Sundance London 2013: Sleepwalk With Me Review

Mike Birbiglia’s journey to the silver screen isn’t your average one. A stand-up comedian by trade, he then branched out into theatre performing a one-man show based on his real-life battle with a sleeping disorder. The success of the show caught the attention of producer Ira Glass who invited Birbiglia onto his podcast ‘The Moth’ where he would become a regular contributor until eventually the two set about turning that autobiographical tale into Sleepwalk With Me – not only his first acting gig but also his debut in the directors chair.

All this may come as something of a surprise when watching this festival winning film (2012 Sundance NEXT Award) as Birbiglia seems so effortlessly natural on screen, easing us into his world with an address to camera, “This is a true story”. The need to justify its truth is an understandable one – you can imagine similar stories being dreamt up in a screenwriting lab in Hollywood furiously work shopped into an Adam Sandler vehicle. The fact that it wasn’t and these were, at one time, real events suffered by Birbiglia is no doubt the reason for it’s complete success in achieving the notes of authenticity apparent on screen.

Birbiglia stars as alter-ego Matt Pandamiglio, an aspiring stand-up who’s minutes behind the mic pale in comparison to the ones he spends serving drinks and mopping toilets at the local comedy club. Coupled with a relationship with girlfriend Abby (Six Feet Under’s Lauren Ambrose) that is coming under the scrutiny one suffers after 8 years and no proposal and the pressure facing Matt starts to take it’s toll, manifesting in bouts of sleepwalking which occur with increasing severity.

These aren’t your average zombie-walking eyes closed affairs you often catch on screen, these nocturnal activities resemble the hallucinations of a drunk, all slurry vocals and imagined scenes which are both hilarious and dangerous. Pestered by his physician dad into examining his behaviour, Matt is diagnosed with REM sleep behaving disorder – a condition that involves the sufferer acting out his dreams, something not suited to the life on the road he stumbles upon after a chance meeting with an agent.

As his set becomes more in tune with his mounting problems his jokes finally start to hit the mark with audiences lapping up his truthful tales of a stuttering relationship and bizarre sleep patterns. The new found attention means more time away from home as Matt struggles to find the right balance of caring boyfriend and successful comic.

Balance is one thing Birbiglia doesn’t find as challenging as his on-screen persona, striking a chord with his delicate marriage of laughs and heart in a film you struggle to believe is a debut. His wry observations are incredibly well-observed and ring true of the commitment issues that plague a generation of young males unable to articulate their thoughts. It’s an incredibly honest look at modern relationships handled with originality and moments of hilarity and, while comparisons with Woody Allen are unfair at this point, Birbiglia makes a case for his to be the next career to succeed with inward-looking analysis and laugh out loud jokes. An exceptionally promising debut.

★★★★½

Matthew Walsh

Rating: 15
Festival Date: 27th/28th April 2013
Director: Mike Birbiglia, Seth Barrish
Cast:  Mike Birbiglia, Lauren Ambrose, James Rebhorn

Sundance London 2013:The Look Of Love Review

Scorcese had DeNiro, Tim Burton has Johnny Depp and back in blighty Michal Winterbottom has Steve Coogan. The Look of Love is the pair’s fourth collaborative piece having stumbled upon a beneficial creative partnership on the set of 24 Hour Party People back in 2002. Coogan however will always be tied to a far greater partner, one that infects a number of his roles with or without his directorial mentor – Alan Partridge. We’ll have to wait until August to see his alter-ego’s first foray into the film world but the shadow of Norfolk’s number one DJ looms large over his incarnation of notorious Soho sex-industry king, Paul Raymond.

It’s a criticism often levelled at Coogan and one that can equally be taken as a compliment. So invested was he with his comic creation that he carries the traits, mannerisms and quirks into much of his own life, often spilling out onto screen. Fortunately here it is more appropriate than usual – Paul Raymond shared Partridge’s fondness for an innuendo, an inappropriate remark and a certain pronunciation.

We meet him towards the end of his life, facing questions from the assembled press outside an inquest for daughter Debbie’s fatal overdose in 1992. From there we travel back through Raymond’s ‘world of erotica’, taking in the humble beginnings of a lion taming/ strip show hybrid and knickers removed by dolphins, winding up at the acquisition of the Soho Revue Bar.

Endlessly pushing the boundaries of acceptability, his empire grew to encompass magazines – Men Only, Escort, Mayfair – venues, and no small number of Soho property establishing him as Britain’s wealthiest man. Peering through the glitter curtain, we bear witness to Raymond’s natural charisma - a born entertainer able to hold court with all comers, proving handy with the press and the fairer sex.

The camera invites us to glimpse the coming and goings of various partners, all approved by his understanding wife Jean (ably portrayed by Anna Friel) and his inevitable dalliance with class A’s – a habit he passes on to his much loved daughter, perfectly played by Imogen Poots, breathing life into her poor little rich girl role.

There are familiar faces everywhere, all sourced from the television comedy world; David Walliams as a seedy priest, his comedic partner Matt Lucas as a stage performer, the geeky one from The Inbetweners not exactly stretching himself as Debbie’s boyfriend and The Thick of It’s Chris Addison playing Raymond’s long-standing business partner.

The script itself comes from more British talent, Control scribe Matt Greenhalgh who overreaches in his ambition, stretching the 100 minute running time to take in 50 years of action, meaning years pass in montage form and details are lost in a blur of cocaine and orgies. A keener edit may’ve ironed out some of the slack and delivered a tighter, more focused finish to this tale of hedonism and dubious familial values.

As it is we are offered an interesting look at London through the ages, held up by a commanding performance by Coogan hinting at man at times plagued by, and indebted to his working class roots in equal measure. It’s a tale tailor made for the screen and with Winterbottom at the helm is one that should have soared. Sadly it didn’t, delivering a worthy but unspectacular biopic of a man and an industry who defined a neighbourhood.

