GFF2014 - Jesse Eisenberg Goes Doppelgängland Style in Full UK Trailer For The Double

Movies Scored by Famous Musicians (Her Feature)

Often, a movie’s score goes unnoticed by an audience, but it can have major effects on the mood and setting of a film by subtly changing a viewer’s perception. If the score is not chosen wisely, it can hinder a film, or even worse, clash with the fundamental themes underlying it. In order to achieve the correct mood, it has become a recent trend for Hollywood film makers to collaborate with famous musicians. For Her, director Spike Jonze worked closely with Arcade Fire to create a sublime score that sweeps and swoons in alignment with Theodore’s (Joaquin Phoenix) emotions. In honour of Her’s February release, we’re taking a look at some of the best collaborations between famous musicians and film makers in recent memory.

Grizzly Bear/ Blue Valentine (2010)

Usually scores are inspired by the films they are created for, but in the case of Blue Valentine, the opposite is true. Director Derek Cianfrance worked for over 7 years to perfect his Blue Valentine script, but it wasn’t until he found the Grizzly Bear band that he hit his writing stride. As he wrote, he often listened to their music, fusing their melodic rhythm into the pacing of his writing. In 2007, he reached out to the band and asked if they would score his film. They obliged, and together with Cianfrance, were able to create two separate moods—one of romanticism for flashbacks and another highlighting tension for present day scenes—that defined the pacing of the film.

Alex Turner/ Submarine (2010)

The lead singer for the Arctic Monkeys took a brief hiatus in 2010 to work alone for the soundtrack of Submarine. In order to highlight this coming of age story, Turner put down his usual habitual rock style, and created six different acoustic songs. His soundtrack was critically acclaimed, and Turner used the experience to expand the sound of the Arctic Monkeys.

Trent Reznor/ The Social Network (2010)

While it’s hard to imagine The Social Network without its award winning soundtrack, Trent Reznor’s score almost didn’t happen. When David Fincher Initially offered Reznor the gig, he turned it down to take a break from music. Thankfully for the film however, Reznor changed his mind at the last minute, and joined forces with Atticus Ross to create a score that Roger Ebert called an “urgent composition that drove the film's headlong momentum.” After the credits finished, Reznor’s score kept on driving, taking the film to the academy awards where it was nominated for eight Oscars and won three including best original score.

Daft Punk/ Tron: Legacy (2010)

Before winning the Grammy for best album of the Year, the French duo took on the Disney remake of Tron in 2010. Their electric-pop vibe was a natural selection for the digital world, and the soundtrack for the film was a huge success, moving all the way to No. 4 on the Billboard top 200 list.

Karen O/ Where the Wild Things Are (2009)

To bring this beloved work of Maurice Sendak to life, Spike Jonze enlisted the help of Karen O, lead singer of the Yeah Yeah Yeahs, and at the time, his current girlfriend. She lent her voice for several songs, including the Grammy nominated song All is Love, and helped to write the score, which was nominated for best original score at the Golden Globe awards.

John Greenwood/ There Will Be Blood (2007)

For There Will Be Blood, Radiohead’s guitarist John Greenwood accented Daniel Day Lewis’ performance with orchestral sounds to give the film a sinister, unsettling tone. Although his score was ultimately snubbed by the academy awards because of its use of previously recorded material, it was nominated for a Grammy in the category of “Best Score Soundtrack Album for Motion Picture, Television or Other Visual Media".

Arcade Fire/ Karen O/ Her (2014)

For Her, Spike Jones collaborated with Arcade Fire to produce the score, and once again Karen O to sing an original song. Arcade Fire’s score has been nominated for best score by the academy awards, and Karen O’s “The Moon Song” has been nominated for Best Original Song. The film is also in the running for three more Oscars, including Best Picture.

HER IS RELEASED IN UK CINEMAS ON 14 FEBRUARY 2014

Watch Live Q&A For Those In Peril With EE Rising Star Award Nominee George MacKay

Eureka! Entertainment To Give Blu-Ray Release Of Classic Adventure The War Lord Starring Charlton Heston

Eureka! Entertainment have announced the blu-ray release of THE WAR LORD. One of the finest historical adventure films ever made, The War Lord dramatises with uncommon intelligence and integrity the brutality, difficulties and injustices of the Middle Ages.

