3 October 2014

Film 4 Frightfest Invite You To Their Annual FrightFest Halloween All Nighter

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The FrightFest All-Nighter 14 returns to its spiritual home, The Prince Charles Cinema, on Saturday October 25, with five killer titles, including the world premiere of Anthony DiBlasi’s LAST SHIFT.

We kick off with a special preview of The Vicious Brothers EXTRATERRESTRIAL, a fine blend of ‘Close Encounters’ and ‘Communion’ with some of the most extraordinary special effects and camerawork you’ll see in 2015. Next up, THE ABCs OF DEATH 2, needs no introduction. The first was a huge draw at FrightFest Glasgow and now we can scream along to 26 more deaths by 26 handpicked filmmakers. This is followed by the world premiere of Anthony DiBlasi’s demonic horror LAST SHIFT, which had to be dropped from the August line-up because of altered release and completion dates as did our next attraction - the highly anticipated sequel THE PACT II, which has its UK premiere. And Giallo fans will not want to miss our last presentation - the ‘Airplane’ of the Italian thriller genre in the sublime Astron-6 homage THE EDITOR.

Guests attending include The Vicious Brothers, Anthony DiBlasi and Andy Nyman, So, be sure to be part of our terror tribe for the night-ride of your lives

Horror fans around the country can join in the fearsome fun on Saturday 1 November, when the event travels to the GFT Glasgow and the Edinburgh Cameo. On Friday Oct 31, the event hits the Watershed Bristol.

21:00 EXTRATERRESTRIAL (Special Preview)

Five teenagers party in a remote cabin in the woods unaware the region has become a hot bed of bizarre events, military activity and space invader sightings. Then a UFO crashes in the forest and driven by curiosity they decide to investigate. This ambitious second feature from The Vicious Brothers is a wonderfully effective sci-fi fantasy; a close encounter of the shocking kind, which delivers thrills and terror in a surprising special effects package

Director: Colin Minihan. Cast: Brittany Allen, Freddie Stroma, Melanie Papalia, Jesse Moss, Michael Ironside. 106 mins. US 2014

23.40 ABC’s OF DEATH 2 (UK Premiere)

Get ready to learn your ABC's again with 26 new directors and 26 new deaths. Some of the talent in the impressive mix include Vincenzo Natali (SPLICE), E.L. Katz (CHEAP THRILLS), the Soska Sisters (AMERICAN MARY), Aaron Keshales and Navot Papushado (BIG BAD WOLVES) and Larry Fessenden (HABIT). The follow-up to the most ambitious anthology film ever conceived, Provocative, shocking, funny and confrontational, it’s another global celebration of genre filmmaking.

Directors: A lot. Cast: Andy Nyman, Tristan Risk, Mark Grossman, Ryan Winsley, Conor Sweeney. 120 mins. US 2014

02:15 LAST SHIFT (World Premiere)

A rookie cop’s world is turned upside down when she comes face to face with Paymon, King of Hell. From Anthony DiBlasi, director of the past FrightFest presentations MISSIONARY, CASSADAGA and DREAD, comes a new frontier in fear. Officer Jessica Loren has the last shift at a transitioning police station, assigned to wait for a crew picking up bio-hazard waste from the armoury. But unbeknownst to her, cult leader John Michael Paymon has haunted the department ever since he committed suicide in captivity. Jessica is about to find out how dangerous he still is, now alone on the graveyard shift.

Director: Anthony DiBlasi. Cast: Juliana Harkavy, Natalie Victoria, J. LaRose, Joshua Mikel, Amber Watson. 90 mins. USA 2014.

04:30 THE PACT 11 (UK Premiere)

Surpassing the original movie by going into deeper psychological areas to stir up its scares, directors Patrick Horvath and Dallas Richard Hallam's latest episode in the Judas Killer saga once more unfolds a murder mystery linking two intriguing realities that skirt the fine line between being paranormal supernatural and entirely plausible. This time a trauma scene cleaner learns she's the adopted daughter of one of the maniac's past victims and now she's the target of a possible copycat murderer. How an FBI profiler and her cop boyfriend fit into the creepy picture make for neat twists and jolting shocks.

