Film Review - Mina Walking (2015)

Mina Walking is the feature film debut from Yosef Baraki, originally from Afghanistan but now residing in Canada. The film, exploring the life of a young Afghan girl, had it’s world premiere at the Berlinale as part of it’s Generation selection.

The film focuses on seven days in the life of Mina (Farzana Nawabi), an impulsive twelve-year-old who, in order to care for her senile grandfather, and drug-addled father, must take to streets selling cheap trinkets and neglect her education. We follow her as she struggles to emancipate her father from the local, smooth-talking, drug dealer, and attempts to secretly attend school. 

Shot in a semi-documentary style, the camera always stays with Mina as she walks the busy streets, effectively reflecting the chaotic nature of the city, and her life. Shooting her from above during the hectic market scenes emphasises this message. Although a practical solution to avoid too much unwanted attention, it serves to highlight the turbulent nature of the location by viewing Mina’s interactions on a larger scale. We can see that the wider world surrounding her is just as chaotic as her immediate one.

The natural feel is not accidental. Baraki wants to put us in Mina’s shoes and feel her life. Of course the way of shooting emphasises this, but so does the free-flowing rhythm of the dialogue. The amateur actors were given a treatment rather than a full script to work from, leaving much of the dialogue superbly improvised. This makes 12-year-old Farzana Nawabi’s performance even more impressive.

The young actor improvises effortlessly in the potentially difficult market scenes with the general public, and never misses a beat. Her portrayal of Mina is incredibly natural, and completely engaging. She manages to play both feisty and vulnerable in equal measure, leaving no doubt that the audience is on her side, right from the very beginning.

Mina Walking is clearly a personal project for Yosef Baraki, with him wanting to highlight the troubles that young Afghans face as they try to live their lives in the shadow of the Taliban. Nawabi’s natural performance, combined with the active camera, and free-flowing dialogue makes it feel like we are really getting a slice of Afghan culture and some of the situations young Afghans face. Mina Walking is a thoroughly enthralling and engaging film with an important story.


★★★★

Hannah Newton

Blu-ray Review - The imitation Game (2014)

Genre:
Thriller
Distributor:
Studio Canal
Rating: 12
Director:
Morten Tyldum
Cast:
Benedict Cumberbatch, Keira Knightley,  Mark Strong, Matthew Goode
Release: 9th March 2015
Buy:The Imitation Game [Blu-ray]
The Imitation Game, as everyone probably knows at this point, is about Alan Turing (Benedict Cumberbatch) who was one of the radical figures in the creation of what we now know as the computer. He was also homosexual, and was convicted by the police as a result. Due to being forced to undertake chemical castration, he later committed suicide. The film was an early front runner for the Academy Awards and ended up being triumphant in the adapted screenplay category.

In The Imitation Game, Benedict Cumberbatch has never been better; he perfectly captures a driven man who has ideas too large for his time. He also manages to capture the paranoia Turing suffers after the war, specifically in the scenes where he is interrogated, which eventually leads to his downfall. Keira Knightley plays Joan Clarke who was one of the code breakers but had to operate in secret because of the sexism of the time. The rest of the cast is full of solid British actors like Mark Strong and Matthew Goode.

The production design is top notch by Maria Djurkovic who also did Tinker, Tailor, Soldier, Spy (which also shared some of the same cast). Both have an attention to period detail that is sorely lacking in many films. Oscar Faura shot it and he has been doing beautiful work for a long with films like The Orphanage and The Machinist and this no exception. Finally the director Morten Tyldum solidly puts it all together, even if at times it seems as though it’s begging for an Academy Award.

The film works on many levels; it’s firstly a nail-biting thriller that is gripping from the moment it starts to it’s sad climax, but it also works as a solid war film that shows the behind the scenes of what really won the war. Not only that, but it also works as a depiction of a time when being yourself could lead to prison, or in the case of Turing, even worse. The film is actually surprisingly funny throughout which is surprising given the subject matter, but Turing's interactions with high officials and his team of code breakers are laugh out loud funny as times. The Imitation Game is one of the better British films to be released in 2014, in a year where there were a surprising amount of British films up for the major awards in the US.

