Film Review - Stranger By The Lake (L'inconnu du lac)

BFI to Release Claude Sautet’s Classe tous risques (1960) on Duel Format This February

Brilliantly suspenseful and surprisingly moving, Classe tous risques is a devastating study of loyalty and betrayal, distinguished by a bleak, incisive psychological realism. Previously unseen in the UK, it was released in cinemas by the BFI last September and now comes to DVD and Blu-ray in a Dual Format Edition on 24 February 2014. Special features include a documentary on the life and career of the great Italian-born character actor Lino Ventura.

French gangland boss Abel Davos (Lino Ventura) has been on the run in Italy for a decade in order to escape a death sentence. But when police finally close in, he turns to his old criminal friends to help him and his young family return to Paris. With loyalty in short supply, it takes an insouciant stranger (coolly played by Jean Paul Belmondo in the same year as his breakthrough performance in A Bout de souffle), to come to the rescue.

The directorial debut of the influential Claude Sautet (Un Coeur en hiver, Nelly & Monsieur Arnaud), and based on the novel by death-row-inmate-turned-writer José Giovanni (Le Trou, Le Deuxième souffle), Classe tous risques features a stand-out performance from Ventura as a bad man trying to do right by his children.

Special features

• Presented in both High Definition and Standard Definition
• Brand new restoration
• Monsieur Ventura (Doug Headline, 1996/2014): documentary on the life and career of Lino Ventura
• Original French and US trailers
• Illustrated booklet with newly commissioned essay by the Guardian’s John Patterson

Check out the film's trailer....


Classe tous risques will be released on Dual Format (DVD&Blu-ray) by BFI on 24 February,pre-order/buy Classe Tous Risques (DVD + Blu-ray) [Amazon]

Film Review - Jeune Et Jolie (Young & Beautiful)

Genre:
Drama
Distributor:
Lionsgate Fims UK
Rating:
18
Release Date:
22nd November 2013 (UK)
Director:
François Ozon
Cast:
Marine Vacth, Géraldine Pailhas, Frédéric Pierrot,Charlotte Rampling

François Ozon’s examination of teenage sexual awakening is a quiet, puzzling affair. As a treatise on childhood, rebellion or sexuality it seems to offer up very little in the way of answers, but repeatedly alludes to a crucial and troubling question of motivation.

Seventeen year-old Isabelle’s (Marine Vacth) disappointing holiday dalliance with a German lad prompts the striking young girl to seek out an existence as a prostitute, the reasons for which are never truly explained. She frequents high-end Parisian hotel rooms servicing a number of gents, ultimately developing something approaching a relationship with a kind, elderly client.

The arrangement takes its toll on her family life, with the inevitable revelation damaging her already detached relationship with her parents. She is trotted off to see a psychologist to reflect upon the fallout her emotionally difficult, yet financially rewarding career path has caused to her and those around her.

Isabelle is frequently quizzed on the reasons behind her new calling as a prostitute, but it’s a question which is never reasonably answered. Indeed watching Vacth’s puzzlingly vacant expression as she lounges across the bed sheets, you’re never quite sure if she or the director had any clue themselves.

Perhaps the only reasonable explanation is just that she enjoys it, which might possibly be justification enough. It’s a coolly intriguing thought to dwell upon, but it leaves you with distinctly underwhelming and disappointing sense of a missed opportunity.

A mysterious sign-off with a briefly visible Charlotte Rampling provides little closure and only serves to intensify the slight sense of dissatisfaction which lingers throughout the whole thing.

★★★☆☆

Chris Banks

Models Turned Actors (Jeune et Jolie Feature)

With model-good looks being a near-universal prerequisite to ‘making it’ in Hollywood, it might seem like moving from the modelling industry into acting would be a logical, seamless transition. However, with a number of successful models proving to be acting disasters, we are naturally wary of those that make the switch, suspecting that talent may have taken a backseat to beauty. In François Ozon’s brilliant new film Jeune et Jolie, Marine Vacth proves that these prejudices far from apply to her. In a performance that has received rave reviews, Vacth stars as a curious young girl on a journey of sexual discovery. To celebrate the release of Jeune et Jolie on 29th November we take a look at some others who have proven that models can have serious acting chops too.

Marine Vacth

Starting out as a model at the tender age of 15, the beautiful Marine stunned her way to a number of high profile campaigns, replacing Kate Moss as the face of Yves Saint Laurent perfume. However, Marine left behind what surely would have been an impressive career in modelling to pursue her true passion in film. Jeune et Jolie marks her breakthrough role, gaining international recognition for her performance - delivered with the assurance and subtlety of an actor years her senior.

Famke Janssen

Dutch beauty Famke Janssen moved from Holland to the US to pursue a career in modelling, experiencing great success evident through her work in the late 80s with Yves Saint Laurent, Chanel and Victoria’s Secret. She burst onto the scene with her brilliantly camp portrayal of Xenia Onatopp in Pierce Brosnan’s best Bond film – Goldeneye – and cemented her ‘respectable actor’ status as Jean Grey in Bryan Singer’s X-Men trilogy.
Film highlights – Goldeneye, Taken, X-Men

Halle Berry

Halle Berry has had a truly remarkable, record-breaking career. Winning Miss Teen All American and Miss Ohio as a teen, she later went on to become the first African American Miss World entrant in 1986. Making her film debut in Spike Lee’s Jungle Fever, Halle went from role to role until, in 2001, she became the first – and only – African American to win Best Actress at the Academy Awards for Monster’s Ball. Like Janssen, Berry also starred in the X-Men Trilogy as Storm, and appeared as a Bond girl in the –albeit terrible – Die Another Day. Oh well, you can’t win ‘em all, Halle!
Film Highlights – Monster’s Ball, X-Men, Cloud Atlas

Lily Cole

Before being scouted whilst walking the streets of London aged 14, Lily Cole had never considered modelling. Yet this chance encounter proved to be the most important in her life. Appearing on the cover of Vogue aged 16, the only was up for Cole as she went on to work with fashion giants such as Prada, Alexander McQueen, Chanel and Louis Vuitton. While still an influential model, Cole tried her hand at acting, taking on a few small roles before starring in The Imaginarium of Doctor Parnassus alongside Heath Ledger in his final film.
Film highlights – The Imaginarium of Doctor Parnassus, St. Trinians

Mark Wahlberg

While not the most prolific of models, Mark Wahlberg can easily boast the most colourful past on this list. Coming into the public eye as the younger brother of Donnie Wahlberg of New Kids on the Block fame, Mark was angry and violent through his adolescent years, suffering from cocaine addiction at 13 and getting convicted for attempted murder at 16. Turning over a new leaf, Wahlberg reinvented himself as rapper Marky Mark, later modelling for Calvin Klein underwear. Wahlberg then made the transition to acting, gaining plaudits for his portrayal of Micky Ward in 2010’s The Fighter.


