The Weird and wonderful Holy Motors UK Home Release Coming January

A stellar cast including Leos Carax, Denis Lavant, Eva Mendes and Kylie Minogue, beautiful cinematography and extraordinary story combine to make the one and only Holy Motors. Having garnered Five Star reviews in The Guardian, Empire, The Telegraph, The Times, The Irish Times, Eye For Film and the New York Daily News, amongst others, during its hugely successful theatrical release, Holy Motors is the most dazzling, inventive and critically acclaimed film of the year comes to DVD and Blu-ray 28th January 2013.

Synopsis:Over the course of a single day, Monsieur Oscar travels by limousine around Paris to a series of nine “appointments,” transforming into a new character at each stop. Picked up in the morning by Céline, his trusty chauffeur, Oscar begins the day as a captain of industry before becoming a disabled, old gypsy woman begging for spare change on a bridge over the Seine.

Oscar’s seven proceeding incarnations call on what seem to be arbitrary locations throughout the day and night, including a video production facility, the Pere-Lachaide cemetery and a decaying Right Bank department store. With the aid of Céline and his dependable motor, Oscar encounters many bizarre situations and individuals, changing faces and never stopping once, until he fulfils his appointments.

A Palme d’Or nominee and winner of the Prix de la Jeunesse at Cannes Film Festival 2012, winner of the Gold Hugo for Best International Feature and Silver Hugos for Best Actor (Leo Carax) and Best Cinematography (Caroline Champetier and Yves Cape) at the Chicago International Film Festival and winner of the Best Director, Best Film and Critic’s Award at the Catalonian International Film Festival, Leos Carax’s “Holy Motors” is a heartfelt love letter to Cinema by one of today’s most visionary filmmakers.

Part horror movie, part noir-ish crime thriller; part romantic drama, part musical; part comedy, part sci-fi fantasy: it is a film that is almost as impossible to describe as it is to resist. All in all, it is essential viewing for everyone who enjoys the magic of the movies.



Pre-order: Holy Motors DVD / Blu-ray
Holy Motors will be yours to own on DVD, Blu-Ray from 28th January 2013.

Top Ten Documentaries of 2012

People assume that most films are crafted in a filmmaker’s mind, taking a script, translating it to screen and entertaining audiences the world round in that order; however, the documentary provides an honest insight into a subject that has actually occurred in our world, not the world created by the filmmaker.

Searching for Sugar Man, which hits DVD and Blu-ray on 27 December, shows that documentaries can be just as mysterious as crime thrillers; re-counting the story of a 70s rock icon who has long-since faded into oblivion, the film is just one of a many documentaries this year that have dabbled with the element of mystery and played with the conventional formula - making 2012 a pioneering year for the documentary. Here is a list marking the best of the bunch.

Searching for Sugar Man

A mysterious, informative and riveting documentary about two South Africans who embark on a quest to discover the truth behind their one-time hero, Sixto Rodriguez. Whether a music lover or a documentary fan, Searching for Sugar Man works better if you don’t do a Google search beforehand. You will reap the rewards of this amazing documentary from Malik Bendjelloul.

The Imposter

Like many of this year’s documentaries, The Imposter is best seen not knowing too much about what you are viewing. A Texan boy is found in Spain three years after he went missing, but it soon becomes clear that is all not as straightforward - Bart Layton’s documentary spectacularly confounds all expectation when it is flipped on its head not even 15 minutes in. Your eyes won’t leave the screen for its 100-minute running time.

The Queen of Versailles

The Queen of Versailles has been touted the best doc of the year by many, pitting on-screen the livelihood of a billionaire couple who begin construction on a mansion inspired by a palace in the French region of Versailles. As they fall victim to the economic crisis in the following few years, it is mesmerizing to witness how these people deal with the fallout of their actions.read review

5 Broken Cameras

A Palestinian farmer provides resistance against the Israeli army in a handheld-footage documentary that has no tricks or gimmicks up its sleeve, but provides emotion in its unflinching manner. The village in which the farmer resides in provide a snapshot of areas in Israel that are resisting the violence and war that surrounds them.

