4 July 2013

EIFF 2013 - UWANTMETOKILLHIM? Review

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uwantme2killhim_eiff
Rating:
15
Release Date:
25th June 2013 (EIFF), September 2013 (UK Cinema)
Stars:
Jamie Blackley, Toby Regbo, Jaime Winstone
Director:
Andrew Douglas
Viewers may initially be taken aback when seeing the credits of upcoming British feature uwantme2killhim? What appears as a low-key thriller actually has some big Hollywood names behind it - including Bryan Singer and Bob and Harvey Weinstein. This should serve an indicator as to the promise that Andrew Douglas' (2005's The Amityville Horror) feature shows.

Based on a true story, the film details teenager Mark's (Jamie Blackley) growing obsession with the world of internet chatrooms and the dark, tragic consequences this ultimately builds up to.

The early stages of the film feature Mark on a chat-room speaking to cyber-girlfriend Rachel (Jaime Winston) who asks the teenager to look out for her "weird" brother John (Toby Regbo) who is bullied at school. Mike Walden's narrative may seem somewhat predictable from this description, and ultimately it is not difficult for viewers to work out which direction uwantme2killhim? is heading in. Yet despite this, Walden's screenplay is packed full of turns and erratic twists which makes getting to this outcome all the more fascinating and tragic.

uwantme2killhim? showcases the danger of chatrooms whilst also capturing the psychology of a sixteen year old, with the combination of the two resulting in shocking effects. We view the events from the perspective of teenage Jamie and see him be gradually manipulated on these chatrooms - making him all the more of a tragic hero.  However, as the narrative takes continuous twists at points uwantme2killhim? grows somewhat outlandish - best captured when Jamie begins conversations with Janet, 'a government agent.' I personally do not know of any sixteen year olds who would be so easily duped into thinking they were chatting to an MI6 agent on a web chat-room. However, there is ultimately some truth in this - with Douglas' feature being based on a true story, making the feature seem even more extraordinary.

Douglas crafts the feature with a sense of unease and suspense by reflecting Jamie's chatroom world with a variety of actors playing those he chats with  - from Liz White's Agent Janet to Jaime Winstone's troubled Rachel. We see all through Jamie's perspective with this style perfectly reflecting the somewhat vulnerable psychological mindset of teenagers - especially when manipulated in an online environment. This makes uwantme2killhim? feel like more than simply a British thriller but a tragic study into the teenage psyche and the dangers of the online world.

Jamie Blackley (who also impressed in EIFF's We Are the Freaks) is an outstanding lead, bringing a youthful innocence and likeability to the role of Jamie. The role - alongside Toby Regbo's brilliantly dark performance as John, won the festival's Best Performance in a British Feature Film award.

uwantme2killhim? is a darkly unnerving look at the online world and the dangers that come with it. It may be clear which trajectory the narrative is following, yet this ultimately works in the film's favour adding a sense of tragedy to this thriller.

★★★½

Andrew McArthur


Baby Hit Me One More Time - Harmony Korine's Spring Breakers To Get August Home Release

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Prepare to have your senses well and truly assaulted by the coolest film of the year and uncover a tale of deranged, crazed, sexy college teens on the road to hedonism and self discovery.  Spring Breakers is released on 2 Disc Special Edition Blu-ray and DVD with Ultraviolet on 12 August 2013, and becomes available for Digital Download from 29 July 2013 from Universal Pictures (UK).  The Special Edition Blu-ray will contain an additional bonus DVD disc loaded with fantastic special features including deleted scenes, outtakes and an exclusive ‘making of’ documentary.

Starring Disney graduates Selena Gomez (Wizards of Waverly Place) and Vanessa Hudgens (High School Musical), Rachel Korine (Mister Lonely), Ashley Benson (Pretty Little Liars) and Oscar® nominee James Franco (127 Hours) as you’ve never seen them before in a take on the American college tradition of Spring Break that has to be seen to be believed. Directed byHarmony Korine (KidsGummoin his uniquely metaphorical and symbolic style, Spring Breakers shatters our expectations and shows us a bizarre underworld where nobody can look away, all set against a scorching soundtrack including original music bySkrillex, Cliff Martinez and Gucci Mane.

Brit, Candy, Cotty and Faith have been best friends since grade school, trying to save enough money for Spring Break. Still short of cash, three of them hold up a restaurant using toy guns in order to get to Florida for two weeks of fun.  After a few days of partying, the girls get arrested during a police raid and land up in jail.  Bailed out by local drug dealer Alien (Franco), they soon find themselves in over their heads when their mentor introduces them to the wonders of an addictively dangerous Spring Breakthey will never forget.

