Film Review - Like Sunday, Like Rain (2014, Raindance Film Festival)

Genre:
Music, Drama
Rating: 12A
Screening Status:
UK Premiere
UK Release Date:
TBC
Director:
Frank Whaley
Cast:
Leighton Meester, Julian Shatkin, Billy Joel Armstrong, Debra Messing

After breaking up with her boyfriend and losing her job and home, a desperate Eleanor (Leighton Meester) lies convincingly to land a job as a nanny to a gifted 13-year-old boy named Reggie (Julian Shatkin).  

Eleanor is in her mid 20’s and at a loss, she doesn’t know what to do with herself and takes the nanny job as a stopgap before she figures out her next move.  On first impressions Reggie is a total brat, a spoilt rich kid who isn’t in touch with reality.  However as Reggie and Eleanor’s friendship develops, you see how he is able to help her overcome her break up with musician Dennis (Billy Joe Armstrong, yes the guy from Green Day) and support her, whilst she struggles to deal with her wayward family and her dying father.

Relative unknown Julian Shatkin plays the role of Reggie with remarkable maturity and intelligence for someone of his age.  There is undeniably chemistry between himself and Meester, which for a 20-day shooting schedule, shows the strength of them both as actors. 

Leighton Meester is rather tremendous as Eleanor and if we didn’t know it already, the role shows that she is capable of being much more than Blair Waldorf. Though still on the Upper West Side, we see a different side of her and she plays the role with true class and sincerity.

The big question that everyone will be asking is “can Billy Joe Armstrong act?”  And the answer is, “yes, erm kind of”. Admittedly he is playing a broke, greasy musician type, so all he had to do was learn to act poor, but he definitely didn’t embarrass himself in the process.  Apparently he was really nervous about being in the movie and kept forgetting his lines, which is kinda sweet.  Debra Messing (Will and Grace) is also rather formidable as Reggie’s emotionless mother.

Despite Billy Joel’s acting, no Green Day is featured in the movie, but there is lots of music provided by Reggie’s cello and a score composed by British musician Ed Harcourt. Music also plays a large part in the bonding and discussion of Reggie and Eleanor throughout the movie.

Director/writer Frank Whaley is an actor and probably most recognizable as being Brett in Pulp Fiction, the man who gets ceremoniously killed in the infamous Ezekiel 25:17 scene, he was also in 90’s classics Field of Dreams and The Doors.  This is the fourth film Whaley has directed/written in a 15 year period since 1999’s Joe The King and he is still consistently working as an actor, most recently in bit parts on TV shows Gotham and The Blacklist. 

We were lucky that Whaley was at the screening and he gave a short Q&A after the film. Whaley talked about first meeting Meester, and her really connecting to the role and being very open to him about her upbringing (which has famously been reported on). It seemed that the role really spoke to Meester on a personal level and Whaley instantly wanted her for the role, even though a better-known actress was available.

Whaley also talked about how Harold and Maude was an influence in making the film, in an unlikely friendship with an age gap.  And, yes we know that Meester isn’t 80, but there is a timeless quality to the film, that is reminiscent of the 70’s classic.

This is a consistently good film with a charming plot. It’s intriguing to see the friendship of Eleanor and Reggie play out, the influence they have on each other and the journey both of them take throughout the timeframe of the movie.  I’m not sure what plans there are for a cinema release, however I urge you to seek it out and enjoy it.

Jarmusch Collection Blu-ray Review - Mystery Train (1989)

Jarmusch Collection Blu-ray Review - Down By Law (1986)

Genre:
Drama, Comedy
Distributor:
Soda Pictures
BD Release Date:
6th October 2014 (UK)
Rating: 18
Director:
Jim Jarmusch
Cast:
Tom Waits, John Lurie, Roberto Benigni
Buy:Jim Jarmusch Box Set [Blu-ray]
Down by Law was Jim Jarmusch’s third film, his best and most popular. It was also recently re-released in the UK cinemas. Jarmusch’s most ambitious film to date, it marked the beginning of a long collaboration with the cinematographer Robby Müller. It’s an absurdist noir black comedy and remains the only film Jarmusch has used “American money” in it’s funding.

The story concerns three different men who are unknown to each other until they are thrown into jail together in New Orleans. Zack (Tom Waits) is a disk jockey, Jack (John Lurie) is a smalltime pimp, and both are innocent of the crimes they are imprisoned for. Their cellmate is Bob (Roberto Benigni), an Italian tourist who is imprisoned for manslaughter. They eventually hatch a plan to escape and end up in the swamps of the New Orleans Bayou.

Tom Waits, who was almost always a bit player, gets a co-lead here and you really get to see how good actor he can be. John Lurie is great as well and it’s a shame he hasn’t done much acting work since the 80s except some work on the TV show OZ, although this is partly down to illness. Benigni, however, steals the film: he gets all the biggest laughs, his character constantly misunderstands his cellmates to hilarious effect.

Robby Müller, one of the world’s best directors of photography from the 1970s to the early 2000s, shot Down By Law. He hasn’t shot a film in over 10 years, but his influence it still felt around the world. Down by Law contains some of Müller’s best work, the scenes in the Bayou are absolutely beautiful. The nearest comparison would be some of the scenes in Tarkovsky’s first film Ivan’s Childhood. He would end up working with Jarmusch on all his features up to and including Ghost Dog, with the exception of Night on Earth.