Room 237

Rodney Ascher has had praise heaped upon his documentary which analyses theories of Stanley Kubrick’s classic The Shining – as formulated by five obsessives. With the film split down theory-by-theory, the film ranges from the zany to the zanier as you witness professionals spouting dialogue about Kubrick’s impossible framing and his involvement in faking the moon landing. If you’re a fan of the Stephen King adaptation, there is no doubt you will lap this cult up.

Central Park Five

In 1989, five black and Latino teenagers were convicted of raping a white woman in Central Park – only for a serial rapist confessing to the crime many years later. The film questions the American legal system in an astonishing way, tackling the subject of racial injustice; something that has pulled directors Ken Burns, Sarah Burns and David McMahon into their own legal battle. Captivating.

The House I Live In

Eugene Jarecki, the brother of Capturing the Friedmans director Andrew, crafted this insightful critique of America’s trouble with drugs as he tracks the individuals working within the judicial system - and the ones behind bars who are dragged unwittingly into the war. Like a cousin of Steven Soderbergh’s Traffic, the documentary shows how this system could potentially worsen matters, with the fight to clamp down on drugs spiralling out of control with every new day.

This Is Not a Film

When Iranian filmmaker Jafar Panahi was placed under house arrest for allegedly conspiracising against national security, he took to filming the events he was subjected to using an iPhone and a digital camera; top marks for bravery. With these devices used in a completely non-gimmicky way, This Is Not a Film is an, erm, extraordinary film. Smuggled out of Iran (allegedly in a cake) and backed by top Hollywood directors, this is a must-see.

Chasing Ice

Critical-acclaim has been received for Chasing Ice - mainly due to the fact that it follows National Geographic photographer James Balog’s attempt to capture a multi-year record of the world’s changing glaciers by deploying time cameras around the Arctic; deserves to be seen for this mean feat alone. Read Review

West of Memphis

Famously produced by Peter Jackson and Fran Walsh, director Amy Berg’s documentary about the ‘West Memphis Three’s’ wrongful conviction for killing three boys not only informs the audience of these events, but aims to go beyond the duty of filmmaking to secure their release. Brave filmmaking that proves even more gripping than you first think – this documentary will make you feel lots of emotions.

Searching For Sugar Man is on DVD and Blu-ray 2012. Stay tuned for review, fancy winning the film on DVD? You can enter the competition here

Official Trailer to Zero Dark Thirty

Currently enjoying its fair share of critical praise and controversy here and across the pond, Zero Dark Thirty heads to UK cinemas on the 25th of January, and Universal has just released a new trailer to tide us over in the mean time.

In it we're introduced via brusque and chilly voiceover to Jason Clarke's character, simply named 'Dan', who appears to be addressing a terrorism detainee in a cell. "I am bad news. I am not your friend. I'm not gonna help you. I'm gonna break you. Any questions?" we hear him say, presumably foreshadowing one of the film's more controversial plot elements: systematic and US government approved torture.

Indeed, there has been a bit of a hubbub brewing over the film's handling of this sensitive subject, with some critics arguing that the film inadvertently validates the use of torture through its results-getting depiction, though just as many others have been quick to rise to the film's defence, reinforcing Bigelow and screenwriter Mark Boal's dense, detailed and thrilling approach to the material.