★★★☆☆

Matthew Walsh

Rating: 15
UK Release Date: 26th April 2013 (festival date 25th April 2013)
Director: Michael Winterbottom
Cast: Steve Coogan, Anna Friel, Imogen Poots, Stephen Fry, Tamsin Egerton

The New Trailer For UK Horror In Fear Reminds You To Drive Carefully

If your attending Sundance London over the weekend you  maybe checking out UK Horror In Fear promising to take home invasion to another level a car! Indie horror promises to bring back some of those scares we've been missing in some films recently and now we on the eve of it's festival's premiere we have the film's first official trailer.

Directed by Jeremy Lovering In Fear  tells the tale of an young couple heading to a country retreat to attend  a music festival only  find themselves targets of an unknown terror.

Despite the poor Imdb rating, the film has been grabbing some positive reviews especially from it's debut back in January at Sundance in USA. The film's premise makes this one an interesting film to check out and when the main cast themselves  don't know the outcome (director dripfed the cast the script) it builds up for an intriguing film.

Studiocanal are releasing this film in UK&Ireland on 30th August, no word on USA release just yet. In Fear stars Alice Englert and Iain Decaestecker.



source:Empire

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Sundance London: The Kings Of Summer Review

Oh for a teenage summer. Those long months that roll on forever, answering to no teacher, endlessly outside and bargaining new bedtimes. Remember those? Director Jordan Vogt-Roberts certainly does, and hopes you do too, recalling them with the misty-eyed nostalgia inflected in his coming-of-age comedy The Kings of Summer.

Set in the midst of a hazy summer holiday, his debut feature focuses on Joe Toy (Nick Robinson) – a high-school student dogged by parental rules and longing for the freedom adulthood brings. He’s not alone, best friend Patrick (The Big C’s Gabriel Baso) is similarly plagued by the incessant nagging and banal conversation a life under the parental home can bring. Breaking point is reached when Joe’s bitingly snarky dad, Frank (Nick Offerman) humiliates and grounds him (those two cardinal sins of teenage-hood) for the final time. With little persuading he enlists the help of Patrick, he too convinced an escape from the nonsensical questions from clueless parents is needed. A plan is hatched, an old-fashioned breakout. Not just any breakout though, theirs holds loftier ambitions.

Utilising their suspect DT skills, the pair set about building a house of their own, tucked away in the woods where, crucially, “nobody will find them”. A rule-free summer is on the cards with nothing to answer to other than their own whims.

Joining them is stock kook Biaggio – a bug-eyed curiosity the two are unable to shake off. Heavily indebted to Zach Galifianakis’ role in the Hangover films, his off-the-wall, zany oddball is plastered on a bit too thick and heightens the somewhat uneasy tone of the film. Is Vogt-Roberts going for laughs, or something a little deeper? There is of course nothing wrong with aiming for both but here there’s a distinct mismatch. Dreamy, Mallick inspired shots of nature sit uncomfortably side-by-side with strained, random one-liners thrown in at will and jarring with any established lightness of touch.

The coming-of-age film isn’t complete without a fight and we get one here, emerging over quarrels of the heart, with shared affection for female interest Kelly (Erin Moriarty). The ensuing tension gets twisted with the odd pacing of the film, characters changing drastically and far quicker than anything attributed to teenage hormones, with Joe suddenly resembling a Colonel Kurtz-esque wild man of the land.

True to adolescence, parents are an after-thought but the majority of sharp lines are saved for Offerman as the Parks and Recreation actor steals much of the limelight from the younger co-stars and box-ticking characters around him.

The criticism to be found lies with the pacing and tone, switching from one to another too quickly, leaving an at times somewhat confused effect, begging the question of what Vogt-Roberts was reaching for. Whatever it is, and despite moments of genuine promise, Kings of Summer falls just short.

★★½☆☆

Matthew Walsh

Rating: 15
Festival date: 25th April 2013
Director: Jordan Vogt-Roberts
Cast: Nick Offerman, Moises Arias, Nick Robinson, Alison Brie

Sundance London: Peaches Does Herself Review

An 80 year-old woman stands onstage, topless, clutching a dildo, and singing a song called ‘I love dick’. Welcome to the world of Peaches, and what an eye-opening world it is, full of breasts, genitalia, transsexuals, and orgies. The German singer and survivor of flash-in-the-pan, early noughties electroclash genre brings this collection of all things racy to the big screen in her debut film Peaches Does Herself, celebrating 10 years in the music industry.

Confined to an extravagant stage show, Peaches brings us a sexually charged piece of musical theatre loosely explaining how she came to be, from bedroom artist to the empowered stage-savvy queen of all things fetish. The mentioned nude geriatric is Sandy Kane, a former hooker, friend of Peaches and self-proclaimed oldest sex entertainer in the business who re-appears to perform an act that involves attaching matchsticks to her nipples and lighting them in a grotesque showing of her hardcore credentials. This comes as she battles our singing star for the affection of transsexual Danni Daniels – another member of Peaches ragtag gang able to perform both parts of her Shake Your Dicks, Shake Your Tits song. It’s that kind of show.

It’s not he first time a musical artist has gone down this road, Madonna, Prince and, most recently Vanessa Hudgeons have all flirted with sexual imagery for varying reasons. With Peaches however, you sense it’s far more genuine and there’s certainly nothing as coy as flirting going on here. Throughout her career, Peaches has embraced the seedier side of life and done so with a touch of humour and no lack of good songs, indeed she describes this project as a gift to herself to commemorate her decade of dirty pop. But perhaps that’s the problem with it as a film. There seems to be no filter process in this anything (and everything) goes production, tailored to Peaches’ own distinctive taste. The mooted narrative is slight at best and it’s in danger of resembling little more than a well soundtracked vanity project.