Jeune et Jolie is in UK cinemas from today 29th November courtesy of Lionsgate Films UK.

DVD Review - Thanatomorphose

Genre:
Horror
Distributor:
Monster Pics UK
Release Date:
9th December 2013 (UK)
Director:
Éric Falardeau
Cast:
Émile Beaudry, Eryka Cantieri, Roch-Denis Gagnon
Buy Thanatomorphose: DVD

The word Thanatomorphose is a French term for the decomposition of an organism’s flesh after death. In Eric Falardeau’s film a young woman (played by Emile Beaudry) suddenly finds herself decomposing despite being alive. It’s clearly very influenced by the body horror films of David Cronenberg. He often used a horror conceit to explore a theme and to an extent Thanatomorphose does this too. Sadly the film ends up feeling like a vague idea stretched to feature length without saying much of anything unlike the films of Cronenberg making it an unpleasant and sometimes dull experience.

The film opens with a colourful montage of close-ups of the main couple in the film having rough sex. It’s pretty unclear what’s happening, it kind of has the look of the credits sequence of a grindhouse film and is underscored with John Carpenter-esque synth music. After this ends we are properly introduced to the main character, a woman who at one point had artistic ambitions but now seems devoid of any personality. She is defined by her weakness, her weakness in not saying no to her boyfriend who is a total ass, as well as another man in her life. The opening act of somewhat violent and uncaring sex is what seemingly causes her decay. In typical Cronenbergian fashion this body horror element is used as a metaphor, but in the case of Thanatomorphose the metaphor is so half-baked that it brings nothing more to the film other than a slight air of misogyny.

After the pulpy looking opening the film transitions into something else completely. The synths are replaced with strings and everything slows down. From this point on, other than another short pulpy interlude, the film is in full art-film mode. I say that because it’s full of mumblecore style muttered dialogue, constant nudity, and the aforementioned slow pace. The strange mix of genre elements and art aesthetics is something that Cronenberg’s films nailed, but this film is less successful. The reason Cronenberg’s best films succeeded were because their ideas were so strong. Thanatomorphose on the other hand seems very muddled with its ideas to the point that they really take a back seat to the pure experience of the film. The problem is that the experience of the film is just rampant unpleasantness.

To get more specific about what I mean I’ll use an example from the film where it very obviously references Cronenberg’s The Fly. In The Fly Jeff Goldblum’s character is slowly becoming an inhuman creature; his body is slowly falling apart as he changes into a monstrous human/fly hybrid. It’s a brilliant and heartbreaking allegory for disease and more specifically the AIDS epidemic of the time. In one scene we see him open his medicine cabinet and there are jars containing different appendages and body parts that have fallen off of him. This scene shows us that despite his changes he is still the scientist he was before. As monstrous as he appears the man he was still exists underneath, the man who wants to take note of everything and learn from this horror. Thanatomorphose takes this image of someone storing and noting their bodily decomposition but in this situation it tells us nothing. There’s nothing specific to her character that lends any significance to this moment other than “Oh cool, they’re referencing The Fly”. So much of the film’s attempts at bringing depth to its simple story end up adding nothing and if anything just draws attention to its emptiness.

As I said, the key thing that made Cronenberg’s films succeed was the strength of his horrific metaphors. In the case of Thanatomorphose this is one of the most troublesome aspects of the film. The idea of externalising internal decay is interesting but what the film denotes as decay worthy of this horrible experience is rather strange. This woman’s relationships with men are what are rotting her. Her boyfriend is cruel and obnoxious who seems to just want her for sex, something that is mirrored by another male friend who appeared nicer than he actually was. The male characters are dismissed as animals wanting sex in one strange scene but she seems to be held accountable for her weakness. The idea of someone causing their own pain and unhappiness (and by extension this being externalized) could be interesting and if done well could be quite brave. The thing is that here we know so little about her that it kind of comes across as victim blaming. As if these relationship mistakes are completely her fault, because men are just beasts, and how they are destroying her are due to her and nothing else. I don’t want to completely chastise the films ideas and proclaim they are hateful of women but they’re so underdeveloped and surface level that they could definitely come across that way.

A lot of this could be excused if the experience of watching the film was good enough. Sadly this is not the case. Other than one moment (which was also very similar to a scene from The Fly), which definitely got to me, I didn’t feel anything other than grossed-out. The special effects of this woman’s living decomposition are generally well done, but that’s not enough for me to be interested in any way. Even the camerawork was completely uninteresting. It was hard to tell if the incessant blurriness and close-ups was meant to be a reflection of her delirium, they didn’t know how to make this apartment look interesting (the whole film is set in her apartment), or the effects were not solid enough to show entirely clearly.

When a film invokes the memory of some classic horror films it better be good enough to pull us in and not solely think of those other films. In this case the comparisons it drew just highlighted its failings even more. All in all I found it to be a very empty film with one good idea. The performances, music, and camerawork could have been one way that the film made itself more interesting but they were nothing more than fine. Everything other than the effects and one burst of craziness lacked any kind of character and that was really the films downfall. Disgusting effects can forcefully pull an audience in to reflect on the film’s ideas but when there are no ideas the effects serve nothing other than to disgust, and that’s all this film has.