Heated moral debate around the film always seemed a given, considering the immense severity of the subject matter. Opening with reconstructed emergency calls from 9/11 and charting the ensuing investigative hunt that led to Bin Laden's cathartic demise, Zero Dark Thirty seeks to be a comprehensive document of a tumultuous and generation-defining time in American history, and as such is unavoidably emotionally charged. We'll report back with our full review of the film come January, but until then check out the new trailer below:

The hunt for Osama bin Laden preoccupied the world and two American presidential administrations for more than a decade. But in the end, it took a small, brilliant team of CIA operatives to track him down. Every aspect of their mission was shrouded in secrecy. Though some of the details have since been made public, many of the most significant parts of the intelligence operation-including the central role played by that team-are brought to the screen for the first time in a gripping new film by the Oscar®-winning creative duo of Kathryn Bigelow and Mark Boal.

Their account of bin Laden's pursuit and capture, vivid yet faithful to the facts, takes the viewer inside the hubs of power and to the front lines of this historic mission, culminating in the special operations assault on a mysterious, suburban Pakistani compound.

Watch The Exquisite UK Trailer For Terrence Malick’s To The Wonder

Last Year's Tree Of Life divided opinions at The People's Movies and Cinehouse but one thing we all agreed on was the visual aesthetics of the film were sublime.If you were expecting the reclusive film maker to wait another few years before he makes the follow up you will be amazed to know in exactly 2 months time To The Wonder will be released and this afternoon we have the first official trailer.

The Guardian have the pleasure of introducing the world exclusive of To The Wonder's UK trailer which made it's world première at this year's Venice Film Festival and like the director's previous film received an hostile reception, why we don't know.This is a powerful strong first look at the film with plenty of trademark Terrence Malick styling's on show to admire, sweeping shots with the beautiful cinematography shot by the ultra-talented Emmanuel Lubezki. It's bleak, wonderfully chosen score and the typical Malick voiceover coming from Javier Bardem who plays the priest who questions his faith.

To The Wonder is an romantic drama of Neil an man (Ben Affleck) who moves back to USA from France bringing with him his new love Marina (Olga Kurylenko). Once back home in Oklahoma he renews his ties with old school flame Jane (Rachel McAdams) sparking off a love triangle. The film will like any of previous Malick films will have fans and critics debating the pros as well as cons of To The Wonder but whatever your views on the film maker it will be a rare visual treat that has no CGI or ridiculous stunts just something intelligent to enjoy.

To The Wonder will arrive in UK&Ireland 22nd February 2013 with USA release 12th April 2013.

TO THE WONDER, written and directed by Terrence Malick, is a romantic drama centered on Neil, a man who is torn between two loves: Marina, the European woman who came to United States to be with him, and Jane, the old flame he reconnects with from his hometown. In TO THE WONDER, Malick explores how love and its many phases and seasons passion, sympathy, obligation, sorrow, indecision can transform, destroy, and reinvent lives.

source:Thepeoplesmovies

Watch The Official UK Trailer For Zaytoun Starring Stephen Dorff

This boxing day one of the surprise hits of this year's London Film Festival Zaytoun will be released in UK&Ireland cinematically and the film's official UK trailer has arrived online.

Starring Stephen Dorff who plays a Israeli fighter pilot Yoni who finds himself a captive to a young Palestinian refugee boy in war torn Lebanon. Yoni forms a tentative bond with the boy Fahed (Abdallah El Akal) as the pair attempt to make their way home.

With the film set in Beirut 1982 there is an extra surge of tension with it been set 30 years ago despite the fact things in the Middle East sadly haven't changed much though you could say with the recent struggles things are a lot worse. The question is,the subject of a balance between entertainment and possibly your knowledge of the war or even what view you have on what's going on in that part of the world. I haven't seen the film so a lot of  what i'm reading up on the film is from previous articles, reviews and things like compassion between 2 people from areas that have grown up hating each other can bond together in order to survive. There is a big Waltz With Bashir feel to this film and it's a film which should spark some rather intriguing debate on how you see the whole Israeli / Middle East fiasco. It will  also be interesting to see as the film's director Eran Riklis an ex-Israeli military how balance or even imbalanced Zaytoun might be.On an acting front this film sounds like another piece of evidence proving Stephen Dorff does possess some good acting chops but why doesn't he make more of these movies and get the credit he deserves?