If you follow The People's Movies and cinehouse you'll know opinion was divided. Here at The People's Movies it's rated one of the worst films in 2013 (0.5/5 rating) however over at Cinehouse 4 star review it was a more enjoyable experience. Whatever your views on the film Spring breakers is one of those films which will become a cult classic for the right or wrong reasons making the purchase of the film even more worthwhile.

Edgy, hilarious and outrageous, immerse yourself in an intoxicating world when instant cult classic Spring Breakers is released on2 Disc Special Edition Blu-ray, and DVD with Ultraviolet on 12 August 2013, and becomes available for Digital Downloadfrom 29 July 2013.



BLU-RAY & DVD SPECIAL FEATURES




  • ‘Making of’ feature (26 mins)



  • Feature commentary with writer / director Harmony Korine

  • Four featurettes:

    • Behind the scenes
    • Harmony Korine
    • AVPs
    • The Girls

  • Theatrical trailer

  • DVD BONUS DISC (2 DISC SPECIAL EDITION BLU-RAY)
    • ·         Breaking it Down: Behind Spring Breakers (21 mins 46 secs)
    • ·         Deleted scenes (1 min)
    • ·         Outtakes (7 mins 20 secs)
    • ·         Harmony’s Ear Candy Featurette (7 mins 20 secs)

    Pre-Order / Buy Spring Breakers on[Blu-ray] / [DVD]

    Watch The New Uber-Cool UK Trailer For Only God Forgives

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    Is it Blackpool's illuminations after a face lift or something with more class? The latter of course, so do you wanna fight? If your cool enough, get those dukes in the air or you could just admire the new UK trailer for Only God Forgives instead!

    Nicholas Winding Refn's uber-cool neon drenched thriller is only 4 weeks away and to get us in fighting order Lionsgate Films UK  and this new trailer provides that substance. It's style, hyper violent, atmospheric, very melancholic and senor Gosling is been slick as ever , a un-relentless S.O.B. The new Only God Forgives trailer might only be 90 seconds long packs a superficial punch delivering tone and more new footage but not in a manner to spoil the broth.

    Ryan Gosling plays Julian a Thai Boxing club owner in Bangkok a front for his family's drug business who is forced by his mother to avenge the death of his brother. Julian has one problem the man he wants is chang a retired police man who is nicknamed the Angel of Vengeance.

    Don't let negative American reviews get you down decide for yourselves, as The Playlist said, it's an experience you must enjoy by yourselves and if anyone disagrees ask them 'Wanna Fight?'

    Only God Forgives arrives in UK&Ireland on 2nd August (USA 19th July) and stars Ryan Gosling, Kristen Scott Thomas, Yayaying Rhatha Phongam, Vithaya Pansringarm, Tom Burke and Byron Gibson.



    Synopsis

    Bangkok. Julian (Ryan Gosling) runs a Thai boxing club as a front for a drugs operation. He has everything he wants for and is respected in the criminal underworld though, deep inside, he feels empty.
    When Julian’s brother murders a prostitute the police call on retired cop Chang – the Angel of Vengeance (Vithaya Pansringarm). Chang allows the father to kill his daughter’s murderer, then ‘restores order’ by chopping off the man’s right hand. Julian’s mother Jenna (Kristin Scott Thomas) – the head of a powerful criminal organization – arrives in Bangkok to collect her son’s body. She dispatches Julian to find his killers and ‘raise hell’.
    Increasingly obsessed with the Angel of Vengeance, Julian challenges him to a boxing match, hoping that by defeating him he might find spiritual release… but Chang triumphs. A furious Jenna plots revenge and the stage is set for a bloody journey through betrayal and vengeance towards a final confrontation and the possibility of redemption.






    EIFF 2013 – Magic Magic Review

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    Rating:
    15
    Release Date:
    25th June 2013 (EIFF)
    Director:
    Sebastian Silva
    Stars:
    Juno Temple, Emily Browning , Michael Cera


    Sebastian Silva's Magic Magic is perhaps one of the more enigmatic features of this year's Edinburgh International Film Festival, so enigmatic in fact, that many viewers may be left rather unfulfilled by this South American head trip.

