Showing posts with label television. Show all posts
Showing posts with label television. Show all posts

27 March 2013

BBC To Premiere Ralph Fiennes Coriolanus This April

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BBC 2 will premiere Ralph Fiennes’ BAFTA nominated contemporary version of William Shakespeare’s political thriller, CORIOLANUS, on Saturday 6th April at 21:45, which will also be simulcast on BBC HD.

Produced by BBC Films withRalph Fiennes directing and stars alongside Vanessa Redgrave, Gerard Butler, Jessica Chastain, Brian Cox and James Nesbitt. CORIOLANUS is a tense and timeless thriller of power broking, political manipulation and the arguments and prejudices of opposing social extremes, set against a backdrop of a republic caught up in a long and bitter war.

Caius Martius ‘Coriolanus’ (Ralph Fiennes), a revered and feared Roman General is at odds with the city of Rome and his fellow citizens. Pushed by his controlling and ambitious mother Volumnia (Vanessa Redgrave) to seek the exalted and powerful position of Consul, he is loath to ingratiate himself with the masses whose votes he needs in order to secure the office. When the public refuse to support him, Coriolanus’s anger prompts a riot which culminates in his expulsion from Rome. The banished hero then allies himself with his sworn enemy Tullus Aufidius (Gerard Butler) to take his revenge on the city.

Read our review of the film here after you check out the trailer below






25 March 2013

Chillerama - Adam Green Interview

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Adam ‘Hatchet Man’ Green talks about the future of the genre, why he turned about ABC’s Of Death, his new movie inspired by the artist Alex Pardee and courting controversy as CHILLERAMA gets its Horror Channel UK TV premiere on Sat 30th March at 10.55pm


Q: Your story for Chillerama could be looked at as being controversial by some, how did you pitch it to the other directors?

AG: Actually, Adam Rifkin pitched me the title (The Diary Of Anne Frankenstein) when the four of us first met up to discuss potentially doing this project. He said, “Green, you’re Jewish- you should do Anne Frankenstein.” I said, “But Rifkin, you’re Jewish, too. Why don’t you take that one?” He replied, “Yeah, but what if instead you did it?” And that was sort of it. Though the phrase “the diary of Anne Frankenstein” is a joke that’s been around for decades, I have to admit I was still scared to death of it at first. I mean, who wants to touch that title with a ten-foot pole? Unfortunately, we live in a world full of people who literally seek out reasons to be offended and who love nothing more than to be “outraged” so that they can get attention. Especially coming off of Hatchet 2 and all of the controversy I had just lived through with that film’s public battle with the MPAA and its assassination from cinemas here in the US… the last thing I wanted was to be put in the spotlight for ridiculous negative reasons again. However, I immediately came up with the idea of doing a piece that would be a complete mockery of Hitler and not something that could possibly be taken seriously.

Q: To me its Monty Python at its creative peek meets classic Universal horror, would you agree?

AG: Wow. That’s a very big compliment and yes, that was exactly what I was going for. I walk away from every screening feeling so incredibly proud of the piece. Reviews, awards, and accolades… those are all nice. But as a comedian, there is no feeling of accomplishment greater than hearing an audience howl with laughter to the point that they drown out the film itself. You can’t fake laughter like that. There are no politics or agendas behind that kind of uproarious laughter. It’s the most primal and real reaction you can hope to get and when it happens universally across oceans and language barriers… it’s a wonderful thing.

Q: Do you think the horror genre is in good health at the moment?

AG: I’m excited to see what the next decade will hold. Looking back, filmmakers my age who came onto the scene in the past ten years or so were saddled with some very difficult hurdles. Not only was the “trend” all about remakes over originals (both with the studios who churned the remakes out and the fans who supported them in droves) but we also saw the indie financing industry take a nosedive with budgets and distribution as internet piracy wreaked havoc on us. There was never a harder time than this past decade to get an original (decent budgeted) horror movie made and distributed. But now that remakes have kind of run their course they’re now out of recognizable titles to remake and people are starting to see the light about internet piracy I am optimistic that more and more original horror movies will get a chance to be made and to be seen. As a genre- we’re always alive and well. Horror will never die and we will always survive the passing trends because we’re a “community” unlike fans of other genres. Just walk by the “sleepy queue” for FrightFest later this summer and look at the die hard fans standing in line over-night for tickets (not even knowing 100% what the programming will exactly be yet). Of course we’re fine! We’ve got zombies! The rest of ya’ll are f***** though.