Almost 30 years after its release, Down By Law remains a high water mark of Independent cinema, and also of Jim Jarmusch’s career. It’s a surreal farcical trip and even on second and third viewings it still works its strange charm on you. It’s also full of great performances and a great soundtrack supplied by Tom Waits and John Lurie.

The film’s transfer onto Blu-Ray, from what I gather, comes from the same masters as the Criterion Blu-Ray. It looks the best I’ve ever seen, it’s crystal clear throughout but regains the right amount of film grain. The disc features a series of phone calls Jarmusch made to the cast for the original Criterion DVD which are funny and insightful regarding the film and their relationship.

★★★★★
Ian Schultz

Jarmusch Colection Blu-ray Review - Stranger Than Paradise (1984)

Genre:
Comedy, Drama
Distributor:
Soda Pictures
BD Release Date:
6th October 2014 (UK)
Rating: 18
Director:
Jim Jarmusch
Cast:
John Lurie, Eszter Balint,Richard Edison
Buy:Jim Jarmusch Box Set [Blu-ray]
Stranger Than Paradise was the film that made Jim Jarmusch’s name, and became one of the first films to come out of Independent film boom of the 80s and 90s. It also has the feel of a first film despite it being Jarmusch’s second feature length film: it’s the first one that is quintessential Jarmusch. It has the characters who are hipper than hip, which are still prevalent in his work—for example in his latest film, Only Lovers Left Alive.

It is a master class in minimalist storytelling, not unlike the minimalism one of Jarmusch’s heroes, Robert Bresson, employed in his work. It’s the story of the New York hipster Wllie (John Lurie) whose Hungarian cousin Eva (Eszter Balint) is visiting but is forced to stay at his place after their Aunt Lotte lands in the hospital. Initially he makes it clear he doesn’t want her to stay, but gradually he starts to enjoy her company. After 10 days she leaves for Cleveland, and the film picks up a year later when Willie and his friend Eddie (Richard Edson) decided to pay Eva a visit.

The film’s performances are naturalistic partly due to all the cast basically playing versions of themselves. Tom DiCillo, who would later be a noted director in his own right with films like Johnny Suede and Living in Oblivion, did the cinematography. It’s shot on leftover film stock, which was supplied by Wim Wenders. Wenders became a friend of Jim Jarmusch’s after watching Permanent Vacation.

The film, despite its obvious limitations and the 30 years that have passed since its release, still is as fresh and exciting when it first came out. It has aged perfectly; it’s a snapshot of a time but at the same time remains timeless, which might be down to the use of black and white. It broke the perceived notion of the independent film as inaccessible artsy crap and made it possible to be entertaining and funny outside the big studio system. It was one of the first micro-budget films that would be a box-office success, something that would be the norm a decade later. It also wound up winning numerous awards, including the Camera D’or at 1984 Cannes film festival.

The film has been restored for this Blu-Ray release and looks as good as the film could possibly ever look due to it’s budget. It includes a silent short “making of,” which was shot by Jim Jarmusch’s brother Tom. It also includes the trailers for Stranger Than Paradise along with trailers for Jarmusch’s other films.

★★★★★
Ian Schultz

Jarmusch Collection Blu-ray Review - Permanent Vacation (1980)

Genre;
Drama
Distributor:
Soda Pictures
BD Release Date:
6th October 2014 (UK)
Rating: 18
Director:
Jim Jarmusch
Cast:
Chris Parker, Leila Gastil, John Lurie,
Buy:Jim Jarmusch Box Set [Blu-ray]
Permanent Vacation is the debut film by Jim Jarmusch. It was made on a shoestring budget of around $15,000 after he dropped out of film school in New York City. It’s a fascinating film, if somewhat pretentious and amateurish: I’m sure Jarmusch himself wouldn’t disagree, and that’s part of its charm.

The film has the loosest “plot” of any of Jarmusch’s films, which is saying something. It’s about a New York New Waver called Allie (Chris Parker) who wanders aimlessly around the barren landscapes of late 70s New York City. He meets a series of random strange individuals though his travels and ponders his place in the world.

Permanent Vacation is a prime example of No Wave filmmaking. No Wave was a movement in the arts that came out of the New York punk scene, it’s most associated with music but it included different forms of visual art including filmmaking. It was a partly a response to the commercialization of punk and the labelling of more pop-orientated punk bands as “New Wave.” The music became increasingly more experimental, incorporating influences from Free Jazz and Avant-Garde music; Jarmusch himself was in the band The Del-Byzanteens, who are quite good.

The most surprising thing about Permanent Vacation, however, is how fully formed Jarmusch really is at such an early stage. It’s full of references to literature, music and film. There is whole scene dedicated to the protagonist reading excerpts from Comte de Lautréamont’s Maldoror and in pure nihilistic fashion, he tells a friend he can have the book because he has no more use for it. He also goes to see a Nicholas Ray film and the concession girl is reading a copy of J.G. Ballard’s Crash. It has similarities to Bresson’s The Devil, Probably so much so that he picked that as the film to play along side it once at a retrospective. It is also full of the extremely deadpan humour that runs though all of Jarmusch’s films.

