21 June 2012

Mark Hamill Going AIRBOURNE This July

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Hell quite literally breaks loose at 30,000 feet as passengers on board a Trans-Atlantic bound for New York come face-to-face with an ancient evil. But wait we have a Jedi Master on hand so will the terrified passengers be rescued only one way to find out is to watch Mark Hamill's  first stint in front of the camera in many years in Brittish chiller AIRBOURNE.

As a severe storm front rapidly closes in on the UK, all flights out of East Midlands airport are cancelled – all save Atlantic Sky Airways Flight 686, bound for New York. Shortly after take-off, several passengers become concerned when one of their number inexplicably goes missing. Their anxieties are further increased when it becomes apparent that the flight has veered off course and it is revealed that the plane is carrying an interesting item of cargo: a rare and extremely valuable ancient Chinese vase. The assumption is that terrorists are responsible, but nobody on board is showing their hand – for now. With tensions rising amongst the passengers and crew, violence soon breaks out, forcing those behind the deadly plot to expose their identities.

Meanwhile, on the ground, concerned aviation chiefs and the military have together authorised the launch of fighter jets to deal with what they believe could be a deadly hijack situation. But hijacking is soon proved to be the least of anybody’s worries when the owner of the vase recounts a myth surrounding its ancient origins.

In the fine tradition of other high-altitude thrillers such as“Executive Decision”, “Snakes On A Plane”, “Passenger 57”, “Red Eye” and “Con Air” and the winner of the British Lion Award at the 2012 British Independent Film Festival, Airborne is a Twilight Zone-esque thriller with a hint of the supernatural and some amazing production values that, for us, places it leagues ahead of what we’ve come to expect from the usual “gangster flick-centric” British indie genre movies. To top it off, it also features a welcome return to the screen for Mark Hamill who in recent years has almost been reclusive while establishing himself as one of the most in-demand voiceover artists in the business. 


Airbourne will be terrifying British skies when it's released by Chelsea Films on DVD July 30th (new release date). The film also stars  Julian Glover (Games Of Thrones), Gemma Atkinson (Boogie Woogie), Simon Phillips (The Rise And Fall Of A White Collar Hooligan), Alan Ford (Snatch), and Fiona Ryan (The Tudors).

EIFF 2012: PUSHER (2012) Review

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★★★★


Luis Prieto's British made update of Nicolas Winding Refn's 1996 film, Pusher, receives its world premiere at this year's Edinburgh International Film Festival. The Spanish director has presented us with a gripping, adrenaline fuelled ride, which is by far one of the most exciting British crime thrillers in recent years. Frank (Richard Coyle) may just be London's most unlucky drug dealer. After a deal goes horrendously wrong, he finds himself owing a ruthless Serbian crime boss over £55,000. In a desperate search for money, Frank soon finds his life spiralling out of control and relationships with those around him beginning to crumble.

It is hard to deviate from certain traditional elements in this genre, for example, risky deals and unrelenting Mr. Big figures are always going to feature. However, these elements feel utterly fresh and skilfully handled in Pusher, thanks to Prieto's energy as a storyteller. The Spanish director's film feels like a fusion of the classic British crime thriller (Coyle's performance drawing some parallels to that of Stacey Keach in 1977 feature, The Squeeze), with an added vibrant, modern twist.

The tension rarely drops in Pusher, creating a truly gripping ride. This is furthered by Simon Dennis' striking cinematography - creating a visually impressive piece taking on pulsing neon infused clubs to dank warehouses, with equal impact. Pusher also captures the ruthless and gritty criminal underworld of London through Frank's encounters with Serbian crime Boss, Milo (Zlatko Buric, star of Refn's original Pusher Trilogy) - most notably in one suspenseful scene involving bolt cutters and a finger. The high octane thrills are paired with a energetic electronic dance score from Orbital, fitting the tone of Pusher perfectly.

