12 March 2013

Win 247°F On Blu-Ray

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The hottest high concept thriller of 2013 that's guaranteed to make you sweat like never before - “247°F” - arrives on DVD and Blu-ray through Anchor Bay UK on 18th March 2013.

Based on true events, this sweltering suspenser follows a trio of trim, toned twenty-somethings that become trapped in a sauna. With the temperature rising and no sign of escape, a wild, hot and steamy weekend of “bare babes and brews” soon turns into a primal fight for survival! At 190°F, their skin will sear. At 200°F, their lungs will burn. At 212°F, their blood will boil. March 18th, the temperature is headed for 247°F!

To celebrate the release of 247°F, we’re giving away a copy on Blu-ray!

Based on true events – a sexy and slick suspense story guaranteed to make you sweat.

Three years after witnessing the tragic death of her boyfriend in a car accident, Jenna is still struggling to come to terms with her loss. Hoping a carefree weekend away will help, Jenna’s best friend since childhood, good-time party girl Renee, invites her to stay at a remote lakeside cabin along with her jock boyfriend, Michael, and his best buddy, Ian. But the promised weekend of partying, boozing and chilling soon turns into a nightmare when three of the group find themselves inexplicably locked in the cabin’s sauna with no apparent way out.

To Win 247oF on Blu-Ray please answer the following question:

Q. Scout Taylor Compton starred In what Rob Zombie directed Classic Horror remakes?


Send Your Answer, Name, Address, Postcode only to winatcinehouseuk@gmail.com (titled 247oF)
You must 15 years or older to enter
Deadline to enter is Sunday 31st March 2013(23:59pm)


Double your chances follow us at Facebook! (you will get double entry every contest)
Terms & Conditions:1.This prize is non transferable.No cash alternatives apply.UK & Irish entries only.2.The Peoples Movies, Cinehouse and Anchor Bay have the right to alter, delay or cancel this competition without any notice 3.The competition is not opened to employees, family, friends of The Peoples Movies, Cinehouse, Anchor Bay employees 4.This competition is promoted on behalf of  Anchor Bay 5. If this prize becomes unavailable we have the right to offer an alternative prize instead 6.To enter this competition you must send in your answer, name, address only, Deadline 31st March2013 (2359hrs)7.Will only accept entries sent to the correct email (winatcinehouseuk@gmail.com), any other entry via any other email will be void.8.If the above form fails please send the information required from the form email it to win [at] thepeoplesmovies [dot] com (label the tall man) If any info required from the form is not sent in the email your entry will be void 9.automated entries are not allowed and will be disqualified, which could result you been banned.10.If you are friend or like us at facebook for every competition you enter you get double entry, but you must stay stay friend/like us all the time,or future entries maybe considered one entry.11.The Peoples Movies, Cinehouse takes no responsibility for delayed, lost, stolen prizes 12.Prizes may take from days to a few months for delivery which is out of our control13.The competition is opened to Aged 15 and over.14. Majority of the prizes on offer will come from representatives of the distributor, no The People’s Movies &Cinehouse, when we do have the prizes we will inform you.15. Unless Stated Please Do Not Include Telephone Numbers, we don’t need them and if you include your telephone number Cinehouse and The People’s Movies are not responsible for the security of the number 16.The winning entries will be picked at random and contacted by email or announced via facebook, sometimes we are unable to confirm winners.17.This competition is bound by the rules of Scotland,England & Wales, Northern Ireland, Ireland.18.By sending your entry for this competition you are confirming you have read and agreed to these Terms & Conditions.
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Vinyl Review

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Washed-up punk-rocker Johnny Jones (Phil Daniels) begs a record company head-honcho to re-sign his band Weapons of Happiness after decades on the scrap-heap, only to be refused on the grounds that listening to anyone over the age of 30 sing is like “watching your parents having sex”. Faced with rejection, and staring at an anonymous middle-age spent in various caravan parks, Johnny hatches a plan to re-launch his music career. Assemble a group of TV-friendly kids as a front for his band; the kids can mime and wave, while Johnny and his pals roll back the years and kick out the jams backstage.

Johnny and his bandmates’ auditions for likely teenyboppers unearth the talents of troubled youngster Drainpipe (Jamie Blackley), a kid with a reckless streak, a passion at odds with the plastic, wipe-clean façade of the pop group he should be a poster boy for, and showmanship similar to that of Johnny himself. The band is launched, and their first single becomes an unlikely success.