★☆☆☆☆

James MacLeod

Blu-Ray Review - Betty Blue (1986)

Genre:
Drama, Romance,
Rating:
18
Distributor:
Second Sight
BD Release Date:
25th November 2013 (UK)
Director:
Jean-Jacques Beineix
Cast:
Jean-Hugues Anglade, Béatrice Dalle, Gérard Darmon
Buy: Betty Blue: Deluxe 2 Disc Edition [Blu-Ray]
Betty Blue since its release has became one of the most iconic films in World Cinema. The poster just itself is easily recognizable with that picture of Béatrice Dalle as the title character. Jean-Jacques Beineix directed it and he was considered one of the leading lights of the Cinéma du look along with Luc Besson, Leos Carax and to an extent Jean-Pierre Jeunet. These filmmakers rejected the Cinéma vérité of some of the French new wave films of the 1960s and took much inspiration from the American films of the 1970s and specifically the stylization of films like One from the Heart and Rumble Fish by Francis Ford Coppola.

Betty Blue was Beineix first film after the disastrous commercial and critical reception of his film Moon in the Gutter. Beineix was for many the lead lighting of Cinéma du look due to his stunning debut film Diva that took not only France by storm but also the UK and the USA. It was a truly stunning splash and still is a marvel to watch, Beineix was even compared to Orson Welles by noted critic Pauline Kael. Beineix was a “wonder kid” so his next film was deemed to fail naturally not unlike Welles’ own 2nd feature The Magnificent Ambersons.

Betty Blue is a 3 hour long doomed love story about Zorg (Jean-Hugues Anglad) and Betty (Béatrice Dalle) who are madly in love quite literally. Zorg has been working as a handy man on a beach chalet when Betty arrives. She arrives and they fall madly in love in more ways that one. Zorg has been writing a novel and has given up on it till Betty discovers his manuscript and tries to get it published. Betty turns increasing insane and self-destructive and Zorg tries to save her before it’s too late.

Betty Blue isn’t as good as Diva because that film is so contained and so meticulously made. It’s also an hour shorter than the director’s cut of Betty Blue, which helps. This blu-ray also includes a shorter version than is missing around an hour but I only watched the director’s cut.

It’s a sprawling film of what love does to people and how it drives people to madness. The film told though Zorg’s character but the real star of the show is Béatrice Dalle whose performance has left an undeniable mark on cinematic culture. The film comes from hands down the most interesting time for films from France since Godard went downhill after his divorce from Anna Karina. Overall it’s worth getting a copy of it especially since Second Sight has a done a very nice blu-ray package including both cuts and a documentary on the film and Béatrice Dalle’s screen test for her role.

★★★★☆

Ian Schultz

Review - Blue Is The Warmest Colour (La vie d'Adèle)

Genre:
Drama, World Cinema, Arthouse
Rating:
18
Distributor:
Artificial Eye Film
Release Date:
22nd November 2013 (UK)
Director:
Abdellatif Kechiche
Cast:
Léa Seydoux, Adèle Exarchopoulos, Salim Kechiouche
Blue in the Warmest Colour was the winner of the Palme D’Or with a jury headed by Steven Spielberg. It’s been universally acclaimed since it’s premiere at Cannes but it’s a very problematic film for many reasons. Abdellatif Kechiche directed the film but the two lead actresses Adèle Exarchopoulos and Léa Seydoux have heavily criticised his techniques and refuse to every work with him again.

The film’s story is ridiculously simple considering it’s 3 hour running time. The story is a coming age story of Adèle (Adèle Exarchopoulos) who is coming to terms with her own sexuality, she realises she is attracted to women but tries to fit it. She has sex with boys but spots a blue haired girl with another girl and instantly is attracted to her. One night she goes to a gay bar with gay male friend but she wanders off to a Lesbian bar and she meets the blue haired girl Emma (Léa Seydoux) again and they become friends. Emma is currently in a relationship but she soon becomes involved with Adèle. They seem very much in love but as usual with love it’s up and down.

Blue in the Warmest Colour has attracted much controversy for it’s 10 minute + graphic sex scene. The scene in many ways deserves controversy because it’s gratuitous to the extreme and was clearly shot to get the pervy director off. It’s not really very shocking except for the fact it just goes on and on, it’s the sex scene equivalent of the famous fight scene in They Live! The film climaxes with an equally gratuitous scene in a restaurant and every scene in the film is overly long for no good reason except for titillation.

The film’s length however is much more problematic because it’s an extremely simple love story. It’s one minute shy of 3 hours and it’s a story that could be told easily in 2 hours if not shorter. The story follows like 2 years in the lives of the girls but remember Stanley Kubrick told the story of dawn of man to the dawning of a new species in under 2 and a half hours in 2001: A Space Odyssey. Abdellatif Kechiche desperately needs an editor cause from all accounts this has been a criticism of his previous film but I can’t comment cause I haven’t seem them.

It’s not without two fantastic performances from Adèle Exarchopoulos and Léa Seydoux who will both became big international stars in coming years. They seem so natural and at ease in their performances it’s not hard to believe them to be love with one another. They were awarded for the first time ever the Palme D’Or for their performances with they shared with the director.

The film looks to be an art house smash this year but the audience for the screening I went to at the Leeds Film Festival was utterly bizarre. The cinema was full of lesbians, straight couples and inept film nerds so the audience for the film is quite wide ranging. I can only assume it’s going to become a date movie cause it’s deemed “the sexiest film ever made” in one ludicrous review and some straight couples want to try out one of the “moves” on their significant other.

Overall it’s not the raw, powerful, sexy, intense film that the critics are saying it is. The film however is a very fine drama, which nobody would care about if it weren’t for the fact it’s about young lesbians, has 2 great performance, won the Palme D’or and has this controversy. It’s worth seeing but it does not live up to the hype it has gathered since its premiere in the French Riviera.

★★★½☆

Ian Schultz

Maurice Pialet's Van Gogh Masters Of Cinema Blu-Ray Review

Rating:
15
BD/DVD Release Date:
23rd September 2013 (UK)
Distributor:
Eureka! Video
Director:
Maurice Pialat
Cast:
Jacques Dutronc, Alexandra London, Bernard Le Coq
Buy:
2-Disc DVD or Blu-ray
Maurice Pialat’s Van Gogh is one of the reasons why I love Masters of Cinema. I was sort of dreading to watch a 2 hour and 40 minute French film on the last 60s days of the life of the artist Vincent Van Gogh but it was one of the most captivating films I’ve seen in a while. Pialet had been obsessed with Van Gogh for a very long time; he made a documentary about him in the 1966.