It’s flawed but it has enough charm, and the short running time makes it an intriguing watch. It’s great to see the development of one of directors who would become a leading light in the American Independent world of the 1980s and 1990s and who continues to be relevant to this day.

It has been restored onto Blu-Ray, but obviously it still looks rough around its edges due to the film’s budget. It also includes a fantastic documentary on Jim Jarmusch made for German TV around the time of the release of his next film, Stranger Than Paradise.

★★★1/2
Ian Schultz

Win Horror Film Afflicted On DVD

To celebrate the release of Afflicted, out on DVD 6th October 2014, we are happy to say that we have a copy on DVD up for grabs courtesy of Entertainment One.

Afflicted comes straight from the producer of “Insidious” and “Sinister”, and winner of the Best Afflicted reinvents a familiar horror genre with a smart and stylish combination of pulse-pounding action and bloody terror.

Picture, Best Director and Best Screenplay awards at Austin’s prestigious Fantastic Fest,

Afflicted is one of those movies where the less you know about it going in, the greater the reward. Without giving too much away, it takes a familiar horror genre and gives it a dazzling and totally unexpected spin. Co-writers, co-directors and co-stars Derek Lee and Clif Prowse have produced a stunning debut feature, packed with superlative effects, stunts and performances that belie the movie’s indie roots and modest budget.

Available to order on DVD & Blu-ray from 6th October http://amzn.to/1rM9tdg

Best friends Derek and Clif embark on the trip of a lifetime, planning to travel to the ends of the earth, see the world, and live life to the fullest, while documenting their adventures via video footage posted to their website. But things take a dark and bloody turn when, following an amorous encounter with a beautiful woman in Paris, Derek starts to show signs of a mysterious affliction. Now, thousands of miles from home, they must race to uncover the source of Derek’s illness before it consumes him completely.

To win this fantastic film Afflicted please answer the following question....

Q.What UK Film Festival Did Afflicted make it's UK premiere this during the festivals Horror strand this year?

Deadline is Sunday 26th October 2014 (23:59pm),If you haven’t done already Like us and stay with us at our Facebook page (if you are already liking us just share this post on twitter and facebook). Must be 18  or older to enter.

1.The competition is not opened to employees, family, friends of The Peoples Movies, Cinehouse,Manga UK, Entertainment One UK,18 years or older to enter 3.Failure to include any information required to enter could result in your entry been void.  4.automated entries are not allowed and will be disqualified, which could result you been banned, DO NOT INCLUDE telephone numbers as for security reason your entry will be deleted.5.If you are friend or like us at facebook for every competition you enter you get double entry, but you must stay friend/like us all the time,or future entries maybe considered one entry if you are liking us share the post on facebook and re-tweet the post.6.The Peoples Movies, Cinehouse takes no responsibility for delayed, lost, stolen prizes 7.Prizes may take from days to a few months for delivery which is out of our control so please do not complain 8.The winning entries will be picked at random and contacted by email for postal details and will be announced via facebook, sometimes we are unable to confirm winners. Uk & Irish entries only

UK Competitions and Prize Draws at UKwins
Loquax Competitions
Free Competitions
ThePrizeFinder – UK Competitions

Film 4 Frightfest Invite You To Their Annual FrightFest Halloween All Nighter

The FrightFest All-Nighter 14 returns to its spiritual home, The Prince Charles Cinema, on Saturday October 25, with five killer titles, including the world premiere of Anthony DiBlasi’s LAST SHIFT.

We kick off with a special preview of The Vicious Brothers EXTRATERRESTRIAL, a fine blend of ‘Close Encounters’ and ‘Communion’ with some of the most extraordinary special effects and camerawork you’ll see in 2015. Next up, THE ABCs OF DEATH 2, needs no introduction. The first was a huge draw at FrightFest Glasgow and now we can scream along to 26 more deaths by 26 handpicked filmmakers. This is followed by the world premiere of Anthony DiBlasi’s demonic horror LAST SHIFT, which had to be dropped from the August line-up because of altered release and completion dates as did our next attraction - the highly anticipated sequel THE PACT II, which has its UK premiere. And Giallo fans will not want to miss our last presentation - the ‘Airplane’ of the Italian thriller genre in the sublime Astron-6 homage THE EDITOR.

Guests attending include The Vicious Brothers, Anthony DiBlasi and Andy Nyman, So, be sure to be part of our terror tribe for the night-ride of your lives

Horror fans around the country can join in the fearsome fun on Saturday 1 November, when the event travels to the GFT Glasgow and the Edinburgh Cameo. On Friday Oct 31, the event hits the Watershed Bristol.

21:00 EXTRATERRESTRIAL (Special Preview)

Five teenagers party in a remote cabin in the woods unaware the region has become a hot bed of bizarre events, military activity and space invader sightings. Then a UFO crashes in the forest and driven by curiosity they decide to investigate. This ambitious second feature from The Vicious Brothers is a wonderfully effective sci-fi fantasy; a close encounter of the shocking kind, which delivers thrills and terror in a surprising special effects package

Director: Colin Minihan. Cast: Brittany Allen, Freddie Stroma, Melanie Papalia, Jesse Moss, Michael Ironside. 106 mins. US 2014

23.40 ABC’s OF DEATH 2 (UK Premiere)

Get ready to learn your ABC's again with 26 new directors and 26 new deaths. Some of the talent in the impressive mix include Vincenzo Natali (SPLICE), E.L. Katz (CHEAP THRILLS), the Soska Sisters (AMERICAN MARY), Aaron Keshales and Navot Papushado (BIG BAD WOLVES) and Larry Fessenden (HABIT). The follow-up to the most ambitious anthology film ever conceived, Provocative, shocking, funny and confrontational, it’s another global celebration of genre filmmaking.