Sara Sugarman’s warm-hearted tale of men behaving badly, and musically maladroit youths is based on the real-life story of Welsh band The Alarm who pulled of a similar hoax of their own in 2004. Vinyl extolls the virtues of six strings, pub gigs and cramped tour buses, over the auto-tuned, pre-packaged pop of X-Factor and the like. But while it invokes the spirit of the Sex Pistols, Buzzcocks and The Great Rock n’ Roll Swindle, Vinyl lacks the element of unpredictability so integral to the punk music it worships. It feels safer, less anarchic even than School Of Rock, a film with which it shares a certain DNA.

That’s not to say it lacks heart or humour. Daniels makes a decent fist of injecting sympathy into the selfish, pig-headed, oldest swinger in town, Johnny Jones. As the bad-boy of the Welsh seaside, Blackley radiates the impulsiveness and sex-appeal so obvious in the best and most dangerous of rock stars. Weapons of Happiness guitarist turned nursing home impresario, Perry Benson reminds us just what a fine comic actor he is also.

It probably won’t have you dusting off the leathers, but it will make you chuckle as it gives Simon Cowell a gentle kick up the backside.

Chris Banks (@Chris_in_2D)

★★★☆☆

Rating: 15
Release Date:1st March 2013 (UK)
Directed by: Sara Sugarman
Cast: Keith Allen, Phil Daniels , Jamie Blackley 

The Lords Are Coming , Rob Zombie's The Lords Of Salem Coming To UK April

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It left Frightfesters baffled  at this years Film 4 Glasgow Frightfest and next month you will get your chance to see Rob Zombie's most ambitious film to date The Lords Of Salem is coming to UK&Ireland.

Rob Zombie’s most highly anticipated shocker to date – a brilliantly envisioned and haunting tale of witchcraft and Satanism.Staring Sherri Moon Zombie (director's wife) as a former drug user, Heidi is now clean and works as a rock DJ at the local radio station along with fellow DJs, Herman Whitey Salvador and Herman Jackson. Following one of their regular evening shows, Heidi receives a square wooden box containing a vinyl record, the only indication as to its origin is a note proclaiming “A gift from the Lords”. Assuming it is merely a PR stunt by an ambitious band, Heidi gives the record a spin and immediately begins to experience bizarre flashbacks to a past, long-forgotten trauma triggered by the haunting sounds contained on the record.

A huge departure from his previous movies, The Lords Of Salem is without a doubt Rob Zombie’s most ambitious and accomplished work to date and firmly establishes him as a unique and truly gifted filmmaker who has finally come into his own. A chilling, atmospheric piece that slowly works its way under the viewer’s skin, the film has an almost European feel to it and owes more to Roman Polanski, Dario Argento and Ken Russell than to the American “grindhouse” cinema one would most associate with Zombie. Of course, this being Rob Zombie, classic horror movie references abound and fans will be delighted to notice nods to the likes of  Rosemary’s Baby, The Shining, The Sentinel, The Devil Rides Out, John Carpenter’s Prince Of Darkness and Macbeth (the Polanski adaptation), amongst others. A killer cast comprised of many genre legends, stunning cinematography by Brandon Trost, an awesome score by guitarist John 5 and songs by The Velvet Underground, Rush, Rob Zombie, Rick James and Manfred Mann’s Earth Band all combine to make this one of the most visually and aurally impressive horror movies in recent years.

Rob Zombie certainly wears his influences on his sleeve  for this one which alot of horrorphiles will appreciate what he has created but like anything ambitious or experimental it will always get it's doubters. We don't have a official UK trailer just yet, for now check out the current trailer, above is the film's latest poster and a chance to pre=order your copy of the film on DVD.

The Lords of Salem thanks to Momentum Pictures we will get a limited release here in  UK&Ireland on 26th April before been released on DVD 29th April. The film also stars Bruce Davison, Ken Foree, Dee Wallace, Patricia Quinn, Maria Conchita Alonso, Meg Foster, Michael Berryman, Sid Haig, Udo Kier, and Lisa Marie.



Buy / Pre-order :The Lords of Salem On DVD



 

Enjoy Ealing Studios Rarities In New DVD Collection

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Network Distributing is delighted to announce the first volume of THE EALING STUDIOS RARITIES COLLECTION (U). Featuring 4 films from the vaults of Ealing Studios and Associated Talking Pictures, this double-disc set is available to own on 8 April 2013. This volume consists of films by Basil Dearden, Harry Watt, Carol Reed and Leo Mittler. Unseen since their original cinema releases and presented as new transfers in their original aspect ratios, THE EALING STUDIOS RARITIES COLLECTION VOLUME 1 is an essential addition to anyone interested in classic British films as well as long-forgotten gems from one of the UK’s most iconic production houses.

