Stanley Kubrick's The Killing To Get Arrow Academy February Blu-ray Release

BFI To Release Feng Xiaogang's Back To 1942 Starring Adrien Brody, Tim Robbins, Watch UK Trailer

From acclaimed director Feng Xiaogang (Aftershock, Assembly) comes this breathtaking war epic which revisits one of the most catastrophic periods of 20th-century Chinese history – the famine in Back to 1942 will be released by the BFI on 23 February 2014 on both DVD and Blu-ray with additional special features.

Henan Province during the 1942 Sino-Japanese War. Previously unavailable in the UK,

Zhang Guoli stars as Master Fan, a wealthy landlord who loses everything when he and his family flee their famine-stricken hometown. Academy Award-winner Adrien Brody (The Pianist) co-stars as a courageous American journalist who encounters the horrors of the famine first-hand and endeavours to enlist relief-aid from the Chinese government and expose the plight of the Henan refugees.

Awe-inspiring action and intelligent characterisation combine to masterful effect in this explosive blockbuster.

Back to 1942 was screened at BFI Southbank last February, attended by director Feng Xiaogang, ahead of the major BFI season A Century of Chinese Cinema.



Back To 1942 will arrive in UK on DVD&Blu-ray on 23rd February and we hope to review this closer to release. The film Guoli Zhang, Hanyu Zhang, Wei Fan and of course Hollywood Stars Adrien Brody, Tim Robbins.

Pre-Order/Buy Back To 1942 (Blu-ray Edition which comes a host of extras  which include original trailers, promoreel, a couple of short features. The blu-ray also exclusively have 2 extra features which give a running time of  80 minutes  between them.

Film Review - The Gambler (2014)

Genre:
Crime, Drama, Thriller
Distributor;
Paramount Pictures
Release Date:
23rd January 2015 (UK)
Rating: 15
Director:
Ruper Wyatt
Cast:
Mark Whalberg, John Goodman, Jessica Lange, Brie Larsson, Michael Kenneth Williams, Gordon Kennedy
Rupert Wyatt’s remake of the 1974 drama, The Gambler serves up little justification for its existence beyond a few decent all-or-nothing moments of gambling insanity. Occasionally fun, often embarrassing, this stalled-then-revived Scorsese pet project gets bogged down with inane dialogue and the questionable casting of its leading man.

Jim Bennett (Mark Wahlberg) lands himself in a whole heap of debt after blowing his wad in a casino owned by a Korean gang. His plan to extricate himself from his financial mess involves borrowing even more money and gambling that in a double-or-quits spin of the roulette wheel. He loses and ends up owing over $300,000 with 7 days to pay or be whacked.

There’s certainly some joy to be had watching Walhberg’s laissez-fare, addict attempt to gamble his way out of debt, grinding himself further into the ground and slowly towards his apparent doom. Despite the sleazy giddiness of the gambling scenes though, there’s a fundamental problem with this daft betting drama.

If your protagonist is a self-destructive gambling addict then, yes, by all means cast Mark Wahlberg in that role. If your protagonist is also an author and associate professor of English literature at a university, then for God’s sake don’t hand that role to a former rapper and underwear model. Wahlberg’s performance in this provides no real evidence to suggest that he has ever read a book, never mind written one. As he blathers on about Shakespeare and the source of genius, you start to seriously doubt the wisdom of any college dean who would place Wahlberg’s remote, depressed and wildly idiotic lecturer in charge of the sculpting of young literary minds.

There are laudable supporting performances from Jessica Lange, John Goodman and Michael K Williams, but these too are often hamstrung by moments of incredulity. An expletive-laden conversation between Goodman and Walhberg about the joys of saying “fuck you” to your enemies seems to veer into Lynchian moments of arch-surrealism. Williams, in a moment of baffling,

childlike optimism, proudly boasts his intention to quit the crime racket, go straight and establish an avocado farm. It’s exchanges like those which draw attention to the vein of absurdity running through the whole film and mark it out as a bit of a busted flush.

★★
Chris Banks

Kodi Smit-McPhee Is All Grown Up Full Of Angst In All The Wilderness Trailer

It's been a long time since we first met Kodi Smit-McPhee and since The Road and Let Me In he's done a lot of growing up and in his latest film he's once again unleashing his teen angst, watch the official  trailer for All The Wilderness.

In The Road as The Boy his childhood was stolen from him thanks to an apocalyptic event, In Let Me In bullying destroyed him and in All The Wilderness he's a young man struggling to cope with the death of his father. He attends counselling meeting a psychiatrist (Danny Devito) who through his visit meets Val (Isabelle Fuhrman) another patient who introduces him to a whole new world that changes his life.