The Blu-ray release includes 3 features including 2 on the true history of the story, and finally the more standard making of.


★★★★

Ian Schultz

BBFC bans the horror film HATE CRIME

THE BBFC announced today that HATE CRIME, the first release in a new joint VOD venture between geek blog Nerdly.co.uk and TheHorrorShow.TV - has officially been banned in the UK. It is one of only four horror movies officially refused classification by the BBFC since 2009, the others being Grotesque, The Bunny Game and The Human Centipede 2, later released with nearly 3 minutes of cuts.

Set to be the first release under the new Nerdly Presents banner, HATE CRIME tells the story of a Jewish family, having just arrived in a new neighbourhood, who are recording their youngest son's birthday celebrations on video when their home is suddenly invaded by a bunch of crystal-meth-crazed neo-Nazi lunatics.

The film is the second feature from director James Cullen Bressack (To Jennifer, Blood Lake, 13/13/13), and has already had a successful release in the US, reviewed favourably by the likes of Bloody Disgusting, MoreHorror and even the UK's very own Starburst Magazine.

The full official statement from the BBFC:

"HATE CRIME focuses on the terrorisation, mutilation, physical and sexual abuse and murder of the members of a Jewish family by the Neo Nazi thugs who invade their home. The physical and sexual abuse and violence are accompanied by constant strong verbal racist abuse. Little context is provided for the violence beyond an on screen statement at the end of the film that the two attackers who escaped were subsequently apprehended and that the one surviving family member was released from captivity. We have considered the attempt at the end to position the film as against hate-crime, but find it so unconvincing that it only makes matters worse.

"The BBFC's Guidelines on violence state that 'Any depiction of sadistic or sexual violence which is likely to pose a harm risk will be subject to intervention through classification, cuts or even, as a last resort, refusal to classify. We may refuse to classify content which makes sexual or sadistic violence look appealing or acceptable [...] or invites viewer complicity in sexual violence or other harmful violent activities. We are also unlikely to classify content which is so demeaning or degrading to human dignity (for example, it consists of strong abuse, torture or death without any significant mitigating factors) that it may pose a harm risk.'

"It is the Board's carefully considered conclusion that the unremitting manner in which HATE CRIME focuses on physical and sexual abuse, aggravated by racist invective, means that to issue a classification to this work, even if confined to adults, would be inconsistent with the Board's Guidelines, would risk potential harm, and would be unacceptable to broad public opinion."
"Of course, the Board will always seek to deal with such concerns by means of cuts or other modifications when this is a feasible option. However, under the heading of 'Refusal to classify' our Guidelines state that 'As a last resort, the BBFC may refuse to classify a work, in line with the objective of preventing non-trivial harm risks to potential viewers and, through their behaviour, to society. We may do so, for example, where a central concept of the work is unacceptable, such as a sustained focus on sexual or sadistic violence. Before refusing classification we will consider whether the problems could be adequately addressed through intervention such as cuts.' The Board considered whether its concerns could be dealt with through cuts. However, given that the fact that unacceptable content runs throughout the work, cuts are not a viable option in this case and the work is therefore refused a classification."

Says director James Cullen Bressack: "I am honoured to know that my mind is officially too twisted for the UK. So it goes … I find it unbelievable that a film that shows little to no on screen violence and no nudity was actually banned. it just shows the power of what is implied and peoples imagination; and is a testament to the fact that the same crimes that happen in the world are truly horrifying."

Nerdly.co.uk's Phil Wheat adds: "HATE CRIME was always going to be a contentious title to submit to the BBFC, especially given recent racial tensions. But as part of Nerdly Presents' remit to uncover great underground movies it was worth taking the gamble on James Cullen Bressack's movie. After all, horror is often about pushing boundaries and making your audience uncomfortable. HATE CRIME does that by throwing political correctness out of the window to create a raw, emotive and disturbing film that is a tour-de-force in reality filmmaking, taking the found-footage genre to a whole new level - asking questions of both the filmmakers and the audience. As such it's definitely worth championing."