Disc One

ESCAPE (1930). Director: Basil Dearden
Based on John Galsworthy’s 1921 play, ESCAPE charts the experiences of Captain Matt Denant, sentenced to a term in Dartmoor after accidentally killing a plain-clothes policeman during a quarrel. Unable to bear the harsh conditions of prison life, Matt escapes across the moor – finding his freedom at the mercy of the various characters he encounters.
Starring Gerald du Maurier, Madeleine Carroll, Ian Hunter, Gordon Harker, Edna Best, Austin Trevor and Horace Hodges| Written John Galsworthy| Original Music by Ernest Irving

WEST OF ZANZIBAR (1954) Director: Harry Watt
Bob Payton learns that the Galanas, an African tribe he has befriended, are being forced by soil erosion to move from their homelands. He urges their Chief, Ushingo, to lead them into the hills where they will find fresh, fertile soil and peaceful living; but the young men of the tribe favour the attractions of Mombasa, which represent a new, exciting way of life. Payton knows that such a move would be fatal, placing the Galanas in the way of many temptations – not least the activities of ivory smugglers.
Starring Anthony Steel, Sheila Sim, Edric Connor, Martin Benson, Orlando Martins and William Simons| Written by Harry Watt, Max Catto and Jack Whittingham| Original Music by Alan Rawsthorne performed by the Royal Philharmonic Orchestra| Produced by Leslie Norman

Disc Two


PENNY PARADISE (1938). Director: Carol Reed
Joe Higgins is the captain of a Liverpool tug, with a pretty daughter, Betty, a forgetful Irish first mate, Pat, and a predilection for spending a weekly sixpence on the football pools. When Pat forgets to post Joe’s coupon on the week a winning line is drawn, chaos and frantic comedy are the result…
Starring Edmund Gwenn, Betty Driver, Jimmy O’ Dea, Ethel Coleridge, Maire O’Neill, Jack Livesey, Syd Crossley and James Harcourt| Written by Thomas Browne, Basil Dean, W.L. Meade and Thomas Thompson| Original Music by Ernest Irving| Produced by Basil Dean

CHEER UP! (1936). Director: Leo Mittler
A struggling playwright hopes to market a musical comedy that he has written in collaboration with another equally penurious composer. Anxious to secure the backing of a millionaire, the two composers only succeed in making him angry – until, following a chain of misunderstandings, they finally emerge triumphant. Comic situations and melody play important roles in the film, which includes several spectacular dance routines.
Starring Stanley Lupino, Sally Gray, Roddy Hughes, Gerald Barry, Kenneth Kove and Wynne Weaver| Written by Michael Barringer and Stanley Lupino| Music Arranged and Performed by Percy Mackey and his Orchestra| Produced by Stanley Lupino

Buy The Ealing Rarities Collection - Volume 1 On DVD




GFF2013 - Everybody Has a Plan (Todos tenemos un plan) Review

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Ana Piterbarg's Argentinean drama, Everybody Has a Plan, may be lying as I struggled to detect a clear plan in it whatsoever.

Everybody Has a Plan follows Agustin, a middle-class man who seeks an escape from the confines of his life and family. The arrival of his criminal and terminally ill twin brother, Pedro, provides that escape. Agustin murders Pedro, yet soon becomes embroiled in his deceased brother's criminal past.

The main issue with Everybody Has a Plan, is the sheer lack of narrative drive and focus with the feature lethargically dragging from one scene to another. A narrative involving the relationship between twins should be thrilling (Just look at Dead Ringers, or even Van Damme's Douple Impact), but this only receives around ten minutes of screen time here. Instead we see Agustin venture to rural Argentina and lay low in a shack, for what feels like an eternity.

Quiet, low-energy narratives can work if building a sense of foreboding or with the aim of escalating to something more substantial, however this never seems to arrive in Everybody Has a Plan. Pitebarg's feature lacks any sense of atmosphere or passion, and I struggle to interpret exactly what sort of audience this is aimed at. Surely it is not Viggo Mortensen fans? Mortensen is the least-engaging that I've ever seen him , in a performance void of depth or sense of natural charisma. Whilst in this mode, Mortensen struggles to carry the film independently, instead simply merging into the scenery.

Pitebarg does successfully capture the picturesque quality of the rural Argentina, showcasing the rural shacks set amidst the gloomy canals. However, this is unlikely to maintain your interest for the somewhat bloated 118 minute runtime.

Despite high hopes, Everybody Has a Plan lacks any narrative drive, simply trundling along at a snail's pace. A flat performance from Mortensen and lack of atmosphere, further the tedious nature of Piterbarg's feature.

