27 June 2016

THE BFI PRESENTS: A MONTH IN THE COUNTRY. (1987) REVIEW BY SANDRA HARRIS.




A MONTH IN THE COUNTRY. (1987) BASED ON THE NOVEL BY J.L. CARR. DIRECTED BY PAT O'CONNOR. STARRING COLIN FIRTH, KENNETH BRANAGH, NATASHA RICHARDSON, PATRICK MALAHIDE, RICHARD VERNON AND DAVID GARTH. 'THE JUDGEMENT' PAINTED BY MARGOT NOYES. REVIEW BY SANDRA HARRIS. ©

This is a most extraordinary film. It's a slow burner and, in a way, nothing much seems to happen in it but, in another way, the things that do happen are somehow of the most momentous import. Yes, that sounds a bit grandiose but when you watch the film, or if you already have, you'll know what I mean.

I don't just love English films, I love films about England. Coming from a woman who's painfully Irish, that might sound strange but I've always had an affinity for all things English. I have quite a respectable collection of books on English villages, old English castles and mansions and English antiques, paintings and fancy furniture from the Victorian era and the slightly later UPSTAIRS DOWNSTAIRS times.

I also watch COUNTRYFILE on BBC2 every Sunday just to get my weekly fix of the beautiful English countryside in all its verdant glory. Grazing sheep, grassy hillocks and the charmingly tousle-haired and boyish Matt Baker in a stout pair of wellies. If that doesn't convince you that I'm an England-lover then nothing will, haha.

Now I'm adding the DVD of A MONTH IN THE COUNTRY to my collection of 'great English stuff.' The film is quintessentially English. Lawks-a-mussy, it couldn't be more English if it tried, praise the Lord.

The wonderful folks at the British Film Institute are releasing the film this month (June 2016) in a Dual Format Edition of Blu-Ray and DVD. Naturally, it comes complete with a whole host of extra features such as interviews with Colin Firth and the director Pat O'Conor and an illustrated booklet containing full film credits and new writing by Jo Botting and Andy Miller. It's an absolute must-have for fans of the film and the marvellous actors who star in it.

Colin Firth plays a frightfully English chap called Tom Birkin. In the summer of 1920, he finds himself in the picturesque Yorkshire village of Oxgodby to do a job of work. He's been commissioned with the task of uncovering a medieval wall painting in the local church.

This he does painstakingly, spending hours carefully scraping away at the wall to gradually reveal the artistic mysteries beneath. He's a tad strapped for cash so he beds down in the belfry of the church, of all places, even though the local Reverend Keach and his missus live in a massive big empty house and could easily put him up there if they wanted.

Well, maybe Mrs. Keach would like that, as there's an instant attraction between her and Birkin, but the Reverend says he doesn't approve of the painting job and, who knows, maybe he feels threatened by the young and handsome Mr. Birkin...? (Well, young and handsome despite the dodgy quiff and the scrappy moustache that doesn't seem to know whether it's coming or going, haha.)
 
The Rev's marriage is as loveless (and childless) as his big house is empty. Furthermore, he seems crippled with self-loathing and insecurities, possibly the kind that typically beset an ordinary Joe Soap who for some reason has managed to bag himself a beautiful and intelligent woman and doesn't quite know how the bloody hell he managed it. There's probably always going to be a certain amount of paranoid suspicion and feelings of inadequacy inherent in a chap like that. Excuse my assumptions and my amateur armchair pyscho-analysis...!

The unspoken attraction between Birkin and Alice Keach is both powerful and delicate, as delicate as the roses Alice cultivates though, on her own admission, there's no-one to admire them but herself. Will the lonely pair act on their feelings or will they do the proper 'English' thing and repress them because it's the right thing to do?

I actually thought the film was going to turn into 'RYAN'S DAUGHTER' on me at one point but The Reviewers' Code prohibits me from spilling the beans, haha. And, by the way, Birkin's relationship with Alice isn't the only thing he has going for him in the scenic little village of Oxgodby.

His blossoming friendship with Kenneth Branagh's visiting archaeologist James Moon is lovely to watch. They fall into the friendship easily, the way men do, chatting when they want to and being companionably silent together when they don't. So different to the intensity and the 'tell me your life story straightaway!' element of womens' friendships with other women.

Both men are veterans of World War One and we don't need a million flashbacks to work out that it affected them adversely. Maybe an uncomplicated undemanding friendship like this is just what the pair of them need...?

I love the super-English Colonel Hebron and all the 'friends' Birkin is sort of railroaded into making in the village. The painting, when it's eventually uncovered, will take your breath away and when the final scenes roll around, I promise you there won't be a dry eye in the house.

The scenery is out of this world. There's enough sublime English countryside on display to satisfy even me, and I'm quite hard to please in that regard.

The Reverend's home is the perfect example of a big old English country house and, if I lived in it, I'd fill it with books and leave all the doors and windows open when it rained just so I could see it pouring down on the trees and garden. Yes, I'm eccentric and unconventional and I love my books and ramshackle old country houses to bits. I'm always working on some way to combine the two...!

There's no sightings of Colin Firth's no doubt muscular buttocks in this film but don't hold that against it, haha. This is a wonderful cinematic experience and the BFI Dual Format Edition, out now, is as good an opportunity to avail of it as any.


AUTHOR BIOGRAPHY OF SANDRA HARRIS.

Sandra Harris is a Dublin-based novelist, film blogger and movie reviewer. She has studied Creative Writing and Film-Making. She has published a number of e-books on the following topics: horror film reviews, multi-genre film reviews, womens' fiction, erotic fiction, erotic horror fiction and erotic poetry. Several new books are currently in the pipeline. You can browse or buy any of Sandra's books by following the link below straight to her Amazon Author Page:

http://www.amazon.com/-/e/B015GDE5RO

 You can contact Sandra at:


http://sandrafirstruleoffilmclubharris.wordpress.com








No comments:

Post a Comment