The film takes a very unsensationalistic take on Van Gogh’s last 60 days of his life till his inevitable suicide. The film for example doesn’t mention the fact he cut his ear off and in fact shows Van Gogh with two ears. It also doesn’t really go much into his art. Van Gogh does paint in the film naturally and you see him hand his physician Paul Gachet his famous portrait, which also happens to have the world record for most expensive painting at public auction in history. It most concerns his relationships with his physician and his daughter and his art dealer brother Theo, who disliked his brother’s paintings.

Jacques Dutronc is cast as the title character. Dutronc was one of the biggest French “Chanson” singers of the 1960s. His music dabbled in garage rock and psychedelic rock. Dutronc began acting in the mid 1970s but it wasn’t till his role in Jean Luc-Godard’s Slow Motion people really took him seriously as a real dramatic actor. Dutronc won a César (the French equivalent to the Oscars or Baftas) for his performance and rightfully so. Dutronc inhabits the role with his gaunt performance that is a transformation to behold.

The film is a naturalistic take on quite an extraordinary life and was real pleasure for beginning to end. The blu-ray release characteristically of Masters of Cinema includes over 2 hours of interviews, over half an hour of deleted scenes and Pialet’s original 60s documentary on Van Gogh. It’s a highly recommended release which should be added to any cinema lover’s collection.

★★★★1/2

Ian Schultz

LIFF 2013 - Watch The New Trailer For Blue Is The Warmest Colour (La vie d'Adèle)

It shocked many when it won this year's Palme d'Or at Cannes leaving Steven Spielberg awe struck in praise this Autumn Abdel Kechiche's Blue Is The Warmest Colour (La vie d'Adèle)will arrive in UK cinemas let have a look at the American trailer.

Based on Julie Maroh’s graphic novel Blue Is The Warmest Colour follows

Plein Soleil (1960) Blu Ray Review

BD/DVD Release Date:
9th September 2013 (UK)
Rating:
PG
Distributor:
Studiocanal UK
Director:
René Clément
Cast:
Alain Delon, Maurice Ronet, Marie Laforêt
Buy Plein Soleil:
Plein Soleil Special Edition Blu-ray [Amazon]
As I was introduced to French cinema through my interest in the Nouvelle Vague films of Jean-Luc Godard, François Truffaut, Jacques Rivette, and Éric Rohmer, and consequently their critical writing for the influential film journal Cahiers du Cinéma (in particular Truffaut’s Une Certaine Tendance du Cinéma Français), it may come as no surprise that René Clément has never ranked high on my list of filmmakers to further explore. Couple this with already seeing Patricia Highsmith’s best-selling novel, The Talented Mr. Ripley, adapted to film by Anthony Minghella and the prospect of sitting through Plein Soleil becomes less intriguing.

First of all – for those of you who have neither read Highsmith’s novel nor watched Minghella’s adaptation – a brief outline of the story is in order. The Talented Mr. Ripley is a thriller that, in all its versions including Clément’s Plein Soleil, follows Tom Ripley, an intelligent career criminal, as he cons his way into the life of a rich playboy, Philippe, by feigning his acquaintance to the man’s father. Ripley is hired by the father to travel to Italy, find Philippe, and bring him back to San Francisco. Now, without wanting to give away any of the film’s plot, Plein Soleil begins with Ripley (Alain Delon) already in Italy and already ingratiated with Philippe (Maurice Ronet) and his circle of friends.

For many, including myself, Clément’s version is the most rewarding. Not only is it the most tense and entertaining of the two adaptations, it also boasts some glorious cinematography by Henri Decaë, the noted cinematographer of such films as Lift to the Scaffold, Bob le Flambeur, Le Beau Serge, and The 400 Blows by directors Louis Malle, Jean-Pierre Melville, Claude Chabrol, and François Truffaut. The film is also noteworthy for its fatalistic point of view. But it is also these two points that mark the film out as an imitation.

As the featurette René Clément at the heart of the New Wave, included with Studiocanal’s restored release, attests, Clément felt unfairly treated by the Nouvelle Vague directors and thought himself a more avant-garde artist than the “Tradition of Quality” directors he had been lumped with. Perhaps this is why he made Plein Soleil with Decaë and also why the film as a fatalistic aesthetic reminiscent of Jean-Pierre Melville, a director admired by the Nouvelle Vague. Nonetheless, Plein Soleil is an entertaining and gorgeously photographed film well worthy of anyone’s time.

★★★☆☆

Shane James

Maurice Pialat's Van Gogh To Master Stroke Its Way Into A Masters Of Cinema Release

UK Release Date:
23rd September 2013
Distributor:
Eureka Entertainment
Buy/Pre-Order:
2-Disc DVD or Blu-ray
Eureka Entertainment have announced that they will be releasing VAN GOGH, considered by some to be the greatest film by Maurice Pialat, the legendary French filmmaker, seven of whose previous films have been given Masters of Cinema editions (including L'Enfance-nue and A nos amours). Van Gogh, the epic and powerful bio-pic of the final weeks in the life of Vincent van Gogh, will be released on DVD and Blu-ray on 23 September 2013.

One of the greatest films by one of the finest directors of the second half of the 20th century, Maurice Pialat's Van Gogh represents an ambitious and crowning achievement in its portrayal of the master painter's final weeks of life, almost exactly one-hundred years earlier.

Van Gogh, depicted by the remarkable actor/songwriter-singer Jacques Dutronc (Godard's Sauve qui peut (la vie)), has arrived at Auvers-sur-Oise to come under the care of Dr. Gachet (Gérard Séty) for his nervous agitation. Soon after the arrival of Vincent's brother Théo (Bernard Le Coq) and his wife, plein air portraiture and conviviality give way to the more crepuscular moods of brothels and cabarets, and the painter's anguished existence, tossing between money worries and an impassioned relationship with the doctor's teenage daughter, finally meets its terminal scene.

