Darren Aronofsky’s PI Getting A 15th Anniversary BluRay Release In August

Can't believe it's 15 years, but it is and on 12th August Lionsgate UK have announced for the films 15th anniversary they are re-releasing Darren Aronofsky’s PI on Blu Ray.

Surreal psychological thriller written and directed by Oscar® nominated director Darren Aronofsky.

In his stunning debut feature film, Aronofsky tells the story of Maximillian Cohen’s (Sean Gullette) obsession with numbers and his theory that they hold the key to the answers of the universe. His work causes him agonising migraines and his former teacher Sol (Mark Margolis) advises him to take a break from trying to discover patterns in the stock market. When Max's super computer crashes after spitting out a 216-digit number, Max initially dismisses it, until the prediction comes true, and he realises that the number which he consigned to the trash could be the key he has been searching for.

This Blu-ray celebrates the fifteenth anniversary of the Pi’s release, one of the most original examples of cult classic independent American cinema and the birth of a great filmmaker.

Special Features:
Commentary with Darren Aronofsky
Commentary with Sean Gullette
Deleted Scenes
Behind The Scenes Montage
Theatrical Trailer
Original (Darren & Eric) trailer
Πr2 Music Video

Pre-Order/ Buy PI: Pi - 15th Anniversary Edition [Blu-ray] [1998]

Stoker Interview - Matthew Goode

English actor Matthew Goode is known for his roles opposite Mandy Moore in Chasing Liberty, in Woody Allen’s Match Point and the epic graphic-novel adaptation Watchmen. Other notable roles include the Evelyn Waugh adaptation Brideshead Revisited, Leap Year, Imagine Me and You, and A Single Man, opposite his friend Colin Firth. In STOKER, from acclaimed director Park Chan-wook, Goode plays Charlie Stoker, uncle to central character, India (Mia Wasikowska), and brother-in-law to Evie (Nicole Kidman)…


Director Park reveals that he gifted Mia a jaguar statue. Did you get anything nice?

He gave me the part. That was the best present! And yes, he did he gave me a gift — an amazing green tea. He and his wife gave me these six or seven boxes of this green tea with this lovely little teapot. Fantastic. I like it a lot. It certainly has anti-oxidant stamp on it.

What surprised you most about working with a great filmmaker like Director Park?

The atmosphere he creates and the man himself are so wonderfully peaceful, especially considering what his work is often about, with the violence and often quite disturbing themes. But as a man he is the antithesis of that. He is not manic. It is funny, because he and Quentin Tarantino like each other’s work. They have an appreciation but, obviously, Quentin is much more manic. Both are brilliantly intelligent and, as I say, Director Park is so peaceful and I liked the whole Korean vibe on set because I found it quite Zen. Listening to him is very peaceful, particularly the way he speaks. I find him a very relaxing, calming person to be around. He is just fabulous, a really lovely guy. I think his next film is a Western and I would love to be in that, as barman with a moustache or something like that!

How did the director help you to understand his visual ambition for STOKER?

We actually got a folder when we arrived, stuffed full, where just about every single frame had been drawn. It was amazing and also slightly worrying.

Why was it worrying?

Well it was like, ‘Wow! This is going to be quite demonstrative and there won’t be much room,’ but he is actually very collaborative during the filming and it was fantastic. You knew pretty much that it was going to look special even if you weren’t always sure at the time why things happened. Nicole said that she always wondered why he photographed her hair being brushed for so long that day. And then you realize when you watch the film he was going to do that incredible cross-cut with the fields. So some things you knew and some times you were just like, ‘Well, he is an Asian director, perhaps this is what they do.’ The film is ravishingly shot.

And how did you and Nicole Kidman strike up the chemistry on screen?

Well, we went to the house because Director Park wanted to show us around it early-on during the rehearsal stage and I remember getting there and it was very hot, in the hundreds, and I was in a vest, a bit sweaty and Nicole said, ‘Actually, I think we should rehearse one of the scenes now that we are in the house.’ And I, professional that I am, had not got my script with me, so I was a bit worried that it would really show me up. Then it turned out to be the scene with the kiss at the end, so I was thinking, ‘Well, it’s just a rehearsal, we are not going to get to that moment, are we?’ But, suddenly, she’s approaching and that very day in an impromptu rehearsal she ends up going in for the kiss. I thought, ‘This is weird.’ I had this flashback to being in the cinema and seeing her in BMX Bandits! That was one of the first films that I watched in the cinema and if someone had told me at the age of seven, ‘Oh, you are going to kiss her. It is just going to be in another 25 years,’ well that is a very, very weird thing. Also, you are not in character when you are rehearsing. I was just a grubby Englishman in jeans and a vest, probably stinking of cigarette smoke. So at the rehearsal it was a little intimidating but on the day, in character, it was fine and just another scene. The rehearsal really helped.