Andrew McArthur

★1/2☆☆☆

Stars: Viggo Mortensen, Soledad Villamil, Daniel Fanego
Director: Ana Piterbarg
Certificate: 15 (UK)
Release: 10th May 2013 (UK)21st February 2013 (Glasgow Film Festival)

11 March 2013

Third Window Films Releasing Pang Ho Chueng's Vulgaria This April

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There's nothing better than announcing a new Third Window Films release and next month the latest release will arrive on British &Irish shores, from the 'bad boy' of Hong Kong Cinema Pang-Ho Chueng, Vulgaria.the highest grossing Hong Kong film of 2012, Pang Ho-Cheung’s Vulgaria is coming to DVD, BluRay a movie been regarded by Twitch as “Lewd, crude and flat-out hilarious…One of the year’s funniest films!” a description that's sold us this movie.

To (Chapman To Man-chak), a long-time film producer, has yet to produce anything resembling a hit. Beset by financial troubles, he has become desperate for money - so much so that he is unable to pay the alimony to his ex-wife (Kristal Tin). Despite his former spouse's bitterness, their daughter still clings onto her faith in him - and wishes to see him on TV once his new movie premieres. To is soon introduced to a potential Mainland Chinese investor, Tyrannosaurus (Ronald Cheng), by his buddy Lui Wing-shing (Simon Loui Yu-yeung), but Tyrannosaurus is not only the head of a Guangxi triad gang, he turns out to have very particular tastes in food and sex. Regardless, To is determined to woo this investor, even if it means giving into his every demands. Tyrannosaurus eventually tells them to cast his childhood idol Yum Yum Shaw (Susan Shaw) in a remake of a classic pornographic film. He even gives the film the title Confessions of Two Concubines...



DVD and Blu-ray Special Features

  • Anamorphic Widescreen transfer with 5.1 Surround Sound
  • Making Of, Theatrical Trailer


Vulgaria stars Chapman To(Internal Affairs), Ronald Cheng, Dada Chan, Suet Lam, Kristal Tin and the film will be available on DVD and Blu-Ray from 15th April 2013.

Pre-Order / Buy Vulgaria:DVD / Blu-ray




Ray Harryhausen: Special Effects Titan DVD Review

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‘Gushing fan boys’ is the phrase that jumps to mind throughout Gilles Penso’s Ray Harryhausen: Special Effects Titan, a documentary that looks at the life , work, and legacy of one of Hollywood’s most innovative creators. It’s not just Penso’s obvious enthusiasm towards an idol, but of everyone else involved; directors like Tim Burton, James Cameron, Steven Spielberg, Terry Gilliam, John Landis, and Peter Jackson all get on the other side of the camera to explain just how far Harryhausen’s influence reaches into modern cinema.
                Penso covers everything you’d possibly want to know about the trials and tribulations of an up and coming effects maestro, working his way through Harryhausen’s CV and the various methods he deployed to articulate a truly mind boggling understanding of fantasy. With each film, Harryhausen’s methods are peeled back, talked over, and presented in a great collection of sequences sure to inspire interest in any newbies, whilst giving new appreciation to seasoned fans.

Key scenes from all Harryhausen’s works, archival footage and contemporary clips, behind the scenes footage, and original artwork all bolster Penso’s view that we shouldn’t discard the old ways so quickly.  There’s genuine passion and love for the man’s work in every frame of the documentary, a want to educate the viewer beyond CGI hence expanding that part of the viewership that see Harryhausen as a prolific auteur as opposed to just an effects man. At a time when CGI is the accepted mode of “special effects” it’s good to look back and see how things used to be, and the very different type of life they granted a picture. Harryhausen and Spielberg muse at one point as to just how long can CGI grow and grow as a tool before the effects stop being special, and you can’t help but think we’re at that point. Maybe, that’s why films like Clash of the Titans and Jason and the Argonauts are, now more than ever, a genuinely wonderful watch.

An informative and discursive look at the career of a legend delivered smoothly and energetically by a group of loving fans devoted to the preservation of a legacy. Ray Harryhausen: Special Effects Titan can be appreciated by everyone from the biggest fanatic to people just getting into his films.

★★★★

Scott Clark

Rating: 15
BD/DVD Release Date: 7th March 2013 (uk)
Director
Cast: 
Buy  Ray Harryhausen - Special Effects Titan:Blu-ray / DVD


The Tall Man DVD Review

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Back in 2008 French writer/director Pascal Laugier unleashed Martyrs on unsuspecting audiences, casually marketing the film as a horror when in actual fact it was the closest thing I’d seen to a genuine journey into hell. One of those “let’s sit on our own for a while in a nice place and NEVER watch this again” kind of films.  So Laugier’s newest venture (French/Canadian Co-produced) The Tall Man has been something of a pursuit of mine for a while.
In the town of Cold Rock, a dying red-neck tip of ever there was, something is stealing children without a trace. As Julia Denning (Jessica Biel) struggles to fit in as the towns leading medical expert and community pillar, her life is thrown into further turmoil when The Tall Man comes to visit.