Q: You must be pleased Chillerama is getting its UK premiere on the Horror Channel?

AG: I’ve had a very special connection with the UK audience ever since Hatchet first premiered at UK FrightFest in 2006 and so I’m always especially excited when a new film of mine premieres across the pond. The Horror Channel has been incredibly supportive of my career over the years so this is like a double-win. Who knows? Perhaps Holliston will wind up on the Horror Channel when it arrives in the UK? You never know!

Q: Would you like to be part of another anthology film such as the recent ABCs Of Death?

AG: I was approached for “ABC’s Of Death” when they first started putting the project together but I passed. I was in the middle of post-production on Chillerama when they started assembling their team of directors and the thought of doing another anthology film at that time just wasn’t appealing to me, as fun as the project sounded and as terrific as the people behind it were. While I can never say “never”, right now another anthology just isn’t in the cards for me. Remember, with Chillerama I didn’t just write and direct a segment. My company (ArieScope Pictures) also produced it and put the money and distribution together to make it happen. That’s a hell of a lot of responsibility/heartache and so I couldn’t just make my segment and “let the chips fall where they may”. When you produce a film it is essentially an STD for your company. It never goes away and it is never really over. Wait, did I really just compare Chillerama to syphilis? Yup. Have at it, critics and haters. You’re welcome for that one.

Q: How much involvement have you had with Hatchet III?

AG: I wrote it, I produced it, I’m presenting it, I cast most every actor in it, I was there for every step of pre-production, filming, and post-production, I surrounded our new director with my incredible ArieScope crew, and I had final cut of the film. So let’s just say that it won’t feel like I ever left. If you’re a fan of the first two films I think you’re going to really like what we did with Hatchet III.

Q: So what are you working on at the moment?

AG: Right now I’m finishing up post-production on the second season of my television series Holliston. It’s a massive undertaking each season given that I wear so many hats on the show (writing every episode, being the show runner, directing, and playing one of the main four characters) but it’s far and away my favourite and the most personal project I’ve ever done. Holliston is an absolute joy to work on and I go to work every day surrounded by only my closest of friends. I’m so excited that we’ll soon be starting the process of bringing the series to the rest of the world and we’re all blown away by how quickly and passionately the audience in America embraced this show and this cast. Next week I kick off my tour in support of Hatchet III and the launch of Season 2 of Holliston so I’m basically in a different place every weekend until the end of summer/early Fall. I’m also in the process of shooting Digging Up The Marrow, a “documentary” (kinda) about monsters (sorta) that is inspired by the art of the insanely talented artist, Alex Pardee. We’re keeping the details of that one under wraps for now, but what I can say is that collaborating with a genius like Alex has proved to be a completely soul inspiring and creative re-awakening for not only myself, but for my core crew as well.

Adam Green, thank you very much.

TV: Sky 319 / Virgin 149 / Freesat 138
www.horrorchannel.co.uk | twitter.com/horror_channel


19 February 2013

Eureka Video Releasing Howard Brenton's TV Noir Drama Dead Head on DVD

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Eureka Entertainment have announced the release of DEAD HEAD, the controversial four-part BBC noir drama written by Howard Brenton, available on DVD from 15 April 2013.

London based petty crook, Eddie Cass (Denis Lawson) agrees to pick up a package and courier it across the capital. When nobody answers the door at the drop off address Eddie opens the package and finds a woman's severed head in a hatbox. He panics and dumps it in the River Thames. Returning home Cass is kidnapped by the mysterious Eldridge (George Baker) and his heavies who inform Eddie that he has been framed for the murder. The hatbox belonged to his ex-wife and his fingerprints are all over it. Eddie panics and goes off the rails - boozing and sleeping rough. Eventually he ends up at his ex-wife Dana's house, played by Lindsay Duncan. Whilst he sleeps there, his former partner informs on him, and Eddie once again has to go on the run. The next morning the newspaper headlines reveal the discovery of the gruesome hatbox. Eddie's own private atom bomb has gone off...