Dancers come and go without offering anything distinctive in the way of choreography, the sets aim to add an organic, home-made feel but come across as slightly cheap looking and nothing to worry Michel Gondry, while performances resemble over-the-top amateur dramatics.

Fans curious to see what she’s concocted will appreciate the musical breaks, the booming electronics and feverish guitars certainly benefit from the lush cinematic sound quality and the performances are the most exciting part of this project. At 70 minutes however, they may be better off just revisiting those albums and spare themselves some of the sights on show here.

★☆☆☆☆

Matthew Walsh

Rating: 18
Festival Release Date: 26th April 2013
Director: Peaches
Cast: Dannii Daniels, Sandy Kane, Peaches
Buy Tickets: Peaches Does Herself

2 New Only God Forgives Trailers Show Why This Is A Must See Film

Just as news broke that Nicholas Winding Refn's Only God Forgives is officially heading To 66th Cannes International Film Festival hot on the heels is not one but two very intense New Trailers for your visual pleasure!

Both are international trailers with the latter we believe is the Festival if not a general French trailer  which delivers a little more of the plot which showcases Kristin Scott Thomas is one bitch of a matriarch domineering powerhouse. Whilst the brilliant first (red band) trailer captured the visual beauty and brutality of the film this trailer delivers more dialogue most of all new footage including more of 'the Devil' aka The Angel of Vengeance, played by Vithaya Pansringarm. If you are looking for a little more the stylization the Scandinavian trailer will provide a bit more substance and you'll probably want to sing more than pick a fight!

Ryan Gosling stars as Julian a owner of a Thai Boxing club in Bangkok which also happens to be the centre of his family's drugs smuggling operation. Things get complicated when his mother (Thomas) arrives in town demanding he avenges his brother's death killed by a legendary cop known locally as The Angel of Vengeance (Pansringarm), a move that will cost Julian dearly.

Did someone say this will be most anticipated film of 2013? If you adored Drive hell Yeah! No UK date yet to be confirmed but the French will see it first 22nd May whilst 19th July USA, Only God Forgives also stars Tom Burke, Byron Gibson.

French Trailer



Scandinavian Trailer



Poster



source: Thefilmstage via Thepeoplesmovies

Only God Forgives To Bling Ring: The 2013 Cannes Film Festival Line Up

You always know the summer is virtually upon us when the granddaddy of film festivals launches their programme and today 2013 Cannes Film Festival line up was unveiled.

As previous announced the festival will open in a party mood when Baz Luhrmann's The Great Gatsby opens the festival on 15th May an unusual move as the film is out in USA 5 days before. Jérôme Salle‘s Zulu starring Forrest Whittaker and Orlando Bloom will have the honour of closing the festival.

The usual array of expected films and surprise choices make up this years line up with Nicholas Winding Refn's Only God Forgives expected to excites the Cannes audiences.Sofia Coppola's Bling Ring headline's Un Certain Regard section with James Franco's As I Lay Dying,Claire Denis Les Salaud also making up the numbers.

In the Competition the film that's too 'gay' to be shown on American Cinemas steven Soderbergh's Liberace pic Behind the Candelabra will be screened on the big screen. This film will only be screened on HBO Stateside as will Stepan Frear's Muhammad Ali's Final Fight (Frank Langella, Danny Glover)but here it'll get a cinematic outing.

Roman Polanski this year has the luxury of having 2 films with Venus In Furs and motor racing documentary Week End Of A Champion. So Are you thinking is that it? Fear not the full list of 2013 Cannes Film Festival  films you can be find below...



In Competition
Only God Forgives, dir Nicolas Winding Refn
Borgman, dir Alex Can Warmerdam
La Grande Bellezza, dir Paulo Sorrentino
Behind the Candelabra, dir Steven Soderbergh
La Venus a la Fourrure, dir Roman Polanski
Nebraska, dir Alexander Payne
Jeune et Jolie, dir François Ozon
La Vie d'Adele, dir Abdellatif Kechiche
Wara No Tate, dir Takashi Miike
Soshite Chichi Ni Naru, dir Kore-Eda Hirokazu
Tian Zhu Ding, dir Jia Zhangke
Grisgris, dir Mahamat-Saleh Haroun
The Immigrant, dir James Gray
Heli, dir Amat Escalante
Le Passe, dir Asghar Farhadi
Michael Kohlhaas, dir Arnaud Despallieres
Inside Llewyn Davis, dir Ethan and Joel Coen
Un Chateau en Italie, dir Valeria Bruni-Tedeschi

Un Certain Regard
The Bling Ring, dir Sofia Coppola
L'Inconnu Du La, dir Alain Guiraudie
Bends, dir Flora Lau
L'Image Manquante, dir Rithy Panh
La Jaula De Oro, dir Diego Quemada-Diez
Anonymous, dir Mohammad Rasoulof
Sarah Préfère La Course, dir Chloé Robichaud
Grand Central, dir Rebecca Zlotowski
Fruitvale Statio, dir Ryan Coogler
Les Salauds, dir Claire Denis
Norte, Hangganan Ng Kasaysayan, dir Lav Diaz
As I Lay Dying, dir James Franco
Miele, dir Valeria Golino
Omar, dir Hany Abu-Assad
Death March, dir Adolfo Alix Jr

Cinefondation
Special Screenings
Weekend Of A Champion, dir Roman Polanski
Seduced And Abandoned, dir James Toback
Otdat Konci, dir Taisia Igumentseva
Muhammad Ali's Greatest Fight, dir Stephen Frears
Stop The Pounding Heart, dir Robero Minervini

Midnight Screenings
Monsoon Shootout, dir Amit Kumar
Blind Detective, dir Johnnie To
Homage To Jerry Lewis
Max Rose, dir Daniel Noah

Out Of Competiton
All Is Lost by J.C Chandor
Blood Ties by Guillaume Canet

66TH Cannes International Film Festival takes place between 15th until 26th May.
source: Thepeoplesmovies

Nicholas Winding Refn's Only God Forgives To Screen At Cannes Film Festival

Nicolas Winding Refn’s hotly-anticipated ONLY GOD FORGIVES, confirmed to screen in Competition at this year’s Cannes Film Festival, will open across the UK and Ireland in summer 2013, through Icon Film Distribution and Lionsgate.

