Le Beau Serge Blu-Ray Review (Masters Of Cinema Release)

The first film of the nouvelle vague, or at the very least the first feature directed by a Cahiers du Cinéma critic, Claude Chabrol’s beautifully observed film preceded François Truffaut’s highly acclaimed The Four Hundred Blows by a year. Winning the 1958 Le Prix Jean Vigo award, and receiving praise from friend and colleague Truffaut for being “as masterly as if Chabrol had been directing for ten years,” Le Beau Serge defined the nouvelle vague’s aesthetic with its use of non-professional actors, location shooting, natural black and white photography, and its personal vision.

Opening with the words “this film was shot entirely in the village of Sardent (Creuse). Our warmest thanks to the residents and local authorities there,” Chabrol’s film introduces the audience to François (Jean-Claude Brialy), a Parisian student returning to his home village to recover from a serious illness.

Upon arrival, François seeks out his childhood friend Serge (Gérard Blain), now an unhappily married alcoholic with a baby on the way, and the pair reminisce in an attempt to reconnect. But it isn’t long before the pair become disconnected due to the differences in their circumstances: the superior François is content with his life and his education, whereas Serge has become bitter and discontented at the prospect of a life stuck in a provincial village.

The film ends when François, suffering from some kind of, as the village Doctor jokingly attests, “martyr complex,” tries to ‘save’ his debilitated friend on a snowy night after Serge’s wife goes into a premature labour. A scene wonderfully shot by cinematographer Henri Decaë, chosen because of his expertise in capturing natural light in films such as Jean-Pierre Melville’s Bob le Flambeur.

The film takes a bleak look at the judgements and assumptions held between social classes with a story that could be deemed as being simplistic and somewhat conventional. But what sets it apart, what turns it into something new, is the radical way in which it moves away from that style of filmmaking, much despised by the Cahiers critics, called the Tradition of Quality. With its aforementioned use of natural photography, location shooting, and a personal vision, Le Beau Serge became the standard-bearer for a new generation of filmmakers.

★★★★☆

Shane James

Rating: 12
DVD/BD Release Date: 25th March 2013 (UK)
Director: Claude Chabrol
Cast: Gérard Blain, Jean-Claude Brialy, Michèle Méritz 
Buy: LE BEAU SERGE [HANDSOME SERGE] (Masters of Cinema) (Blu-ray)

Atonioni's La Notte To Get The Masters Of Cinema Blu-Ray Treatment This April

Eureka Entertainment have announced that they will be releasing LA NOTTE on Blu-ray for the first time anywhere in the world on 22 April 2013. One of the most famous international films of the 1960s, directed by the master filmmaker Michelangelo Antonioni (L'avventura, Red Desert, Blow Up, Il grido, Le amiche, Zabriskie Point), LA NOTTE stars two of the biggest stars of the European cinema: Marcello Mastroianni (La dolce vita, 8-1/2) and Jeanne Moreau (Jules et Jim, Bay of Angels)

One of the masterworks of 1960s cinema, La notte [The Night] marked yet another development in the continuous stylistic evolution of its director, Michelangelo Antonioni — even as it solidified his reputation as one of the greatest artists of the 20th century. La notte is Antonioni’s "Twilight of the Gods", but composed in cinematic terms. Examined from a crane-shot, it’s a sprawling study of Italy’s upper middle-class; seen in close-up, it’s an x-ray of modern man’s psychic desolation.

Two of the giants of film-acting come together as a married couple living in crisis: Marcello Mastroianni (La dolce vita, 8-1/2) and Jeanne Moreau (Jules et Jim, Bay of Angels). He is a renowned author and "public intellectual"; she is "the wife". Over the course of one day and the night into which it inevitably bleeds, the pair will come to re-examine their emotional bonds, and grapple with the question of whether love and communication are even possible in a world built out of profligate idylls and sexual hysteria.

Photographed in rapturous black-and-white by the great Gianni di Venanzo (8-1/2, Giulietta degli spiriti), La notte presents the beauty of seduction, then asks: "When did this occur — this seduction of Beauty?" The Masters of Cinema Series is proud to present Michelangelo Antonioni’s haunted odyssey for the first time ever on Blu-ray.



SPECIAL BLU-RAY EDITION FEATURES:

• New 1080p presentation of the film in its original 1.66:1 aspect ratio with previously censored sequences restored for the first time

• New and improved English subtitles

• Original Italian theatrical trailer

• 56-page booklet with an essay by film-critic and scholar Brad Stevens, and the transcript of a lengthy Q&A conducted in 1961 with Antonioni upon the film’s release.

Pre-order / Buy: LA NOTTE [THE NIGHT] (Masters of Cinema) (Blu-ray)

City Of Women Blu-Ray Review (Masters Of Cinema Release)

City of Women was one of the great Federico Fellini’s very last films. It along with most of later work commercially and critically unsuccessful. It premiered at the Cannes film festival in 1980 and was lambasted by the critics and even fellow filmmakers like the great but miserable sod Andrei Tarkovsky who called the film “worthless”. However the film is about as Fellini-esq as you can get and deserves reappraisal.

The film is about the middle age Snàporaz (Marcello Mastroianni) and Snàporaz like all of Mastroianni character’s in Fellini’s films is the director’s alter ego (this is most obvious in 8½ and it’s also his first lead role in a Fellini film since 8½). Snàporaz is on a train going home but he sees a big breasted women and they have brief fling in the bathroom but it’s cut short and the women must get off the train. Snàporaz follows her off the train and eventually finds him at a feminist polyandry conference. The film from that point becomes a bunch of increasing surreal vignettes which include roller skating, druggy lesbian post-punk teenagers who try to kill Snàporaz, attempted rape by a fat women, a court to test his masculinity among others.