Charlton Heston stars as Chrysagon, an honoured knight who takes over a castle tower in the swampland of Normandy to strengthen his duke's authority. But his struggles to maintain power in the face of Pagan villagers, barbarian attackers and his brother's jealous counsel are shaken by his growing weariness with bloodshed in a cruel world.

Never before released in high definition anywhere in the world, this collaboration between director Franklin Schaffner (Patton) and the legendary Charlton Heston, three years before their iconic reunion on Planet of the Apes, is a gripping saga of ferocious battles, heartfelt emotion and powerful storytelling.

'A fascinating, literate and rather disturbing excursion into the past. Four Stars.' - Radio Times

THE WAR LORD will be released on Blu-ray by Eureka! Entertainment on 14 April 2014.

SPECIAL FEATURES:

• Gorgeous 1080p transfer the film in its original aspect ratio
• Optional English SDH
• Isolated music & effects track
• Original theatrical trailer
• More on disc extras to be announced close to release
• BOOKLET with a new essay, and rare archival imagery

Pre-order / Buy The War Lord on:The War Lord (Blu-ray Edition)

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DVD Review - Blue Jasmine

Genre:
Drama, Comedy
DVD/BD Release Date:
17th February 2014 (UK)
Distributor:
Warner Bros Home Entetainment (UK)
Rating: 15
Director:
Woody Allen
Cast:
Cate Blanchett, Alec Baldwin, Peter Sarsgaard , Sally Hawkins, Bobby Cannavale
Buy:DVD or Blu-ray [Amazon]

After middle-age flings with exotic beauties from Barcelona, London, Paris and Rome, Woody Allen has decided, in his sunset years, to return home to a true American broad, and in Cate Blanchett’s Jasmine he has unearthed one of his greatest creations yet. It seems almost formulaic to insist upon calling each Allen release a return to form but if, like many, you weren’t totally convinced by Midnight in Paris and numbed by To Rome with Love then believe me when I say Blue Jasmine is not just Woody’s best for a decade but rivals the classics of his golden age.

Blanchett shines as the eponymous star in this skewed re-working of Streetcar Named Desire infused with a Bernard Madoff modern spin. We meet a broken Jasmine on a flight to San Francisco, escaping her once glorious existence as a New York socialite that instantly soured the moment her husband Hal – a suitably despicable Alec Baldwin - was collared by the FBI for questionable financial dealings. Assets seized, bank accounts frozen and friends long since departed, a maddening Jasmine seeks solace in her sister, Ginger’s, west-coast home. The pair, adopted into the same family at a young age, have gone on to lead hugely differing lifestyles and Jasmine soon finds herself plunged into the kind of blue-collar existence she thought  she had well and truly escaped and had no intention on revisiting. Her upstate New York drawl drips with catty condescension fired at will towards her sister’s home, her children and her choice of partner.

Largely seen as little more than a nuisance during Jasmines ‘blessed’ years, Ginger now becomes the base upon which she must carve out a new life. Although, Jasmine was quite content with her old life – tirelessly informing anyone who cares to listen (often those who don’t) about her legendary Hampton’s dinner parties, holidays around Europe and the glamourous setting in which Hal first swept her off her feet.

These sporadic and scattergun recollections allow us into the New York high life, filled with designer shops, holiday homes and bejewelled gifts from partners. Running alongside Jasmine’s current plight, Allen seamlessly blends these memories, navigating away from a tired fish out of water tale to provide us with glimpses of a life lost, as well Hal’s casual approach to monogamy and the root of the major rift dividing the two sisters.

At the films heart is a crackling script, penned by one of the industry’s finest and held aloft by a colossal central performance by Blanchett, a wound up ball of tension hidden underneath booze and delusions of grandeur. It feels like a homecoming of sorts for Allen without ever feeling showy, whitewashing over a decade of midlife ennui more notable for it’s misses than it’s hits. Back on from then and back on American soil, although not so much his well-trodden Manhattan streets but the relatively foreign San Francisco hills. Here again, Allen distances himself from his European phrase – eschewing the tourist friendly scenery – bar one shot of the Golden Gate bridge nestled in the background, otherwise notable by it’s absence – in favour of bringing these characters and their stories to the forefront of each frame.

A genuine return to from for Allen, but Blue Jasmine is more than merely that. A standout American film of the year so far, expect it to feature heavily come award season.

★★★★★

Matthew Walsh

This is a repost of the cinema review from The Peoples Movies