Directors: A lot. Cast: Andy Nyman, Tristan Risk, Mark Grossman, Ryan Winsley, Conor Sweeney. 120 mins. US 2014

02:15 LAST SHIFT (World Premiere)

A rookie cop’s world is turned upside down when she comes face to face with Paymon, King of Hell. From Anthony DiBlasi, director of the past FrightFest presentations MISSIONARY, CASSADAGA and DREAD, comes a new frontier in fear. Officer Jessica Loren has the last shift at a transitioning police station, assigned to wait for a crew picking up bio-hazard waste from the armoury. But unbeknownst to her, cult leader John Michael Paymon has haunted the department ever since he committed suicide in captivity. Jessica is about to find out how dangerous he still is, now alone on the graveyard shift.

Director: Anthony DiBlasi. Cast: Juliana Harkavy, Natalie Victoria, J. LaRose, Joshua Mikel, Amber Watson. 90 mins. USA 2014.

04:30 THE PACT 11 (UK Premiere)

Surpassing the original movie by going into deeper psychological areas to stir up its scares, directors Patrick Horvath and Dallas Richard Hallam's latest episode in the Judas Killer saga once more unfolds a murder mystery linking two intriguing realities that skirt the fine line between being paranormal supernatural and entirely plausible. This time a trauma scene cleaner learns she's the adopted daughter of one of the maniac's past victims and now she's the target of a possible copycat murderer. How an FBI profiler and her cop boyfriend fit into the creepy picture make for neat twists and jolting shocks.

Directors: Dallas Richard Hallam, Patrick Horvath. Cast: Caity Lotz, Camilla Luddington, Scott Michael Foster, Patrick Fischler, Mark Steger. 96 mins. US 2014.

.06: 15 THE EDITOR (Special Preview)

From Astron-6 (MANBORG and FATHER’S DAY), comes the AIRPLANE of Giallo. Editor Rey Ciso is on the verge of a nervous breakdown, the four wooden fingers on his right hand a reminder of the dangers of exhaustion. Then the lead actors from the Giallo he’s cutting turn up dead…A brilliant homage to 1970s’ Italian thrillers mixing crime with horror. Watch out for big hair, bad dubbing, inappropriate nudity, ‘hysterical blindness’ and a terrific Claudio Simonetti soundtrack.

Directors: Adam Brooks, Matthew Kennedy. Cast: Adam Brooks, Matthew Kennedy, Paz de la Huerta, Udo Kier, Laurence R. Harvey. 106 mins. Canada 2014.

Alan Jones, co-director, said today: “Thank you all for making our August Bank Holiday event so wildly successful – the reviews were the best ever and our move to the Vue, Leicester Square, couldn’t have been better received. So we felt it was now an appropriate time to celebrate our roots and the interactive community that makes FrightFest unique amongst global genre festivals.The Prince Charles Cinema is where it all began 15 years ago and this Halloween you can join us for an intimate trip down memory lane and an ultimate shock around the clock experience”.

Passes for the London event cost £40 and go on sale from Friday 3 October. To book go online at Prince Charles Cinema website

or call the Prince Charles Cinema on 0207 494 3654 Tickets can also be bought at the cinema

For details of regional screenings please visit www.frightfest.co.uk Note that the regional venues may not be playing all of the titles screening at the London event so please check local listings

Cinehouse and our mainsite The People's Movies are hoping to be at The Edinburgh and Glasgow all-dayers so if your there do say hello!

Film Review - Le Jour se lève (1939)

Genre:
Crime, Drama, Romance
Distributor:
Studiocanal UK
Rating: PG
Release Date:
3rd October 2014 (Cinema)
27th October 2014 (Home)
Director:
Marcel Carné
Cast:
Jean Gabin, Jacqueline Laurent, Arletty,
buy:Le Jour Se Leve - 75th Anniversary Edition [DVD] [1939]
Le Jour se lève is a prime example of what is known as French Poetic realism. It’s a very important genre because it’s very much a proto version of film noir; it often concerned doomed heroes and more often than not they were crime stories. They also created realism, hence the more Poetic aspect than the documentary realism. Le Jour se lève was directed by Marcel Carné who is one the directors most associated with Poetic realism but other directors associated were Jean Renoir and Jean Vigo who, sadly, died way too young.

The film stars Jean Gabin who was the French star until the 1960s; he was in many great French films and worked with Renoir and Carné many times. Gabin plays François who is a factory worker and you first see him after he kills a man called Valentin and he barricades himself in his room after the police arrive.

The rest of the film is told in flashback, which would become a convention for many noir films to follow. He reflects on how he got in the situation he is in over the course of the long night. It involved some girls, as you might expect, and one of the girls is Valentin’s assistant. The film’s structure was very much ahead of its time and would influence Orson Welles, Jules Dassin, Jean-Pierre Melville and numerous noir films like Detour, so it’s hardly surprising that it was later remade as an American noir film. It also has an air of existentialism that only the French do this well when it comes to crime films. It all comes down to an ending that is as much Camus as it is Hammett.