The film came out after a difficult time for Fellini after some not entirety successful films he made in the wake of his classic Amarcord. What Fellini does with City of Women is to do a gloriously over the top sex farce with surrealistic touches throughout, there is hilarious sex scene which a women with an enormous ass which is obviously fake. However like Fellini’s work it’s really a film about his love/fear of women. Fellini was interested in feminism but he certainly wasn’t a feminist despite the fact the women in the film he certain sympathies with because they being mistreated by the male population. He certain makes the feminists in the film laughably absurd but Snàporaz is as well and the character Dr. Katzone with his mansion full of sexual art and absurd phallic sculptures.

The film’s centrepiece is the well-known scene after he crawls under his bed he enters a dreamlike slide where he revisits all childhood crushes. Which is beautiful filmed by Giuseppe Rotunno (who later worked with Fellini’s disciple Terry Gilliam) and constructed.

Overall the film is a really fun surrealist romp though the loves and desires of Federico Fellini, it’s not 8½ but what is? It isn’t without it’s flaws however, it’s a bit too long and has some over dubbing ever on a film, most evident in the conference scene in the beginning. Worth checking out especially with Masters of Cinema’s beautiful hd transfer.

Ian Schultz

★★★★☆

Rating: 18
BD/DVD Release Date: 25th February 2013 (UK)
Director:Federico Fellini
Cast: Marcello Mastroianni, Anna Prucnal, Bernice Stegers
Buy City Of Women: DVD / Blu-ray

Masters Of Cinema To Release Claude Chabrol's Le Beau Serge And Les Cousins

Eureka Entertainment have announced that they will be releasing two films starring Jean-Claude Brialy and Gérard Blain by the master director of the French thriller, Claude Chabrol - his debut feature, LE BEAU SERGE [HANDSOME SERGE], the first feature film of the French New Wave starring & the breakthrough feature and first massive commercial success, LES COUSINS [THE COUSINS], winner of the Golden Bear (Best Film) at the 1959 Berlin Film Festival. Both titles have been painstakingly restored by Gaumont for these new HD restorations and will be released on DVD & Blu-ray on the 25 March 2013. These editions will include documentary extras, shorts, and lengthy booklets packed with writing about the film and interviews with Chabrol.

Le Beau Serge (Handsome Serge)
Synopsis:Gérard Blain and Jean-Claude Brialy star in the first of their collaborations with the great Claude Chabrol. The director's masterful feature debut — ironic, funny, unsparing — is a revelation: another of that rare breed of film where the dusty formula might be used in full sincerity: Le Beau Serge marks the beginning of "the Chabrol touch."

In this first feature film of the French New Wave, one year before Truffaut's The Four Hundred Blows, the dandyish François (Brialy, of Godard's A Woman Is a Woman, Rohmer's Claire's Knee, and countless other cornerstones of 20th-century French cinema) takes a holiday from the city to his home village of Sardent, where he reconnects with his old chum Serge (Blain), now a besotted and hopeless alcoholic, and sly duplicitous carnal Marie (Bernadette Lafont). A grave triangle forms, and a tragic slide ensues.

From Le Beau Serge onward up to his final film Bellamy in 2009, the revered Chabrol would come to leave a significant and lasting impression upon the French cinema — frequently with great commercial success. It is with great pride that we present Le Beau Serge, the kickstart of the Nouvelle Vague and of Chabrol's enormous body of work, on Blu-ray and DVD in the UK for the first time.

SPECIAL BLU-RAY AND DVD EDITIONS

• Gorgeous new Gaumont restoration of the film in its original aspect ratio, presented in 1080p HD on the Blu-ray

• New and improved English subtitles

• Original theatrical trailer

• A 56-minute documentary about the making of the film

• L'Avarice [Avarice], Chabrol's 1962 short film

• A lengthy booklet with a new and exclusive essay by critic Emmanuel Burdeau; excerpts of interviews and writing by Chabrol; and more

Les Cousins (The Cousins)
Made barely a year after Claude Chabrol's debut Le Beau Serge, Les Cousins featured the earlier film's same starring pair of Jean-Claude Brialy and Gérard Blain, here reversing the good-guy/bad-guy roles of the previous picture. The result is a simmering, venomous study in human temperament that not only won the Golden Bear at the 1959 Berlin Film Festival, but also drew audiences in droves, and effectively launched Chabrol's incredible fifty-year-long career.

In Les Cousins, Blain's character journeys from the country to Paris to crash at the luxurious flat of his worldly and decadent cousin, portrayed by Brialy, during the study period for an upcoming law exam which both have set out to undertake. It becomes clear soon enough that only one of the cousins is terribly committed to his work; as sexual promises and alcohol intervene, the set-up becomes untenable for the provincial, — and a tragic slide ensues.

A gripping and urbane examination of city and country, ambition and ease, Les Cousins continues to captivate and shock audiences with its brilliant scenario, the performances of Brialy and Blain, and the assuredness of Chabrol's precocious directorial hand. The Masters of Cinema Series is proud to present Claude Chabrol's breakthrough film in a beautiful new Gaumont restoration on Blu-ray and DVD for the first time in the UK.

SPECIAL BLU-RAY AND DVD EDITIONS:
• Gorgeous new Gaumont restoration of the film in its original aspect ratio, presented in 1080p HD on the Blu-ray

• New and improved English subtitles

• Original theatrical trailer

• A 47-minute documentary about the making of the film

• L'Homme qui vendit la Tour Eiffel [The Man Who Sold the Eiffel Tower], Chabrol's 1964 short film

• A lengthy booklet with a new and exclusive essay by critic Emmanuel Burdeau; a new and exclusive translation of a rare text about actress Françoise Vatel provided for this release by its author, the filmmaker and critic Luc Moullet; excerpts of interviews and writing by Chabrol; and more

Sacha Guitry's La Poison To Get A Masters Of Cinema This Month

Eureka Entertainment have announced that they will be releasing a glorious new HD restoration of LA POISON [POISON], the classic of '50s French cinema, directed by Sacha Guitry, the "total filmmaker" (writer/director/star) of tens of sophisticated comedies, and who is considered by many the equal of the great Ernst Lubitsch. Starring one of the greatest and most famous French actors of the 20th Century, Michel Simon (Boudu Saved from Drowning, L'Atalante), LA POISON [POISON] will be released on Blu-ray & DVD on 25 February 2013.

