before Annie begins to sense another, unseen presence in their midst. Household objects are inexplicably moved around, strange noise are heard during the night and a broken picture frame reveals a photo of a sinister figure. Then all hell breaks loose. Annie finds herself physically threatened by this malign supernatural force residing within the house and, following a particularly terrifying assault, discovers that Liz, too, has disappeared. With her life now seriously at risk, and time running out, Annie is forced to confront her worst fears and solve the mystery surrounding her family’s history before it is too late.

When it comes to real scares, you can’t beat a really good ghost story and this one ranks right up there with the best of them. Very much in the tradition of “Insidious”, “Stir Of Echoes”, “The Entity” and “The Haunting”, this is a highly atmospheric and genuinely frightening supernatural shocker that had us completely on edge throughout, elicited screams and built to a climax that had us peering through our fingers. It also features a stand-out lead performance by Caity Lotz as Annie, a strong and sexy biker chick who really isn’t one to be messed with.

First-time feature director Nicholas McCarthy, with up-and-coming female lead Caity Lotz (Death Valley; Mad Men), Casper Van Dien (Sleepy Hollow; Starship Troopers), Agnes Bruckner (Kill Theory; Vacancy 2: The First Cut; Blood And Chocolate), Haley Hudson (Killer By Nature; Freaky Friday) and Kathleen Rose Perkins (Episodes). The Pact will be arriving in UK&Ireland on DVD, Blu-ray courtesy of eOne Entertainment on October 1st.

Fernando Meirelles' 360 Review

★★☆☆☆

Fernando Meirelles’ thoroughly impressed with his features City Of God, The Constant Gardner and the underrated horror gem, Blindness, however the director’s latest release – ensemble drama, 360, proves to be a far patchier affair than his previous work.

This drama centres on the lives of an array of interconnected people all of whom are at turning points in their lives. Based on a screenplay by Peter Morgan (Hereafter, Frost/Nixon), 360 takes us to several different countries and introduces us to an eclectic mix of characters from businessman, Michael (Jude Law), his wife (Rachel Weisz), a recovering sex offender (Ben Foster) and an older man searching for his missing daughter (Anthony Hopkins).

Meirelles’ feature should be an intimate and personal affair, after all we are shown these characters at crossroads in their lives. There are several fleeting moments when the director captures this perfectly (such as Hopkins’s turn as a father unsure whether to continue his search for his missing daughter) but for the most part, too little time is spent with each character to fully sympathise with their journey. This is partly due to an excessive amount of characters and trying to connect them often results in a clunky and uneven, patchwork-style narrative.

Had 360 devoted more time to less characters then it may have proved a more coherent and powerful piece. The opening promotes the theme that sex influences many of our decisions, which can be seen through Jude Law’s married businessman attempting to meet an escort, when on a business trip in Bratislava whilst his wife (Rachel Weisz) continues an affair with a young photographer. This segment also allows for some solid performances from Law and Weisz. However, as the connections become more and more contrived this message begins to lose impact bringing 360 to a standstill. Fortunately the appearance of Anthony Hopkins midway through the feature sparks some life into the tired, 360. The Welsh star features as a John, a man travelling to Arizona to identify the body of a young girl, who may be his missing daughter. On his flight John meets a young Brazilian girl, who reminds him of daughter and helps him decide whether or not to continue to his search. Hopkins truly dominates the screen with his heartfelt performance, particularly when his character delivers a touching monologue about his search. Meirelles’ handles the scene beautifully and this is without doubt, the highlight of a disorganised film. Sadly, 360 faces a rapid decline after this promising sequence with a formulaic and unconvincing pitfall featuring Russian gangsters bringing the film to a hault.

The conclusion of 360 tells us that we have come full circle, however, it is hard to agree with this as it seems the film stalled at 180 degrees. Despite a promising opening, 360 is a lifeless and tired film lacking in any distinct physical style or charm. The loose thread of human relations that connects it feels bogged down by too many characters and an unfocussed, clunky narrative. The performances prove to be the main highlight, most notably Hopkins’ thoroughly watchable turn.