With its loosely factual and wholly inspired treatment of the last period of Van Gogh's life, Pialat's film applies an impressionist touch to the biographical picture — indeed, the filmmaker was himself an accomplished painter, and the personal resonance of the subject matter results in an epic, major late work. The Masters of Cinema Series is proud to present Maurice Pialat's Van Gogh on Blu-ray for the first time in the UK, and also in a special two-disc DVD edition.

Check out The Van Gogh trailer...


SPECIAL BLU-RAY AND ‘TWO-DISC DVD’ EDITIONS:

• Gorgeous new restoration of the film, appearing in 1080p on the Blu-ray
• New and improved optional English subtitles
• Van Gogh (1965) — a short, early documentary about the painter, by Maurice Pialat
• A 10-minute video interview with Pialat from 1991
• A 50-minute video interview with Pialat from 1992
• Video interviews with actors Jacques Dutronc and Bernard Le Coq; director of photography Emmanuel Machuel; and editor Yann Dedet
• Deleted scenes
• Original theatrical trailer
• 56-PAGE BOOKLET containing a new and exclusive essay by critic Sabrina Marques; Jean-Luc Godard's letter to Pialat after seeing the film, followed by Godard's tribute to Pialat upon the director's passing in 2003; copious newly translated interviews with Maurice Pialat; images of Pialat's canvasses; rare imagery; and more!

Here's some quotes about Van Gogh...

"Pialat is one of the finest living French filmmakers, and Van Gogh, his tenth feature, is arguably one of his best." –Jonathan Rosenbaum, Chicago Reader in 1993

"An extraordinary film....We flatter ourselves that if we were around in 1890, we would have recognized Van Gogh's genius and changed his fate. But we probably wouldn't have – just as we probably don't recognize the Van Goghs among us now. In this sad, brilliant film, Pialat gives us a terrible inkling of why." –Michael Wilmington, Los Angeles Times

We will be hoping to review this closer to the release, so stay tuned. Van Gogh will be released in UK&Ireland on 23rd September on DVD and Blu-Ray.

Win Matthieu Kassovitz's Rebellion DVD Including La Haine DVD And Signed Postcard

Matthieu Kassovitz's Rebellion comes to Blu-ray and DVD on 26th August 2013 a intense true-life story and we’re giving away 2 copies of this film on DVD.

It’s April 1988 on the Ouvéa Island in the French colony of New Caledonia. 30 police are kidnapped by Kanak separatists and in response 300 special-forces operatives are sent in to restore order. To avoid unnecessary conflict, Philippe Legorjus (Kassovitz), the captain of an elite counter-terrorism police unit, is sent in to the heart of the rebel base to negotiate a peaceful solution. But against the highly pressured backdrop of presidential elections in France, the stakes are high and all bets are off.

As well as the copy of Rebellion on DVD we're also giving away a copy of Kassovitz classic film La Haine plus a signed postcard from the man himself. To be in with a chance of winning these prizes, please answer the following question:

Q.What famous French actor starred in the lead role of La Haine and was last seen in Danny Boyle's Trance?

Deadline to enter this competition is Sunday 8th September 2013 (11;59pm) and you must be 15 or older to enter
If you haven’t done already Like us and stay with us at our Facebook page (if you are already liking us just share this post)

Terms&Conditions:
1.The competition is not opened to employees, family, friends of The Peoples Movies, Cinehouse, Lionsgate Films UK  employees who have the right to alter, change or offer alternative prize without any notice.2.All The Peoples Movies entries must be done via contact form. deadline Sunday 8th September 2013 (23:59pm) 15 years or older to enter 3.Failure to include any information required to enter could result in your entry been void.  4.automated entries are not allowed and will be disqualified, which could result you been banned, DO NOT INCLUDE telephone numbers as for security reason your entry will be deleted.5.If you are friend or like us at facebook for every competition you enter you get double entry, but you must stay friend/like us all the time,or future entries maybe considered one entry if you are liking us share the post on facebook and re-tweet the post.6.The Peoples Movies, Cinehouse takes no responsibility for delayed, lost, stolen prizes 7.Prizes may take from days to a few months for delivery which is out of our control so please do not complain 8.The winning entries will be picked at random and contacted by email for postal details and will be announced via facebook, sometimes we are unable to confirm winners. Uk & Irish entries only.

UK Competitions and Prize Draws at UKwins
Loquax Competitions
Free Competitions
ThePrizeFinder – UK Competitions

Rebellion (L'ordre et la morale) Blu-Ray Review

Rating: 15
Release Date:
26th August 2013 (UK)
Directed By:
Mathieu Kassovitz
Cast:
Mathieu Kassovitz, Labe Lapacas, Sylvie Testud, Steeve Une, Jean-Philippe Puymartin,
Buy:
[DVD] / [Blu-ray]
After several years floundering in Hollywood mediocrity actor come director Mathieu Kassovitz marks his welcome return to form with Rebellion (L'ordre et la morale). A no holds barred shameful account on a little unknown black spot on French colonial history.

Dividing his time behind and front of the camera Kassovitz plays Phillipe Legorjus a anti terrorist captain assigned by French government during the countries 1988 presidential elections. He is sent to the French colony of New Caledonia to track down separatists who killed  3 policemen as well as taking 26 more hostage too.

When Legorjus confronts the leader of the separatists Alphonse (Labe Lapacas) to defuse the situation and negotiate the hostages release. What he finds is a group of indigenous Kanak people (New Caledonian people)who want independence from France. As Legorjus slowly gains the trust of the group he finds himself frustrated by harassment from his peers who daily repress the local populous. As Legorjus gets closer to a peaceful solution, political fighting closer to home between Mitterand and Chirac (the presidential candidates) who both support different solutions to end the stand off. Legorjus now finds himself running out of time to prevent tragedy unfolding.

For many years we have always read/heard about America's so called 'crimes' against humanity but rarely do we get an account of another nation. Rebellion is that stark reminder no country is safe, if you have a black spot in your history it's a story that must be told, this film is one of those stories. Kassovitz is a man on a mission, an angry man delivering a tense harrowing story which  slowly grips you as your pulled into the chaos.