Jean Gabin gives one of his finest performances in the lead role. He is often forgotten in the scheme of great film actors, partly because he was one of the first; he would be highly influential on people like Marlon Brando and James Dean. He goes through hell and replays his mistakes in his head, and due to Gabin’s performance, you can feel his pain.

Le Jour se lève is getting a theatrical re-release from the 3rd of October in selected cinemas. It will be out on Blu-Ray at the end of October. The new restoration looks beautiful; black and white works particularly well in High Definition. It includes a feature length documentary on the film, along with stuff on the deleted scenes by the Vichy Government, and a featurette on the restoration process.

★★★★
Ian Schultz

Blu-ray Review - Salvatore Giuliano(1962)

Genre:
Crime, Drama, World Cinema
Distributor:
Arrow Video
BD Release Date:
29th September 2014 (UK)
Rating:15
Director:
Francesco Rosi
Cast:
Frank Wolff, Salvo Randone, Frederico Zardi
Buy:Salvatore Giuliano [Dual Format DVD & Blu-ray]

Francesco Rosi is often forgotten in terms of Italian Neo-Realism, but his work is just as vital as Vittorio De Sica or Roberto Rossellini. It may have to do with the fact he came slightly after the initial wave of Neo-Realism and is sometimes considered a part of a “Post Neo-Realism” alongside directors such as Pier Paolo Pasolini and Gillo Pontecorvo.

His two most well known films Hands Over the City and Salvatore Giuliano have been recently remastered on Blu-Ray in the UK. The latest release is Salvatore Giuliano, which is quite possibly his masterpiece. Martin Scorsese has cited the film as one of his twelve favourite films ever.

The film is about the bandit Salvatore Giuliano who is rarely ever seen on-screen but his presence is always felt. The film opens with his suspicious death on the streets of Sicily. The rest of the film jumps back and forth in a time in a non-linear fashion, telling the story of the separatists who hired Salvatore and other criminals to do their bidding. The film ends with an exhilarating courtroom scene after Salvatore’s death - will the truth finally come out and will the criminals be pardoned after Sicily is declared independent?

The film moves with urgency that Hands Over the City also has but it plays around more with the medium of cinema. It somewhat owes something to Citizen Kane which the idea of Giuliano’s friends, family and enemies tell the story after his death and how it’s told in a non-linear fashion. It also very much predates the docudrama approach Gillo Pontecorvo took with his masterpiece The Battle of Algiers.

It’s a mesmerizing piece of Italian cinema that has received a gorgeous 4K transfer, which shows the film in the best possible quality. The disc includes an hour and a half of interviews and documentaries, which delves deep into the career of Francesco Rosi but also the true life story of Salvatore Giuliano. It seems Arrow has released the definitive package of this classic film.

★★★★1/2
Ian Schultz

David Lynch Shares His Thoughts On His Career, Cinema And TV In New 45 Minutes Video

There's something uniquely distinctive about David Lynch you can't deny admiring the filmmaker even if your not his biggest fan of his work. You may not understand what he is trying to deliver but he has a style of filmmaking that no other director has got close to matching  his vision for the big screen,

Blue Velvet , Twin Peaks, Mulholland Drive are all you can't deny worthy of their places in cinema and televisions greatest ever and in a interview with Thompson on Hollywood caught up with legendary director. At they chat about everything from his career, filmography, his early days from an artist at the Pennsylvania Academy of Fine Arts (which is holding an new exhibition). The chat goes further into the thought of how easier it is now for filmmakers to create Television than feature films, they even go into Lynch's meditation techniques too!

It's a fantastic little 45 minute video featurette which any student of film should watch, the sound snyc is unfortunately out however it shouldn't stop you enjoying a master of cinema sharing his wisdom on the masses.

The acclaimed silent era masterpiece Intolerance To Join Masters Of Cinema Family This December

Eureka! Entertainment have announced the release of INTOLERANCE (Love’s struggle throughout the ages), starring Lillian Gish, the icon of silent Hollywood and a cast of thousands. Counted amongst the most influential films of all time by The Library of Congress – National Film Registry, the American Film Institute and Sight & Sound Magazine, the film has been digitally restored and features a lush orchestral score by the acclaimed composer Carl Davis conducting the Luxembourg Symphony Orchestra. D.W. Griffith’s cinematic milestone will be released on Blu-ray on 8 December 2014 as part of the Masters of Cinema Series.

“Perhaps the greatest movie ever made” – The New Yorker

After shaking the world with his hugely controversial epic The Birth of a Nation, pioneer filmmaker D. W. Griffith spared no expense in putting together his next project, Intolerance (Love’s struggle throughout the ages): a powerful examination of intolerance as it has persisted throughout civilisation, set across four parallel storylines that span 2500 years.

There is the Babylonian story, depicting nothing less than the fall of Babylon; the Judean story, which revolves around the crucifixion of Christ; the French story, which presents the St. Bartholomew's Day Massacre in all its horror; and a modern American story of class struggle, crime, and the plight of life in the early 20th century set within urban slums and the prison system.