TheHorrorShow.TV's Jack Bowyer said: "Although it may surprise some people, TheHorrorShow.TV supports classification over censorship, as we would hate for any of our growing number of films to be viewed by an inappropriate audience. We work in collaboration with the British Board of Film Classification to ensure that our content is appropriately rated, but sometimes you need to test boundaries to find out where they are. In the case of HATE CRIME, it appears that the BBFC has deemed the content inappropriate for people of any age, even adults, and regrettably we will be unable to bring the film to the UK as part of our very exciting collaboration with Nerdly."

DVD Review- Throwback (2015)

Genre:
Horror
Distributor
Monster Pictures (UK)
Rating: 18
DVD Release Date:
9th February 2015 (UK)
Director:
Travis Bain
Cast:
Shawn Brack, Anthony Ring, Melanie Serafin
Buy:Throwback [DVD]
I’ve read great things about Travis Bain’s Throwback, an Ozzy Indy Yowie monster flick with its eyes on some hefty old-school adventure roots. Though its heart’s in the right place the film’s technical failures and lack of common sense unfortunately reveal an essentially lazy filmmaking process.

The film follows two treasure hunters, (Shawn Brack and Anthony Ring) who venture into the bush for the legendary lost treasure of ‘Thunderclap Newman’. Before the two would-be explorers can claim their prize however, they have to survive the attacks of the deadly Yowie.

Clearly Bain’s scope goes beyond his budget, but rather than tightening the script and keeping he film concise, he takes the amateur blandness of high-school filmmaking and runs with it. Sure, at times the film achieves a kind of hammyness that seems purposeful and oddly comfortable, but that happens rarely. For the most part, Throwback seems childish and ill-conceived. Woeful dialogue and terrible character interaction keep the audience at bay whilst Bain’s Yowie (the Australian Sasquatch) mopes around the brightly lit forest in its carpet shag onesie. A monster that looks this half-assed should be wreathed in shadows, caught from the corner of the eye, not paraded where it can never really be taken seriously.

The camera work shows promise, but low quality shooting and bad lighting bleach the screen at times. This kind of overexposure paired with the clunky editing don’t really help Throwback’s initial appeal, since – after the great vintage credits- there’s little throwback about this feature except its preposterous story and beautiful scoring. Vernon Wells shows up as charismatic Private Eye Detective McNabb and helps maintain audience attention whilst Brack, Ring, and Melanie Serafin fade into the background. His is a far more entertaining character and applaudable for numerous counts of shameless lunacy.

Strange child-like reasoning: using a zippo in a day-lit cave, a nonsensical amputation (Ring goes from panic to self-dismemberment in seconds, beating Cary Elwes’ decision time by hours), and some dumb ideas about treasure hunting make Throwback a bit of a surprise mess. The ideas in themselves are fine but the execution and script fall flat far too often to allow true enjoyment of the film’s nostalgic intentions.

★
Scott Clark

Throwback Official Trailer - Monster Pictures from Monster Pictures on Vimeo.

Win A Coll Limited edition It Follows T-Shirt

The breakout film from the 2014 Cannes Film Festival, IT FOLLOWS is a contemporary horror Maika Monroe), the fall should be about school, boys and weekends at the lake. But after a seemingly innocent sexual encounter, she finds herself plagued by strange visions and the inescapable sense that someone, or something, is following her. Faced with this burden, Jay and her teenage friends must find a way to escape the horrors that seem to be only a few steps behind.

exploring teen sex, suburbia, and the stuff of nightmares – a cult classic in the making from one of the most exciting filmmaking talents around. For 19-year-old Jay (It Follows is coming to UK and Irish cinemas 27th February.You can read our Sundance review of the It Follows Here

We have one limited edition It Follows T-shirt to give away, courtesy of Icon Film Distribution. To be the lucky winner of the T-shirt please answer the following question...