The trailer for the film, the general look and feel, and Jessica Biel taking the lead may get your warning bells going like mad, they certainly did for me. In comparison to Martyrs, it just seems a bit too glitzy and that’s down to an entire shift in aesthetic and budget from Martyrs. The story at first glance seems tired and done: who wants another abduction flick? Can we really sit through more monsters in the woods or stalker/slashers with a penchant for kiddies? Thankfully Laugier is totally on the ball, wrapping a thriller in the signs and signifiers of a shameless horror flick. You’ll spend a lot of the film wondering just what the fuck is going on thanks to that conspiracy of genres, but that’s fine, you should expect that from the guy who made Martyrs.  No matter how clever it is though, The Tall Man relies a little too much on the forgetfulness of kids which, by the end, will have you questioning some of the basic principles of the film if you’re not totally distracted by the poignancy of its final note.

Biel is absolutely fantastic proving once and for all she’s a top leading lady and is just as comfortable neck deep in muck, cut and bruised, and losing her shit as she is being composed and commanding. It’s her performance that drives the film, being more of a character piece than you might initially suspect. Jodelle Ferland (Silent Hill) is fast becoming the poster teen for horror, here appearing as a mute daughter of an abusive household. William B. Davis (The Smoking Man from X-Files) pops up as bumbling Sheriff Chestnut, Stephen McHattie (Pontypool) appears as straight-laced FBI agent, and Samantha Ferris shines as Ferland’s struggling mother.
The Tall Man is very different from Martyrs, but that’s good because churning out the same harrowing experience would be detrimental to Laugier’s reputation. Instead he goes in the opposite direction being perhaps a little more obvious with his questioning but still inspiring thought nonetheless.

An intriguing genre hybrid with a startlingly good performance from Biel, The Tall Man is brave and powerful but perhaps a little too blatant in its last act. Nonetheless it’s a watchable, intense, and thought-provoking thriller from an emerging horror talent.

★★★★


Scott Clark


Rating: 15
DVD/BD Release Date: 11th March 2013
Directed By
Cast
Win: Tall Man On DVD enter Here
Buy: The Tall Man On Blu-ray / DVD

Hotel California To Sleep Walking, 2013 London Sundance Festival Line Up announced

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After years wishing we could attend, 2012 Robert Redford made many British cinephiles dreams come true when he annouced Sundance Festival was coming to UK. After the success of the inaugural festival last year today Sundance Insitute announced it' line up for the 2013 London Sundance  festival which kicks off late next month.

This years festival will showcase 18 feature films and 9 short films spread across 4 sections including the new UK section whose highlight is Michael Winterbottom's Look Of Love starring Steve Coogan as Porn baron Paul Raymond. In total 23 films will make their will make their international, European or UK premieres at Sundance London. Ten are by female filmmakers and six are by first-time feature filmmakers. The films collectively received 12 awards when they premiered at the Sundance Film Festival in Park City, Utah, U.S.A..

The Highlights of this years festival include The History Of The Eagles Part One a documentary based on the iconic  American rock band (who are also scheduled to appear), Lynne Shelton's Touchy Feely starring Rosemarie Dewitt, Scoot McNairy getting its International Premier and  Shane Carruth's Upstream Colour getting it's UK premier. Fans of Music may want to check out Peaches Doe Herself a documentary looking at the rise of the singer and her unique brand of 'electro-rock'.

In addition to film screenings and panels, Sundance London will host several live music performances and events. Peaches has been announced as the first headlining act for the 2013 festival, and tickets for that performance are now on sale. Additional music performers will be named. Among the 17 musical acts at the first-ever Sundance London were Tricky and Martina Topley-Bird, Placebo, and Rufus and Martha Wainwright. Among the artists expected to attend Sundance London are Lake Bell, Mike Birbiglia, Jimmy Carr, the Eagles, Barbara Kopple and Peaches, as well as Sundance Institute President & Founder Robert Redford.

Robert Redford said, “We would hope for Sundance London to be another 'Sundance' experience – lively, culturally relevant and fun. We look forward to engaging with audiences as we discover new voices, new points of view and new perspectives.”

The second Sundance London film and music festival, will take place on 25-28 April at The O2. Passes and ticket packages are available at www.sundance-london.com, and individual tickets will be on sale from 9:00 a.m. GMT Friday 15 March.