Starring such luminaries as Lillian Gish, Constance Talmadge, and Miriam Cooper, who share screentime with an enormous main cast and some 3,000 extras, Griffith's film — the most expensive motion picture ever produced at the time — went on to become a critical success whose influence has only grown in the decades since. The Masters of Cinema Series are proud to present the 2013 restoration of Kevin Brownlow's and David Gill's preserved Intolerance, featuring Carl Davis's orchestral score, for the first time on Blu-ray in the UK.

2-DISC BLU-RAY EDITION SPECIAL FEATURES:

• New high-definition 1080p presentation of the acclaimed Brownlow and Gill "Thames Silents" restoration of the film
• Orchestral score by the esteemed composer Carl Davis
• Two feature-length films by Griffith that act as companion pieces to Intolerance and take their material from the main film: The Fall of Babylon and The Mother and the Law, accompanied by new scores by the Mont Alto Motion Picture Orchestra
• Three Hours That Shook the World: Observations on 'Intolerance', a 2013 documentary featuring preservationist Kevin Brownlow discussing the film
• 56-PAGE BOOKLET filled with vintage and modern reports, reflections, and essays on the film.

Intolerance arrives on Dual Format from 8th December in UK from all usual stockists

Blu-ray Review - The Gang's All Here (1943, Masters Of Cinema)

Genre:
Comedy, Musical
Distributor:
Eureka! Entertainment
BD Release Date:
29th September 2014 (UK)
Director:
Busby Berkeley
Cast:
James Ellison, Alice Faye, Carmen Miranda, Phil Baker,
buy:The Gang's All Here (1943) [Masters of Cinema] [Blu-ray]
Busby Berkeley is one of the names most associated with the classic Hollywood musical. It’s not hard to see why with his first Technicolor film The Gang’s All Here. It also happens to be up there as one of the most surreal films to ever come out of the golden age of Hollywood.

The film’s “plot” is the barest of the bare: a young soldier Andy Mason (James Ellison) falls in love with a New York nightclub singer but he has a long-standing engagement to a childhood sweetheart. This all provides a jumping off point for the quite nauseating (but in a good way) film of melodrama, campy dialogue and the musical numbers that are quite mind blowing.

The film’s cinematography and choreography is what the film is all about; the opening musical number perfectly sets the template for what is to come, and fans of Terry Gilliam’s Brazil will recognize the opening song. The first musical number that starts the spiral of surrealism is the much-celebrated “The Lady in the Tutti-Frutti Hat” which of course features the iconic Carman Miranda. It literally ends with a stunning bit of art direction which makes her fruit hat look it’s going on forever.

The film’s climax, however, remains one of the most surreal pieces of cinema I’ve ever seen, never mind of Golden Age Hollywood. It becomes almost psychedelic which is perhaps unsurprising considering its revival in the 60s and 70s when it gained cult status. It remains a classic musical that even non-fans of the genre will be entertained and swept up in its magic.

Eureka as usual has done a very nice package with a commentary: a 20 minutes documentary on the film, and it’s finished off with a deleted scene and the theatrical trailer. The new HD transfer also gives the film’s visual sparkle that makes the imagery pop out of the screen. It also includes a 56 booklet with writings by director David Cairns and Karina Longworth.

★★★★

Ian Schultz

Blu-ray Review - Night Of The Comet (1984)

Genre:
Horror, sci-fi
Distributor:
Arrow Video
Rating: 15
Release Date:
29th September 2014 (UK)
Director:
Thom Eberhardt
Cast:
Catherine Mary Stewart, Kelli Maroney, Robert Beltran,
buy:Night of the Comet [Dual Format DVD & Blu-ray]
Night of the Comet is a very entertaining 80s B-Movie. It’s a crossbred of teen movie, sci-fi and horror film. It wears its cinematic influences on its sleeve and its influences are obvious like Dawn of the Dead, The Omega Man, Invasion of the Body Snatchers etc. It would in turn also become a big influence on Joss Whedon’s Buffy the Vampire Slayer.

A comet is set to a hit the earth and it’s the first time there has been one of this ilk since the destruction of the dinosaurs. The teenager Reggie Belmont (Catherine Mary Stewart) works at a local movie theatre and stays over night in the projection room with her boyfriend Larry (Michael Bowen). However outside of the cinema everybody has turned to red dust or has become a zombie. A zombie soon kills her boyfriend and Reggie runs back and finds her sister Samantha also survived so they have to survive the post-apocalyptic landscape Southern California.

The film is very much of its time, it has the big hair, the neon clothes, the cheesy power pop soundtrack that are stereotypical of 80s films. It also has a relatively witty screenplay by its director Thom Eberhardt, you find out in the special features the tone was also problematic but it ended up being a comedy. It’s certainly not the greatest film ever made but it has enough charm and humour to entertain pretty much anyone and it’s also refreshing to see girls as the protagonists in these kinds of films.

The transfer Arrow has used showcases’ the film’s vibrant neon aesthetic quite well. It features 3 commentaries, one by director, one by the film’s star and one by the production designer. It also features about an additional 45 minutes of interviews with cast and crew. It’s finished out with the film’s theatrical trailer and a booklet with new writing on the film.