Thanks to a well written script Rebellion opens up with the film's final outcome and it's not a happy ending. For the next 2 hours you learn who the true victims are, the Kanaks who simply want independence from France, now forced to pick up arms. Subjected to violence, racism, political infighting, beaucracy leaving a bitter taste in your mouth questioning any justification of the actions of the French.

Whilst popular stories of struggle are fascinating, lesser known struggles are even more intriguing and with Rebellion Kassovitz gives the Kanaks a voice, solidifying the legality of the Kanak's struggle to be a nation of their own. I laugh at Alec Salmond's cries of 'injustice' of the Scottish people (I'm Scottish) but if he really wants to talk about real injustices as the New Caledonians, the Kanak's fight to be independent, now that's true injustice.

Rebellion is a slow burning compelling film. The pace of the film may not be to everyone's liking but if if you enjoyed the Oliver Stone films of the 1980's this one will be right up your street. This is a powerful film that's intelligently written with Kassovitz delivering his best film probably since his best directorial flick since 195, Le Haine.

★★★★☆

Paul Devine

Watch Provocative New Trailer For Francios Ozon's Jeune Et Jolie (Young & Beautiful)

Whilst Cannes might be missing eccentrics and controversies of Lars Von Trier, whilst Nymphomaniac might not be ready Francois Ozon's Jeune Et Jolie might deliver what they might be missing.  With the film focused on teenage girl and sex , a 17 year old prostitute it's obvious eyebrows are going to be raised maybe not so much Von Trier but Ozon. No matter what the story that surrounds premise underage girl, sex will raise a scandal whatever country.

Jeune Et Jolie (Young&Beautiful) tells the story of 17 year old Isabelle (Marine Vacth) who comes from a well of family goes on a sexual adventure of self discovery. A coming of age story set over four seasons with four distinctive songs. .

With French release only 11 days away a brand new trailer has been released curiosity will drive people to see how far Ozon will go. Isabelle's relationship with her parents and what made her become a prostitute ?

Jeune Et Jolie arrives in French Cinemas 21st August.

source:QuietEarth

BFI To Screen Claude Sautet's Classe Tous Risques (The Big Risk) This September

Highly rated by Jean-Pierre Melville, Robert Bresson and Bertrand Tavernier, Classe tous risques is a truly great, astonishingly neglected French crime movie, deserving of far wider renown. The dazzling directorial debut of Claude Sautet (1924 - 2000), better known for his later films Un Coeur en hiver (1992) and Nelly et Monsieur Arnaud (1995), it will be released in cinemas nationwide on 13 September.

Classe tous risques stars the great Italian-born character actor Lino Ventura as Abel Davos, a once powerful Parisian gangster, convicted of multiple crimes in France and sentenced to death in absentia, who has grown weary of his Italian exile and longs to return home with his wife and two small children. In order to finance this ambition, he decides to pull one last job  boldly executed in broad daylight on the streets of Milan  before heading in the direction of Nice. The getaway proves highly perilous, and Abel realises that he will never make it to Paris without a little help from his friends. But his old pals and partners-in-crime despite the incredible debt they all owe him  are reluctant to risk their own safety. Instead they send a complete stranger, the fresh-faced Eric Stark (the young, still unknown Jean-Paul Belmondo), to escort their former comrade from Nice to Paris.

Scored by Georges Delerue and shot in expressive black and white by Ghislain Cloquet (who was to win an Oscar for Tess), Classe tous risques is based on a novel by death-row-inmate-turned-writer José Giovanni (Le trou, Le deuxième souffle) whose intimate knowledge of the underworld helped steer him away from cliché. Brilliantly suspenseful and surprisingly moving, it is a devastating study of loyalty and betrayal, distinguished by a bleak, incisive psychological realism.

The relative obscurity of Sautet’s superb thriller is in many ways an accident of history. It was simply swept away in the frenzy of excitement generated by the Nouvelle Vague which made its classical virtues appear old-fashioned. Released in Paris in March 1960, it was almost immediately overshadowed by Godard’s Breathless (Belmondo’s international breakthrough) which opened a week later.

Now, more than half a century on, the mists which obscured Sautet’s achievement have cleared. In the words of Tavernier: “We’ve come to understand that Classe tous risques … was just as revolutionary as Breathless … Sautet was renewing the genre, profoundly, from the inside, instantly turning dozens of contemporary films into dusty relics.” The BFI’s release will enable cinema audiences to relish in full this wonderful rediscovery.



The film’s nationwide release will coincide with a month long retrospective of Claude Sautet’s work at BFI Southbank from 11 September until 7th October.Check your local independent/Arthouse cinema for listings

The Returned (They Came Back) DVD Review

Rating:15
DVD Release Date:
22nd July 2013 (UK)
Director:
Robin Campillo
Cast:
Géraldine Pailhas, Jonathan Zaccaï, Frédéric Pierrot
Buy The Returned (2004):[DVD]
A disappointing watch for anyone who’s got too caught up in the word zombie, Robin Campillo’s 2004 film The Returned is a haunting original tale of undead awakening. Now a major series with the same title, The Returned has obviously addressed a void in the zombie market and caught people’s imaginations, Campillo’s eye for political commentary is as sharp as Romero’s but undoubtedly less entertaining to watch. Here you will find no flesh eating denizens of grave, no Savini, Berger/Nicotero effects:  this is a film startling in its total lack of similarity to any other feature of the genre.

You can see why it arguably works better in serial format; thousands of the recently deceased return to life and are registered, accounted for, then let back to their families, jobs, etc. Campillo’s focus here is less inclined towards the chaotic Armageddon factor and more towards the quiet sombre realisation of what is happening, his script picks its way through a realistic portrayal of the bureaucracy involved, the systems of testing, the reactions of loved ones, and ultimately the effects these have on a small French town. A series would be better equipped to explore the effects on individual people and to build a bigger sense of the event; Campillo’s feature unfortunately lacks focus and scale. We don’t follow a single character well enough to feel pulled into the moment, and there’s no attempt to show the global scale of the incident.