Zaytoun will be released by Artificial Eye films on 26 December and also stars Alice Taglioni, Ashraf Barhom.

Kaneto Shindō’s ONIBABA To Get Masters Of Cinema Treatment This February

Eureka Entertainment have announced that they will be upgrading one of the most popular titles in the Masters of Cinema Series, ONIBABA to a new 1080p HD Blu-ray on 25 February 2013.  One of the most popular Japanese horror films of all-time, ONIBABA was directed by Kaneto Shindō, the prolific director of 48 films (The Naked Island, Kuroneko) who passed away in 2012 at the age of 100, and who was still working up until his death.

“Onibaba graphically illustrates that brutalism, art and allegory can co-exist to spellbindingly powerful effect.” – Film 4

Kaneto Shindō, one of Japan’s most prolific directors, received his biggest international success with the release of Onibaba [The Demoness] in 1964. Its depiction of violence and graphic sexuality was unprecedented at the time of release. Shindō managed — through his own production company Kindai Eiga Kyōkai — to bypass the strict, self-regulated Japanese film industry and pave the way for such films as Yasuzo Masumura’s Mojuu (1969) and Nagisa Oshima’s In the Realm of the Senses (1976).

Onibaba [or Onibabaa, in its alternate spelling] is set during a brutal period in history, a Japan ravaged by civil war between rivaling shogunates. Weary from combat, samurai are drawn towards the seven-foot high susuki grass fields to hide and rest themselves, whereupon they are ambushed and murdered by a ruthless mother (Nobuko Otowa) and daughter-in-law (Jitsuko Yoshimura) team. The women throw the samurai bodies into a pit, and barter their armour and weapons for food. When Hachi (Kei Satō), a neighbour returning from the wars, brings bad news, he threatens the women’s partnership.

Erotically charged and steeped in the symbolism and superstition of its Buddhist and Shintō roots, Kaneto Shindō’s Onibaba is in part a modern parable on consumerism, a study of the destructiveness of sexual desire and — filmed within a claustrophobic sea of grass — one of the most striking and unique films of Japan's last half-century, winning Kiyomi Kuroda the Blue Ribbon Award for Cinematography in 1965. The memorably frenetic drumming soundtrack was scored by long-time Shindō collaborator Hikaru Hayashi. The Masters of Cinema Series is proud to present Onibaba for the first time on Blu-ray in the UK.

SPECIAL NEW BLU-RAY EDITION:

• Gorgeous new 1080p HD transfer
• Full-length director’s audio commentary by director Kaneto Shindō and the stars of the film, Kei Satō, and Jitsuko Yoshimura

• Video introduction by Alex Cox
• 8mm footage (40-minutes) shot on location by lead actor Kei Satō
• Optional English subtitles
• Original theatrical trailer
• Production stills and promotional art gallery
• 36-PAGE BOOKLET with a new essay by Doug Cummings, an English translation of the original short Buddhist fable that inspired the film and a statement from writer/director Kaneto Shindō about why he made Onibaba

Pre-Order Onibaa:ONIBABA (Masters of Cinema) (Blu-ray) [1964]

V/H/S Go Old School With Special Video Rental Store Screening

The anticipation around the upcoming 18th January cinema release of the horror anthology V/H/S is at fever pitch with Dread Central describing it as “A phenomenal piece of work. 5 out of 5.” and Fangoria urging “Horror fans need to see this movie at their earliest possible opportunity, because it’s a contender for best of the year.”

In the movie a small group of misfit friends and petty crooks are hired by a mysterious man to break into a derelict suburban house with the sole purpose of finding and stealing a rare VHS videotape. As they search through the tapes, playing them in turn, they are treated to a succession of graphic and apparently genuine video recordings, each one more shocking and bizarre than the last.