One of the great late period films by Sacha Guitry — the total auteur who delighted (and scandalised) the French public and inspired the French New Wave as a model for authorship as director-writer-star of screen and stage alike. In every one of his pictures (and almost every one served as a rueful examination of the war between the sexes), Guitry sculpted by way of a rapier wit — one might say by way of "the Guitry touch" — some of the most sophisticated black comedies ever conceived... and La Poison [Poison] is one of his blackest.

Michel Simon plays Paul Braconnier, a man with designs on murdering his wife Blandine (Germaine Reuver) — a woman with similar designs on her husband. When Braconnier visits Paris to consult with a lawyer about the perfect way of killing a spouse — that is, the way in which he can get away with it — an acid comedy unfolds that reaches its peak in a courtroom scene for the ages.

From the moment of Guitry's trademark introduction of his principals in the opening credits, and on through the brilliant performance by national treasure Michel Simon (of Renoir's Boudu sauvé des eaux and Vigo's L'Atalante, to mention only two high-water marks), here is fitting indication of why Guitry is considered by many the Gallic equal of Ernst Lubitsch. The Masters of Cinema Series is proud to introduce Sacha Guitry into the catalogue with La Poison for the first time on video in the UK in a dazzling new Gaumont restoration.

Check out this brand new released clip for La Poison...

SPECIAL BLU-RAY AND DVD EDITIONS:

• Glorious new HD restoration of the film, presented in 1080p on the Blu-ray.
• Newly translated optional subtitles.
• Substantial booklet containing writing on the film, vintage excerpts, and rare archival imagery.
• More features to be announced closer to the release date!

Buy:Blu-ray / DVD

Fear Of Desire Blu-Ray Review

Fear and Desire is one of the most notorious films in the entire history of cinema. It’s known for two things 1. Stanley Kubrick’s first feature 2. Stanley Kubrick blocked it’s re-release till the day he died, it had a very limited release in 1953. It was recently unearthed by the US library of congress and restored into high-definition and released over there by KINO and over here by Eureka under their Masters of Cinema range.

Fear and Desire is firstly an extremely short film it has a running time of only slightly over an hour but damn it seems like forever…. Barry Lyndon is a much more exciting film. The plot is basically in an unknown land there is some war going on and there are a group of soldiers in enemy lines and they face their “fears and desires”. They try to build a raft to get the enemies’ base, they meet a peasant girl and one of the soldiers is mentally disturbed.

The film is only a curious side note in film history. Kubrick released a press statement to discourage people going to a screening at the Film forum in NYC calling it “a bumbling amateur film exercise”. The film has absolutely dreadful pseudo poetic dialogue that comes off as the type of shit a 15 year old would write. It does however has the first over the top Kubrick performance by Paul Mazursky which is certainly a predecessor to Jack Nicholson’s wonderfully over the top performance in The Shining. It’s a film that fails on almost every level but it does have some decent shots and a interesting idea but very poorly executed, it’s worth watching once but never again.

The blu-ray or dvd does however have 3 early documentaries by Kubrick which are extremely well made and certainly show Kubrick did have IT that early (which the feature presentation certainly doesn’t). The Seafarers is one of the docs and it has extraordinary use of colour, which is almost Technicolor, the subject matter isn’t particularly interesting but the colour is something to marvel at. Day of The Fight predates bits of Kubrick’s first real feature The Killer’s Kiss. The other Flying Padre is a fascinating a somewhat bizarre short doc about a flying priest. Overall the package is worth seeing but don’t expect some lost masterpiece because it is that’s bad.

Ian Schultz

★★★1/2☆

Fear And Desire:★★☆☆☆
The Seafarers:★★★★☆
Flying Padre: ★★★★☆
Day of the Fight:★★★★☆
Rating:12
DVD/BD Release Date:28th January 2013(UK)
Director:Stanley Kubrick
Cast: Frank Silvera, Kenneth Harp,Paul Mazursky
Buy Fear Of Desire:Blu-ray / DVD

Federico Fellini's City Of Women Gets Masters Of Cinema Blu-Ray Release

CITY OF WOMEN [LA CITTÀ DELLE DONNE / LA CITÉ DES FEMMES] will be released as part of Eureka Entertainment’s MASTERS OF CINEMA Series on Blu-ray & DVD on 25 February 2013

Eureka Entertainment have announced that they will be releasing a gorgeous new HD restoration of the long out-of-circulation epic CITY OF WOMEN [LA CITTÀ DELLE DONNE / LA CITÉ DES FEMMES] by the legendary Italian director Federico Fellini (La strada, Nights of Cabiria, La dolce vita, 8-1/2, Amarcord) on Blu-ray & DVD on 25 February 2013.  The film is an unprecedented cinematic spectacle, produced in part by France's Gaumont Studio, and stars the most famous Italian actor of the 20th Century, Marcello Mastroianni, reprising his 8-1/2 role.

Federico Fellini's epic 1980 fantasia introduced the start of the Maestro's delirious late period. A surrealist tour-de-force filmed on soundstages and locations alike, and overflowing with the same sensory (and sensual) invention heretofore found only in the classic movie-musicals (and Fellini's own oeuvre), La città delle donne [City of Women] taps into the era's restless youth-culture, coalescing into nothing less than Fellini's post-punk opus.

Marcello Mastroianni appears as Fellini's alter ego in a semi-reprise of his character from 8-1/2, Snàporaz. As though passing into a dream, the charismatic avatar finds himself initiated into a phantasmagoric world where women — or an idea of women — have taken power, and which is structured like an array of psychosexual set-pieces — culminating in a bravura hot-air balloon that decisively sticks the "anti" up into "climax".