Andrew McArthur

Stars: Jude Law, Rachel Weisz,Anthony Hopkins, Ben Foster
Director: Fernando Meirelles
Release: August 10th (UK)
Rating: 15 (UK)

Bloodstorm DVD Review

★★☆☆☆

Oh dear me.  I had such high hopes for Bloodstorm (2012), the new horror release from director Joseph J Lawrence starring Dominique Swain, Jake Busey, Josh Allen and Christopher Karl Johnson .  How could you go wrong with a heady, politically incorrect concoction of zombies and Nazis? Well, very, if this woeful outing is anything to go by.

In the wastes of Antarctica a group of scientists make an alarming discovery, deep beneath the ice and snow of this frozen landmass. Sixty seven years ago World War II did not end as the world was led to believe. Instead of the Nazi defeat, a platoon of storm troopers led by the infamous Dr Josef Mengele (Johnson) escaped with a prized cargo. In the interceding years Mengele has been abducting anyone with the misfortune to stumble across the Nazi's underground stronghold, and use them to continue his obscene human experiments.

With the bodies of various members of the latest unfortunates Mengele hopes to complete his ultimate experiment which, along with the army of zombie soldiers, will take him one step closer to realising his lifelong dream of establishing a Fourth Reich and his ultimate goal of world domination.

Can the young scientists stop the evil doctor and find their way back to civilisation? Will Mengele and his rotting troops be able to succeed where so many zombie Natzis have failed before? Does anyone really care?

Zombies and Nazis go together like Dr Frankenstein and his monster. Over the years in horror cinema the two have been brought together in unholy union on countless occasions - from the Peter Cushing chiller Shockwaves (1977) to the recent Norwegian comedy / horror Dead Snow (2009) - with varying degrees of success.

However Bloodstorm really does plumb new depths of tastelessness, both in subject matter and in your face gore. There is still something offensive when Nazis are used as a subject of entertainment like they are here - whether they should be seen in this context is still a contentious issue for many. However here it's even worse as one of the subjects used in the storyline are the infamous experiments carried out by Mengele. You then have the no holds barred gore which includes an abrupt take on a face lift where a man's old skin is literally peeled away, whilst one of the female scientists is subjected to a toe-curling abortion which makes the viewer wince for all the wrong reasons.

On the plus side the young cast enter into the proceedings with gusto, and their enthusiasm helps go some way to dispelling the utter preposterousness of the film as a whole. The production values, from a snow bound Antarctica and the shadowy Nazi lair beneath to the sinister gas-masked zombies and Mengele's gory amateur experiments, are all surprisingly well done, though they do little to soften the film's underlying air of grubbiness.

Alarm bells should have sounded when I discovered that the film had previously been marketed under the much catchier (ok, I'm kidding here) title of Nazis at the Centre of the Earth. There's always something suspect when a distributor suddenly changes a film's title at the last moment - what are they trying to hide? Well watch this and you'll soon see - I guess I really have no-one to blame but myself for agreeing to view it in the first place.

Cleaver Patterson

Rating: 18
Release Date: 06 August 2012 (UK)
Directed By: Joseph J. Lawson
Cast: Dominique Swain, Jake Busey , Josh Allen

Win Monster Brawl UK Premiere Tickets

Witness the ultimate “smackdown” event of all time as eight of the world’s most feared and famous monsters enter the ring to go head-to-head in a grotesque and hilarious fight to the death (or, in several cases, the “un-death”). It can only be the Monster Brawl (Momentum Pictures)…blasting onto DVD 20th August 2012.
On offer to some insanely lucky winners is a pair of tickets (per winner) to the premiere, yes PREMIERE, of Monster Brawl at the Prince Charles Cinema in Leicester Square on Wednesday 15th August introduced by the legendary horror writer Kim Newman. Fancy dress encouraged…but not mandatory! Doors open at 6pm with the film starting at 7pm.

We have 2 pairs of tickets for this event up for grabs and to win those tickets is to email us your name, address and in the email subject mater type "Monster Brawl". The email to send your entry is cinehouseuk@gmail.com Deadline for this comp is August 8th, 2012 (12noon).