    Magic Magic follows timid Alicia (Juno Temple), who is sent on vacation to Chile with her friend Sarah (Emily Browning). However after being introduced to Sarah's friends and becoming an object of ridicule by one of them (Brink played by Michael Cera), Alicia's anxiety begins to takeover and she starts to mentally unravel.

    Silva's feature is a slow-building one, opening with Alicia's arrival in Chile and her first meeting with Sarah's friends which immediately crafts an aura of uneasiness. When travelling to their lodgings, Silva soundtracks  the group's journey with growling classic blues music and unnerving dog yelping when they pick up then subsequently abandon an ill puppy. This immediately gives an indicator of the frantic, chaotic style that Magic Magic builds towards. However, the main source of this unease is Michael Cera's darkly camp performance as Brink - his actions around Alicia always seem somewhat sinister with suggestions of ulterior, darker motivations.

    Silva continues to suspensefully build this unease when the group arrive at their destination - a Chilean beach house. Here Alicia is pressured into diving, attacked by a dog, hypnotised, and comes face to face with (thoroughly underdeveloped) suggestions of voodoo - all leading to her mental breakdown. However, Magic Magic  does seem to lack a clear narrative direction - Silva's feature has a tendency to loosely drift from one sequence to the next - lacking in any solid thrills or anything disturbing enough to merit Alicia's breakdown.  This is best showcased in the conclusion which uses these underdeveloped voodoo elements in a confusing, frenzied and chaotic style.

    Juno Temple provides a mentally stripped back performance that feels so authentic  that it proves a challenge to watch at many points.  This can be seen in her encounters with Brink who appears to manipulate Alicia's fragile state for his own pleasure.

    This tendency to drift and lack of clear narrative drive - not to mention the lack of a solid conclusion, may make Magic Magic frustrating for many viewers. However, if willing to embrace the unnerving, drifting style and gradual psychological thrills behind the feature - you may find it a slightly more enjoyable watch.

    ★★★☆☆

    Andrew McArthur



    EIFF 2013 - A Long Way From Home Review

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    Rating: 12A
    Release Date: 30th June 2013(EIFF)
    Stars: James Fox, Brenda Fricker ,Natalie Dormer, Paul Nicholls
    Director: Virginia Gilbert


    Virginia Gilbert directs A Long Way from Home, a graceful dramatic feature based on her own short story of the same. Gilbert provides us with a rich palette of fascinating characters and breathtaking locations in this often touching and hugely charming tale of desire in old age.

    Long married couple Joseph (James Fox) and Brenda (Brenda Fricker) have retired to the French town of Nimes and live quiet, routine lives. However, Joseph is becoming restless in the banality of this routine - something that is challenged by the arrival of vibrant young couple, Suzanne (Natalie Dormer) and Mark (Paul Nicholls).

    Gilbert's feature is a graceful look at desire in old age - seen through Joseph's gradual infatuation by the young Suzanne. However, this is a desire for an emotional connection and sense of enchantment - which Joseph appears to recall (and miss) from his earlier years with Brenda. Nimes makes a staggeringly beautiful backdrop for Gilbert's feature, seamlessly paralleling Joseph's whimsical and enchanted view of Suzanne. The cities ancient temples, vineyards and sun-drenched streets add an elegant sense of the picturesque to A Long Way From Home.

    The feature provides us with a palette of well-crafted central characters, magnificently played by the film's key players. James Fox provides a thoroughly impressive leading turn as Joseph, a performance which contains glimpses of sadness behind his refined 'classically British' demeanour. The actor showcases Joseph's transformation as a result of the arrival of Suzanne, showcasing a performance full of warmth - yet shadows of something slightly sinister as Joseph's looks can occasional verge on leers. These ultimately never feel too threatening thanks to the unspoken chemistry between Fox and Fricker - a dynamic which captures a long-married couple who deeply love each other.

    Fricker is equally excellent presenting us with a woman who appears slightly scatter-brained yet remains fully in control in a crisis - showcased in a somewhat bizarre sequence where Brenda breaks a dying cat's neck. Brenda's gradual suspicions over Joseph's fidelity adds further dramatic interest into A Long Way From Home. Natalie Dormer is vibrant and engaging as Suzanne, who alongside Paul Nicholls' Mark captures the themes of young love and the initial warmth of a relationship.

    A Long Way From Home is a graceful and touching look at relationships in both their early stages and in later-life. Stunning settings and sublime performances ensure that Gilbert's feature is a charming and engaging watch.