On paper this looks like it maybe another generic coming of age story but reading reviews from it's festivl runs it looks like its better executed than other entries. The film also further shows the talent that Smit-McPhee is becoming too, Beautifully shot and with a film soundtrack  which has the likes of Sigur Ros on it should see this film get some form of release in UK&Ireland.

All The Wilderness is due for a limited/VOD Release in USA on 20th February co-starring Virigina Marsden and Evan Moss.

Synopsis
James (Kodi-Smit-McPhee) has shut himself off from his surroundings, falling into a world of imagination and darkness. Visits with his psychiatrist (Danny Devito) have proven unhelpful – though he takes a liking to fellow patient, Val (Isabelle Fuhrman). As James begins to rebel against his single mother (Virginia Madsen), he ventures into the night where he meets a mysterious kid (Evan Ross) who welcomes him into an eccentric city. Relationships are put to the test as James navigates unfamiliar territory, wrestling with the reality of his own personal wilderness.

source: Apple

Blu-ray Review - The Thief of Bagdad (1940)

Genre
Adventure, Fantasy
Distributor:
Network
Release Date:
26th January 2015
Rating: U
Director:
Michael Powell, Ludwig Berger, Tim Whelan
Cast: Conrad Veidt, Sabu, John Justin, June Duprez
Buy: Blu-ray The Thief of Bagdad
The Thief of Bagdad is one of the benchmarks of fantasy cinema. It is a remake of the earlier silent version with Douglas Fairbanks, even though both are very different. It also happens to be one of the first major films directed by Michael Powell, however like The Wizard of Oz, there were many directors: 3 credited and 3 uncredited. With that being said, the film certainly has Powell’s stamp on it.

Admad (John Justin) is imprisoned by the evil warlock Grand Vizier Jaffar (Conrad Veidt), despite being the rightful heir to the throne of Bagdad. With the help of the thief Abu (Sabu), Admad escapes, and together they go on a fantastical adventure. Admad, now blinded, tries to win back the Princess (June Deprez) and in doing so, must defeat the evil Jaffar.

The film’s greatest strengths are the special effects and cinematography. The film is the first major picture to use extensive blue-screen. Due to the primitive nature of effects at the time, it is visible, yet it is still used in breath-taking ways. The film has two centrepieces: the encounter with Djinn the genie, and even more impressive spider web sequence. The spider sequence terrified a young Terry Gilliam so much so that he would, “wake up in the middle of the night trapped in that spider web, all my bedclothes wrapped around me.” The special effects naturally won the Oscar as did the art direction and cinematography.

The cinematography is as lush and colourful as you would expect from Michael Powell. It was shot by the French cinematographer George Perinal who Powell must have enjoyed working with, as he did so again on The Life and Death of Colonel Blimp. Powell would also work with him again on his later film Honeymoon, however Jack Cardiff, or his former camera operator Christopher Challis, shot many of the classic Powell and Pressburger films.

The Thief of Bagdad should be re-discovered, and hopefully thanks to the new Blu-ray release by Network it will. It has influenced directors as diverse as Terry Gilliam, Martin Scorsese and Francis Ford Coppola. The only real shame in the release is that it’s bonus features are limited to the original theatrical trailer and image galleries.

★★★★
Ian Schultz

DVD Review - Torment (2014)

Genre:
Horror
Distributor:
Altitude Film Distribution
Release Date:
26th January 2015 (UK DVD)
Rating: 18
Director:
Jordan Barker
Katharine Isabelle, Robin Dunne, Peter DaCunha, Stephen McHattie, Noah Danby
Buy:
Torment [DVD]

Jordan Barker’s Torment probably wont be as tormenting as you’d like it to be, but its still worth a look if you’re a fan of home invasion narratives. Newly weds Sarah and Cory Morgan (Katharine Isabelle and Robin Dunne) travel to their country home to put the past behind them and start a new family, with them is Cory’s 7 year old son Liam who is still dealing with his mother’s death the year before. When the family arrive, evidence of squatters begins a night of violence and abduction.

Torment borrows a lot of narrative techniques from some of the best horror films of the past decade, (The Strangers, Sinister) but never really forms its own world or characters. A middling set of stakes and too few spooks keep the film from really demanding our attention or imposing some kind of memorable experience. It doesn’t help that Adam Wingard’s You’re Next has essentially given the home invasion sub-genre a kind of spring clean, showing how dynamic, enjoyable, and terrifying a film can be when properly balanced. Comparisons are unfortunately against Torment, which is a shame because there are some great elements here.