Written in 50-minute episodes by playwright Howard Brenton and directed by Rob Walker the series has a top-notch cast including Denis Lawson (Bleak House, Holby City, Perfect Sense) as Eddie Cass, Don Henderson , George Baker (The Spy Who Loved Me, On Her Majesty's Secret Service, Hopscotch), Simon Callow (Amadeus, Four Weddings and a Funeral) and Lindsay Duncan (Rome, Under the Tuscan Sun)

Here's a clip from Dead Head

Never repeated, but never forgotten - this much loved series from the BBC is set to be released in the UK for the first time on any home entertainment format. Available in a 2-disc Special Edition DVD from 15 April 2013.



26 December 2012

The Girl DVD Review

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The Girl is one of 2 Alfred Hitchcock biopics coming out in soon succession of each other, the other being the simply titled Hitchcock.Toby Jones stars as Hitch in The Girl, who has portrayed a famous dead
person before. He played Truman Capote in Infamous and like The Girl, which had a competing biopic as well Capote.

The Girl’s story is about Tippi Hedren (played by Sienna Miller). Tippi was a very successful model in the early 50s to 60s, Hitchcock was looking for a new Grace Kelly (who starred in a handful of Hitch’s earlier film, including the masterful Rear Window) and found Tippi. He cast her as the lead in his film The Birds. The Birds is often considered the last great Hitchcock film (even though this reviewer who put a case up for the later Frenzy) and was one of the most successful of his entire career. Tippi is tortured throughout The Birds by Hitchcock which climaxes with him lying they were gonna use artificial birds but in reality he choose to use real birds and made her shoot the bird attacking scene for 3 days.

Tippi becoming an overnight sensation because of The Birds. She was under contact to Hitch, who had already made sexual advances to her during the making of The Birds. Despite this due to the nature of the contract, she makes another film with Hitch called Marnie however isn’t as good as The Birds even though it’s certainly the more interesting film. It’s sorta like Hitchcock’s Masterpiece Vertigo’s little sister. It deals with a young woman who is a chronic liar and thief and has some serious psychological issues, which date back to her childhood. After the troubled filming of Marnie, she wants out of her contract from Hitchcock who continually made advances to her during the filming. However he made sure she couldn’t work again till
Charlie Chaplin’s last film and lost out a role for a François Truffaut film.

The Girl is a very mixed bag. It has 2 very fine performances by Sienna Miller and Toby Jones (which is the superior performance).However the film is very much a tv film and that’s fine but it barely cracks the surface level of their relationship and paints Hitch clearly as the villain (which he certainly was). You don’t get any
sort of emotion from Hitch or why he does such horrible things to Tippi. The film also suffers from a low budget film problem that a lot of film posters in Hitch’s room are mock posters for his great films and not the real ones, which probably do to copyright. The other film which is very annoying is Marnie starred Sean Connery and you never see Tippi or Hitchcock interact with Sean during the making of Marnie, there is stand in but you never see his face, this is very distracting. Overall it’s worth seeing on iplayer or renting for the performances but some things are very annoying. It also ends with the laughable appendix that claims “Marnie is now considered Hitchcock’s last masterpiece”.

Ian Schultz


★★★☆☆


Rating: 15
Release Date:26th December 2012 (UK BBC2 ) 7th January 2013 (UK,DVD)
Directed ByJulian Jarrold
CastSienna MillerToby Jones and Penelope Wilton



1 November 2012

Horror Channel's Horror Club to screen SHIVER

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Following the inaugural sell-out showing of INBRED, Horror Club, created by Horror Channel, will host its second event at The Horse Hospital on Tuesday Dec 4 from 7pm with an exclusive preview screening of Julian Richard’s spine-chilling SHIVER.

This special event, open to all horror fans, will be introduced by Horror Channel's Emily Booth and genre expert/writer Billy Chainsaw. Chainsaw will interview Richards after the screening. Richards, an award-winning writer and director, is best known for his ground-breaking serial killer shockumentary THE LAST HORROR MOVIE and the haunting SUMMER SCARS, which won two British Academy Awards.