★★★
Ian Schultz

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Film Review - Magic In The Moonlight (2014)

Genre: Comedy, Romance
Distributor: 19th September 2014 (UK)
Rating: 15
Running Time:97 Minutes
Director: Woody Allen
Cast: Emma Stone, Colin Firth, Marcia Gay Harden, Jacki Weaver, Hamish Linklater

After the sensational Blue Jasmine, Woody Allen's latest feature sees him returning to the sort of nostalgic, charming and ever-so-slight fare that he seems to adore making. Taking us back to the 1920s, Magic in the Moonlight is a tale packed with a sumptuous visual aesthetic and absorbing performances - but little real substance.

Allen's latest settles in a wealthy estate in the South of France where Stanley (Colin Firth) an English illusionist goes undercover to unmask Sophie (Emma Stone), a suspected American swindler who claims to be clairvoyant. However, personal feelings get in the way of this dynamic and Stanley finds his judgement becoming cloudy as he falls for the young American.

Opening with a sprightly Cole Porter number, Allen starts as he means to go on by crafting the light and breezy, ever-charming tone that we have come to expect from his period features. This welcoming atmosphere is also bolstered by the appearance of Firth's Stanley, a man touring the country posing as Chinese conjurer Wei Ling Soo - when we first see him out of costume, Firth delights, arriving like a steam-train of dry sarcasm and snappy wit.

Upon shifting the narrative to Stanley's travels in France, Allen and cinematographer Darius Khondji pack the tale with a fairytale like aesthetic beauty - from the greenery of the rich country estates to the dazzling pastel colours of the cliffsides and seas. Combined with dazzling period costumes from Sonia Grande, Magic in the Moonlight is a visual feast that fully transports us back to a more appealing, carefree world of 1920s characters and whimsy.

Emma Stone brings a welcome sparkiness to the fold, with Allen's sharp dialogue flowing effortlessly from the wide-eyed, energetic actresses' tongue. There is an initial likeable simplicity to Sophie, yet it is always clear that there is slightly more depth to her occasionally suspect motivations. Paired with a savvy, sharp turn from Firth, Magic in the Moonlight should work effortlessly - and undeniably there is an amusing battle of personalities between the pair, however, this is squandered by a misjudged romantic turn in the narrative.

Whilst there is a watchable chemistry between the pair, this is not a convincing romantic chemistry - with the relationship never feeling particularly authentic (perhaps this is Allen's intention?). This is most likely due to the blatant age-gap between the pair and the fact we never quite believe that Firth's Stanley is head over heels for the near-thirty years junior Sophie. Given that this takes up such a vast part of Allen's narrative, this romantic angle brings a severe dip in quality.

Saving graces are provided by the delightful aesthetic, breezy humour and occasional sparks of dry brilliance in the dialogue. There are welcome supporting turns by the ever brilliant Eileen Atkins and Simon McBurney, and likeable appearances from Jacki Weaver and Marcia Gay Harden. However, unlike the magnificent Blue Jasmine, there is never anything particularly substantial (like Cate Blanchett's performance) for us as viewers to hold onto and be engrossed by.

Magic in the Moonlight is light, carefree and whimsically charming. With sumptuous visuals and period details, but little real substance, this is Allen at his most frustratingly pleasant and mediocre.

★★★
Andrew McArthur

Abig thanks to Andrew for letting us use his Culture Fix review

Michael Madsen to attend European premiere of THE NINTH CLOUD at RDFF

THE NINTH CLOUD, Jane Spencer’s dark, philosophical drama, will receive its European Premiere at this year’s Raindance Film festival, on Monday 29 September (8.50pm) at the Vue Piccadilly. The film’s stars will be attending, including Michael Madsen and Leo Gregory. Director Jane Spencer and producer Julia Verdin will also be attending and all will be giving a Q+A after the screening.

Set in 90s London, THE NINTH CLOUD tells the story of Zena (Megan Maczko), who, trying to escape the grief of her family being killed in a plane crash, becomes infatuated with fellow American Bob (Michael Madsen), an enigmatic but failed poet and writer, who has taken up residency in a Hackney squat. Searching for hope through Bob’s artistic visions, whilst clinging on to her fragile grasp of reality, Zena collides and colludes with an array of desperados, angst-ridden IT girls and debauched failed artists. Two men in particular zero in on her: Brett, a narcissistic socialite (Leo Gregory), and Jonny, a drink-drowning musician searching for a way to re-surface (Jean Hughes Anglade). But it is to the unattainable Bob that Zena is mystically drawn to – as if only he holds the answer to the meaning of her life...

Jane Spencer’s tragi-comedy takes us on a journey through the underbelly of 90s London where loss, love and the meaning of existence are given a uniquely surreal twist.

She comments: “The film is about a group of people from all walks of life, trying to find hope in a world full of darkness and tragedy. Zena is a dreamer, who, against all circumstance, is trying to make something good happen in the world - even at a very high personal cost. I grew up watching films from the 1960's 'free cinema' movements and idolised the work of Lindsay Anderson, Tony Richardson, John Schlesinger, and also the philosophical films of that time; the French films of Truffaut, and especially Jacques Rivette. I suppose THE NINTH CLOUD is a 'homage' to those films, in a way”
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Producer Julia Verdin adds: “One of the things that attracted me to this project is that it is a film about escapism. All of the character is their different ways are trying to escape from reality and living in worlds that they have created for themselves and so blocked from moving forward by their own perceptions which i think is something that audiences will identify with.