Terms and Conditions

• This prize is non-transferable.
• No cash alternatives apply.
• UK  entries only, who can travel to and from London easily.
• No accommodation or transport are included, tickets only
  The Peoples Movies, Cinehouse and Momentum Pictures have the right to alter, delay or cancel this competition without any notice
• The competition is not opened to employees, family, friends of The Peoples Movies, Cinehouse,Momentum Pictures employees
• This competition is promoted on behalf of Momentum Pictures
• The Prize is to win tickets for London Monster Brawl premiere, 2 pairs
• To enter this competition you must send in your answer, name, address only, Deadline August 8th, 2012 (1200hrs)
• Will only accept entries sent to the correct email cinehouseuk@gmail.com, any other entry via any other email will be void.
• automated entries are not allowed and will be disqualified, which could result you been banned.
• The Peoples Movies, Cinehouse takes no responsibility for delayed, lost, stolen prizes
• The competition is opened to Aged 18  and over 
• Unless Stated Please  Do Not Include Telephone Numbers, we don’t need them
• The winning entries will be picked at random and contacted by email
• By sending your entry for this competition you are confirming you have read and agreed to these Terms & Conditions.

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A Simple Life (Tao Jie) Review

★★★☆☆

For me, realism is an ugly word.

Mostly, this is because commenting on a lack of ‘realism’ is like a get-out clause for people who want to slam fantastical fiction, but are unable to think of a more valid criticism. Instead of commenting on narrative flow, story structure or character development, they choose to poo-poo aspects of a story that actually reveal creative ambition. Unreality is not a negative trait. Hell, it’s almost the opposite. I know about reality. I have to live here. In fact so do you, so tell me: is it really all that fun?

For those of you shaking your heads right now, prepare to be vindicated, because A Simple Life, today’s review topic, is a very realistic movie. It is also decidedly not fun.

A Simple Life is a film about a relationship. Roger (Andy Lau) is a film producer, living in Hong Kong while working in mainland China. Ah Tao (Deannie Yip) is Roger’s family’s maid. The family itself has emigrated to the USA, leaving Ah Tao only Roger to care for. Until, that is, one night, when Roger returns to his house to find Ah Tao unconscious, having suffered a stroke. She recovers, but is severely weakened, so Roger takes it on himself to look after her for a change.

This might at first sound like a bonding-through-adversity tale, but that’s not it at all. Ah Tao and Roger are already bonded before the film starts, after a long lifetime shared. Ah Tao apparently spoiled the young Roger rotten, going behind his parents’ back to get him film magazines and soft drinks, and their mutual affection has endured since then. They aren’t bosom buddies exactly. The difference in their lifestyles and social status makes some awkwardness inevitable. But nevertheless, these two are family, and at its core, A Simple Life is about watching that familial bond in action.

Admittedly, this does make for a vaguely compelling experience. Sometimes the film is a hair’s breadth from dullness, and I found myself staring at the DVD player timer, wondering how much more to go. But at other times, the film proves charming, and even funny. Lau is good with deadpan comedy, and the affection on display in some of his interactions with Ah Tao might win a smile from a stone.

However it is Yip’s performance that is more noticeably impressive. Her role calls, not only for emotional flexibility, but for physical artifice as well. It is a challenge, but one Yip proves well able to meet. Emotionally, I felt she was at her best acting against Fuli Wang as Roger’s mother. The awkwardness of their encounters, as Ah Tao’s illness brings down the social barriers between them, was palpable. Yip also achieves much on the physical side. In particular, the degeneration of her walk into a terrible, paralytic shuffle, really drives home the impact of Ah Tao’s stroke.

But despite all this, once the credits rolled, I found A Simple Life left little impression on me. The sheer lack of drama leaves it an annoyingly weightless film.

This is not to say I wish, oh, that about halfway through A Simple Life, Ah Tao suddenly has to fight ninjas or something (though that would have been interesting). Many films have a similar structure to A Simple Life, eschewing the straightforward conflicts of the average yarn. Rampart, that cop movie with Woody Harrelson in it, is a good, earlier-this-year example. What set that apart from A Simple Life though, was its sense of purpose. Rampart may not have had a plot per-se, but David Brown’s headlong dive towards self-destruction gives the film dramatic propulsion, something A Simple Life lacks.