    ★★★★

    Andrew McArthur

    3 July 2013

    Watch New Second Trailer for The Coen Brothers Inside Llewyn Davis

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    It's not an easy world been a Folk Singer especially in a world created by The Coen Brothers as their previous filmography proves things are hard for their protagonists. In Inside Llewyn Davis we transport back to 1960's Greenwich Village New York, folk music following one man's struggle to find his place in that scene, watch new trailer.

    Inside Llewyn Davies is based on actual folk legend Dave Von Ronk and his memoirs The Mayor Of McDougal Street starring Oscar Isaac as the titular character. With no money, a ex-girlfriend who is pregnant (Carey Mulligan) who hates him with only a tabby cat for company, Llewyn attempts to make his mark on the Greenwich folk scene a career that would go onto to inspire the likes of Bob Dylan.

    I'm not scared to admit I'm a latecomer to appreciate the talents of Joel and Ethan Coen Fargo was my introduction though I will say a slight disappointment in True Grit, probably because I've never been a fan of Westerns. Inside Llewyn Davies been the first Coen Brothers film since True Grit 2 years previously it's no surprise it's now one of the most anticipated films and this trailer encapsulates the tone of the era. Very melancholic, bleak but we also get to meet some of the films other characters (Mulligan, Justin Timberlake, John Goodman) giving us a little more sense of the plot and if your attracted to the music, the Mumford & Sons song may bring a smile to your face. The film left Cannes Film Festival with glowing reports and many are calling this film one of their finest films in a long time and that's good for us.

    Inside Llewyn Davies now has a UK&Irish release date of 14th January 2014 (USA 6th December) and stars Garret Hedlund, Adam Driver and F. Murray Abraham.


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    Source:Thepeoplesmovies

    Tropicalia Review

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    Rating: 15
    UK Release Date: 5th July 2013 (Cinema), 8th July 2013 (DVD)
    Director: Marcelo Machado
    Cast: Gilberto Gil, Caetano Veloso
    Buy: Tropicalia [Blu-ray] / [DVD]


    Marcelo Machado shines his light on the revolutionary spirit of Brazil's late 1960's Tropicalism movement in his vibrant documentary, Tropicalia. Tropicalism used musical and visual arts, fusing traditional Brazilian influences with western fashions to create an avant-garde style which was used to confront the country's cultural and political status quo.

    Machado has clearly been strongly influenced by the movement which would, by all accounts, go on the inspire such musicians as David Byrne and Beck. His film is a lovingly crafted patchwork of contemporary footage and talking-head interviews. It's a neat balance of styles which imparts a decent sense of history, while immersing the viewer in the visuals and the noises of what was clearly a tempestuous and creative period.

    Giants of the movement: Caetano Veloso, Gilberto Gil and Tom Ze all share their recollections of what made the period so vital. A bouncing soundtrack from the likes of Os Mutantes provides an intoxicating accompaniment, imparting a discernible sense of time and place.

    What's lacking, if anything, is a concise and informative grounding in Brazilian cultural and political history. To a certain degree Tropicalia assumes that you bring that working knowledge with you. All this flag waving and fist pumping is interesting, indeed rousing, but it's sometimes hard to know where this all fits in contextualy. We're repeatedly told that the Tropicalism movement is one of the utmost importance to Brazil; we're rarely told why.

    But it's a pretty rum sort who doesn't feel exhilarated by the infectious spontaneity and creativity of Tropicalism. Plonk yourself down to watch this and you'all feel like you've wandered into a beach side cabana bar only to find a Beatles cover band is playing tonight. In which case I imagine you'd grab a caipirinha and thoroughly enjoy yourself.

    ★★★☆☆

    Chris Banks


    2 July 2013

    Documentaries for the big screen: A Top 10

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    Whether you agree with their message or not, the authors of these documentaries give light to some situations, opinions and stories that the general public may not have considered. From Bill Maher’s sarcastic and potentially offensive Religulous, to Alex Gibney’s soon to be released WikiLeaks chronicle: We Steal Secrets, these films inform, question, amaze, and prove that truth really can be stranger than fiction.