Momentum Pictures are proud to present a one-off early screening of V/H/S where for one night only you can go back in time to the glory days of VHS! Come join us on Wednesday 16th January at 6.30 at the one night only that ‘Cellar Rentals’ will exist at the Blackhall Studios in London for a pre-drink followed by an exclusive screening of the film at 7pm complete with popcorn. Should you survive this portion you'll then be able to join us in our loving tribute to the days of VHS as we're building an old-skool rental store for one night only. Look through the covers, enjoy complimentary drinks and other fun items in this rare chance to go back to the heady days of choosing tapes. The best bit of all - you'll get to leave with a rental big box VHS tape of V/H/S! Only 300 exist and they're numbered and this will be the ONLY SURE WAY to get hold of one of these rare collectors items.

Don't miss out - this will never happen again…To book tickets visit: www.agmp.co.uk

V/H/S is released in UK cinemas on 18th January 2013 and on DVD and Blu-ray on 28th January 2013 by Momentum Pictures.

WE ARE MONSTERS Gets New Artwork, Help The Movie Via Kickstarter

Cardiff/Bristol based production company Movie Mogul Ltd (PANIC BUTTON), are gearing up for their next production - sci-fi action horror WE ARE MONSTERS. They have brought on board accomplished key crew such as Casting Director Jeremy Zimmermann (MOON, HELLBOY), Monster effects specialist Neill Gorton (THE WOLFMAN, FROM HELL); Stunt Co-ordinator Andy Bennett (THE WOMAN IN BLACK) and Storyboard artist Ben Oliver (JUDGE DREDD, X-MEN). Casting is currently underway.  

Keen to involve the public, WE ARE MONSTERS producer, director and co-writer, John Shackleton, has turned to crowd-funding platform Kickstarter, which recently opened its virtual doors to UK projects. Movie Mogul’s fund-raising campaign runs for 60 days from December 14^th and they are aiming to raise £100,000 in an all or nothing campaign.

Shackleton commented: “We’re offering members of the public who might not normally have access to a film production, a window through which to get involved in the production of a fully professional feature film. There are a lot of fun incentives on offer, not least the opportunity to take part in the climactic uprising scenes at the end of the film, when the population begins to rise up against their alien oppressors.”

Synopsis: Lorna Thompson, a lonely suburban schoolgirl, joins a mutant gang of teenagers on a quest to discover their true identities. They uncover a global conspiracy, which they must find the strength to fight before civilization is destroyed.

Support We Are Monsters at Kickstarter here /  www.wearemonstersmovie.com

Interview: American Mary Directors The Soska Sisters

Jen and Sylvia Soska are the ‘terrible twins’ who are taking the film world by storm. Their second feature, AMERICAN MARY, is enjoying huge critical success ahead of its UK release in January 2013.

For their Director’s Night on Horror Channel, they have chosen ‘Hellraisers’,’Martyrs’ and ‘Pontypool’ and here they talk about their choices, why the UK is so special to them, the therapeutic nature of American Mary and why they can’t wait to get started on ‘Bob’.

Q: Last year Horror Channel broadcast the world premiere of ‘Dead Hooker In A Trunk’. What did that mean to you?

SS: When we were in the UK for FrightFest this year, we met so many people that were introduced to our work through the Horror Channel screenings - that gives an independent an audience they could never reach otherwise on a global scale.

JS: The UK is very special to us. It's the first place the film showed at a festival and the first place it was released. It was only was fitting to have our television premiere where we've had such a stellar response. It was at the same time very surreal. We watched along via twitter with the fans and I think we crashed our twitter account half way through and had to carry on via Facebook, ha ha! And to have an intro from our horror girl crush, Emily Booth, was a dream come true.

Q: How did that film change your lives?

SS: That film and more specifically the support we received from the horror community has changed our lives. We have this amazing opportunity to create unique films and we have brilliant people standing by the work to make it possible. We're promoting our second film, American Mary, now; what's different is we're getting the chance to travel and meet the people who have made this possible and watch the film with them. I feel like we're the luckiest horror nerds on the planet.