Apparently, you and Mia visited the local Nashville honky-tonk bars on your weekends off?

Yes. We went two stepping. That’s one of the joys. We were such tourists. It was like buy cowboy boots? Check! Also my wife and my daughter were there because we were filming in Nashville and I knew that I wasn’t going to work every single day. It was one of the joys of the job that they came with me. We did everything that you think a tourist does and I bought them cowboy boots and my daughter actually got two pairs of cowboy boots. They are huge. She is only just wearing them now. With the two stepping, there were some very cool places to go, like The Bluebird Café, which has a reputation. It is the quality of the musicians that blows you away. We went to The Station Inn which is a very famous old place and the players are unbelievable — Bluegrass and swing music and it just makes you really happy. It’s a great a way to wind down. You see the old couples dancing, two-stepping, and they make it look so easy. Mia did a lot of dancing with my wife as well while I was sitting a couple out.

Having your family there must have made shooting STOKER even more special…

It did, because this can be a very selfish job. It becomes harder and harder. I have never really liked being away from family. I went to Australia and that was tough. Three months away with the little one at home. I hated it. They did come out for two weeks and that was hell. Then I had a one-year old with jet lag, while I was working a 16-hour day! It was awful when they had to leave and go back to Britain but, boy, did I sleep well. They are always the priority. . I just wish that I could work in England more. But you do have to go where the job takes you. It is not like I can pick and choose.

You were chosen for this film, so things must be going quite well…

I take work far more seriously since becoming a dad. I generally still wake up with financial crises going on in my head and for me it is just about getting a job and doing it. I think you do get better. I have been doing it for 14 years now and I have done 20-odd things. I’d love to think that down the road I am going to meet someone like Michael Fassbender’s got this amazing relationship with Steve McQueen. I’d love to find a director who brings out the best in me time and time again. That is what I’d like to think will happen one day.
Stoker is out on DVD & BluRay 1st July.

Saving The World From Total Boredom This July The Aquabats Season 1 on DVD!

Join a new generation of super hero in The Aquabats: Super Show Complete Season One comes to UK this July.

Taking outrageously fun entertainment to the next level for kids and adults alike The Aquabats looks set to take over TV screens with an offering of rock out tracks and hearty laughs. This hit CITV TV show finds itself on DVD for the first time in the UK. Featuring a former ska band and a number of set pieces reminiscent of 90’s cartoons and the Power Rangers, The Aquabats are ready for just about anything.

From the creators of Yo Gabba Gabba! and frontman Christian Jacobs comes the perfect blend of live-action and animation! Follow the amazingly wild comic antics of The Aquabats the galaxy's first group of musical crime-fighting superheroes! MC Bat Commander Crash McLarson Ricky Fitness Eagle Bones Falconhawk and Jimmy the Robot will take you along on their most outrageous adventures to protect space from the creatures and super villains out to destroy it! All 13 Season One episodes can now be found in one deluxe collection sure to banish boredom and make anyone an instant fan of the world's most inept superheroes!



Aquabats hits every note with rockin’ success. A blending of both humour, action, animation and music, the Super Show packs in a dazzling performance to make a stunning debut season enjoyable for both adults and kids. With references to 90’s ska and some truly out of this world creations, Aquabats places itself centre stage ready to become an instant cult classic.

The Aquabats! Super Show Season One Arrives on DVD in UK 22nd July. The Aquabats are Christian Jacobs, Richard Falomir, James Briggs , Ian Fowles, Chad Larson. Pre-Order or Buy The Aquabats Complete Season 1 (CITV) [DVD] now!

Jaws On Wheels, Elliot Silverstein’s 1977 cult horror classic The Car Driving On Blu Ray July

Arrow Video is pleased to announce the worldwide Blu-ray debut of Elliot Silverstein’s 1977 cult horror classic THE CAR on Monday 15th July.