A great adventure "through the looking-glass," as it were, of Fellini's own phallic lens and life-long libidinal ruminations, La città delle donne sharply divided critics at the 1980 Festival de Cannes, some of whom had merely anticipated a nostalgic retread of the earlier Mastroianni works. What they were greeted with, and what remains today, is, in the words of Serge Daney, "a victory of cinema". The Masters of Cinema Series is proud to present La città delle donne on Blu-ray and DVD in Gaumont's glorious new HD restoration.

SPECIAL BLU-RAY AND DVD EDITIONS:

• Glorious new HD restoration of the film, presented in 1080p on the Blu-ray.

• Newly translated optional subtitles.

• Substantial booklet containing writing on the film, vintage excerpts, and rare archival imagery.

• More features to be announced closer to the release date!

Pre-order:CITY OF WOMEN [LA CITTÀ DELLE DONNE / LA CITÉ DES FEMMES] (Masters of Cinema) (Blu-ray) [1980]

Stanley Kubrick’s FEAR AND DESIRE will be screened in cinemas across the country from 4th January 2013

Eureka Entertainment have announced that in support of the release on home video of Stanley Kubrick’s FEAR AND DESIRE, the film will be screening across venues in the Picturehouse Chain from 4th January 2013.

Full Details are as follows:

Duke's at Komedia, Brighton - Jan 4-5 2013 (2 days)

Harbour Lights Picturehouse - Jan 6 2013, Jan 10 2013 (2 days)

Stratford Picturehouse, East London - Jan 10 2013 (1 day)

Greenwich Picturehouse - Jan 10 2013 (1 day)

Ritzy Picturehouse, Brixton - Jan 14 2013 (1 day)

Phoenix Picturehouse, Oxford - Jan 14 2013 (1 day)

Hyde Park Picturehouse, Leeds – Jan 17 2013 (1 day)

Clapham Picturehouse - Jan 20 2013 (1 day)

Picturehouse at FACT, Liverpool - Jan 21 2013 (1 day)

Cameo Picturehouse, Edinburgh - Jan 24 2013 (1 day)

Exeter Picturehouse - Jan 28 2013 (1 day)

City Screen Picturehouse, York - Jan 28 2013 (1 day)

Cinema City, Norwich - Jan 28 2013 (1 day)

The Belmont Picturehouse, Aberdeen - Jan 30 2013 (1 day)

Hackney Picturehouse - Jan 31 2013 (1 day)

For further details of the screenings http://www.picturehouses.co.uk/

Eureka Entertainment will be releasing FEAR & DESIRE on Blu-ray & DVD on 28 January 2013 in a new restoration for the first time ever in the UK. It is the only Kubrick film besides A Clockwork Orange that was nearly impossible to see in the UK for several decades.

Kubrick's debut feature tells the story of a war waged (in the present? in the future?) between two forces. In the midst of the conflict, a plane carrying four soldiers crashes behind enemy lines. From here out, it is kill or be killed: a female hostage is taken on account of being a potential informer; an enemy general and his aide are discovered during a scouting mission... What lies in store for this ragtag group of killers, between their perilous landing in the forest, and the final raft-float downstream... all this constitutes the tale of Kubrick's precocious entry into feature filmmaking.

Bringing into focus for the first time the same thematic concerns that would obsess the director in such masterworks as Paths of Glory, Dr. Strangelove, and Full Metal Jacket, Fear and Desire marks the outset of the dazzling career and near-complete artistic freedom which to this day remains unparalleled in the annals of Hollywood history. The Masters of Cinema Series is proud to present Stanley Kubrick's Fear and Desire in its gorgeous new restoration on both Blu-ray and DVD.

Kaneto Shindō’s ONIBABA To Get Masters Of Cinema Treatment This February

Eureka Entertainment have announced that they will be upgrading one of the most popular titles in the Masters of Cinema Series, ONIBABA to a new 1080p HD Blu-ray on 25 February 2013.  One of the most popular Japanese horror films of all-time, ONIBABA was directed by Kaneto Shindō, the prolific director of 48 films (The Naked Island, Kuroneko) who passed away in 2012 at the age of 100, and who was still working up until his death.

“Onibaba graphically illustrates that brutalism, art and allegory can co-exist to spellbindingly powerful effect.” – Film 4

Kaneto Shindō, one of Japan’s most prolific directors, received his biggest international success with the release of Onibaba [The Demoness] in 1964. Its depiction of violence and graphic sexuality was unprecedented at the time of release. Shindō managed — through his own production company Kindai Eiga Kyōkai — to bypass the strict, self-regulated Japanese film industry and pave the way for such films as Yasuzo Masumura’s Mojuu (1969) and Nagisa Oshima’s In the Realm of the Senses (1976).

Onibaba [or Onibabaa, in its alternate spelling] is set during a brutal period in history, a Japan ravaged by civil war between rivaling shogunates. Weary from combat, samurai are drawn towards the seven-foot high susuki grass fields to hide and rest themselves, whereupon they are ambushed and murdered by a ruthless mother (Nobuko Otowa) and daughter-in-law (Jitsuko Yoshimura) team. The women throw the samurai bodies into a pit, and barter their armour and weapons for food. When Hachi (Kei Satō), a neighbour returning from the wars, brings bad news, he threatens the women’s partnership.

Erotically charged and steeped in the symbolism and superstition of its Buddhist and Shintō roots, Kaneto Shindō’s Onibaba is in part a modern parable on consumerism, a study of the destructiveness of sexual desire and — filmed within a claustrophobic sea of grass — one of the most striking and unique films of Japan's last half-century, winning Kiyomi Kuroda the Blue Ribbon Award for Cinematography in 1965. The memorably frenetic drumming soundtrack was scored by long-time Shindō collaborator Hikaru Hayashi. The Masters of Cinema Series is proud to present Onibaba for the first time on Blu-ray in the UK.