JS: Dead Hooker In A Trunk was a massive success due to the outstanding support of the horror community. First and foremost, we're horror fans ourselves and there's nothing like the feeling of having our fellow horror lovers embrace what we're doing. It's never been more easy to make a film in the way that we have so much technology and that makes it on the flip side a great struggle to stand apart from all the others, particularly for first time filmmakers. DHIAT has made us known filmmakers and that is a huge honour. We are so grateful to the people who have believed in us from the very beginning. They're the reason we're able to keep making films.

Q: Your new movie American Mary, which opens in the UK in January, has made a huge impact across the globe and has critics clambering over themselves to heap praise upon it. Where did the idea come from?

SS: Thank you; it's a very personal story. We were fascinated about the body modification culture when stumbling upon it years ago and massively researching the subject matter. We were struggling after making DHIAT, this is before its release, poor as hell, starving, meeting monsters in the industry, and having all sorts of personal troubles. The script was very therapeutic - we put everything we were going through and ourselves into that story using mainstream medicine Vs body modification as analogies for mainstream film industry Vs the horror scene. We wanted to shift people's opinions on appearances on the surface as well as one person's struggles for success.

JS: We've always been outcasts and found friendship and acceptance with our fellow underdogs. That inability to accept people who are different comes largely from ignorance. The body modification community is largely misunderstood and seems to be the subject of modern day witch hunts. It makes no sense to me that cosmetic surgery is fully accepted whereas body modification is ridiculed. We wanted to educate people on body mod. It makes a perfect vessel for telling our story as well.

Q.How different was it making American Mary compared to DHIAT?

SS: On DHIAT, we were every department. It was sink or swim and everyone having multiple jobs. On AM, we had experts in every department that killed themselves to make every aspect of the film excel. We had the experience from DHIAT to understand each department role and be involved, but a great full team and some money makes a world of difference, especially with an ambitious film like AM.

JS: Every project is a different experience. You learn from each, but they're all unique. The things that happened on DHIAT didn't happen on AM. DHIAT taught us how to roll with the punches which is an invaluable skill for a filmmaker at any level. Every film does come with its individual challenges. They're never the things you prepare for. You just need to be able to trouble shoot and keep going no matter what is standing in your way.

Q: Do you think you’ve grown in confidence as writers and directors?

SS: Yes. This job toughens you up significantly. I wanted to please everyone earlier on and you just can't do that. You have to stick to your guns, get your shots, and make your day. You have to be worthy of the leadership and visionary position that you have. I love collaborating with other team members to create a beautiful project, but I don't put up with shit from people who derail the process. Life's too short to deal with assholes.

JS: Absolutely. You become more sure of yourself and confident with your vision. I'm proud of DHIAT, but that film was very reflective of where we were when we made it. AM is where we've evolved to and our next film will be reflective of where we evolve to next. As a Canadian and as a woman, society trains you to tread so lightly and avoid confrontation and that's a load of bullsh*t you need to train yourself out of. You need to stick to your guns and trust your instincts. I'm very comfortable with that now. We don't compromise with our artistic vision. When you try to please everyone you end up pleasing no one, especially yourself.

Q: Does it make you nervous for your next movie?

SS: I'm dying to get back to work. I love travelling and promoting a film, but I only truly feel like myself when I'm working on creating a film - I long to get back to that. And the next one is completely different; I can't wait to get it out to people.

JS: Quite the opposite. I can't wait to be shooting and prepping and cutting the new one. It's been a life changing experience to be able to travel with American Mary and have the opportunity to connect with the fans, but I feel the most like who I am when I'm working on a film. It's invigorating and exciting and there's no feeling in the world like it. I can't wait to create a new, original nightmare for the horror community.

Q: American Mary will be released in the UK in January. For the DVD; can you give us any hint of what extras we can expect?