    Bowling for Columbine (2002)


    Famous for his anti-right wing political rhetoric and social criticism, Michael Moore has produced a number of extremely successful documentaries including Bowling for Columbine. This scathing documentary ponders the American fascination with guns and the possible causes for the Columbine High School massacre along with other acts of violence involving guns. Though this documentary received a large amount of criticism, it won the 55th Anniversary Prize at the 2002 Cannes Film Festival, and in 2003 it won Best Documentary of All Time from the International Documentary Association and an Academy Award for Best Documentary Feature. It was also voted third most popular film in Channel 4’s The 50 Greatest Documentaries of all time.

    Fahrenheit 9/11 (2004)


    Fahrenheit 9/11 is another of Michael Moore’s many extremely controversial but highly successes documentaries. It is the highest grossing documentary of all time, raking in over $200 million worldwide. This documentary won the prestigious Best Picture award at the 2004 Cannes Film Festival and a number of other awards including People’s Choice award for Favourite Motion Picture, which is rarely awarded to documentaries. With a tagline like “The Temperature at Which Freedom Burns,” this documentary about post 9/11 America and the Bush Administration is poised for provocation.

    An Inconvenient Truth (2006)


    This poignantly titled documentary has been recognized for raising international public awareness concerning the issue of global warming. Narrated and presented by Al Gore, this film received a large amount of criticism for false science and being created as a tool of another presidential campaign for Gore. Despite this, An Inconvenient Truth has been made available for use as curriculum at schools in parts of Spain, Germany, Canada, the United States, and the United Kingdom and won a number of awards around the world.

    Religulous (2008)


    Not recommended for the deeply religious viewer, this documentary follows comedian Bill Maher as he speaks to various religious figures, examining and questioning the practices of modern day organized religion. Written and directed by Bill Maher, who was voted number 38 on American TV station Comedy Central’s 100 greatest stand-up comedians of all time, Religulous exemplifies Bill Maher’s distinct humour and is a must see for fellow religious sceptics.

    Supersize Me (2004)


    Directed, produced, written, and presented by Morgan Spurlock, Supersize Me watches Spurlock through his experiment into the effects of eating McDonald’s fast food every day, for every meal in a 30-day period. Over the course of the month, Spurlock suffers from a number of health issues, gains a large amount of weight, loses muscle mass and increases his body fat by about 13%. While it is a serious comment on the effects of fast food and obesity, this documentary is often light-hearted and funny and will make you question your own food consumption.

    Hoop Dreams (1994)


    Hoop Dreams is a sports documentary that follows the struggle of two aspiring NBA players and their families living in a predominantly white society. Originally intended to be a 30-minute public television special to be filmed over 3 weeks, the special turned into a documentary/feature-film lasting over 3 hours. In 2007 Hoop Dreams was voted to be the number 1 documentary by the International Documentary Association out of over 700 titles. Though focusing on the struggle of finding success in basketball, this documentary raises issues regarding education, economic class divisions, and race in America.

    Grizzly Man (2005)


    Timothy Treadwell was a bear enthusiast who spent 13 summers in Katmai National Park and Preserve in Alaska observing and interacting with grizzly bears, and was eventually killed and eaten by a bear in 2003. Grizzly Man is a mix of footage shot by Treatwell himself and interviews with park rangers, family members and friends who warned Treadwell about his dangerous behaviour. This film Werner Herzog was nominated for the Sundance Grand Jury Prize in 2005 and is an intriguing view into the life of a man with an obsession that ended up killing him.

    Banksy’s Exit Through the Gift Shop 


    Despite having an extremely limited opening in theatres and making a comparatively small amount of money, Exit Through the Gift Shop has been critically acclaimed and was nominated for Best Documentary in the 2011 Academy Awards. It tells the story of a French immigrant, Thierry Guetta, who is constantly carrying around a video camera and develops a fascination with street artists, resulting in hundreds of hours of footage showing extremely secretive street artists working (though most of it deemed unusable). There were many questions of the film’s credibility, potentially as a result of it being directed by Banksy, a street artist whose real identity is entirely unknown. Regardless, it’s an interesting comment on how we label art itself and the people who create it.

    Man On Wire (2008)


    This BAFTA and Oscar winning documentary looks at French tightrope walker Philippe Petit’s illegal walk between the World Trade Centre’s Twin Towers in 1974. It begins with the conception of the plan to rig the tightrope across the Twin Towers, and because of the flow and feel of this film, it is often accused of being a heist film rather than a documentary. The dramatisations and reconstructions of the real life events bring the viewer into the moment and make this one of the top ten documentaries.