SPECIAL NEW BLU-RAY EDITION:

• Gorgeous new 1080p HD transfer
• Full-length director’s audio commentary by director Kaneto Shindō and the stars of the film, Kei Satō, and Jitsuko Yoshimura

• Video introduction by Alex Cox
• 8mm footage (40-minutes) shot on location by lead actor Kei Satō
• Optional English subtitles
• Original theatrical trailer
• Production stills and promotional art gallery
• 36-PAGE BOOKLET with a new essay by Doug Cummings, an English translation of the original short Buddhist fable that inspired the film and a statement from writer/director Kaneto Shindō about why he made Onibaba

Pre-Order Onibaa:ONIBABA (Masters of Cinema) (Blu-ray) [1964]

Floating Weeds Blu-Ray Review (Masters Of Cinema)

Floating Weeds was one of the now legendary Japanese director Yasujitõ Ozu’s last films and one of his only handful of colours films. It is also a remake of an earlier silent film he made called A Story of Floating Weeds.

The film is set during a very hot summer in the coastal town the Inland Sea. A travelling theatre group visits the town for a series of performances. Komajuro (Ganjirō Nakamura) the theatre leader visits an old mistress Oyoshi who he had a son Kiyoshi with but his son doesn’t know who his father is. Sumiko who is Komajuro’s current mistress learns of his and becomes jealous. Sumiko plays a visit to Oyoshi’s eatery but Komajuro chases her away before she can reveal anything and breaks up with her in the rain. Sumiko to get back at Komajuro decides to have a young actress Kayo to seduce Komajuro’s son and more drama happens.

Ozu’s films in the last few decades has been reissued and reevaluated a lot and cited by many directors such as Paul Schrader, Wim Wenders and Jim Jarmusch as influence. In the latest Sight & Sound poll his earlier film Tokyo Story was voted the 3rd greatest film made after the standard classics Citizen Kane and Vertigo and it topped the director’s poll. Ozu will be very hard going for a lot of people, the films are very slow paced and his camera literally never moves, the stories are very simple domestic tales of then contemporary Japan.

However his films always very human and always powerful and beautiful in its simplicity and Floating Weeds is no exception. Floating Weeds is probably as “flashy” as Ozu ever got, the use of colour really adds a nice layer to his films with its beautiful composition and his choice of colours. The acting is always impeccably naturalistic at it’s best. Ozu should be studied by anyone interested in film and how great minimalist cinema can be, file next to Robert Bresson.

Floating Weeds has been restored by the always wonderful Masters of Cinema imprint of Eureka Entertainment, like the other recent entry Gate of Hell, it doesn’t feature any bonus features bar a trailer but includes 36 page booklet with a essay, rare photos and entries from Ozu’s personal diary.

Ian Schultz

★★★★1/2

Rating: PG
Release Date: 3rd December  2012 (UK)
Directed By: Yasujirô Ozu
Cast:  Ganjirô Nakamura, Machiko Kyô , Haruko Sugimura
Buy :FLOATING WEEDS [UKIGUSA](Masters of Cinema) (DVD & BLU-RAY DUAL FORMAT) [1959]

Marlene Dietrich's The Blue Angel To Get Masters Of Cinema Treatment

THE BLUE ANGEL [DER BLAUE ENGEL] will be released as part of Eureka Entertainment’s MASTERS OF CINEMA Series in a DUAL FORMAT (Blu-ray & DVD) edition on 28 January 2013

Eureka Entertainment have announced that they will be releasing THE BLUE ANGEL [DER BLAUE ENGEL] as part of Eureka Entertainment’s MASTERS OF CINEMA Series on 28 January 2013.  The film launched the career of the legendary Marlene Dietrich and her multi-film collaboration with Josef von Sternberg, and stars Emil Jannings, the famous German actor of such classics as Faust, The Last Laugh, and The Last Command.  The Blue Angel showcases Dietrich in performance singing many of the songs that would take on the status of trademarks throughout her long career.

“A remarkable performance from Emil Jannings.” – Kim Newman, EMPIRE Magazine

“Not only is Mr. Jannings's and Miss Dietrich's acting excellent, but they are supported by an unusually competent cast.”– New York Times

“Exceptionally high drama for its day, this tragic, tragic tale is one of the best examples of well-realized filmmaking from the first half of the 20th century.” – Filmcritic.com

Synopsis:The Blue Angel is one of the first German language sound films (filmed simultaneously in an English-language version), and the picture that represents the initial collaboration between Josef von Sternberg and his immortal muse, Marlene Dietrich. 

Following up his role in Sternberg's great silent The Last Command, Emil Jannings portrays a schoolteacher named Immanuel Rath, whose fateful expedition to catch his students frequenting the cabaret known as "The Blue Angel" leads to his own rapture with the establishment's main attraction Lola (Dietrich) — and, as a result, triggers the downward spiral of his life and fortune.

Directed by Sternberg while on loan from America to the pioneering German producer Erich Pommer, The Blue Angel is at once captivating, devastating, and powerfully erotic, laced-through with Sternberg's masterful cinematography. From here, the director and Dietrich would go on to make six more films together in the span of five years, and leave a legacy of some of the most indelible iconography in the cinema of glamour and obsession. The Masters of Cinema Series is proud to present The Blue Angel in a new Dual Format presentation that incorporates both versions of the film in 1080p HD for the first time in the UK.

SPECIAL DUAL FORMAT (BLU-RAY + DVD) EDITION:

• New 1080p HD presentation of both the German-language and English-language versions of the film, with progressive encodes on the DVD.

• Newly translated optional subtitles on the German-language version, and SDH on the English-language version.

• New and exclusive video essay on the films by critic and scholar Tag Gallagher.

• New and exclusive feature-length audio commentary by critic and scholar Tony Rayns on the German-language version.

• Original screen test with Marlene Dietrich.

• Archival interview clips with Dietrich.

• Substantial booklet containing writing on the film, vintage excerpts, and rare archival imagery.

• More features to be announced closer to release date!