See, Ah Tao may be well-acted, but as a character, she has no purpose. She is at the centre of the film, but she is never moving towards anything. Her life, in essence, is waiting: waiting to have that inevitable second stroke, and eventually, to die. And because this is what she is doing, the audience is stuck waiting too. Waiting and waiting for these miserable things to happen to her.

Not fun right?

Well yes, and yet it also happens to be depressingly accurate. At Ah Tao’s stage of health, life tends to become just one jerky, downward slide towards death. That’s not to say it’s devoid of fun or interesting things, or that it’s impossible to have goals at that stage. It’s just a conclusion once ignorable, is now plainly visible. And Ah Tao, in the face of that conclusion, and her physical fragility, essentially just gives up. The result is A Simple Life presents the experience of extreme old age as nothing more than a wait for the reaper.

This is realistic. But it makes for an experience I cannot recommend.

Adam Brodie

Rating:12A
UK Release Date: 3rd August 2012
Directed By:Ann Hui
Cast: Andy Lau, Deannie Yip , Lawrence Ah Mon

Delicacy (La délicatesse) DVD Review

★★★☆☆

Quality romantic comedies (French or otherwise), are an elusive beast. The phrase ‘chick flick’ is now synonymous with poor quality filmmaking. Often trite, sickly and poorly written the romantic comedy is a genre that has suffered from some of the laziest efforts of recent years. The majority of the energy is put into casting big names in an ‘if you build it they will come’ method of attracting audiences. Adapted from his own award winning novel, David Foenkino and his brother Stephane direct.

Nathalie (Audrey Tatou - Amelie, The Da Vinci Code) finds her idyllic life shattered when her husband is killed in a traffic accident. Following the loss of her soul mate she cuts herself off emotionally and channels all of her energy into her career. She spends a good deal of time fending off the advances of her boss while forming an attraction to Swedish colleague Markus (Francois Damien – Heartbreaker). He’s certainly not the typical love interest; gap toothed, ungainly, shy and socially awkward. Those closest to Nathalie make it clear that she could do much better.

Tatou has made a career out of romantic comedies, with extremely varied results. Delicacy keeps you off balance by switching between genuinely funny and touching moments to those of loss and despondency. Though very well acted by both Tatou and Damien, the lack of genuine chemistry between the two characters is evident. There is no real sense that Nathalie needs Markus to fulfill her and complete her recovery from losing her husband.

Delicacy is charming love story that benefits from the lack of Hollywood-style gloss and two engaging lead performances.

Vikki Myerscough

Rating: 15
Release Date: 6th August, 2012 (UK&Ireland)
Director: David Foenkinos, Stéphane Foenkinos
Cast: Audrey Tautou, François Damiens and Bruno Todeschini

Fancy winning this film on DVD? We have 5 copies of the film up for grabs at The People's Movies, enter here!

Hawks And Sparrows (Uccellacci e uccellini) - Masters Of Cinema Review

★★★★☆

Hawks and Sparrows is another in Masters of Cinema’s continuing series of Pasolini re-issues with more to come later in the year. The film stars Toto who not know to most people outside of Italy know who he is but he was the huge star in Italy and was sort of the Italian Chaplin. The fim co-stars Pasolini’s collaborator and lover Ninetto Davoli.

The film’s story is a rather strange crossbred of a fairy tale and mid 60s leftist filmmaking. It’s about these 2 characters who meet a talking Marxist crow. The crow tells them the story of these 2 old Franciscan Monks (naturally played by Ninetto and Toto) and they preach to the Hawks and Sparrows and try to convert them to Christianity. They rest of the film consist of them wandering having episodic adventures includes meeting beautiful girls, they get chased away by angry farmers and dancing teenagers.

The film touches on Life, Religion, Birth, Sex, Aging and Death. It’s all done with humour and a touch of almost Monty Python silliness. The talking crow talks almost like thrift store Godard revolutionary speak but The Crow symbolize death eventually. The film features a wonderful Ennio Morricone score, which features Domenico Modugno singing the opening credits in an ironic fashion. The score itself is almost a Leone score which is unsurprising cause it was done around the same time as his scores for Leone.