Even Pusher's day by day narrative structure acts as reflection of Frank's impending deadline, ebbing closer. This means it is hard not to feel part of the dealers' journey as he uses every resource he has to get money - whether it be calling in on old loans from vulnerable customers or simply by taking it from the sleaziest clients. Even Pushers' emotive conclusion is cut off in the height of anguish and tension, leaving the viewer to question the outcome.

Richard Coyle's solid lead performance thrusts us into the desperation and angst that faces the character, however, we as the audience are always on his side. Agyness Dean's supporting turn as Frank's girlfriend, Flo, proves equally flawless. Flo simply wants a better life for herself and Frank - she works as a dancer and escort, careers that are beneath her, and as viewer you want to see her and Frank happy. Zlatko Buric's intense performance as Milo also proves to be a chief scene stealer throughout Pusher.

Luis Prieto's Pusher proves to be an exhilarating, thrill ride that holds the viewer in a vice-like grip from start to finish. The vibrant cinematography combined with an outstanding lead performance from Richard Coyle and a razor sharp score from Orbital, help make Pusher one of the strongest British crime thrillers in recent years.

Andrew McArthur


Rating: 18
UK Release Date: 12th October 2012 (World Premiere Edinburgh 21st June 2012)
Director: Luis Prieto
Stars: Richard Coyle, Agyness Deyn , Zlatko Buric, Paul Kaye

Pusher - Official Theatrical Trailer Published via LongTail.tv

EIFF 2012: Fred Review

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★★★★

Richard Ledes' heartfelt drama, Fred, receives its world premiere at this year's Edinburgh International Film Festival, and this poignant feature is likely to strike an emotional chord with many of us.   

Elliott Gould stars as Fred, an elderly man living in his house of over fifty years, with his Alzheimer's suffering wife, Susan (Judith Roberts).  Fred's grown-up children (Fred Melamed and Stephanie Roth Haberle) try to convince him to move to a care home with Susan, but he is not ready to leave yet.  

Fred is a delicately handled film, with Ledes directing in an almost fly on the wall style. As a viewer, we feel part of the family's most intimate moments, which results in a completely absorbing watch. It is impossible not to get drawn in as the family sing Susan's favourite songs to her or reminisce with Fred.

Alongside some striking cinematography from Valentina Caniglia, Ledes has the ability to make almost any shot seem poignant and heartfelt. This is at its most prevalent through shots of the slow withering of the exterior of Fred's home or the near spiritual representation of the nature that surrounds it.

Ledes' screenplay is a wonderful fusion of deadpan comedy (mostly courtesy of the perfectly timed comic skills of Gould and Melamed) and touching drama. Fred also has its share of challenging moments - it is difficult to watch Fred's struggle with his wife's condition as he also attempts to battle his own ailing health. This is shown in one such sequence where Fred attempts to make Susan grip the telephone, but loses his temper at her inability to do so.

Fred reflects issues that are likely to strike a chord with many of us, excelling in its delicate portrayal of the aging process. These well crafted characters ensure the viewer feels the dilemma of Fred's children, as well as empathising with Fred's desire to grasp to his independence at home. These issues are perfectly represented from a wonderful cast.

Judith Roberts truly excels in her turn as Susan, a strong willed woman that the audience completely warm to. Seeing Susan coping with the struggles of everyday life and finding joy with her loved ones, amidst the effects of Alzheimers is heart warming.  Elliott Gould is perfectly cast in the title role, shining through welcome moments of humour, as well as more emotionally heavy scenes. Fred Melamed, impresses greatly with his deadpan wit, whilst Stephanie Roth Haberle gives a touching performance as Fred's exasperated daughter.

Fred is a delicately crafted and heartfelt portrayal of the aging process. The combination of touching drama and deadpan humour alongside stellar performances from the main players, proves a winning combination.

Andrew McArthur



Stars: Elliott Gould, Judith Roberts, Fred Melamed , Stephanie Roth Haberle
Director: Richard Ledes
Release: 22nd June 2012 (EIFF)