Bangkok. Julian (Ryan Gosling) runs a Thai boxing club as a front for a drugs operation. He has everything he wants for and is respected in the criminal underworld though, deep inside, he feels empty.
When Julian’s brother murders a prostitute the police call on retired cop Chang - the Angel of Vengeance (Vithaya Pansringarm). Chang allows the father to kill his daughter’s murderer, then ‘restores order’ by chopping off the man’s right hand. Julian’s mother Jenna (Kristin Scott Thomas) - the head of a powerful criminal organization - arrives in Bangkok to collect her son’s body. She dispatches Julian to find his killers and ‘raise hell’.
Increasingly obsessed with the Angel of Vengeance, Julian challenges him to a boxing match, hoping that by defeating him he might find spiritual release… but Chang triumphs. A furious Jenna plots revenge and the stage is set for a bloody journey through betrayal and vengeance towards a final confrontation and the possibility of redemption.

ONLY GOD FORGIVES is directed by Nicolas Winding Refn, who won Best Director at the 2011 Cannes Film Festival for the international box office smash Drive. The film reunites Refn with Drive star Ryan Gosling (The Place Beyond The Pines, Gangster Squad) and also features Kristin Scott Thomas (In The House, The English Patient), Vithaya Pansringarm (The Hangover Part II), Tom Burke (Donkey Punch) and Thai pop star Yayaying. The film’s score is by award-winning Drive composer Cliff Martinez (Spring Breakers, Contagion).

Stay tuned we'll bring you news on the line up today when we get it. Whilst we wait have another look at the Red Band Trailer For Only God Forgives here.

Robert Redford; A Career In Pictures

Robert Redford is an American actor, director, producer, environmental activist, philanthropist, and businessman. His expansive career boasts a range of roles in over 50 films, an Academy Award for Best Director, and founder of the Sundance Film Festival. His performances in theatre, television, and film have rightfully given him mega-star status, and it is his continued involvement in the movie industry as both an actor and director that continues to bring prestige and distinction to the annual festival commemorating independent filmmakers across the United States.

In honour of this year’s upcoming Sundance London Film Festival, taking place April 25-28 at the O2, here is a brief – and certainly not exhaustive – look back at some stand-out moments from Redford’s long, and continuing, film career.

BUTCH CASSIDY AND THE SUNDANCE KID (1969) – The Sundance Kid

Starring alongside Paul Newman – and effectively sparking a life-long friendship – this film cemented Redford as a bankable movie star in the breakthrough role of the titular Sundance Kid. The role would end up having a major influence in his later life, founding the Sundance Institute and the Sundance Film Festival in Utah and naming it after his character.


THE STING (1973) – Johnny Hooker

This blockbuster crime caper again teamed up the dynamic duo of Redford and Newman, this time playing a pair of con artists in 1930’s Chicago. Redford received an Oscar nomination for Best Actor in a Leading Role, and the film remains one of the top 20 highest grossing movies of all time when adjusted for inflation.


THE WAY WE WERE (1973) – Hubbell

Proving his versatility as an actor, Redford co-starred alongside Barbra Streisand in this hugely popular period drama about two lovers who try to sustain a complicated relationship throughout the years. The role further cemented Redford’s leading man reputation and added good old-fashioned romance to his lengthening list of genres.


ALL THE PRESIDENT’S MEN (1976) – Bob Woodward

Scripted by Butch Cassidy writer William Goldman, this landmark film paired up Redford with Dustin Hoffman as famed reporters Bob Woodward and Carl Bernstein attempting to uncover the truth about Watergate. With Redford as co-star and executive producer, the film attempted to create a realistic portrayal of journalism and reflected his off-screen concern for political causes.


ORDINARY PEOPLE (1980) – Director

Taking a seat behind the camera instead of in front of it, Redford’s directorial debut was a critical success winning a number of Oscars including Best Director. The film follows the disintegration of an upper class American family and stars Donald Sutherland and Mary Tyler Moore.


INDECENT PROPOSAL (1993) – John Gage

Forever remembered as the movie where Robert Redford offered Woody Harrelson a million dollars for one night with Demi Moore, this film gave Redford one of his most popular and recognized roles. Playing the corrupt millionaire who uses bribery to test people’s morals, Redford’s performance made the movie one of the year’s biggest hits.


THE COMPANY YOU KEEP (2012) – Jim Grant / Nick Sloan

Most recently, Redford directed and co-starred in this political thriller centered on a former activist who goes on the run after a young journalist, played by Shia LeBeouf, discovers his identity. Marking the first film with Redford as both director and actor, it has so far won two awards from the Venice Film Festival.


SUNDANCE FILM FESTIVAL – Founder

No list of accomplishments would be complete without Redford’s founding contribution to the Sundance Institute in 1981, and consequently the Sundance Film Festival, Sundance Cinemas, Sundance Catalogue, and the Sundance Channel, all in or around Park City, Utah. The Sundance Film Festival is now one of the most prestigious events in the movie industry, giving independent filmmakers from around the world a chance to showcase their works. Redford’s continued involvement and support brings respect and admiration to any Sundance project – even all the way across the pond at Sundance London.

Sundance London is taking from 25th-28th April 2013 at The O2, London.

Terracotta Film Festival To Expand With New venues, Events and Dates This Years Festival

The Terracotta Festival, for its 5th year anniversary, will expand from the usual four-days to 10 days from Thursday 6 June to Saturday 15 June 2013. The festival will increase the number of films and venues, and still remain in the heart of the capital.