Julian said today: It's terrific news that Horror Club will be presenting SHIVER in December. I can't wait for the opportunity to watch the film in the company of hard core horror fans"

Entry is free and seats can be won by entering a competition exclusively through Horror Channel, enter comp here.
SHIVER stars John Jarratt (WOLF CREEK) as Franklin Rood, a weird loner laughed at by women. He handles his anger at rejection by creating a police taunting alter ego, The Griffin, and embarks on a spree of horrific murders, seemingly at random, all young women.  However, one manages to escape, for which she earns his respect – and his love. Danielle Harris turns in a powerful performance as Wendy, the girl who has to toughen up quick if she wants to stay alive.  Also stars Casper Van Dien and Rae Dawn Chong.

TV: Sky 319 / Virgin 149 / Freesat 138

26 October 2012

Ghost Stories Volume 5 DVD Review

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The fifth volume of the BBC’s Christmas ghost stories, released by the BFI next week, sees the combined issue of A View From a Hill and Number 13, the short-lived noughties reincarnation of that excellent strand of yuletide chillers, A Ghost Story for Christmas.

Stretching back to the 1971 offering, The Stalls of Barchester (but pre-empted by 1968’s superbly creepy Whistle and I’ll Come to You), the series was fixture of Christmas television through the decade before the wheels ultimately fell off and it was sadly canned. It was briefly resurrected in 2005 in the shape of A View From a Hill, with Number 13 following a year later, before history unfortunately repeated itself.

In the first of the spectral tales, A View From a Hill, archaeological academic Dr Fanshawe (Mark Letheren) visits the estate of formerly prosperous landowner Squire Richards (Pip Torrens) charged with cataloguing the oddities held within his impressive home. Among the curiosities is a pair of binoculars once belonging to a disreputable amateur archaeologist; a man whose extra-curricular, corpse-centric activities led to his untimely demise on the spot of an old execution site. Taking the binoculars to a nearby hill Fanshawe glimpses the ghostly image of an ancient local monastery, long since ruined; the disturbing apparition suggesting that the binoculars hold some ghastly power imparted by their late owner.

The adaptation of M. R. James’ Number 13 transposes the action from northern Denmark to a closely-knit, rural English setting, in which another academic (this one from Oxford and going by the name Anderson) finds himself in the employ of the local librarian. Anderson’s work revolves around some of the more macabre entries into the town’s archives, ones which reference civil war-era witch trails, and grim accounts of bizarre satanic rituals in nearby buildings. The Oxford man’s involvement in the case becomes more dangerous upon the realisation that his hotel room sits adjacent to a mysterious, occasionally perceptible and sinister room 13, a location with possible links bizarre goings-on.

The BBC’s Christmas ghost stories are uncanny in their ability to ramp-up colossal amounts of tension, and generate a tangible sense of dread in a little over half an hour, all with a miniscule budget. Luke Watson’s ability to suggest the presence of a malevolent woodland entity, stalking the forlorn yet determined Fanshawe in A View is absolutely Blair Witch-esque in its captivating, minimalist creepiness. Pier Wilkie opts to add a dash of visual horror to his tale in 13, in a largely successful move away from the simplicity of the previous story; the occasional moments in which the production’s lack of financial clout is visible are overshadowed by the charismatic and convincing performances of its cast. Paul Freeman is enjoyably devious as the untrustworthy librarian, Greg Wise thoroughly engaging as the uncertain professor who is dragged through the emotional and psychological wringer.

An exercise in economical horror, the DVD extras including essays by BFI Mediatheque Curator, Simon McCallum, author Jonathan Rigby (amongst others), and Christopher Lee’s 2000 reading of Number 13 contribute to a neat package. A fully fledged five-disc box set also available combines all of the BFI’s previous releases to remind you that not all TV is talent shows and Tyneside tantrums.

Chris Banks (@chris_in_2d) 

★★★1/2

Rating:12
DVD Release Date: 29th October 2012 (UK)
Directed By: Pier Wilkie, Luke Watson
Cast: Greg Wise, Paul Freeman, David Burke, Mark Letheren, Pip Torrens
Buy Ghost Stories Volume 5:DVD

Moments Worth Paying For Gemma Atkinson Supports Anti-Piracy Campaign In Iconic Way

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Two young design students from London have created an innovative take on anti-piracy advertising for the UK film, TV and video industry.