                Starting with the obvious, Liam’s teddy bears, once decapitated, produce some startlingly eerie old-school masks which never quite lose their creepiness. Which is important because once Mr Mouse starts talking any terror, you might have felt, will be drained away via poor dialogue drawled in a strange Bane impression. Silence, perhaps, would have been golden. Similarly the sound tracking reaches a crescendo far too soon in the film’s prologue, undermining the tension and leaving the viewer a bit bewildered in the face of the opening credits. Thankfully the music finds its footing later on, helping keep the pace up in the more action-based second half of the film, and proving especially great in a gruelling suffocation sequence.

Isabelle looks like she’s having the best time being terrified, but she’s hardly flaunting the degree of skill she paraded in American Mary. Stephen McHattie ( Lance Henriksen: Mark 2, or is Lance Henriksen a Mark 2 McHattie? ) pops up for literally 2 scenes then gets blown up so yeh, no cool old guys to save the day here. Add Dunne’s pretty uneventful inclusion and the casting becomes a bit lacklustre.

Barker clearly has some great ideas on how to shoot basic manoeuvres which could otherwise have looked dull. Playing with the focus whenever one of the assailants enters a room works well as a means of obscuring, as does fading the gruesome family in and out of shots throughout the house. Barker keeps the camera roomy around his subjects to hint that – at any second – another character could appear. The general effect is to transform his human threat into a near-supernatural  omnipresence we never quite get a handle on. Of course all this is somewhat ruined by the dopey revelations that come later.

Dodgy dialogue and a meandering sense of panic eventually bog Torment down in its own lack of creativity, however there’s successful suspense and a few nifty set-pieces to maintain your attention for a fun and forgettable night of home defence.

★★1/2
Scott Clark

Film Review - A Most Violent Year (2014)

Genre: Action, Crime, Drama
Distributor: Icon Film Distribution
Release Date: 23rd January 2015 (UK)
Rating:15
Running Time: 125 mins
Director: J. C. Chandor
Cast: Oscar Isaac, Jessica Chastain, David Oyelowo, Albert Brooks

1981 is on record as statistically being one of the most dangerous years for New York City.  As well as being a dangerous year, it is also my birth year, so I sat down to enjoy this film thinking about those The Year I Was Born books that you got given as ‘original’ gifts as a child, eager to find out about New York City, in the year I was born.

The film follows Abel Morales (Oscar Isaac; Ex Machina, The Two Faces of January) and wife Anna (Jessica Chastain; Interstellar, Zero Dark Thirty) as they try to succeed with their oil trading business in the most violent year.  Business has been up and down for them, someone has been stealing oil from their tankers and they are being threatened with legal action from the DA for various accounts of embezzlement, but they are in the process of purchasing a large warehouse facility to greatly expand their business.

When a film is called A Most Violent Year you’re expecting a level of violence, so I spent a lot of the film waiting for something to happen, which kept me on my toes. However, the film is not about the city and the violent year, the story is more about an immigrant trying to do well in business and life, with crooked business associates, in a crooked business, in a violent city.  The nods to the violent year are achieved by radio snippets about shooting peppered throughout the film.

Jessica Chastain’s performance is standout and the highlight of the film, Anna’s moral compass slightly scewed to get the job done and to do right by the business and her family.  She skirts round questions from her husband about how legally they’ve been working with such class, very much aware that their competitors are just as crooked as they are.

One of the more interesting characters is Julian (Elyes Gabel; Interstellar, Game of Thrones), a driver who early on the film has his oil tanker stolen at gun point. He is then, after much debate, given a gun to protect himself, however he is really not emotionally ready to be back on the road. Abel is too preoccupied with financially concerns to fully sympathise with his employees state of mind, and as a result Julian handles his situation badly.  Girls fans like myself will also be pleased to see Christopher Abbott as one of the hijackers, who puts in a fine and gutsy performance.

A Most Violent Year is a subtle, suspenseful but rather slow moving at times, however an interesting portrayal of a well meaning man trying to do right in a violent and crooked world.  Though entertaining enough, I don’t think the film packs the punch which it promises.

Side Note - For old times sake I just dug out my copy of The Year I Was Born book, which tells me that on my birthday an ex-Trappist monk hijacked a Boeing 737 flying between Dublin and London.  He did this by covering himself in petrol and demanding the plane changed location to Iran, but being a short distance flight, the plane only had enough petrol to go to Paris.  When they landed in Paris, in discussions with the police the ex-monk's demands did not include any financial gain, only that Pope John Paul II make public a series of apocalyptic visions and prophecies called the Third Secret of Fatima.  I hope I’m not the only one thinking that this story would have made a far more interesting movie than A Most Violent Year.