To commemorate this special occasion, Terracotta Festival organisers are delighted to announce that more strands have been added to the line-up. The four strands of the festival are: CURRENT ASIAN CINEMA, IN MEMORY OF: Leslie Cheung & Anita Mui, SPOTLIGHT ON: Indonesia and the Terror Cotta Horror All-Nighter.

Terracotta Festival will continue to screen its usual selection of best contemporary films from any genre, any Far East country, at the Prince Charles Cinema from 6-9 June 2013. Like previous editions, guest actors and directors will attend the festival to introduce their film, host Q&A sessions, run Masterclasses and interact with festival goers. This will be the CURRENT ASIAN CINEMA section of the festival.

Two prolific and well respected Hong Kong actors, Leslie Cheung and Anita Mui, passed away unexpectedly, and in tragic circumstances, in 2003. Ten years later, their impression on film lovers around the world is still very strong. Terracotta Festival would like to take this opportunity to present some highlights of their screen legacy.

An additional five days from 11-15 June 2013 have been added for a new section entirely dedicated to an emerging territory. This section will be called “SPOTLIGHT ON:…” and this year the festival will shine the spotlight on contemporary Indonesian cinema.

Taking place at the Institute of Contemporary Arts (ICA), this section will showcase the exciting breadth of genres, directors and subject matters from this country.

Whilst the Prince Charles Cinema is a perfect location (leading cult cinema in the centre of Chinatown), the new structure and the ICA will give a wider audience more opportunities to take part in the Festival.

Last but not least, the Terror Cotta Horror All-Nighter returns following the success of last year’s event. Showcasing the diversity and ingenuity of horror from the Far East, expect a mix of ghosts, monsters, zombies, demons and cold-blooded killers from various East Asian territories.

What is Bobo are the official design sponsors of the Terracotta Far East Film Festival for the 3rd consecutive year, creating the festivals branding, on screen identity and all of it’s promotional material.

Festival Director Joey Leung comments: “It is very encouraging for us to see the growth in audience numbers each year, and the appetite of audiences to explore deeper into this area of International Cinema. This year’s enlarged festival will bring a depth to our programme, a wider range of entertaining stories and an exciting line-up of guests”

GFF 2013: John Dies at the End Review

When I hear cult-auteur Don Coscarelli is working on a new film I get pretty excited, I read a synopsis and my excitement grows, Angus Scrimm (the Tall Man!) signs on for a cameo and I find out the film is based on a book reputed to be “unfilmable”. I swoon in my soul.

What you’ll notice first is that Coscarelli hasn’t sabotaged his aesthetic in taking his closest step into the main stream; the general look of the film and its cast, which includes the fantastic Paul Giamatti, may scare away some seasoned fans of that garage-feel of his early films. Don’t fret however, there’s plenty of his usual nonsense crammed in John Dies at the End to make up for that.

If there was a genre called fucking with the future, or unravelling the universe, then John Dies would definitely be a perfect example; it aint time travel and it aint really anything else. You just have to see it and try to let it happen. Essentially it’s the story of a new street drug that pushes the boundaries of human physics, and how two friends are dragged into a mess of alien invasion through the drug, but it’s so much more. It’s like a more elaborate Phantasm on acid.

John Dies flaunts Coscarelli’s signature black humour (see Bubba ho-Tep), those tooling-up sequences he deploys in all his films, a general feel of badass at more than a few points, and enough weird to do you the year. However, the film frequently threatens to be too bizarre for its own good and that will distance some viewers, at points it stretches patience especially in the last twenty minutes where any idea of acceptable narrative seems to boil off and leave a multi-coloured, fantastical, and wholly silly residue. If you consider this amidst the context then sure it pulls off. Time travel, supernatural encounters, aliens, and drugs, it’s difficult to criticise a film for being silly when there’s so much going on.

Chase Williamson and Rob Mayes hold their own throughout as Dave and John respectively, a pair of Coscarelli heroes if ever there was. Giamatti is great, as a wry and doubtful journalist, Doug Jones (he plays all your nightmares in del Toro films) pops up as an alien, and Clancy Brown plays an egocentric exorcist. Special mention goes to Glynn Turman as the cynical old-school detective caught up in something he doesn’t understand. Three guesses as to who I sympathise with most.

Earlier I mentioned context: that’s an important word when you consider Coscarelli’s CV. Don’t question his world too deeply, you won’t get answers, don’t pull a ridiculous face when things get crazy, because I promise it will get weirder. Sit back and watch, enjoy, savour every stupid moment courtesy of a sharp script and a director obviously having the time of his life.

The embodiment of the “Marmite Film”, John Dies at the End will polarise audiences and perhaps even Coscarelli fans. It is entirely unforgiving in its embracement of the bizarre, silly at times, hilarious at others, conceptually intriguing, and above all entertaining. Miss it if you dare.

Scott Clark

★★★★☆

Rating: 18
Release Date: 22nd March 2013 (UK)
Directed By: Don Coscarelli
Cast:  Chase Williamson, Rob Mayes, Paul Giamatti, Clancy Brown, Doug Jones

GFF 2013 Review: Stoker

If you can avoid the trailer, then for God’s sake do because here’s a film that benefits from going in blind. Park Chan Wook’s Stoker is a thing of undeniable beauty; a carefully crafted piece of art, and there’s a word I don’t go throwing around too often. Essentially it’s a story about sexual awakening against a backdrop of dysfunctional family politics, but as with most great films, it’s not in the idea: it’s the execution.