Pre-Order:THE BLUE ANGEL [DER BLAUE ENGEL] (Masters of Cinema) (DUAL FORMAT) [Blu-ray] [1930]

The Passion of Joan Arc Blu-Ray Review

Made in 1928 by the legendary Danish filmmaker Carl Theodor Dreyer, The Passion of Joan of Arc has recently been remastered by Eureka Entertainment for its Masters of Cinema Range. It had previously only been available to English-speaking viewers as a Criterion release. The film charts the final days of Joan of Arc: her trial, the suffering she went through physically and mentally, and obviously ends with her execution by being burned at the stake for being a witch.

The film is truly relentless throughout. The Masters of Cinema DVD includes 97- and a 84-minute versions; the difference between the two is the frame rate (speed), not the footage. The release also includes the Lo Duca version, which was the cut most widely distributed and was famously used in Jean-Luc Godard’s Vivre sa Vie (1962), probably the first introduction most people have had to this film. This was the version most people will have seen until the complete cut was found in, fittingly enough, in a Danish mental hospital in 1981.

The actress who plays Joan of Arc, Maria Falconetti, is seen here in her second and last film role. She was mostly known as a stage actress and her presence is stagey: she speaks little, but there are extraordinary close-ups of her eyes throughout the film. However, it is probably one of the five greatest performances ever committed to film. Unlike Florence Delay in Robert Bresson’s later attempt to film the Joan of Arc story, Falconetti has a shaven head (this is one of the biggest flaws of Bresson’s film as it is historically inaccurate.) The also includes Antonin Artaud as the monk Massiou. Artaud later stated the film was meant to reveal Joan as a victim of one of the most terrible perversions of justice committed by state or church.

When the film came out it was very controversial in France, partly because Dreyer was Danish and not Catholic, and partly because of the rumoured casting of Lillian Gish as Joan. Gish was then most well known for her role in Birth of a Nation (she later in life starred in Night of the Hunter) It was edited by the Archbishop of Paris and government censors against Dreyer’s will, leaving the director very angry.

The Passion of Joan of Arc clearly owes some debt to German expressionism, which was even more obvious in Dreyer’s next film, Vampyr (1932). Visually it is certainly the greatest silent film ever made due to the lead performance and the incredible set designs. It was shot by Rudolph Maté, who later became very well known for his work as a film noir director, most notably D.O.A. (1950), and also shot for Hitchcock, Welles and Lubitsch. Paul Schrader has praised “the architecture of Joan's world, which literally conspires against her; like the faces of her inquisitors, the halls, doorways, furniture are on the offensive, striking, swooping at her with oblique angles, attacking her with hard-edged chunks of black and white."

This is a film that should be watched continuously, so it is gratifying that it is now available on home video again. It was voted into the top 10 in the Sight and Sound critics’ greatest films poll in 2012, and has recently been shown at the Leeds Film Festival and elsewhere with a live score. If you are a major fan like me, you may also want to have the Criterion version, which has the superior “Voices of Light” score (one of many scores that have been composed for it over the years.) Dreyer never selected a definitive score for The Passion of Joan of Arc, so unlike some other films of that era (such as Nosferatu and Metropolis) it was left open to interpretation by classical and pop composers – there have been many scores made, even one by Nick Cave.

Ian Schultz

★★★★★

Rating:PG
Re-Release BD/DVD Date: 26th November 2012 (UK&Ireland)
Directed By: Carl Theodor Dreyer
Cast:  Maria Falconetti, Eugene Silvain , André Berley
Buy The Passion of Joan Arc: Blu-ray / DVD / Double Play (Blu-ray + DVD) - Steelbook

Stanley Kubrick's Fear And Desire To Get Masters Of Cinema Release

Stanley Kubrick’s FEAR AND DESIRE will be released as part of Eureka Entertainment’s MASTERS OF CINEMA Series on Blu-ray & DVD on 28 January 2013

Eureka Entertainment have announced that they will be releasing on Blu-ray and DVD a new restoration in a proper release for the first time ever in the UK of the legendary Stanley Kubrick's debut feature, FEAR AND DESIRE, available from 28 January 2013.  It is the only Kubrick film besides A Clockwork Orange that was nearly impossible to see in the UK for several decades. 

This release completes the fact that now every single one of Stanley Kubrick's films will be available on Blu-ray/DVD.  Full details of the special features have just been released.  The Masters of Cinema edition will contain Stanley Kubrick's complete early shorts (Day of the Fight, Flying Padre & The Seafarers) made in the run-up to FEAR AND DESIRE, presented completely for the first time on an official release.  In addition to the shorts, there will also be a new and exclusive video introduction to the films by Kubrick scholar, film-critic, and Cahiers du cinéma American correspondent Bill Krohn shot in LA in November 2012 & a packed booklet featuring new and exclusive essays on FEAR AND DESIRE and the early shorts by Kubrick scholar, professor, and film critic James Naremore. 

“[A] highly promising first effort by one of America's premiere filmmakers.” - TV Guide's Movie Guide  

From the director of such classic masterworks as Dr. Strangelove, 2001: A Space Odyssey , A Clockwork Orange, The Shining, and Full Metal Jacket. 

Independently financed with contributions from Stanley Kubrick's family and friends in an era when an "independent cinema" was still far from the norm, Fear and Desire first saw release in 1953 at the Guild Theater in New York, thanks to the enterprising distributor Joseph Burstyn. Now, with this new restoration carried out in 2012 by The Library of Congress, a film that for decades has remained nearly impossible to see will at last appear in a proper release in the United Kingdom.

Kubrick's debut feature tells the story of a war waged (in the present? in the future?) between two forces. In the midst of the conflict, a plane carrying four soldiers crashes behind enemy lines. From here out, it is kill or be killed: a female hostage is taken on account of being a potential informer; an enemy general and his aide are discovered during a scouting mission... What lies in store for this ragtag group of killers, between their perilous landing in the forest, and the final raft-float downstream... all this constitutes the tale of Kubrick's precocious entry into feature filmmaking. 