Directors: Dallas Richard Hallam, Patrick Horvath. Cast: Caity Lotz, Camilla Luddington, Scott Michael Foster, Patrick Fischler, Mark Steger. 96 mins. US 2014.

.06: 15 THE EDITOR (Special Preview)

From Astron-6 (MANBORG and FATHER’S DAY), comes the AIRPLANE of Giallo. Editor Rey Ciso is on the verge of a nervous breakdown, the four wooden fingers on his right hand a reminder of the dangers of exhaustion. Then the lead actors from the Giallo he’s cutting turn up dead…A brilliant homage to 1970s’ Italian thrillers mixing crime with horror. Watch out for big hair, bad dubbing, inappropriate nudity, ‘hysterical blindness’ and a terrific Claudio Simonetti soundtrack.

Directors: Adam Brooks, Matthew Kennedy. Cast: Adam Brooks, Matthew Kennedy, Paz de la Huerta, Udo Kier, Laurence R. Harvey. 106 mins. Canada 2014.

Alan Jones, co-director, said today: “Thank you all for making our August Bank Holiday event so wildly successful – the reviews were the best ever and our move to the Vue, Leicester Square, couldn’t have been better received. So we felt it was now an appropriate time to celebrate our roots and the interactive community that makes FrightFest unique amongst global genre festivals.The Prince Charles Cinema is where it all began 15 years ago and this Halloween you can join us for an intimate trip down memory lane and an ultimate shock around the clock experience”.

Passes for the London event cost £40 and go on sale from Friday 3 October. To book go online at Prince Charles Cinema website

or call the Prince Charles Cinema on 0207 494 3654 Tickets can also be bought at the cinema

For details of regional screenings please visit www.frightfest.co.uk Note that the regional venues may not be playing all of the titles screening at the London event so please check local listings

Cinehouse and our mainsite The People's Movies are hoping to be at The Edinburgh and Glasgow all-dayers so if your there do say hello!

2 October 2014

Film Review - Le Jour se lève (1939)

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Genre:
Crime, Drama, Romance
Distributor:
Studiocanal UK
Rating: PG
Release Date:
3rd October 2014 (Cinema)
27th October 2014 (Home)
Director:
Marcel Carné
Cast:
Jean Gabin, Jacqueline Laurent, Arletty,
buy:Le Jour Se Leve - 75th Anniversary Edition [DVD] [1939]

Le Jour se lève is a prime example of what is known as French Poetic realism. It’s a very important genre because it’s very much a proto version of film noir; it often concerned doomed heroes and more often than not they were crime stories. They also created realism, hence the more Poetic aspect than the documentary realism. Le Jour se lève was directed by Marcel Carné who is one the directors most associated with Poetic realism but other directors associated were Jean Renoir and Jean Vigo who, sadly, died way too young.

The film stars Jean Gabin who was the French star until the 1960s; he was in many great French films and worked with Renoir and Carné many times. Gabin plays François who is a factory worker and you first see him after he kills a man called Valentin and he barricades himself in his room after the police arrive.

The rest of the film is told in flashback, which would become a convention for many noir films to follow. He reflects on how he got in the situation he is in over the course of the long night. It involved some girls, as you might expect, and one of the girls is Valentin’s assistant. The film’s structure was very much ahead of its time and would influence Orson Welles, Jules Dassin, Jean-Pierre Melville and numerous noir films like Detour, so it’s hardly surprising that it was later remade as an American noir film. It also has an air of existentialism that only the French do this well when it comes to crime films. It all comes down to an ending that is as much Camus as it is Hammett.

Jean Gabin gives one of his finest performances in the lead role. He is often forgotten in the scheme of great film actors, partly because he was one of the first; he would be highly influential on people like Marlon Brando and James Dean. He goes through hell and replays his mistakes in his head, and due to Gabin’s performance, you can feel his pain.