It takes a while for anyone to ask the questions that seem to jump to mind first, but even when the opportunity pops up, it comes from a child who is quickly brushed aside. It is in this manner Campillo deals with most of the important events of The Returned, quickly serving moments of intrigue then whisking them off with no further development, leaving the viewer to put the message together in their own good time. Perhaps the film and its creator are to be lauded for a fearless disregard of the anticipated reactions: the how’s, why’s, and what’s.

The dream-like quality of the film, the slow heartfelt, dizzy feel of the look and pace, evolve not just through the docile meanderings of the dead, but by that very elusive manner of story-telling you could easily get frustrated with. No matter how you feel it’s the perfect aesthetic for a zombie film sans gruesome flesh.

By no means is a zombie film in the traditional manner, The Returned a far more emotional rendering of that tired old trope, an intriguing look at the reality behind an event such as this. However, it is difficult to enjoy a film so laconic in its method, so dull and heart-wrenching that- at its core-  it is intrinsically boring.

★★☆☆☆

Scott Clark

In The House (Dans La Maison) DVD Review

Rating: 15
DVD Release Date:
22nd July 2013 (UK)
Director:
François Ozon
Cast:
Fabrice Luchini, Ernst Umhauer, Kristin Scott Thomas
Buy: [Blu-ray] [DVD]
A talented pupil and a frustrated teacher. A tale as old as time and a mainstay of cinema ever since Robin Williams received a table striding declaration of support in Dead Poet’s Society. Francois Ozon’s In The House uses this well worn template to blur the lines between fantasy and reality, bringing an uneasy dynamic to the classroom drama.

Having scored his biggest UK hit to date last time out with gender role comedy Potiche, Ozon’s follow-up eschews the laughs in favour of a return to the more ambiguous tone found in his earlier works. It’s also as much a paean to the power of our imagination as it is a tale of mentor and student.

Fabrice Luchini shakes off the misogynous mindset instilled in his role of Catherine Denevue’s husband in Potiche to play literature teacher Mr Germain, returning to school for another year of uninspiring works from unenthused students. Or so it is until a routine ‘how I spent my weekend’ assignment unearths a rare nugget of promise among his apathetic class. While the majority of hand-ins recount the mundane adolescence of video games, pizza’s and wasted Sunday’s, one student, Claude (a suitably creepy Ernst Umhauer), bucks the trend by regaling a somewhat sinister account of voyeurism. Under the premise of maths tutorage, Claude talks his way into the home of fellow classmate Rapha, observing and rather disparagingly depicting the model middle-class life on show. Instantly catching the literary eye of Germain, Claude takes his attention for encouragement, returning time and again to this suburban ideal to portray the life behind those doors, in the house.

The comfortably domestic lives of Germain and wife Jeane (Kristen Scott-Thomas) are given a new distraction, evenings now spent ingesting and dissecting the latest work from the star pupil. While Germain, slightly in awe of his potential-laden student, somewhat neglects his teacher duties in overlooking the increasingly concerning tone of the passages, it is left to () to point out the glaring dangers of such obsessive voyeurism. Indeed it is she who at times understands the works on a far greater level than her book-loving husband.

Taking Claude under his wing, Germain gives Ozon the chance to go conduct a literature 101 class. Structures, rules and questions of authorship are all mulled over. This is literature with a capital L, to be discussed, debated and considered. It’s also where Ozon seems to be having most fun. Placing us within Claude’s writing as well as the world outside, Ozon toys with our (and Germain’s) perception of what is real what is fiction and what is pure teenage fantasy. It’s a theme he embellishes with a lightweight subplot for Scott-Thomas’s art curator. Her under threat gallery has it’s fate in the hands of two ill-informed and unappreciative identical twins with the varying works that pass through offering Ozon another chance to touch upon further themes of authorship and creative ownership.

It’s a film that encourages us to become the voyeurs, the ending an invitation to mimic the leads – peeking behind the curtain and imagining the lives being carried out. In these hands people watching takes on a whole new mindset, transcending into an art form from which great works can appear. It’s a notion that outshines the film itself, ultimately In The House never quite engrosses as much as one of the stories from the pen of it’s young lead.

★★★☆☆

Matthew Walsh

Jacques Rivette's Rarely Seen Le Pont Du Nord Getting A Masters Of Cinema Release

Buy :BLU-RAY / DVD
Le Pont Du Nord, the rarely seen, and long-requested key film by one of the world's greatest filmmakers Jacques Rivette, will be released as part of Eureka Entertainment’s Masters Of Cinema Series on Blu-ray and DVD on 29 July 2013.

Eureka Entertainment have announced that they will be releasing the first-ever Blu-ray and DVD editions in the world of Le Pont Du Nord, from the great French New Wave director Jacques Rivette, the creator of such sprawling and legendary works as Out 1, Céline and Julie Go Boating, La Belle noiseuse, and Va savoir. Rarely seen, and long-requested key film by one of the world's greatest filmmakers, the film stars Rivette's staple actress Bulle Ogier and her then-21-year-old daughter, Pascale Ogier. Released as part of the Masters of Cinema Series, these editions will Include a lengthy booklet containing new and vintage writing by Arthur Mas, Andy Rector, Serge Daney, and Caroline Champetier; writing from the original press-book by Jacques Rivette, and Jean Narboni; rare archival imagery; and more. Le Pont Du Nord will be released on DVD and Blu-ray as part of the Masters of Cinema series on 29 July 2013.

“It seems more obvious than ever how much Rivette has influenced a subsequent generation of filmmaker - Spike Jonze, Charlie Kaufman, Michel Gondry - and expanded our sense of the possible.” – Village Voice

The culmination of New Wave master Jacques Rivette's legendary middle period (which ranged from L'Amour fou through Out 1, Céline and Julie Go Boating, Duelle, Noroît, and Merry-Go-Round), Le Pont du Nord envisions Paris as a sprawling game-board marked off with tucked-away conspiracies, where imagination and paranoia intermingle; where the hinted-at stakes are sanity, life, and death.