Bringing into focus for the first time the same thematic concerns that would obsess the director in such masterworks as Paths of Glory, Dr. Strangelove, and Full Metal Jacket, Fear and Desire marks the outset of the dazzling career and near-complete artistic freedom which to this day remains unparalleled in the annals of Hollywood history. The Masters of Cinema Series is proud to present Stanley Kubrick's Fear and Desire in its gorgeous new restoration on both Blu-ray and DVD.

SPECIAL BLU-RAY AND DVD EDITIONS:

• New HD restoration of the film by The Library of Congress, presented in 1080p on the Blu-ray. 

• Optional English SDH subtitles for the deaf and hard-of-hearing. 

• Stanley Kubrick's complete early shorts, made in the run-up to FEAR AND DESIRE, presented completely for the first time on an official release: Day of the Fight, Flying Padre & The Seafarers 

• A new and exclusive video introduction to the films by Kubrick scholar, film-critic, and Cahiers du cinéma American correspondent Bill Krohn shot in LA in November 2012 

• A packed booklet featuring new and exclusive essays on FEAR AND DESIRE and the early shorts by Kubrick scholar, professor, and film critic James Naremore 

Pre-Order/Buy Fear And Desire: DVD / Blu-ray

Trouble In Paradise DVD Review (Masters Of Cinema)

Trouble in Paradise is an early screwball comedy by Ernst Lubitsch, which has some crime elements. It’s his most well known and respected him and one of the few in his lifetime that got classic status. Lubitsch influenced such noted directors such as Woody Allen and Billy Wilder among many others. This edition of Trouble with Paradise come from Eurkea’s Masters of Cinema who are so hung up on Lubitsch they previous released a boxset dedicated sorely to his German films of the 1920s which has a impressive 6 discs of films.

Trouble in Paradise is set in Venice and 2 team of pickpockets, one a gentleman thief Gaston Monescu (Herbert Marshall) and his lover Lily (Miriam Hopkins) who decided to rob a perfume window Madame Mariette Colet (Kay Francis). They start with planning to rob her purse at the theatre, which they do. The Madame is asking for a reward for the purse because it’s value and naturally Gaston returns the purse but at the same time, he worms his way into working for the Madame. The Madame starts to flirt with Monescu and he starts having some feelings towards her much to the displeasure of his partner in life and crime.

The film is a brilliantly written witty script with some memorable dialogue. It was written by noted screenwriter Samson Raphaelson also worked with Hitchcock on Suspicion wrote it. He worked with Lubitsch who over and over for the 2 decades, He also wrote The Jazz Singer and was also the cousin of the great Bob Rafelson who started the great innovative BBS studios and directed such classics such Head, Five Easy Pieces and The King of Marvin Gardens. The film pre-dates the screwball boom of the 30/40s especially the Cary Grant and Howard Hawks collaborations such as Bringing Up Baby and His Girl Friday.

The film was also pre-production code which means the sexual innuendo of later films of the 30s is much more explicit. Masters of cinema has of late been doing a lot of this such as masterful Island of Lost Souls and Cecil B. DeMille’s Cleopatra. This ended up being a big issue a few years later when Paramount wanted to reissue the film and also when they wanted to make a MUSICAL version in 40s.

Overall the film is wonderful glass of champagne of a film, fluffy but in a good way which boost a wonderfully witty script, cool art deco sets and some great performances.

Ian Schultz

★★★★☆

Rating:N/C
DVD Release Date: 12th November 2012(UK)
Directed By: Ernst Lubitsch
Cast: Miriam Hopkins, Kay Francis , Herbert Marshall
Buy:TROUBLE IN PARADISE (Masters of Cinema) (DVD) [1932]

Die Nibelungen (Masters Of Cinema) Review

Die Nibelungen came out in 1924 and was directed by the master of German Expressionism Fritz Lang. It’s really 2 long films put together which is turn comes around to 4 hours and 40 minutes. It was made in-between his first Dr. Mabuse film and his Magnum opus Metropolis. It in a way is a stepping-stone to what would become Metropolis and like that his later ex-wife Thea von Harbou co-wrote the film.

The film tells the epic saga of Siegfried of Norse Mythology. He is the son of King Siegmund of Xanten. He forges his own sword. He hears stories of the kingdom of Burgundy and Kriemhild the Princess. He announces when he leaves Xanten he wants to win her hand in marriage. The swordsmith Mime who’s shop he forged his sword, tells him of a shortcut to Burgundy but it reality it leads him to a dragon which he slays and baths in it’s blood but missed a shot so he gets a Achilles’ heal. He goes on numerous adventures on his way to Burgundy. There is a part 2 of the film but it would spoil the film too much.

The film isn’t one of Fritz Lang’s best films. It’s very baggy, it’s about 4 hour and 40 minutes and every scene is dragged out to excruciating levels as times. It is a film from the 20s so obviously the pacing is very different to modern films but there are 20 minutes scenes that should be half the length.  However film is basically an early mini-series, each segment and both films has a title card.  The plus sides of the film are the imagery is hallucinatory at times and utterly fantastical. The 1st half of the film is most visually arresting which ends brilliantly. The 2nd half has an astonishing climax though. The story is truly epic in scope, which can be expected when it comes from mythology.  It’s worth watching simply for the imagery.

Overall, It’s a good piece of early sword and sorcery cinema. It’s not gonna be for most people but if your interesting in Frit Lang and early cinema it’s worth seeing.

Ian Schultz

★★★★☆

Rating:PG
DVD/BD Re-Release Date: 29th October 2012 (UK)
Directed By: Fritz Lang
Cast: Paul Richter, Margarete Schön , Theodor Loos
Buy Die Nibelungen: BLU-RAY/ DVD

Park Row (Masters Of Cinema) DVD Review

Park Row is a key film in Samuel Fuller’s always captivating and idiosyncratic career. It’s always one of his very best up they’re with such classics as Shock Corridor, The Big Red One and The Naked Kiss. It’s one of his earliest films which was made after a succession of War films and a couple westerns such as his extremely successful The Steel Helmet and it’s companion film Fixed Bayonets! and the still radical interpretation of the Jesse James story I Shot Jesse James.