Often referred to as “Jaws on Wheels”, THE CAR has been lovingly re-mastered by Universal Pictures and, for the first time in its history, will finally be available on the Blu-ray format. This landmark release also marks the first time the film has been available with extras.

Starring James Brolin (The Amityville Horror; father of Josh Brolin) alongside Kathleen Lloyd (The Missouri Breaks), John Marley (The Godfather), and Ronny Cox (Deliverance), THE CAR tells the story of a mysterious automobile which goes on a murderous rampage, terrorizing the residents of a small town.

In addition to the HD restoration, Arrow has sourced a host of bonus material and special features, something which has never been done before for this film. The deluxe Blu-ray package includes Audio Commentary with director Elliot Silverstein, two exclusive featurettes on the making of the film and its history, the original theatrical trailer with commentary by John Landis (director of An American Werewolf in London), extended collector’s booklet and, as is becoming customary with Arrow Video’s classic film releases, an exclusive reversible sleeve, containing both the original and newly commissioned artwork. THE CAR’s brand new sleeve comes courtesy of acclaimed illustrator Joe Wilson.

Made when Jaws was still the most successful film of all time, THE CAR has almost exactly the same premise, but replaces the ocean with the Utah desert, and the shark with a Lincoln Continental Mark III, of

possibly supernatural origin.

When two teenage cyclists and a hitch-hiking musician are killed in apparently deliberate hit-and-runs, the police department of Santa Ynez investigates, whereupon the seemingly driverless vehicle turns on its hapless officers as well.

When the car strikes rather too close to the home of Captain Wade Parent (James Brolin), he vows to stop at nothing to defeat it.

espite a police cordon being applied to all roads in the Santa Ynez region, THE CAR still manages to enter the town, causing murderous havoc wherever it roams.

With police officers, bystanders, squad cars, civilian homes, a marching band, and even an innocent gatepost all falling victim to the un-manned killing machine, Captain Parent must stop at nothing if he is to defeat THE CAR and make his beloved town safe once again.

Director Elliot Silverstein (Cat Ballou, A Man Called Horse) keeps everything as slick and streamlined as the car itself, turning the desert landscape into a powerfully mythic backdrop for a potent clash between the forces of good and those of inexplicable, but clearly implacable, evil.

A complete list of the special features included on the deluxe blu-ray release of THE CAR is as follows:

- High Definition presentation (1080p), on Blu-ray for the first time in the world!
- Optional English SDH subtitles for the deaf and hard of hearing.
- Audio commentary with director Elliot Silverstein, moderated by Calum Waddell.
- “Making a Mechanical Monster” – Special effects artist William Alridge remembers The Car.
- “Hitchhike to Hell” – Actor John Rubinstein recalls becoming a victim of The Car.
- Trailer commentary by director and The Car fan John Landis.
- Original Trailer.
- Reversible sleeve featuring original and newly commissioned artwork by Joe Wilson.
- Collector’s booklet featuring new writing on the film by Cullen Gallagher as well as a brand new interview with co-writer Michael Butler, conducted by Calum Waddell, illustrated with original archive stills and artwork.
- Easter Egg.

Runaway This July With Andrei Konchalovsky’s Runaway Train On BluRay

Buy Now
Arrow Video is pleased to announce the worldwide Blu-ray debut of Andrei Konchalovsky’s gripping thrill-ride Runaway Train on Monday July 22nd.

Starring Academy Award and Golden Globe winner Jon Voight (Coming Home, Deliverance, The Rainmaker), Eric Roberts and Rebecca De Morney, this brand new dual format DVD & Blu-ray release of Runaway Train has been re-mastered in High Definition by MGM, following its 2010 premiere at the Cannes Film Festival (Classics Selection).

Finally available on Blu-ray for the very first time anywhere in the world, Arrow Video’s brand new deluxe edition of Runaway Train also includes a host of special features and bonus material, the first time any such items have been sourced to accompany the feature on a home video release.

Following its debut at the 1986 Cannes Film Festival, Runaway Train went on to be nominated for a total of three Academy Awards (Best Actor, Best Supporting Actor, Best Editing) and three Golden Globe Awards (Best Motion Picture – Drama, Best Actor, Best Supporting Actor). To this day it remains as one of the all-time classic break-out movies.