The first half hour may strain patience, but it’s worth it. Wook takes time to set up his near epic tales, but after that slow start the film starts winding tighter and tighter, releasing brief flurries of energy whilst maintaining the illusion of a melodrama.  Here is a film horrific and deeply unsettling, without giving itself over to the horror genre.  Early scenes of India in the basement are thick with suspense, and moments of mystery call up Hitchcockian influences.You’ll spend a lot of time wondering just what in buggery is going on until finally Wook delivers a fantastic phone-box realisation scene and the film, rather than falling into place, lifts.

Important to the horror aspect is Mathew Goode’s electrifying performance as India’s estranged uncle, a man who appears just after her father’s death and upsets the balance of the household. To be fair I had expected Goode would be on top form, but this is something different.  There’s so much going on under the surface, so many silent and manipulative glances that you need a second viewing to catch the subtlety, Goode’s performance is the prize of the piece. Wasikowska’s India is something of gothic beauty also, shifting from what could have been a tired Burton character to a solid Angela Carter heroine.  We should be hearing a lot more from her in the future if this is anything to go by.

As with every Clint Mansell soundtrack Stoker is a thing to behold, furthering those Hitchcock influences with epic strings whilst digging deeper into India’s slowly dawning mind state with heartfelt piano.

Wook’s keen sense of style and image are fantastic , perhaps even a career best. The Gothic grandeur of the colonial house is captured with apparent ease, every frame looks like a painting, every image is a goldmine, there’s enough symbolism here to fill a hundred books. Repetition and explanation of certain details allows Wook’s film to achieve a bizarre nostalgic quality. This works hand-in-hand with the vicious and cold quality of the night time sequences allowing the horror to take shape.

Kidman’s performance fits in somewhere here; as a detail. And a fine one.  Just as important as India or Charlie, Kidman’s performance is seductive, pathetic, and heart-breaking: her’s is the damaged thread that winds throughout, adding the most pure strain of heart-ache to Stoker.

Macabre, erotic, visually seductive, perfectly cast and performed, and flaunting a plot so thick with mystery and meaning you’ll feel your brain swell. Stoker may just be a genuine masterpiece from a genuine master.

Scott Clark

★★★★★

Rating:18
Release Date: 1st March 2013
Director: Chan-wook Park
Cast:  Mia Wasikowska, Nicole Kidman, Matthew Goode, Alden Ehrenreich

Edinburgh Film Festival To Screen Jean Grémillon Reptrospective, Audience Award

Edinburgh International Film Festival (EIFF) today announced one of the Festival’s Retrospective subjects for 2013, Jean Grémillon, along with the return of the popular Audience Award, which was last awarded in 2010.

In partnership with the BFI, EIFF 2013 will celebrate the work of French director Jean Grémillon. Known for some of the most highly regarded French films of the German Occupation, Jean Grémillon is still to receive his due as one of the creative geniuses of French cinema. His work, which bridges the avant-garde and poetic realism, is full of resonances with several of the major artistic movements of the 20th Century. From his cinematic debut in the 1920s, one of the most fertile periods of French filmmaking, his work is imbued with the values of French impressionist cinema. Grémillon made the transition from silent to sound cinema, and his early sound films are notable for their innovative and imaginative use of music and sound effects. His late documentary shorts reflect his continuing experimentation with the medium of film and his strong links to the avant-garde and the other arts. The 2013 EIFF retrospective will highlight these links and Grémillon's use of sound and music, while also positioning these elements in relation to his better-known work.

The Retrospective will include Grémillon's most famous films, including the Occupation-era classics REMORQUES (Stormy Waters; 1940), LUMIÈRE D'ÉTÉ (Summer Light; 1942), and LE CIEL EST À VOUS (The Sky Is Yours; 1944), together with key examples of his imaginative silent work such as MALDONE (1928) and GARDIENS DE PHARE (The Lighthouse Keepers; 1929). The legendary French actor Jean Gabin, who stars in REMORQUES, also appears in another rarely screened Grémillon film that will be part of the Retrospective, GUEULE D'AMOUR (Lady Killer; 1937). Titles will screen at EIFF in June 2013, and then throughout July at BFI Southbank, London.

EIFF Artistic Director Chris Fujiwara said: "Retrospectives can change people's understanding of film history by shining the spotlight on artists who, for whatever reason, have been neglected and undervalued. Jean Grémillon is such a director. The contemporary of Jean Renoir and Marcel Carné, he is also their artistic peer, a brilliant and original filmmaker whose works hold up today as stunningly modern. He can even be called a director who is still waiting to be discovered. I'm excited to be working with the BFI to bring these incredible films to British audiences."

The revival of EIFF’s Audience Award, returning after a 2-year absence, was also announced today. A popular award with the public, filmmakers and distributors alike, the EIFF Audience Award also offers a unique sponsorship opportunity at this year’s Festival. Last awarded in 2010 to Aaron Schneider’s GET LOW, other past winners include THE SECRET OF KELLS (2009); MAN ON WIRE (2008); TSOTSI (2005) and AMELIE (2001).

Embracing the Festival’s ongoing commitment to engage audiences in discussion of the art and the future of cinema, the Audience Award programme will solicit and publish audience commentary via online forums. Selected audience participants will also be invited to the Festival’s Awards Ceremony. Voted for by cinema-goers attending public screenings, films will be eligible from across the Festival at the discretion of the Artistic Director.

Film4 FrightFest Glasgow 2013 Line-up announced: Neil Jordan, Gemma Arterton, Eli Roth Head Guest Line Up

Press release:

From Friday Feb 24 to Saturday Feb 25, the UK’s favourite horror fantasy festival returns to its second home at the Glasgow Film Festival for the 8th year with an impressive slate of the hottest new horror films, plus the hit Norwegian TV series HELLFJORD, stripped across the two days.