Leighton Pountney (24) and Omri Dvir (27) will see their idea brought to life in outdoor advertising UK-wide, as well across the Internet from today.
Called All for the Price of a Ticket, their idea uses till receipts – with a twist – to celebrate the entertainment value behind the purchase price of a DVD, download or cinema ticket. The campaign has been brought to life in the form of a film quiz called Riddle Me Th?s, which features giant receipts, each offering the public the chance to  solve clues to great films at FindAnyFilm.com, the UK search engine for official film, TV and video.

A host of screen stars are supporting the approach, including BAFTA award winner Adam Deacon and film and TV actress Gemma Atkinson. Their favourite films feature as riddles in the campaign, alongside clues from other film and TV experts, including film critics and bloggers.

 Adam Deacon said: “So much time, energy and passion goes into making films and TV shows, so it’s always disappointing if people choose not to pay for your work. It’s great to see a campaign that celebrates the entertainment value you get back from your DVD, download or cinema ticket.”

 Gemma Atkinson added: “It’s refreshing to see the industry creating a campaign like this with the young people it hopes to inspire. The riddle element is a great way to get people thinking about how film and TV makes you feel – and whether that feeling is something worth paying for.

The students behind the campaign first submitted their idea to the YCN Annual Student Awards, which spotlight young talent by challenging students to answer a live creative brief. The Industry Trust for IP Awareness, which commissioned an anti-piracy brief for the 2012 Awards, spotted the potential of the concept – and is working with its industry partners to bring it to life.
Omri Dvir, one of the students behind the campaign, said: “We’re thrilled that our idea is being turned into a real campaign. We wanted to get across the point that the price of your film or TV show is great value for all the enjoyment you get in return. You get magical worlds, futuristic technology, great memories and of course countless pub conversations.

 Liz Bales, Director General of The Industry Trust for IP Awareness, which commissioned the campaign on behalf of the UK film, TV and video industry, said: “We’re delighted to be bringing Omri and Leighton’s idea to life. Our research shows that nearly half of young men today access some of their entertainment from unauthorised sources. So who better to take inspiration from than the generation of people we are hoping to reach?

The new advertising will form part of the UK film, TV and video industry’s innovative Moments Worth Paying For campaign, which spans cinema, outdoor advertising, PR and social media. It will feature in Clear Channel advertising spaces UK-wide from tomorrow as well as on Findanyfilm.com and a wealth of other film and TV industry websites.

As you can see from the top image Gemma Atkinson one of her 'moments worth paying for' was the iconic scene to re-create an iconic scene from Pulp Fiction becoming Uma Thurman to help promote a Moment Worth Paying For campaign. Below is an behind the scenes video looking at how she becam uma thurman and her talking about her support for the campaign too. Here at The People's Movies & Cinehouse do support the campaign we also believe something has to be done about the pricing structure as well as the overall experience of going to the cinema or buying that DVD or Blu-Ray.Though we might have the home release but let's be honest there is some great scenes from films over the decades that should only be enjoyed in one format that's on the big screen at your local cinema.
To put your film know-how to the test, visit www.facebook.com/FindAnyFilm.

30 August 2012

Gore goes global as Horror Channel serves up A World SINema Season

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Gore goes global as Horror Channel serves up three slices of sinful celluloid in its World SINema Season – three premieres that highlight taboo, terror and blasphemy

Fridays at 22:55 from 7 Sept, 2012

 


The season kicks off on Friday Sept 7, 22:55 with THE DEVIL’S BACKBONE (2001) from Spanish Pan’s Labyrinth director Guillermo Del Torro.  Beautifully shot and immensely creepy the film explores two different types of horror – the very real horror of war and the exploration of horror experienced through a child’s eyes (Carlos), one of ghost’s and the supernatural.

Guillermo has stated this is his favourite work so far, and was a 16 year labour of love. It was influenced by early memories of seeing his uncle come back as a ghost and the creepy spectre that appears to Carlos was based on the pale faced ghosts in Japanese horrors like The Ring.