2013 line-up

Blackfish (Director: Gabriela Cowperthwaite) — Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top killer whale trainer. Blackfish shows the sometimes devastating consequences of keeping such intelligent and sentient creatures in captivity. (Documentary)

Blood Brother (Director: Steve Hoover) — Rocky went to India as a disillusioned tourist. When he met a group of children with HIV, he decided to stay. He never could have imagined the obstacles he would face, or the love he would find. Winner of the US Grand Jury Prize: Documentary and the Audience Award: US Documentary presented by Acura at the 2013 Sundance Film Festival. (Documentary)

Emanuel and the Truth About Fishes (Director and screenwriter: Francesca Gregorini) — Emanuel, a troubled girl, becomes preoccupied with her mysterious, new neighbor, who bears a striking resemblance to her dead mother. In offering to babysit her newborn, Emanuel unwittingly enters a fragile, fictional world, of which she becomes the gatekeeper. Cast: Kaya Scodelario, Jessica Biel, Alfred Molina, Frances O'Connor, Jimmi Simpson, Aneurin Barnard. (Narrative)

God Loves Uganda (Director: Roger Ross Williams) — A powerful exploration of the evangelical campaign to infuse African culture with values imported from America’s Christian Right. The film follows American and Ugandan religious leaders fighting “sexual immorality” and missionaries trying to convince Ugandans to follow biblical law. (Documentary)

In a World... (Director and screenwriter: Lake Bell) — An underachieving vocal coach is motivated by her father, the king of movie-trailer voice-overs, to pursue her aspirations of becoming a voiceover star. Amidst pride, sexism and family dysfunction, she sets out to change the voice of a generation. Cast: Lake Bell, Demetri Martin, Rob Corddry, Michaela Watkins, Ken Marino, Fred Melamed. Winner of the Waldo Salt Screenwriting Award: US Dramatic at the 2013 Sundance Film Festival. (Narrative)

The Inevitable Defeat of Mister and Pete (Director: George Tillman Jr., Screenwriter: Michael Starrbury) — Separated from their mothers and facing a summer in the Brooklyn projects alone, two boys hide from police and forage for food, with only each other to trust. A story of salvation through friendship and two boys against the world. Cast: Skylan Brooks, Ethan Dizon, Jennifer Hudson, Jordin Sparks, Anthony Mackie, Jeffrey Wright. (Narrative)

The Kings of Summer (Director: Jordan Vogt-Roberts, Screenwriter: Chris Galletta) — A unique coming-of-age comedy about three teenagers who, in the ultimate act of independence, decide to spend their summer building a makeshift house in the woods. Free from their parents’ rules, their idyllic summer quickly becomes a test of friendship. Cast: Nick Robinson, Gabriel Basso, Moises Arias, Nick Offerman, Megan Mullally, Alison Brie. (Narrative)

Muscle Shoals (Director: Greg 'Freddy' Camalier) — Down in Alabama Rick Hall founded FAME Studios and gave birth to the Muscle Shoals sound. Mick Jagger, Keith Richards, Gregg Allman, Aretha Franklin, Etta James, Alicia Keys, Bono and others bear witness to the greatest untold American music story. (Documentary)

Running from Crazy (Director: Barbara Kopple) — Mariel Hemingway, granddaughter of Ernest Hemingway, strives for a greater understanding of her family history of suicide and mental illness. As tragedies are explored and deeply hidden secrets are revealed, Mariel searches for a way to overcome a similar fate. From two-time Academy Award-winning director Barbara Kopple. (Documentary)

Touchy Feely (Director and screenwriter: Lynn Shelton) — A massage therapist is unable to do her job when stricken with a mysterious and sudden aversion to bodily contact. Meanwhile, her uptight brother's foundering dental practice receives new life when clients seek out his “healing touch.” Cast: Rosemarie DeWitt, Allison Janney, Ron Livingston, Scoot McNairy, Ellen Page, Josh Pais. (Narrative)

Upstream Color (Director and screenwriter: Shane Carruth) — A man and woman are drawn together, entangled in the life cycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives. Cast: Amy Seimetz, Shane Carruth, Andrew Sensenig, Thiago Martins. Winner of a US Dramatic Special Jury Award for Sound Design at the 2013 Sundance Film Festival and from the director of the 2004 Sundance Film Festival US Grand Jury Prize: Dramatic-winning film Primer. (Narrative)