The film is an extremely enjoyable if very strange piece of Bunuelian esq comedy even though the humour at time is very broad. The film seems to be considered a lesser work of Pasolini’s even though he considered it the only film of his that he wasn’t disappointed with. A knowledge of mid 60s Italian politics may help for some but for a person like me who has no knowledge it stills works as a very enjoyable film.

Ian Schultz

Rating: PG
UK Re-release Date: July 2012
Directed By: Pier Paolo Pasolini
Cast: Totò, Ninetto Davoli , Femi Benussi
Buy:Hawks and Sparrows [Masters of Cinema] On DVD [1966]

'The Paranormal Incident' DVD Review

★☆☆☆☆

The problem with the spate of handheld, found-footage ghost films that have arrived post Paranormal Activity is that they are hounded by the success and pitch-perfect horror of that film.  Still a bad film is a bad film, and unfortunately that’s what The Paranormal Incident is. Since Paranormal Activity has already nailed the format, films centred on hauntings and found footage have to do something different or they just fade into monotony, The Paranormal Incident doesn’t even try.

                The film follows a group of students, half who believe in the paranormal, half who don’t, as they spend a night at the apparently haunted Odenbrook Sanatorium.  Armed with motion sensors, high frequency sound equipment, and plenty of cameras, the team are out to prove or disprove the existence of ghosts. The story is relayed post-events with the one survivor being shown the footage by a police officer who suspects he murdered his friends.

                Initially the set-up intrigues, swapping from hospital room to four days prior builds a certain interest, but the flatness of the characters, who we don’t get any time to know, and the stunted nature of the dialogue slowly pulls the viewer past interested and straight into disappointed. Once inside the sanatorium events trundle along at a predictable pace, and the cuts back to the hospital actually fracture the mood, halting any sustained scare. Another major issue with the film that keeps it trapped under mediocre is its complete reliance on jump-scares and sudden noises, rather than making the effort to construct any sort of sustained menace or apprehension. What the audience needs is more reason to be scared of the Odenbrook rather than a brief intro, some kid’s drawings, and found footage of the cheesy variety. Eventually the film spirals into a murky mess of disappearances and manic camera shaking which leaves the viewer completely nonplussed as to the fate of the characters. The final ten minutes reaches for something more, alluding to a story beyond the film, but it seems like a childish copy of the X-Files and it’s this that leaves the viewer with a bad taste.

                The Paranormal Incident relies on recycled uninspired horror stock, features some truly woeful plot devices, and the acting of its entire cast is not overly convincing. If more time had been spent letting us get to know the characters then we would have cared for their strife, likewise if more subtle and original scare-tactics had been employed from the start of the film then we might have actually hid behind our hands.

Scott  Clark

Rating:15
UK Release Date:23 July 2012
Directed by: Matthew Bolton
Cast: Amanda Barton, Keith Compton , Thomas Downey
Buy:Paranormal Incident On DVD

               

                

New Trailer for A Night in the Woods

For those who enjoy a slice of paranoia horror, Vertigo films (that's the folks that brought us 2010’s epic handheld creature feature: Monsters) have just released a creepy new trailer for their upcoming flick ANight in the Woods. The film looks to set to be the British Blair Witch: a creepy legend in an isolated wilderness, a triad of people keeping secrets from each other, and a lot of screaming in the dark. Hopefully this minimalist piece will pack the same punch Monsters did, working with a smaller more intimate number of characters and revealing little of the threat.  But there’s always the risk that the hand-held sub-genre will overload itself with too many like-minded works, and burn out its appeal. Still, A Night in the Woods promises scares aplenty and hopefully a stand-out addition to the collection.


A Night In The Woods will be released in UK cinemas September 7th.

Watch the trailer here:

On what is intended to be a fun camping trip to investigate and to chill in the atmosphere of the legendary haunted past of Dartmoor’s Wistman’s Woods, Brody, his girlfriend Kerry and her cousin Leo very soon find themselves mysteriously ill at ease both with their surroundings and their companions. Bad moods and minor disagreements rapidly lead to feelings of severe paranoia, sexual tension, fear and, eventually, violence between the three friends, a situation that worsens as the evening draws in. At first, they suspect the conflicts are simply the result of being thrown together in the ancient, eerie surroundings, but as night closes upon them each begins to wonder if darker forces are at work.