Next up on Friday Sept 14, 22:55 is THE ANTICHRIST (1974), which delves dangerously deep into the blasphemous aspects of demonic possession.

Ippolita, a young woman wheelchair-bound and sexually frustrated, finds herself under the spell of Satan himself when she becomes victim to an ancestral curse of witchcraft and possession. She starts seducing local men, only to kill them and an exorcism seems to be the only solution to stop the madness

The controversial Satanic orgy scene will certainly have a few tongues wagging with its implication of bestiality


The last in the season on Fri Sept 21, 22:55, is one of the most absurd, gruesome French horrors ever made – BABY BLOOD (1990)

Yanka, a young circus performer, is pregnant but morning sickness and fat ankles are the least of her problems when a new leopard from Africa is delivered to the circus – a beautiful beast hiding a hideous creature within.

And as the months progress, Yanka suffers from an overpowering appetite... for blood. Or rather, her unborn baby is screaming for it. And she is forced to kill and kill again…


TV: Sky 319 / Virgin 149 / Freesat 138

 

10 July 2012

The Shakespeare Collection DVD Review

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★★★★


For those looking for a handy introduction to the televised works of Shakespeare's finest plays with iconic British Thespians, then this collection will certainly deliver. Featuring the Bard's best work including MacBeth, Romeo & Juliet, Twelfth Night and King Lear.

Many viewers are often aware of the thespian background to many of Britain's most loved character actors like Ian McKellen, Patrick Magee and Judi Dench - but few have been lucky enough to watch these stars performing the plays that helped them make their names. The Shakespeare Collection gives viewers a glimpse into these performances, showcasing the undeniable talent of all involved.

MacBeth stars Sir Ian McKellen and Dame Judi Dench in the roles of Macbeth and Lady Macbeth, in this haunting tale of ambition, deception and twisted prophecy. Trevor Nunn stages this 1979 Philip Casson TV adaptation, which has often been cited as the perfect adaptation of MacBeth. Steeped in brooding atmosphere and championed by strikingly emotive performances from McKellen and Dench, this is bare bones MacBeth, stripped back to its core - a truly unforgettable production.

Also included is a 1976 adaptation of Romeo & Juliet starring Christopher Neame and Ann Hasson, as well as a host of much loved British character actors including Christopher Biggins, Patsy Byrne (Blackadder II's Nursie) and Simon MacCorkindale. The talent of the leads may pale in comparison to the powerhouse performances of McKellen and Dench in MacBeth, but Neame and Hasson both deliver solid performances. Romeo & Juliet focuses more on lavish settings and the adaptation may lack of the emotional punch of Shakespeare's play. However, it is still faithfully carried out and an interesting opportunity for viewers to see the source material carried out so meticulously.

Kenneth Branagh's 1988 adaptation of Twelfth Night is perhaps the most fun of all the adaptations included. This is a farcical tale of mistaken identity and the chaos that ensues from it, set against a backdrop of secrets and desire. Branagh's adaptation has kept the intimacy of a smaller theatrical production, proving to be a warm, amusing and thoroughly engaging watch - masterfully carried out with Branagh's traditional precision and eye for detail.

The final feature included in the collection is Tony Davenall's 1974 adaptation of King Lear starring underrated Irish talent, Patrick Magee. King Lear centres around an ageing monarch who decides to split his estate between two of his three daughters. This tale of spiralling madness grips through Magee's intense and grandiose performance as Lear in this well crafted and Thames Television Production, which also boasts the expected lavish sets and costumes.

The Shakespeare Collection is a thoroughly worthwhile watch for those seeking an introduction to Shakespeare or simply wishing to relive some of the playwright's finest creations. Featuring magnificent performances from some of Britain's most loved acting talents and most respected figures in the world of theatre, The Shakespeare Collection is a near perfect compilation.

Andrew McArthur


Stars: Ian McKellen, Judi Dench, Richard Briers , Patrick Magee
Directors: Phillip Casson, Joan Kemp-Welch, Kenneth Branagh , Tony Davenall
Certificate: PG (UK)
Release: 16th July 2012 (UK DVD)

Still time to enter the competition to win this collection, enter here