History of the Eagles Part One (Director: Alison Ellwood) — Iconic American rock band the Eagles have earned countless awards and sold more than 120 million albums worldwide, including the best-selling album of all time. Using never-before-seen home movies, archival footage and new interviews with all current and former members of the Eagles, this documentary provides an intimate look into the history of the band and the legacy of their music. Includes an extended Q&A with the Eagles. (Documentary)

Peaches Does Herself (Director and screenwriter: Peaches) — On the advice of an old stripper, Peaches makes sexually forthright music. This electro rock opera follows Peaches' rise in popularity and her love affair with a beautiful she-male that ultimately leads her to realize who she really is. Cast: Peaches, Danni Daniels, Sandy Kane, Mignon, Sweet Machine Band, Jolly Goods. Sundance London will also host a performance by Peaches. (Narrative

Sleepwalk With Me (Director: Mike Birbiglia, Screenwriters: Mike Birbiglia, Ira Glass, Joe Birbiglia, Seth Barrish) — Reluctant to confront his fears of love, honesty, and growing up, a budding standup comedian has both a hilarious and intense struggle with sleepwalking. Cast: Mike Birbiglia, Lauren Ambrose, Carol Kane, James Rebhorn, Cristin Milioti. Winner of the Best of NEXT <=> Audience Award, Presented by Adobe Systems Incorporated, at the 2012 Sundance Film Festival. Includes an extended Q&A with director and screenwriter Mike Birbiglia, moderated by comedian Jimmy Carr. (Narrative)

In Fear (Directed and story by: Jeremy Lovering) — Trapped in a maze of country roads with only their vehicle for protection, Tom and Lucy are terrorized by an unseen tormentor exploiting their worst fears. Eventually they realize they've let the evil in – it’s sitting in their car. Cast: Alice Englert, Iain De Caestecker, Allen Leech. (Narrative)

The Look of Love (Director: Michael Winterbottom, Screenwriter: Matt Greenhalgh) — The true story of British adult magazine publisher and entrepreneur Paul Raymond. A modern day King Midas story, Raymond became one of the richest men in Britain at the cost of losing those closest to him. Cast: Steve Coogan, Anna Friel, Imogen Poots, Tamsin Egerton. (Narrative)

The Moo Man (Directors: Andy Heathcote, Co-director: Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. (Documentary)

The Summit (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers' code, he might still be alive. Winner of the Editing Award: US Documentary at the 2013 Sundance Film Festival. (Documentary)

The Apocalypse (Director and screenwriter: Andrew Zuchero) — Four uninspired friends try to come up with a terrific idea for how to spend their Saturday afternoon.

Black Metal (Director and screenwriter: Kat Candler) — After a career spent mining his music from the shadows, one fan creates a chain reaction for the lead singer of a black metal band.

The Date (Director and screenwriter: Jenni Toivoniemi) — Tino’s manhood is put to the test in front of two women when he has to host a date for Diablo, the family’s stud cat. Winner of the Short Film Jury Award: International Fiction at the 2013 Sundance Film Festival.

Irish Folk Furniture (Director: Tony Donoghue) — In Ireland, old hand-painted furniture is often associated with hard times, with poverty, and with a time many would rather forget. In this animated documentary, 16 pieces of traditional folk furniture are repaired and returned home. Winner of the Short Film Jury Award: Animation at the 2013 Sundance Film Festival.

Jonah (Director: Kibwe Tavares, Screenwriter: Jack Thorne) — When two young men photograph a gigantic fish leaping from the sea, their small town becomes a tourist attraction in this story about the old and the new. From the director of the 2012 Sundance Film Festival Short Film Grand Jury Prize-winning film FISHING WITHOUT NETS.

Reindeer (Director: Eva Weber) — A lyrical and haunting portrait of reindeer herding in the twilight expanses of the Lapland wilderness. Winner of a Short Film Special Jury Award at the 2013 Sundance Film Festival.

Until the Quiet Comes (Director and screenwriter: Kahlil Joseph) — Shot in the Nickerson Gardens housing projects in Watts, Los Angeles, this film deals with themes of violence, camaraderie and spirituality through the lens of magical realism. Winner of a Short Film Special Jury Award at the 2013 Sundance Film Festival.

Whiplash (Director and screenwriter: Damien Chazelle) — An aspiring drummer enters an elite conservatory’s top jazz orchestra. Winner of the Short Film Jury Award: US Fiction at the 2013 Sundance Film Festival.

The Whistle (Director: Grzegorz Zariczny) — Marcin, a lowest-leagues football referee who lives in a small town near Krakow, dreams of better times. At his mother’s urging, he decides to change his life and find himself a girlfriend and a better job. Winner of the Short Film Grand Jury Prize at the 2013 Sundance Film Festival.