    Taxi to the Dark Side (2007)


    Taxi to the Dark Side examines the life and death of Dilawar, an Afghan taxi driver who was taken prisoner and falsely accused by American Soldiers to have been involved in a deadly rocket attack. Dilawar was eventually beaten and killed by these soldiers. By highlighting the story of Diliwar, director Alex Gibney spotlights the atrocities of torture performed at Abu Ghraib, Guantanamo and Bagram, and the responsibility of the administration allowing it to happen. This chilling documentary won the Best Documentary Feature Academy Award in 2008.

    We Steal Secrets: The Story of Wikileaks (2013)


    Critically acclaimed documentary director Alex Gibney is bringing us another in-depth look into questions of modern day society. This documentary looks at Julian Assange, the information released on the WikiLeaks website, and one of the largest security breaches in U.S. history. It brings our attention to the question of transparency in the information age and the effects on our society because of it.

    We Steal Secrets: The Story of Wikileaks is in cinemas July 12.



    Kiki's Delivery Service (1989) Blu-Ray Review

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    Rating: U
    BD Release Date:
    1st July 2013 (UK)
    Director:

    CastKirsten DunstPhil HartmanMatthew LawrenceJaneane Garofalo
    Buy Kiki's Deliver Service:
    Double Play (Blu-ray + DVD)
    Win Kiki's Deliver Service/Grave Of The FirefliesEnter Here

    Whilst many have attempted and failed to deliver a coming of age story with sincerity as well as charm it seems the masters of animation Studio Ghibli seem to have found that winning formula. Once again they show the world how it's done with broomsticks, talking cats, deliveries, growing pains and been independent, step forward Kiki's Delivery Service (1989) the latest Studio Ghibli animation to be adapted to Blu Ray (in a double play with The Grave Of The Fireflies).Proving Hayao Miyzaki's animation is an timeless classic in animation legacy that would make the so called big boys of animation jealous with envy.

    Based on Eiko Kadano's 1985 novel we meet Kiki a 13 year old teen witch determined to make it own her own despite been second rate at spells and poor at making potions. She moves to a new town with the aide of her broom she sets herself up as a courier service delivery, delivering everything from bread to pets.At first her only company is her sarcastic talking cat Jiji se soon discovers she has more friends than she ever thought on her long road of self discovery.

    Whilst Kiki's Delivery Service may not have the array of mythical creatures or kindred spirits like in Spirited Away in the studio's film nor is there an villainous character, if anything life itself is Kiki's only enemy. With magic and everyday life living in unison this make's Kiki a more grounded realistic animation (1950's Sweden) that is vibrant, electric and it's probably the only Ghibli animation that resembles a Disney animationminus the over indulgent songs. If you are looking for fantasy elements Kiki herself been a witch, her potions, her talking cat provide that substance without forgetting this film is purely a coming of age tale.

    Whilst the premise maybe light hearted giving the animation a nicely pace episodic feel breaking down each part of Kiki's tribulations into nice equally entertaining parts. Miyazaki does continue his use of  strong positive Female protagonists however with  Kiki we do learn she is not picture perfect which opens the door for older, wiser stronger character , strong female role model such as Ursula (voice by Janine Garofalo) to guide Kiki. Some critics say Ursula brings an feminist element to the story and it's probably why Kiki's Delivery Service finds itself paired with The Grave Of The Fireflies both roughly similar targeted age groups both with an message that may not appeal to younger pre-teen audience but never looses the magic we associate with Studio Ghibli. As for Kiki been a feminist film, every child boy or girl needs a good strong positive role model and what Kiki does addresses some of that imbalance of lack of female role models in film.

    It's taken myself over a year to finally appreciate the power of bluray, the colour, the crisp detail are second to none. You really getting a real true feel of the film's detail when we see Kiki flying her broomstick in and around the her town, all thanks to Miyazaki's passion for flying bringing more depth to the feature. I always say watch the film as it was meant to be watched in its original language but I know not everyone likes subtitles so this release comes with a dubbed version too. Kiki is voiced by then a unknown young Kirsten Dunst, the late Phil Hartmann (Troy McClure of The Simpsons fame) voicing the sardonic Jiji, Debbie Reynolds, Jeanine Garofalo, Matthew Lawrence too.

    Kiki's Delivery Service might provide and unique take on the coming of age tale but at no time does it lose track of what makes it essential Studio Ghibli. It's a warm, sweet entertaining tale that still holds well against today's modern Kids films which is credit to the films as it's amazing 24 years old!

    ★★★★

    Paul Devine