Based on a script by the legendary Japanese director Akira Kurosawa (Seven Samurai), Runaway Train begins as two convicts break-out of Stonehaven Prison in the dead of winter, boarding a freight train with the intention of getting as far away as possible before their notoriously sadistic warden finds out.

Oscar "Manny" Manheim is a ruthless bank robber and hero to the convicts of Stonehaven. After two previous escape attempts the doors to Manny's cell have been welded shut for three years. A court order see’s Manny released back into the general prison population, where he immediately sets his next escape plan into action.

Aided by fellow inmate Buck, who joins Manny’s break-out attempt at the last minute, the pair embark on a freezing cross-country hike (involving a 300 ft drop into a river and subsequent swim) until they reach a remote Alaskan rail yard and board a locomotive.

Upon leaving the rail yard, the locomotive’s brakes fail and the driver has a fatal heart attack, sending one hundred tons of metal hurtling through the snowy Alaskan wastes at a terrifying and seemingly unstoppable speed.

With hardboiled prison slang added by real-life ex-con Edward Bunker (Mr Blue in Reservoir Dogs), this riveting thriller combines electrifying action with constant psychological tension. Runaway Train  is one of cinema's great thrill-rides.



A full list of the special features included on the Blu-ray &DVD dual format edition of RUNAWAY TRAIN is as follows:

- High Definition transfer of the film prepared by MGM for the Cannes Film Festival premiere.
- High Definition Blu-ray and Standard Definition DVD presentation of the film.
- Optional English SDH Subtitles for the deaf and hard of hearing.
- Running on Empty – An Interview with director Andrei Konchalovsky.
- From Thespian to Fugitive – Star Jon Voight shares his memories of his Academy Award-nominated role.
- Sweet and Savage: Eric Roberts recalls his Academy Award-nominated performance.
- The Calm Before the Chaos – Co-star Kyle T. Heffner remembers Runaway Train.
- Trailer with commentary by Rod Lurie.
- Original Trailer.
- Booklet featuring new writing on the film by Michael Brooke, a new interview with Runaway Train’s Production Designer Stephen Marsh conducted by Calum Waddell and the original Life Magazine article that inspired the film, illustrated with rare behind-the-scenes production images.

Stoker Interview - Park Chan-Wook

South Korean filmmaker Park Chan-Wook is best known for his films Joint Security Area, Thirst and ‘The Vengeance Trilogy’, consisting of Sympathy for Mr. Vengeance (2002), Oldboy (2003) and Sympathy for Lady Vengeance (2005). STOKER, a coming-of-age drama starring Mia Wasikowska, Nicole Kidman and Matthew Goode, is his first film in the English language…

Had you been looking to direct a film in the English language for some time or did the script for STOKER just appeal so much?

Ever since Old Boy, scripts started coming to me, English language scripts, and when it came the time when I made and released Thirst, which was partly financed by American studios, it was taking me one step closer to doing an American film, I felt. Things happened in stages I feel. It was really a combination of both — that I have been thinking about making a film in America for some time as well as having the right script to come across.

Even as a young man did you harbour an ambition to make films outside your homeland?

It was very difficult at times for me to even imagine that I would really become a film director. Thinking I would make a film in America, I couldn’t even fathom it. Looking back, it all probably started when I read some American friends a novel, which I wanted to adapt into a film and in the process of thinking about that project I thought the very story of the book, particularly if I were to adapt it, was very American. It had to be set against the backdrop of America. And that is the first time I started thinking about this concept of making films in America.

Were you surprised when you found out that a popular actor, Wentworth Miller, rather than an experienced screenwriter, had produced the STOKER screenplay?

Well, when I found out that the scriptwriter was him, I was probably as surprised as anyone else who had found out who the scriptwriter was, because he wrote under a pseudonym. But to think that a young man, no less than a popular actor, has written such a script, is probably the last thing you would guess. I would have probably been less surprised if I had been told that it was a female actor who had written it. I still consider that he is an amazing, talented person and I think myself lucky that I got to direct this script.

What were the first visual metaphors that struck you when you were reading the script?