Le Jour se lève is getting a theatrical re-release from the 3rd of October in selected cinemas. It will be out on Blu-Ray at the end of October. The new restoration looks beautiful; black and white works particularly well in High Definition. It includes a feature length documentary on the film, along with stuff on the deleted scenes by the Vichy Government, and a featurette on the restoration process.

★★★★
Ian Schultz

1 October 2014

Blu-ray Review - Salvatore Giuliano(1962)

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Genre:
Crime, Drama, World Cinema
Distributor:
Arrow Video
BD Release Date:
29th September 2014 (UK)
Rating:15
Director:
Francesco Rosi
Cast:
Frank Wolff, Salvo Randone, Frederico Zardi
Buy:Salvatore Giuliano [Dual Format DVD & Blu-ray]


Francesco Rosi is often forgotten in terms of Italian Neo-Realism, but his work is just as vital as Vittorio De Sica or Roberto Rossellini. It may have to do with the fact he came slightly after the initial wave of Neo-Realism and is sometimes considered a part of a “Post Neo-Realism” alongside directors such as Pier Paolo Pasolini and Gillo Pontecorvo.

His two most well known films Hands Over the City and Salvatore Giuliano have been recently remastered on Blu-Ray in the UK. The latest release is Salvatore Giuliano, which is quite possibly his masterpiece. Martin Scorsese has cited the film as one of his twelve favourite films ever.

The film is about the bandit Salvatore Giuliano who is rarely ever seen on-screen but his presence is always felt. The film opens with his suspicious death on the streets of Sicily. The rest of the film jumps back and forth in a time in a non-linear fashion, telling the story of the separatists who hired Salvatore and other criminals to do their bidding. The film ends with an exhilarating courtroom scene after Salvatore’s death - will the truth finally come out and will the criminals be pardoned after Sicily is declared independent?

The film moves with urgency that Hands Over the City also has but it plays around more with the medium of cinema. It somewhat owes something to Citizen Kane which the idea of Giuliano’s friends, family and enemies tell the story after his death and how it’s told in a non-linear fashion. It also very much predates the docudrama approach Gillo Pontecorvo took with his masterpiece The Battle of Algiers.

It’s a mesmerizing piece of Italian cinema that has received a gorgeous 4K transfer, which shows the film in the best possible quality. The disc includes an hour and a half of interviews and documentaries, which delves deep into the career of Francesco Rosi but also the true life story of Salvatore Giuliano. It seems Arrow has released the definitive package of this classic film.

★★★★1/2
Ian Schultz

30 September 2014

David Lynch Shares His Thoughts On His Career, Cinema And TV In New 45 Minutes Video

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There's something uniquely distinctive about David Lynch you can't deny admiring the filmmaker even if your not his biggest fan of his work. You may not understand what he is trying to deliver but he has a style of filmmaking that no other director has got close to matching  his vision for the big screen,

Blue Velvet , Twin Peaks, Mulholland Drive are all you can't deny worthy of their places in cinema and televisions greatest ever and in a interview with Thompson on Hollywood caught up with legendary director. At they chat about everything from his career, filmography, his early days from an artist at the Pennsylvania Academy of Fine Arts (which is holding an new exhibition). The chat goes further into the thought of how easier it is now for filmmakers to create Television than feature films, they even go into Lynch's meditation techniques too!

It's a fantastic little 45 minute video featurette which any student of film should watch, the sound snyc is unfortunately out however it shouldn't stop you enjoying a master of cinema sharing his wisdom on the masses.



The acclaimed silent era masterpiece Intolerance To Join Masters Of Cinema Family This December

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Eureka! Entertainment have announced the release of INTOLERANCE (Love’s struggle throughout the ages), starring Lillian Gish, the icon of silent Hollywood and a cast of thousands. Counted amongst the most influential films of all time by The Library of Congress – National Film Registry, the American Film Institute and Sight & Sound Magazine, the film has been digitally restored and features a lush orchestral score by the acclaimed composer Carl Davis conducting the Luxembourg Symphony Orchestra. D.W. Griffith’s cinematic milestone will be released on Blu-ray on 8 December 2014 as part of the Masters of Cinema Series.