SS: I like bringing people into the world of how the film is created. We've got some great behind the scenes goodies, a making of mini-documentary, and some other good stuff. Plus, it's our first film out on Blu-ray - we shot on the Red and it makes a big picture difference.

JS: Yup, everything Sylvie said. The behind the scenes is my favourite feature. You get to see us and the full cast and crew in the thrall of it all.

Q: You’ve chosen Pontypool, Martyrs and Hellraiser for your Director’s Night, can you explain why you picked these three movies?

SS: They are some of my favourite horror films. I don't like predictable, paint by numbers horror - these films are genuinely unique and memorable, Martyrs might actually scar your mind. I like that kind of feeling, films that make you feel something.

JS: Pontypool is one of the most original takes on a classic horror genre and it's one of those hidden little horror gems. We wanted to get it out there and share it. It's a film that too few people know about. Hellraiser is just an outstanding work of art. We saw it when we were 12 and needless to say it was quite impactful. We adore body horror and Clive Barker. It's one of those films that’s just as damn good every time you see it.

Q: So what’s next for you two?

SS: Bob is next. There's a monster in all of us, sometimes it gets out. Be prepared for something wild that you haven't seen before.

JS: I'm very excited to get going on Bob. It's a very original take on a genre that's been plagued with a lot of crap as of late. We have the remedy for that.

Jen and Sylvia Soska, thank you very much.

SS: Thank you so very much!!

From Jan 11 2013, The Soska Sisters will be in the UK for a nationwide theatrical tour for AMERICAN MARY, courtesy of FrightFest and Universal.

Get Ready For Django Unchained With Home Re-Release of The Original Django

Coinciding with the theatrical release of Tarantino’s “Django Unchained”, the original and greatest Spaghetti Western of them all comes to Blu-ray, the original Django.

It was originally banned in several countries (and denied a certificate by the BBFC in the UK until 1993), but still managed to make an international star of Franco Nero and, worldwide, spawned over 50 unauthorised sequels. One of the greatest Spaghetti Westerns ever made, and without a doubt the most influential, Sergio Corbucci’s iconic masterpiece is a landmark piece of cinema revered by film critics and Western genre fans alike.

On foot and dragging a coffin behind him, a mysterious lone drifter calling himself Django (Franco Nero) arrives on the outskirts of a bleak, mud-drenched town located near the Mexico-US border. He saves the life of a prostitute, Maria (Loredana Nusciak) who is being abused, first by a group of Mexican bandits and then by a gang of racist, Ku Klux Klan-like radicals under the command of corrupt former Confederate soldier Major Jackson (Eduardo Fajardo). Accompanying Maria back to the town, Django discovers it consists of nothing more than a brothel serving the warring factions of Mexican outlaws and Jackson’s followers. Loyal to none, Django soon finds himself caught in the middle of the violent dispute and, armed with a devastating weapon, he is forced to defend himself against both sides. But when a chance encounter with a former acquaintance presents him with an opportunity to make some money and settle an old score, Django decides to team up with his adversaries, risking everything in a deadly plot that could end his life.

Director Sergio Corbucci (The Great Silence; Navajo Joe; Minnesota Clay), star Franco Nero (Die Hard 2; The Virgin And The Gypsy; Camelot), cinematographer Enzo Barboni (They Call Me Trinity) and Oscar-winning composer Luis Enríquez Bacalov (Il Postino).


Argent Films will be releasing Django on Blu-Ray in UK&Ireland 21st January 2013, Pre-OrderDjango [Blu-ray]

Special Features:

• Exclusive in-depth presentation by acclaimed filmmaker Alex Cox (Repo Man, Sid And Nancy) in the style of his epoch-making Moviedrome BBC series.
• Exclusive interview with star Franco Nero.
• Theatrical trailers.
• Argent Trailer Park.
• Alternative Opening Sequence.
• Reversible Sleeve with original Poster Artwork.