Sam said his favourite of all of films he made was Park Row. It was a passion project and a very nostalgic look at the time of headline grabbing journalism. Sam was a journalist himself in the 1920s and 1930s (a copyboy at the age of 12) till he joined the army during WW2. It was a truly independent film which Sam financed sorely by himself, it was roughly $200,000 + his $1000 fee which was for liquor and fine cigars. He was offered a big budget film, which Gregory Peck after the success of The Steel Helmet but turned it down in favour of his own project.

The film is set in 1886 and it’s about a reporter Phineas Mitchell (Gene Evans) who is fired from his job at newspaper The Star. He goes to a bar to drown his sorrows but a man called Steve Brodie rushes in claiming to have jumped off the Brooklyn Bridge. Phineas tells him he has lost his job. A friend of Phineas called Charles A. Leach (Forrest Taylor) also in the bar tells him his dreams of starting his own newspaper.

They decided to start the newspaper that night and Charles has the printing press, offices and money necessary to do so. They hire all their newspaper pals in the bar on the spot. A policeman comes into the bar to find Steve Brodie for jumping off the bridge and now they have a FRONT PAGE STORY for the first issue of their paper The Globe. The Globe becomes a sensation, which it’s headlines and it’s multiple daily copies with only the front page changed! Phineas’ ex boss (of newspaper The Star) the femme fatale like Charity Hackett (Mary Welch) is getting jealous of the success of the paper and her superior decide to kill The Globe with many tactics including stopping supplies of ink and paper and later violence.

The film has wonderful cast full of bit players who only got their due in this probably due to the film’s budgetary constraints. It’s was all filmed on one set for similar reasons. It’s wonderfully written almost screwbally at times which reminds me of the legendary script of His Girl Friday. However it’s not a comedy but more in the way of the dialogue in spoken, it’s stylistic. It is also a very contemporary film a way cause it’s partly about the corporate money coming into journalism, which diminished the type of journalism Fuller loved. It’s a remarkable 8 reeler, which should be rediscovered over and over again.

Ian Schultz 

★★★★★

Rating:12A
UK Re-Release Date: 22nd October 2012
Directed By: Samuel Fuller
Cast: Gene Evans, Mary Welch , Bela Kovacs
Buy:PARK ROW (Masters of Cinema) (DVD) [1952]

Yasujirō Ozu's Floating Weeds Getting Masters Of Cinema Treatment

FLOATING WEEDS [UKIGUSA] will be released in DUAL FORMAT (BLU-RAY & DVD) & DVD editions as part of the Masters of Cinema Series on 3 December 2012.

Eureka Entertainment have announced that they will be releasing a gorgeous new HD restoration (undertaken exclusively for this release) of  FLOATING WEEDS [UKIGUSA], one of the most acclaimed films by Japanese legend Yasujirō Ozu (Tokyo Story; Late Spring; Early Summer; An Autumn Afternoon; Good Morning). Starring iconic Japanese actors Chishū Ryū (Tokyo Story; Red Beard), Machiko Kyō (Ugetsu monogatari; Gate of Hell), and Haruko Sugimura (Kwaidan; Late Spring), the Dual Format (Blu-ray + DVD) edition, available on Blu-ray for the very first time anywhere in the world, will be released alongside a DVD-only edition on 3 December 2012.

“A thoroughly absorbing affair” – Total Film

“Ozu's familiar combination of melancholy regret and buoyant comic gaiety is beguilingly in evidence.” – Peter Bradshaw, The Guardian

“A poignant tale of everyday folk; their lives, loves and losses, rendered with exquisite care, compassion and no small measure of humanity by one of the masters of Japanese cinema.” – Film 4

“Floating Weeds'' (1959) is like a familiar piece of music that I can turn to for reassurance and consolation. It is so atmospheric--so evocative of a quiet fishing village during a hot and muggy summer--that it envelops me.” - Roger Ebert

Towards the end of his career, Japanese master Yasujirō Ozu (Tokyo Story; Late Spring; Early Summer; An Autumn Afternoon; Good Morning) returned to a story he had made some 25 years earlier as a silent, Ukigusa monogatari [A Story of Floating Weeds], for a magnificent colour reworking, photographed by legendary cinematographer Kazuo Miyagawa (Rashomon, Ugetsu monogatari).

When a travelling theatre troupe brings their show to a seaside port, Komajurō (Ganjirō Nakamura), an ageing actor, is reunited with his former lover, sake bar owner Oyoshi (Haruko Sugimura), and his illegitimate son Kiyoshi (Hiroshi Kawaguchi), to the distress of his current mistress Sumiko (Machiko Kyō).

From this simple scenario, Ozu builds, one exquisite image at a time, a saga of profound humanity and rich understanding. Encompassing a novelistic range of emotions and tones with the utmost delicacy, Floating Weeds stands tall even amidst a body of work as extraordinary as Ozu's. Making its worldwide Blu-ray debut, The Masters of Cinema Series is proud to present Floating Weeds in a beautiful new high-definition restoration, released as a Dual Format (DVD & Blu-ray) edition and a DVD edition on 3 December 2012.

SPECIAL FEATURES:

• Exclusively restored high-definition master presented in the film's original aspect ratio, in 1080p on the Blu-ray

• Newly translated optional English subtitles

• Original Japanese theatrical trailer

• Illustrated booklet featuring the words of Ozu, rare archival imagery, and more

• Further details to be announced nearer the release date!
Pre-Order/Buy:FLOATING WEEDS [UKIGUSA](Masters of Cinema) (DVD) [1959] / DVD (&BLU-RAY DUAL FORMAT)