10 March 2013

The Master DVD Review

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So accomplished is director Paul Thomas Anderson’s catalogue of work, that every new film he presents is met with a degree of excitement and expectation reserved for only the most celebrated and enduring of filmmakers. Despite a relatively short career (one comprising less than two decades), Anderson has already hit the high notes with an excellent portfolio of work that includes, amongst others, Boogie Nights, Punch-Drunk Love and There Will Be Blood. Anderson has never really produced a poor film, and the notion of seeing him reunited with long-term accomplice, Phillip Seymour Hoffman, to cast their creative eyes over the thorny subject of a pseudo-religious cult, is a prospect certainly worth relishing.

Ultimately, The Master is a film which provokes an immense sense of awe, chiefly through the performances of its double-act of leading men; but it’s one which also instils a lingering sense of doubt and, dare I say it, disappointment.

As the Second World War draws to a close, US seaman Freddie Quell (Joaquin Phoenix) is little more than a drunken, sex-obsessed husk. As his comrades frolic on Pacific island beaches, Freddie is quietly mixing drinks, cavorting with women made of sand and draining and drinking the fuel from his ship’s torpedoes. It is abundantly clear that Freddie is struggling with post-traumatic stress, his efforts to maintain a steady job post-war end in disaster, violence, and soaked in home-made booze.

Ultimately Freddie’s penchant for hooch leads to the accidental poisoning of an elderly co-worker forcing him to flee his job for his own safety. Tired, desperate and inebriated, Freddie stows away on a passing boat unaware that it currently plays host to an eccentric cabal known as The Cause, led by their enigmatic and beguiling leader Lancaster Dodd (Hoffman), known to his acolytes as “Master”.

Freddie is welcomed into the fold and joins the ensemble in spreading Dodd’s good news, learning the ins-and-outs of the exercise known as “processing”, while simultaneously battling those outside influences who would seek to derail The Cause.

Hoffman’s Master is of course a thinly-veiled reference to author and founder of Scientology, L. Ron Hubbard; and his performance as the mesmeric leader of The Cause is a thing to behold, as Hoffman imbues the leader with a tangible sense of self-assurance and thoughtfulness. Watching the commanding Dodd deliver his sermons to an adoring congregation, with their bizarre lectures on quasi-psychology and spirituality is as tempting as it is baffling. As a study of the cult of personality, it’s genuinely unnerving. Whilst every reasonable bone inside you should reject the nonsense on offer, it’s all too easy to see how Freddie and the rest of the herd become so affected and entranced by the Master’s teachings, so powerful and believable is Hoffman’s delivery.

As a counterpart to Dodd’s measured sermonising, Freddie’s alcohol-soaked, rotten futility is excellent too. Joaquin Phoenix brings a demoralising physicality to a role that under normal circumstances would elevate itself above the rest. The fact that it’s a performance that plays second fiddle says more about Hoffman’s presence in the piece than it does about Phoenix’s.

Together the performances are, save for the odd mumble of Phoenix’s, as damn-near pitch perfect as is possible. The setting in which these two performances are to be found is a beautiful, studiously reconstructed image of post-war USA. It’s a USA in which the iron curtain of atomic-age paranoia has most definitely descended; and yet the vestiges of hopefulness, of dewy-eyed belief in the American dream, still remain.

If Paul Thomas Anderson is guilty of anything, it’s that his stories can have a tendency to find themselves coughing and spluttering towards a resolution. There Will Be Blood’s grind towards the finishing line was expertly aided by its visual and aural magnificence; there was little room for dissent as you were being so firmly and skilfully grasped by the balls. Boogie Nights took a descent into a drug-fuelled hell which contrasted with its upbeat and romping (albeit sleazy) opening salvos, but maintained some sense of urgency; in the case of The Master ,the culmination of nearly two-and-a-half hours of soul-searching appears to be less assured.

A final act which appears to tread much of the same water trod in the film’s middle third feels like Anderson is searching for an ending which never comes. Freddie’s vision, experienced towards the end of the film, is one which exists as a symptom of his general lack of growth both spiritually and practically. For all the processing and sermonising, he’s never really moved on. A sobering thought, but it’s one which belies the fact that, as an audience, neither have we. Despite the mesmeric performances of Hoffman and Phoenix, you are left with a nagging feeling of dissatisfaction at a film which very much feels like it has a beginning, and a middle.

Chris Banks(@Chris_in_2D)

★★★★

Rating:15
BD/DVD Release Date:11 March 2013 (UK)
Directed By: Paul Thomas Anderson
Cast: Philip Seymour Hoffman, Joaquin Phoenix , Amy Adams,
Buy The Master on:Blu-ray / DVD