I have to say the saddle shoes, which India loves to wear and her mother abhors. It is a very fitting little item to speak to India’s somehow old-fashioned and closed-off personality. But before all that I, at first wondered what a pair of saddle shoes looked like because in Korea we are not used to seeing these shoes. It was never part of our popular culture so I started by looking for images of these shoes online to see what they looked like exactly. After that I began to think: What if it was a birthday gift for India every year, from a mysterious figure? And on her eighteenth birthday she gets a box but it is empty. Instead of a pair of shoes there was a key, which leads to the high heels? This all adds to the saddle shoes becoming in the end one of the most important visual metaphors. As you see in the film this pair or set of shoes that she receives on her birthday every year, it follows her across the years, from a baby size set of shoes to grown up pairs of shoes and she lies on her bed surrounded by them all. It is a very clear visual metaphor to say this is a coming of age story and having gone through these trains of thought it became clear to me that the reason I had conjured up this visual metaphor is because this is very much her coming of age story. It’s that, that helps categorize the film as such. In Korea between people who love each other, they never give shoes as gifts because there is an urban myth or a jinx that when you give a pair of shoes to someone you admire, they will wear the shoes and run away. The American writer, Wentworth Miller, could never have known this, so as a Korean director it is something of an element that I added to the script — the idea that she got saddle shoes every year and she never knew who was sending them but finds out it was Uncle Charlie and that this year instead of saddle shoes, she gets high heels, which is also a metaphor and wearing those shoes, she leaves, she runs away. So this is a very Korean train of thought and idea.

How did you play up the dynamic of hunter and hunted when shooting the movie? At different times, different characters seemed in control…

This is an important element and one of the most important elements I brought to the script. And it informs every aspect of the film. Of course, Uncle Charlie’s love for the car, the jaguar, is also part of that. It is such an important motif and when I met Mia for the first time my gift to her was a sculpture of a jaguar. It is all to do with how the father taught his child to hunt because he is worried that she would end up in a similar situation that befell Uncle Charlie, because her father fears the bad blood. And in order to find a healthy outlet, which can vent any potential violent urges, that is why he taught her to hunt in the first place. Also, Uncle Charlie believes that the blood running through his and her veins is exactly the same, he believes this idea and he almost forces the idea on his niece which leads us to that scene in the forest where she is attacked and how Uncle Charlie arrives at the scene and ties the boy up and just pats the prey saying to the young predator, ‘All yours’. You can compare that to any natural predators like lions, how they would attack their prey and render them immobile and have their baby lion or tiger come in to do the killing blow — to teach this whole hunting process.

Is there anything specific that you plan for the Blu-Ray & DVD release?

Now that you mention it, the documentary will of course be there. And all the trailers I would love to be there, especially the DJ Shadow trailer. This is my favourite trailer of all time, of all my films. Also, some deleted scenes could make their way back into the DVD. I can’t think of the scenes specifically now but one scene comes to mind is when Aunty Gin [Jacki Weaver] arrives. She is putting the flowers in the vase. That is when Uncle Charlie appears. She never knew about him being there and she drops the vase and it shatters on the floor of the kitchen. That scene will make it, perhaps. Another idea that comes to mind is that Emily Wells [who contributed to the STOKER soundtrack] is coming to Korea and she is going to be performing “Becomes the Colour”, which is the song for the film when the red carpet entries are being made by the guests and so I would love that live performance to be captured and to make it on to the DVD.
Stoker will be released on DVD, BluRay on 1st July, Read Review here.

Brian De Palma's Dressed To Killing Will Killy Your BluRay This July

Arrow Video is pleased to announce the UK Blu-ray debut of Brian De Palma’s erotic crime thriller Dressed To Kill on Monday 29th July.

One of De Palma’s best loved films, Dressed To Kill  has been lovingly re-mastered by MGM studios, and will finally be available uncut and on blu-ray for the very first time in the UK. Arrow’s deluxe edition of the film will come loaded with an exclusive selection of special features and bonus material.

Starring legendary British actor Michael Caine (The Italian Job, Get Carter) alongside Nancy Allen (Carrie, Blow Out) and Angie Dickenson (Point Blank, The Killers), Dressed To Kill begins as sexually frustrated housewife Kate Miller (Dickenson) consults her psychiatrist about her husband’s lacklustre performance in the bedroom. Following the session with Dr Elliot (Caine), Kate silently seduces a stranger in a New York Art gallery, before going back to his place.

Upon leaving the man’s apartment, Kate is brutally murdered in the elevator; the only witness is high-end prostitute Liz Blake (Allen), who is in-turn accused of the murder.