Perhaps the greatest movie ever made” – The New Yorker


After shaking the world with his hugely controversial epic The Birth of a Nation, pioneer filmmaker D. W. Griffith spared no expense in putting together his next project, Intolerance (Love’s struggle throughout the ages): a powerful examination of intolerance as it has persisted throughout civilisation, set across four parallel storylines that span 2500 years.

There is the Babylonian story, depicting nothing less than the fall of Babylon; the Judean story, which revolves around the crucifixion of Christ; the French story, which presents the St. Bartholomew's Day Massacre in all its horror; and a modern American story of class struggle, crime, and the plight of life in the early 20th century set within urban slums and the prison system.

Starring such luminaries as Lillian Gish, Constance Talmadge, and Miriam Cooper, who share screentime with an enormous main cast and some 3,000 extras, Griffith's film — the most expensive motion picture ever produced at the time — went on to become a critical success whose influence has only grown in the decades since. The Masters of Cinema Series are proud to present the 2013 restoration of Kevin Brownlow's and David Gill's preserved Intolerance, featuring Carl Davis's orchestral score, for the first time on Blu-ray in the UK.

2-DISC BLU-RAY EDITION SPECIAL FEATURES:

• New high-definition 1080p presentation of the acclaimed Brownlow and Gill "Thames Silents" restoration of the film
• Orchestral score by the esteemed composer Carl Davis
• Two feature-length films by Griffith that act as companion pieces to Intolerance and take their material from the main film: The Fall of Babylon and The Mother and the Law, accompanied by new scores by the Mont Alto Motion Picture Orchestra
• Three Hours That Shook the World: Observations on 'Intolerance', a 2013 documentary featuring preservationist Kevin Brownlow discussing the film
• 56-PAGE BOOKLET filled with vintage and modern reports, reflections, and essays on the film.

Intolerance arrives on Dual Format from 8th December in UK from all usual stockists

29 September 2014

Blu-ray Review - The Gang's All Here (1943, Masters Of Cinema)

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Genre:
Comedy, Musical
Distributor:
Eureka! Entertainment
BD Release Date:
29th September 2014 (UK)
Director:
Busby Berkeley
Cast:
James Ellison, Alice Faye, Carmen Miranda, Phil Baker,
buy:The Gang's All Here (1943) [Masters of Cinema] [Blu-ray]

Busby Berkeley is one of the names most associated with the classic Hollywood musical. It’s not hard to see why with his first Technicolor film The Gang’s All Here. It also happens to be up there as one of the most surreal films to ever come out of the golden age of Hollywood.

The film’s “plot” is the barest of the bare: a young soldier Andy Mason (James Ellison) falls in love with a New York nightclub singer but he has a long-standing engagement to a childhood sweetheart. This all provides a jumping off point for the quite nauseating (but in a good way) film of melodrama, campy dialogue and the musical numbers that are quite mind blowing.

The film’s cinematography and choreography is what the film is all about; the opening musical number perfectly sets the template for what is to come, and fans of Terry Gilliam’s Brazil will recognize the opening song. The first musical number that starts the spiral of surrealism is the much-celebrated “The Lady in the Tutti-Frutti Hat” which of course features the iconic Carman Miranda. It literally ends with a stunning bit of art direction which makes her fruit hat look it’s going on forever.

The film’s climax, however, remains one of the most surreal pieces of cinema I’ve ever seen, never mind of Golden Age Hollywood. It becomes almost psychedelic which is perhaps unsurprising considering its revival in the 60s and 70s when it gained cult status. It remains a classic musical that even non-fans of the genre will be entertained and swept up in its magic.

Eureka as usual has done a very nice package with a commentary: a 20 minutes documentary on the film, and it’s finished off with a deleted scene and the theatrical trailer. The new HD transfer also gives the film’s visual sparkle that makes the imagery pop out of the screen. It also includes a 56 booklet with writings by director David Cairns and Karina Longworth.

★★★★

Ian Schultz