The screening will take place at The Vue Piccadilly at 8.50pm on Monday 29 September. There is a second screening, also at the Vue Piccadilly, on Tues 30 at 4pm.


Tickets can be bought from: www.myvue.com/Raindance

Mark 29th September For The Arrow Video Release of Mark The Devil

After it's Film 4 Frightfest Halloween last year the UK Blu-ray and DVD release of Mark of the Devil, once proclaimed as “positively the most horrifying film ever made”, Mark of the Devil finally arrives uncut in the UK on 29th September 2014 with both English and German audio tracks.

With Mark of the Devil, writer-director Michael Armstrong created a bloody and brutal critique of state-funded brutality and religious corruption with a doomed romance at its centre. The use of real torture implements, which Armstrong had found in the Mauterndorf Museum, added to the realism of the picture and made it all the more shocking and the violence unpalatable. In America Mark of the Devil was distributed with the marketing gimmick of a free sick bag provided for every patron.

In the UK the BBFC were obliged to sit through the entire uncut film and deemed it “vicious and disgusting.” They recommended that a certificate be refused entirely and provided a list of required cuts to make the film acceptable for an X certificate.

Altogether the required cuts amounted to 2,100 feet of film; approximately twenty-four minutes running time. However, despite being awarded an X certificate, Mark of the Devil never received a theatrical release in the UK. In 1993 Redemption Films resubmitted the uncut film with cuts still demanded which amounted to more than four minutes. Described by the BBFC as a film whose “primary urge is with the dynamics of inquisitorial torture”

Another ten years later a DVD was released by Anchor Bay Entertainment which was also cut, although by only 38 seconds. Three cuts were made to the scene in which the blonde woman is tortured on the rack. The cuts removed her naked breasts as it was an unacceptable combination of sexually titillating and violent images under the BBFC guidelines at that time.

This means that finally, after more than forty years, the full-blooded, full-frontal version of Mark of the Devil can be released onto an unsuspecting UK public making its UK Blu-ray debut on 29th September 2014 in a newly restored transfer with a host of extra features including an audio commentary by Michael Armstrong, moderated by Calum Waddell, an exclusive feature-length documentary, Mark of the Times, which looks at the emergence of the ‘new wave’ of British horror directors that surfaced during the sixties and seventies. The documentary will feature contributions from Michael Armstrong, Norman J. Warren (Terror), David McGillivray (Frightmare), Professor Peter Hutchings (author of Hammer and Beyond) and famed film critic Kim Newman.

Other special features included on the disc include, Hallmark of the Devil, which sees author and critic Michael Gingold looks back at Hallmark Releasing, the controversial and confrontational distributor that introduced Mark of the Devil to American cinemas and Mark of the Devil: Now and Then which looks at the film’s locations and how they appear today.

The disc will also feature interviews with composer Michael Holm and actors Udo Kier, Herbert Fux, Gaby Fuchs, Ingeborg Schöner and Herbert Lom. Alongside this, the Blu-ray will also feature outtakes, the original theatrical trailer, a reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys and a sizable collector’s booklet featuring new writing on the film by Adrian Smith and Anthony Nield, plus an interview with Reggie Nalder by David Del Valle, all illustrated with original stills and artwork.



Synopsis
A bloody and brutal critique of religious corruption, Mark of the Devil sees horror icon Udo Kier (Flesh for Frankenstein, Suspiria) play a witchfinder’s apprentice whose faith in his master (Herbert Lom) becomes severely tested when they settle in an Austrian village. Presided over by the sadistic albino (a memorably nasty turn from Reggie Nalder), the film presents its morality not so much in shades of grey as shades of black.

Written and directed by Michael Armstrong, who would later pen Eskimo Nell, The Black Panther and House of the Long Shadows, this classic shocker has lost none of its power over the years – especially now that British audiences can finally see it in one piece.

Special Features
· High Definition Blu-ray (1080p) and Standard Definition DVD presentation of the feature, transferred from original film elements – available uncut in the UK for the first time!
· Optional English and German audio
· Optional English subtitles for the deaf and hard of hearing
· Newly translated English subtitles for the German audio
· Audio commentary by Michael Armstrong, moderated by Calum Waddell
· Mark of the Times – exclusive feature-length documentary from High Rising Productions on the emergence of the ‘new wave’ of British horror directors that surfaced during the sixties and seventies, featuring contributions from Michael Armstrong, Norman J. Warren (Terror), David McGillivray (Frightmare), Professor Peter Hutchings (author of Hammer and Beyond) and famed film critic Kim Newman
· Hallmark of the Devil – author and critic Michael Gingold looks back at Hallmark Releasing, the controversial and confrontational distributor that introduced Mark of the Devil to American cinemas
· Interviews with composer Michael Holm and actors Udo Kier, Herbert Fux, Gaby Fuchs, Ingeborg Schöner and Herbert Lom
· Mark of the Devil: Now and Then – a look at the film’s locations and how they appear today
· Outtakes
· Gallery
· Reversible Sleeve featuring original and newly commissioned artwork by Graham Humphreys
· Illustrated collector’s booklet featuring new writing on the film by Adrian Smith and Anthony Nield, plus an interview with Reggie Nalder by David Del Valle, all illustrated with original stills and artwork

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