Q.Name David Robert Mitchell's debut feature film he release din 2010?

Deadline is Sunday 15th March  2015 (23:59pm),If you haven’t done already Like us and stay with us at our Facebook page (if you are already liking us just share this post on twitter and facebook). Must be 15  or older to enter.

1.The competition is not opened to employees, family, friends of The Peoples Movies,Icon Film Distribution.15 years or older to enter 3.Failure to include any information required to enter could result in your entry been void.  4.automated entries are not allowed and will be disqualified, which could result you been banned, DO NOT INCLUDE telephone numbers as for security reason your entry will be deleted.5.If you are friend or like us at facebook for every competition you enter you get double entry, but you must stay friend/like us all the time,or future entries maybe considered one entry if you are liking us share the post on facebook and re-tweet the post.6.The Peoples Movies, Cinehouse takes no responsibility for delayed, lost, stolen prizes 7.Prizes may take from days to a few months for delivery which is out of our control so please do not complain 8.The winning entries will be picked at random and contacted by email for postal details and will be announced via facebook, sometimes we are unable to confirm winners. Uk & Irish entries only

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Film Review - It Follows (2015)

Genre:
Horror 
Distributor:
Icon Film Distribution (UK)
Rating: 15 
Running Time: 100 minutes
Release Date:
27th February (UK)
Director:
David Robert Mitchell
Cast:
Maika Monroe, Keir Gilchrist, Jake Weary
The newest graduate from the school of mumblecore horror is David Robert Mitchell's It Follows which blends the low-key drama of the likes of The Innkeepers with the gut-punching shocks and unrelenting tension and nostalgia of The Guest.

After a strange sexual encounter, Jay (Maika Monroe) finds herself pursued by a supernatural force only visible to her. This relentless force is ever-changing in its human image and is willing to follow Jay continually until it takes her life or the curse is passed on.

The concept of being followed is a fear that immediately strikes a primal nerve with audiences. When It Follows adds the element of anonymity to the force in question, it makes for a relentless and masterfully unnerving watch that forces audiences to examine the people that surround them in everyday life. Using this excruciatingly suspenseful, paranoia-infused concept, Mitchell presents us with an abundance of nerve-shredding set-pieces from harrowing home-break ins (featuring one of the most chilling villain reveals in recent memory) to surprise beach attacks.

This cleverly directed picture forces you to examine each of its many wide-shots - scanning the surrounding areas for any source of terror. Mitchell amazingly manages to make the concept of someone simply walking towards the camera truly terrifying with an immediate frantic fear. With a variety of camera trickery that plays with viewer perspective, Mitchell crafts a watch loaded with continual unease and produces a nervous anticipation amongst viewers as we await the next shocking unveil. The visual design of It Follows is packed with a nostalgia towards the classic horror film where abandoned suburban streets echo the desolate unease of John Carpenter's Halloween locale, Haddonfield. This nostalgia also carries on into its synth-heavy soundtrack and crushing sound design.

Despite the unrelenting tension in the horror-centric sequences, the film's dramatic backbone feels too low-key and occasionally contrived. Dramatic scenes feel tired and can appear lethargic when following the highly-strung genre scenes. An unwanted subplot concerning Jay's best friend's feelings towards her eats away at far too much narrative time, feeling contrived and sucking the energy from the proceedings - well, until the next terrifying unveil. A cluttered conclusion set in an abandoned swimming pool also proves to be another rare misfire for Mitchell - whilst also feeling hypocritical towards already established narrative rules. Fortunately a wide-eyed energy from Maika Monroe keeps things engaging for the most-part.

It Follows is an undeniably impressive contemporary horror that in its best moments will have audiences pinned to their chairs in fear. The tension is so remarkably executed, and the scares so impassionately bold that the weaker dramatic moments are entirely forgivable.

★★★★

Andrew McArthur

Blu-ray Review - Nightcrawler (2014)

DVD Review - Dying of the Light (2014)

DVD Review - Diary of a Madman (1963)

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