Some of the genre’s biggest hitters take centre-stage this year, with UK premieres for Eli Roth’s re-calibrated Disaster Movie, AFTERSHOCK, Neil Jordon’s surreal vampire myth, BYZANTIUM and Rob Zombie’s darkest horror yet, THE LORDS OF SALEM.  Plus the mother of all anthology movies THE ABCs OF DEATH, receives its first showing in the UK and there’s the chance to sample red-hot Chilean grindhouse in BRING ME THE HEAD OF THE MACHINE GUN WOMAN. Then there is the creepiest found-footage feature of them all - THE BAY, the best US documentary of the season AMERICAN DREAM and the Scottish-based SAWNEY: FLESH OF MAN, which was a surprise hit at the August FrightFest event., Also, there are UK prems for zombie splatter-fest DETENTION OF THE DEAD and the newly restored edition of Mario Bava’s classic horror anthology BLACK SABBATH.

Finally, FrightFest is proud to present Norwegian TV sensation, HELLFJORD, in which seven of Norway’s finest directors team up for writer/producer Tommy (DEAD SNOW) Wirkola’s Nordic Noir fusion of HOT FUZZ and TWIN PEAKS. All seven episodes will be screened as supporting features to the main FrightFest line-up with the last two parts showing as a stand-alone event.

This year’s guest line-up is headed by the Guru of Gore himself, Eli Roth, making his first ever appearance in Scotland. Eli is taking time off from finishing his latest directorial assignment THE GREEN INFERNO to present the UK premiere of AFTERSHOCK, which he produced, co-wrote and headlines as leading actor.  And he’ll be bringing with him director Nicolas Lopez and his co-star Lorenza Izzo.

Film4 FrightFest also welcomes the legendary director Neil Jordon, who will be presenting the UK premiere of his latest film BYZANTIUM. He will be accompanied by two of his leading cast members Gemma Arterton and Saoirse Ronan

Also attending, to introduce the UK premiere of THE ABC’s OF DEATH, are directors Simon Rumley, Lee Hardcastle and Jake West, plus Jake’s ‘S is for Speed’ star Lucy Clements.  And to help us celebrate out unique presentation of HELLFJORD we have director Patrik Syversen (MANHUNT) and stars Stig Frode Henriksen and Zahid Ali in attendance.

Finally, to celebrate the first Scottish showing of SAWNEY: FLESH OF MAN. director Ricky Wood, writer Richard Wood and stars David Hayman and Gavin Mitchell will be in the house to celebrate their gory serial killer thriller.

Alan Jones, FrightFest co-director says, "Film4 FrightFest is thrilled to be part of Glasgow Film Festival for its eighth straight year, defining horror fantasy for our lovely neighbours north of the border. 2013 sees Team FrightFest building on the massive support our Scottish fans have consistently given us to make this shock-around-the-clock event the must-see brightest and best ever. And our 2013 edition is no exception to that heady mix of mirth, menace, monsters and mayhem that has now come to characterize the exhilarating and exciting Film4 FrightFest Glasgow experience".

With surprises on screen and off, and the festival’s unique community feeling, FrightFest at the GFF has now become a must-attend occasion on the horror fantasy fan's calendar.

To book tickets:
+44 (0)141 332 6535 / boxoffice@glasgowfilm.org

For full programme & timetable log onto www.frightfest.co.uk

The full line-up

FRI 22 FEB

13:30   THE AMERICAN SCREAM (UK Premiere)

From Michael Stephenson, director of the BEST WORST MOVIE, comes another charming and hugely entertaining documentary. Meet the Brodeur, Souza and Bariteau families who live in the seaside town of Fairhaven, Massachusetts. Every year they spend fortunes turning their homes into stunning haunted houses for the Halloween holiday, determined to dazzle and impress their neighbours through their imaginative uses of quaintly simple and clever scare tactics. Watch them as they plan, slave, obsess and suffer trying to outdo each other in the fearful fun-ride department. An engaging, inspiring, heart-warming examination of creativity, community and love of Halloween horror.

Director: Michael Stephenson   USA 2012   84 mins

Cast: Matthew Brodeur, Victor Bariteau, Manny Souza

15.00   SAWNEY: FLESH OF MAN  (Scottish Premiere)

Religious psychopath Sawney stalks Scotland abducting unholy souls for his communion of sacrifices. With his insane family of inbred killers, Sawney tortures and eats their victims saving the best morsels for a chained-up figure in their cavernous Highlands lair. As the Missing Persons list rises investigative crime journalist Hamish MacDonald writes sensational and damming headlines against the police, due to their incompetence in handling the case. After his fiancée is kidnapped Hamish investigates the heinous crimes on his own with disastrous results. For there’s something he doesn’t know about the case that’s crucial to solving it…

Director: Ricky Wood Jr   UK 2012   89 mins   

Cast: David Hayman, Samuel Feeney, Gavin Mitchell

17.30   THE LORDS OF SALEM  (UK Premiere) + HELLFJORD Ep 1

Hard rock Boston DJ Heidi Hawthorne co-hosts a late-night radio show. One day she receives a promo record from a mysterious band called The Lords whose music is strange and sinister. It transpires the droning tune was composed during the Witch Trials to turn all the local Salem women into satanic acolytes. When she plays it on the air Heidi spirals into drug addiction and starts having nightmare hallucinations about the demon seed. Cult director Rob Zombie returns with his darkest horror – a journey to the unfathomable depths of terror.

Director: Rob Zombie   USA 2012   101 mins   

Cast: Sherri Moon Zombie, Bruce Davison, Judy Geeson

20:15   BYZANTIUM (UK Premiere)

From Neil Jordan, director of INTERVIEW WITH THE VAMPIRE and THE COMPANY OF WOLVES, comes a haunting, visually sublime, unique take on ancient undead mythology. Clara is a 200-year-old vampire who works in sleazy strip clubs and prostitutes herself to support her vampire daughter, Eleanor. But this deadly duo are no ordinary vampires; Clara drains the scum of the earth and Eleanor

acts as an angel of death preying on the suffering elderly. When the two daughters of darkness open up a bordello in the seedy Byzantium seaside guesthouse, shocking secrets going back through tortured centuries must be suppressed.