Regular Rivette actress Bulle Ogier stars as Marie, a claustrophobic ex-con who, shortly after wandering into Paris, encounters the wild and potentially troubled young woman Baptiste (Pascale Ogier, Bulle's actual 22-year-old daughter). Baptiste, a knife-wielding, self-proclaimed kung-fu expert with a drive to slash the eyes from faces in adverts (including, in one instance, those on a placard for Akira Kurosawa's Kagemusha), accompanies Marie on her quest to solve the mystery behind the contents of her former lover's (Pierre Clémenti's) suitcase: an amalgam of clippings, patterns, and maps of Paris that points to a vastly unsettling labyrinth replete with signs and intimations whose menacing endgame remains all too unclear.

Gorgeously shot by the master cinematographer William Lubtchansky, Le Pont du Nord is a freewheeling, powerful experience whose hypnotic rhythm and ominous undercurrents resolve into a frightening and exhilarating portrait of post-revolutionary, early-'80s Paris – and in turn form a prime example of Rivette's uncanny, occult cinema. The Masters of Cinema Series is proud to present Jacques Rivette's rare and essential feature Le Pont du Nord on Blu-ray and DVD for the first time anywhere in the world.

Here's a preview clip from Le Pont Du Nord


Special Features DVD And Blu-Ray:
• Gorgeous new 1080p presentation (on the Blu-ray) of the film in its original 1.37:1 aspect ratio
• Optional English subtitles
• A lengthy booklet with writing about the film by Arthur Mas, Andy Rector, Serge Daney, and Caroline Champetier; writing from the original press-book by Jacques Rivette, and Jean Narboni; rare archival imagery; and more
• More details to be announced soon!

The Returned Original 'Returning' To UK For July DVD Release

Were you one of the 1.5 million viewers who tuned into Channel 4's French subtitled supernatural drama The Returned last night? Did you know the French series is in fact based on a 2004 cult hit feature film called Les Revenants? Arrow Films have announced they will be releasing Robin Campillo's original feature film on UK DVD on Monday 22nd July 2013 which is also now re-titled The Returned.

The recently dead return to life and seem content merely to go back to their former lives, but their return causes a myriad of complications. Isham and Véronique have their trepidations,but they're generally happy, at first, to see their little boy Sylvain,and the town's elderly mayor welcomes home his wife, Martha . But Rachel, a government health official, cannot bring herself to visit her newly returned husband, Mathieu, at the ad-hoc shelter where the government houses the "zombies" like refugees. Eventually, she relents, and Mathieu returns home, but the living find that their loved ones are not exactly as they remember them. Studies soon reveal that the dead suffer from a form of aphasia.

They cannot create new memories, and they cannot be trusted to perform any but the most menial tasks. Perhaps sensing the discomfort they cause the living, the dead gather together at night, and seem to be formulating some kind of secret plan.

So if you where hooked on last night's new series, you can buy the film that started it all off The Returned (Les Revenants), which  is out on DVD Monday 22nd July 2013.

Pre-order/ Buy: The Returned (Les Revenants): The Returned On DVD

Chronicle Of A Summer Blu-Ray Review

Made during the summer of 1960 by anthropologist filmmaker Jean Rouch and sociologist Edgar Morin, Chronicle of a Summer set out to record the everyday lives of a diverse array of Parisians through an highly influential approach to documentary filmmaking that made use of an original mixture of intimate interviews, debates, and observation.

The idea for the film arose when Rouch and Morin served as members of the jury for the first International Festival of Ethnographic Film in Florence, 1959. Rouch remembers Morin approaching him with the following question: “You have made all your films abroad; do you know anything about contemporary France?” Morin then proposed that Rouch should move away from his devotion to African rituals and customs and instead turn his gaze onto the Parisians “and do anthropological research about my own tribe.”

The film hinged on a simple theme: ‘How do you live?’ For Morin, this was a question that “should encompass not only the way of life (housing, work) but also ‘How do you manage in life?’ and
'What do you do with your life?’” These questions were tackled through the film’s redefined approach to the documentary form which was, as the opening voice-over announces, “made without actors but lived by men and women who devoted some of their time to a novel experiment of film-truth’,” or, as it is more commonly known, cinéma vérité.

The film’s interviews, debates, and observations reveal many fascinating insights into Parisian society at the onset of the 1960s. We witness factory workers and mechanics who talk about the oppressive nature of daily work and life; with one interviewee evoking the words of Albert Camus as read in his The Myth of Sisyphus. Then there are the debates surrounding the independence wars in Algeria and Congo which situate the film within discussions of racism and decolonisation.

More recently, Chronicle of a Summer has been read by Richard Brody as “one of the greatest, and perhaps the primordial, Holocaust film.” This interpretation of Rouch and Morin’s documentary as a ‘Holocaust film’ can be seen in the story of Marceline. We are first introduced to Marceline at the beginning of the film; first as an interviewee for the filmmakers’ as they make a first attempt at their experimental documentary technique, and then as an interviewer asking random passers-by: “Are you happy?” It isn’t until much later in the film that the numbered tattoo on her arm is revealed.

Immediately after the revelation that Marceline was a Holocaust survivor, the film presents us with its most intense, haunting, beautiful, and powerful scene. Marceline walks along an almost deserted Place de la Concorde, reminiscing about her experience of the Occupation. Far from making this film one about the Holocaust, what this scene demonstrates is a direct link between the legacy of the Second World War and France’s position as a colonial power clinging onto its territories during a time of decolonisation.

As this review as shown, it is often the filmmakers themselves who can provide the best analysis of their film. So I will end this piece on the excellent Chronicle of a Summer with two quotes by Morin. The first quote relates to the films questioning of how much reality and truth is presented in documentary filmmaking: “I thought we would start from a basis of truth and that an even greater truth would develop. Now I realise that if we achieved anything, it was to present the problem of truth.”

The final quote is taken from the films end in which Rouch and Morin pace up and down the Musée de l’Homme before Morin states: “We wanted to make a film about love, but it turns out to be about indifference.”

★★★★½

Shane James

Rating: 12
DVD/BD Release Date: 27th May 2013 (UK)
Director: Edgar Morin, Jean Rouch
Cast: Marceline Loridan Ivens, Landry, Régis Debray

Buy: Chronicle of a Summer (DVD + Blu-ray)