One of De Palma's darkest and most controversial suspense thrillers, Dressed To Kill was as acclaimed for its stylish set-pieces and lush Pino Donaggio score as it was condemned for its sexual explicitness and extreme violence.

The glee with which De Palma turns this material inside out is completely infectious, as he delves deep inside the troubled psyches of his characters (critic Pauline Kael said that the film was "permeated with the distilled essence of impure thoughts") in order to undermine expectations at every turn.

Following Obsession and Blow Out, Dressed To Kill is the third film in Arrow Video’s De Palma Collection. Restored Blu-ray editions of Sisters, Phantom Of The Paradise and The Fury will follow in 2013/14.

Best known for his psychological and often violent thrillers, De Palma’s use of split-screens, slow panning shots and Hitchcockian suspense have made his films instantly recognisable. Alongside Dressed To Kill, some of De Palma’s most revered works include Scarface, Carrie, Blow Out, The Untouchables and Mission: Impossible.

De Palma has proved hugely influential, inspiring many modern-day film makers to get behind the camera; Quentin Tarantino hails De Palma as the greatest living American director. Also known for discovering and nurturing new acting talent, De Palma is widely credited with fostering the early careers of Robert De Nero and John C. Reilly.

A complete list of the special features included on the deluxe blu-ray edition of DRESSED TO KILL is as follows:

- High Definition Blu-ray (1080p) presentation of the feature.
- Optional original uncompressed Mono 2.0 Audio and DTS-HD Master Audio 5.1 Surround Sound.
- Optional English SDH subtitles for the deaf and hard of hearing.
- Symphony of Fear: Producer George Litto discusses his working relationship with Brian De Palma.
- Dressed in White: Star Angie Dickinson on her role in the film.
- Dressed in Purple: Star Nancy Allen discusses her role in the film.
- Lessons in Filmmaking: Actor Keith Gordon discusses Dressed to Kill.
- The Making of a Thriller – A documentary on the making of Dressed to Kill featuring writer-director Brian De Palma, George Litto, stars Angie Dickinson, Nancy Allen, Dennis Franz and more!
- Unrated, R-Rated, and TV-Rated Comparison Featurette.
- Slashing Dressed to Kill – Brian De Palma and stars Nancy Allen and Keith Gordon discuss the changes that had to be made to avoid an X-rating.
- Original Theatrical Trailer.
- Gallery of behind-the-scenes images.
- Reversible sleeve with original and newly commissioned artwork by Nathanael Marsh.
- Collector’s booklet featuring new writing on the film by critic and author Maitland McDonagh, and a new interview with poster designer Stephen Sayadian by Daniel Bird, illustrated with original archive stills and promotional material.

Stoker DVD Review

Rating: 18
BD/DVD Release Date: 1st July 2013
Director: Park Chan-Wook
Cast: Mia Wsikowska, Matthew Goode, Nicole Kidman
Buy Stoker: Blu-ray / DVD

If you can avoid the trailer, then for God’s sake do because here’s a film that benefits from going in blind. Park Chan Wook’s Stoker is a thing of undeniable beauty; a carefully crafted piece of art, and there’s a word I don’t go throwing around too often. Essentially it’s a story about sexual awakening against a backdrop of dysfunctional family politics, but as with most great films, it’s not in the idea: it’s the execution.

The first half hour may strain patience, but it’s worth it. Wook takes time to set up his near epic tales, but after that slow start the film starts winding tighter and tighter, releasing brief flurries of energy whilst maintaining the illusion of a melodrama.  Here is a film horrific and deeply unsettling, without giving itself over to the horror genre.  Early scenes of India in the basement are thick with suspense, and moments of mystery call up Hitchcockian influences.You’ll spend a lot of time wondering just what in buggery is going on until finally Wook delivers a fantastic phone-box realisation scene and the film, rather than falling into place, lifts.

Important to the horror aspect is Mathew Goode’s electrifying performance as India’s estranged uncle, a man who appears just after her father’s death and upsets the balance of the household. To be fair I had expected Goode would be on top form, but this is something different.  There’s so much going on under the surface, so many silent and manipulative glances that you need a second viewing to catch the subtlety, Goode’s performance is the prize of the piece. Wasikowska’s India is something of gothic beauty also, shifting from what could have been a tired Burton character to a solid Angela Carter heroine.  We should be hearing a lot more from her in the future if this is anything to go by.