Director: Neil Jordan   UK 2012   118 mins  

Cast: Gemma Arterton, Saoirse Ronan, Jonny Lee Miller

23.00   DETENTION OF THE DEAD (UK Premiere) + HELLSFJORD Ep 2

When there’s no more room in hell, the Dead will go to Detention! SHAUN OF THE DEAD meets THE BREAKFAST CLUB in a ‘School’s Out Completely’ knock-down, drag-out fight for survival when a student body gather in detention just as a zombie plague kicks off in the outside world. Packed with full-bore splatter moments to keep even the hungriest of gore-hounds satisfied - no more pencils, no more books, no more teacher's dirty looks, just the flesh-eaten Walking Dead on the hunt for more brains and Class body parts to feast on! Bloody perfect as late-night scream-and-shout-out-loud entertainment.

Director: Alex Craig Mann  USA 2012   87 mins   

Cast: Christa B. Allen, Jacob Zachar, Alexa Nikolas

SAT 23 FEB

11.00   BLACK SABBATH (Retrospective Premiere) + HELLFJORD Ep 3

FrightFest proudly presents the newly restored edition of Mario Bava’s classic horror anthology BLACK SABBATH, for the first time ever in English. A beautiful woman is terrorised by her psycho ex-lover…. A family becomes a feeding ground when their wounded father returns from vampire hunting…  A thieving nurse is haunted by the spirit of a dead medium… Join horror icon Boris Karloff as he hosts and stars in a trilogy of terror from the Golden Era of Italian Shockers. You’ll be absolutely amazed by how scary it still is in this stunningly pristine presentation.

Director: Mario Bava  Italy 1963   92 mins   

Cast: Boris Karloff, Mark Damon, Michele Mercier

30. BRING ME THE HEAD OF THE MACHINE GUN WOMAN (UK Premiere)

+ HELLFJORD Ep 4

Get ready for a real blast! After accidentally overhearing Argentine gangsters talk bloody assassination, a nightclub DJ and video game addict avoids execution only by offering to kill the object of their hatred himself. But the scantily clad, femme-fatale bounty hunter Machine Gun Woman is not going to become a sitting target that easily, especially when her favourite fashion accessories are shiny multiple weapons. The most ruthless killer to ever wear stilettos, she’s Hell-on-Heels in an all-guns blazing, sexy, violent slice of neo LatinXploitation. Flashy and trashy grindhouse fare the way they used to make ‘em.

Director: Ernesto Diaz Espinoza Chile 2012   74 mins   

Cast: Fernanda Urrejola, Matias Oviedo, Sofia Garcia

15.45   THE BAY (UK Premiere) + HELLFJORD Ep 5

Trust Oscar-winning director Barry Levinson to embrace the found-footage genre and give us its scariest spin EVER! The sea is the livelihood of a small coastal town in Chesapeake Bay. But even when an extremely high level of toxicity is found in the water, the mayor refuses to halt the Independence Day celebrations to avoid spreading panic. Too late: a plague of flesh-melting, tongue-chewing, stomach eating parasites is about to contaminate the population with devastating blood-vomiting consequences. Gross, disturbing, creepy and chilling, yet punctuated by a dark sense of humour, THE BAY is true issue-raising nightmare horror.

Director: Barry Levinson   USA 2012   84 mins   

Cast: Will Rogers, Kristen Connolly, Kether Donohue

18.45   THE ABCs OF DEATH (UK Premiere)

A is for Ambitious, B for Brilliant, C for Courageous: 26 letters, 26 directors, 26 ways to die in a lightning-paced anthology showcasing death in all its vicious wonder and brutal beauty. The idea is simple; a range of international genre filmmakers given a letter of the alphabet, $5000 and total freedom to create a short film about dying. From sex-fuelled murder and claymation toilet humour to artful giallo orgasm and sobering drug orgies, the twisted visions are funny, bad taste, controversial and confrontational. But all provide bloody, provocative and shocking fun on a carnival ride to the other side. 

Directors: (UK) Ben Wheatley, Jake West, Simon Rumley  USA 2012   129 mins

21:00   AFTERSHOCK (UK Premiere)

Producer, co-writer, star and genre guru Eli Roth becomes the new Master of Disaster. Four tourists and their two Chilean guides head to Valparaiso for the last days of their South American vacation. But as they dance the night away in a crowded nightclub, a massive earthquake hits the area causing wholesale death, destruction and urban anarchy. Who will survive in this dark, intense, and unpredictable mix of disaster flick and horror thriller that looks fantastic, grips with the excitement of those classic Irwin Allen 1970s epics and delivers the bloodiest of shocks as buildings collapse along with society. 

Director: Nicolas Lopez   USA 2012   90 mins

Cast: Eli Roth, Nicolas Martinez, Lorenza Izzo

23.15   HELLFJORD  - THE FINALE – Eps 6 & 7 (PLUS Q &A ) (UK Premiere)

Seven of Norway’s finest directors team up for writer/producer Tommy (DEAD SNOW) Wirkola’s Nordic Noir fusion of HOT FUZZ and TWIN PEAKS. Now you can see all seven episodes of this Scandinavian TV sensation as supporting features to the main FrightFest line-up with the last two parts showing as a stand-alone event. MANHUNT’s Patrik Syversen and COLD PREY’s Roar Uthaug are among the talented helmers focusing on the weird adventures of disgraced Sergeant Salamander posted to Hellfjord, a small town where family restaurants double as strip clubs, the average age is 67 and the sun never, ever goes down.

Directors: (Include) Patrik Syversen, Roar Uthang, Sebastian Dalen  Norway 2012   7 X 30 mins

Cast: Zahid Ali, Stig Frode Henriksen, Ingrid Bolso Berdal