★★★★★

Alice Hubley

Blu-ray Review - I'm All Right Jack (1959)

Genre:
Comedy
Distributor:
Studio Canal
Release Date:
19th January 2015
Rating: U
Director:
John Boulting
Cast: Ian Carmichael, Peter Sellers, Terry-Thomas, Richard Attenborough, Miles Malleson
Buy: Blu-ray I'm All Right Jack
I’m All Right Jack is considered one of the great British satirical films, and although it is certainly a good film, it doesn't quite live up to it’s reputation. Back during it’s release it was the highest grossing film of 1959, how times have changed. The film’s highlight is a performance by Peter Sellers as the socialist union shop steward Fred Kite.

The film’s protagonist Stanley Windrush (Ian Carmichael) is an upper class graduate who takes a job at his uncle’s missile factory. However, his uncle plans to have Stanley become the focus of a labour dispute that he plans to profit from. This all goes pear shaped when Kite takes advantage of the dispute for his own agenda.

As is so often the case with Peter Sellers, he completely steals the film from under all the other actors, and according to The Guardian, “it’s a career best performance”. Although that is a ridiculous overstatement, it is definitely considered up there with his finest performances, and Bafta agreed, awarding him Best Actor. British veteran thespians like Dennis Price and the recently decreased Richard Attenborough round off the supporting cast.

Unfortunately the satire is dated and isn't as funny as it should be, but with that being said, it’s still a very enjoyable watch. The film’s 102 running time flies by, and it does have something to say about how the greedy bosses will do anything to make a buck at the expense of their workers. This is certainly an issue that has relevance to today’s political climate. The disc includes a new interview with star Liz Fraser, a featurette on Peter Sellers, and an early Richard Lester short with Peter Sellers.

★★★1/2
Ian Schultz

Did You Hear Voices Or The New Trailer For Enter The Dangerous Mind Trailer

When it comes to horror flicks these day the psychological thriller-horrors are the ones that seem to deliver the everlasting memories.The Babadook is one certain film another is a film that arrived on the festival circuit in 2013 Enter The Dangerous Mind (then called Snap) has a new trailer check it out


EDM for short made its name at SXSW back in 2013 and those fortunate to see it then have stated it's left a impact on them , be it the nastiness of the film or the great use of the film's soundtrack as an extra level of tension. These are attributes tick the boxes for horror fans, it's not The Babadook but it does sound it uses some of the same checklist to deliver us all the scares.

Enter The Dangerous Mind tells the tale of a troubled musician/composer Jim (Jake Hoffman) whose past has been nothing but trouble and is struggling with his grip on reality. When he thinks he has a shot of happiness when he meets Wenday (Nikki Reed) those long buried memories decide to surface forcing him on a deep violent abyss when crushes become obsession.

No word on a UK release, if anything this could sneek onto a direct to DVD release later this year possibly next, but for U.S its 6th February limited theatrical release as well as a VOD release. The film also stars Scott Bakula, Thomas Dekker, Gina Rodriguez and Jason Priestly.

Synopsis

Enter the mind of Jim (Jake Hoffman) – a socially awkward EDM musician with a traumatic past, a tenuous grip on reality, and voices in his head. When he meets Wendy (Nikki Reed), he thinks he might finally have a shot at happiness. But as long-buried memories begin to stir, and his crush turns into obsession, Jim finds himself looking into a violent abyss… and he won’t be going alone. Pulsating with raw energy and an intense electronic soundtrack, Enter the Dangerous Mind is a pitch-black psychological thriller that doesn’t let off the gas for a second as it twists to its shocking conclusion.

source:Bloody Disgusting

Watch The Intense Frantic Short Isolated

Zombie films or TV programmes are ten a penny these days  some we love many we loathe however when someone tries something a little different our respect goes out to them. Even if that idea doesn't work we still show our appreciation but in Thomas Vergara's Isolated.

No one ever thought they could make The Walking Dead a success but  they have but until now we haven't seen a zombie apocalypse animated? Vergara delivers that vision that he's co-written (with his brother Manuel), directed a 5 minute frantic journey that certainly delivers intensity with a hyper-real aesthetic.

Isolated is if anything a one chase scene, an awesome scene at that, one a man wakes up in his
 wrecked taxi, in a mysterious desert city. No idea how he got there he attempts to piece together the clues and that those crazy humans that populate the city he may just be connected to them more than he realizes.

ISOLATED from Peak Pictures on Vimeo.

If you want to feel totally disconnected Isolated does the trick

source:Shortoftheweek