As with every Clint Mansell soundtrack Stoker is a thing to behold, furthering those Hitchcock influences with epic strings whilst digging deeper into India’s slowly dawning mind state with heartfelt piano.

Wook’s keen sense of style and image are fantastic , perhaps even a career best. The Gothic grandeur of the colonial house is captured with apparent ease, every frame looks like a painting, every image is a goldmine, there’s enough symbolism here to fill a hundred books. Repetition and explanation of certain details allows Wook’s film to achieve a bizarre nostalgic quality. This works hand-in-hand with the vicious and cold quality of the night time sequences allowing the horror to take shape.

Kidman’s performance fits in somewhere here; as a detail. And a fine one.  Just as important as India or Charlie, Kidman’s performance is seductive, pathetic, and heart-breaking: her’s is the damaged thread that winds throughout, adding the most pure strain of heart-ache to Stoker.

Macabre, erotic, visually seductive, perfectly cast and performed, and flaunting a plot so thick with mystery and meaning you’ll feel your brain swell. Stoker may just be a genuine masterpiece from a genuine master.

★★★★★

Scott Clark

[This is a repost of the Glasgow Film Festival review]

Win Arbitrage On Blu Ray

In a role which earned him a Golden Globe nomination, Richard Gere plays a man beyond redemption in Nicholas Jarecki’s blistering thriller Arbitrage, available on Blu-ray and DVD on 15th July, 2013.Courtesy of Koch Media. we have 3 copies of the film up for grabs on Blu Ray.

When we first meet New York hedge-fund magnate Robert Miller (Richard Gere) he appears the very portrait of success in American business and family life. However, behind the gilded walls of his mansion Miller is in over his head, desperately trying to conceal an affair with French artist Julie Cote (Laetitia Casta – Gainsbourg) whilst racing to complete the sale of his trading empire to a major bank before his fraudulent dealings are revealed. When a tragic accident complicates things further, attracting the unwanted attention of NYPD detective Michael Bryer (Tim Roth), and the net tightens around him Miller realises that the suspicions of not just the police but also his loyal wife (Susan Sarandon ) and heir-apparent (Brit Marling) have been aroused. With time running out, Miller finds himself battling not just for his reputation but also his life.

Slick, smart and genuinely gripping, Arbitrage is a suspense-packed game of cat and mouse. With a classy cast comprising some of Hollywood’s most glittering stars in a timely and gripping thriller, Arbitrage is one of this summer’s most essential Blu-ray and DVD releases.

To win Arbitrage on Blu Ray please answer the following question:


Deadline to enter this competition is Sunday 21st July 2013 (11;59pm) and you must be 15 or older to enter
Why not enter The Arbitrage competition at our main site The People's Movies too? Enter here!

Arbitrage is available on digital platforms From today.

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Who Would You Seduce For Chocolate? Watch First Clip From Lars Von Trier Nymphomaniac

How many can you seduce? It’s the situation 2 young pretty girls find themselves in, but what will convince you to find out? Some chocolate candy sweets! Don’t despair if your a chocoholic as there’s easier ways to get your fix just watch the first clip from Lars Von Trier‘s Nymphomaniac.

Exclusively released by The Guardian newspaper the first clip from Von Trier’s sex odyssey sees this sees young Joe (Stacy Martin) and her friend B (Sophie Kennedy Clark) daring each other see which boys the can have sex with. The clip shows clearly Joe is the more eager to get the prize been she is whom the film is based around and this been a film from Von Trier it makes you wonder if the ‘Chocolate sweets’ do have another meaning? The clip fulfills the visual palette with trademark Von Trier weirdness, it’s also a little tame though there’s no glimpses of computerized schlongs or body doubles here more the sexual curiosity of young girls.

Split into 2 films spread over 8 chapters Nymphomaniac tells the tale of Joe a self diagnosed sex addict Joe (Charlotte Gainsbourg) who retells her life story after been saved by an charming older man (Stellan Skarsgard). Will it be sexually explicit as Shia LeBeouf raved about or simply a film insanely hyped?



Nymphomaniac doesn’t have a official UK release date just yet but expect late 2013 if not early 2014. The film also stars Jamie Bell, Connie Nielsen, Christian Slater, Uma Thurman, Willem Dafoe, Jean-Marc Barr, and Udo Kier.

source:Guardian via The Peoples's Movies