Berlinale 2015 - Watch The Trailer For Opening Gala Nobody Wants The Night Starring Juliet Binoche

2015 Cinehouse And The People's Movies are hoping to spread our wings internationally and next week we will at Sundance Film Festival.In February we also hope to attend Berlin for the first time and today we get our first look at the trailer for the opening film Nobody Wants The Night.

Starring Juliette Binoche, Gabriel Byrne and Rinko Kukuchi, Nobody Wants The Night is set in 1908 a true story that accounts of an upper class womanJosephine (Binoche) who braves the dangerous Artic conditions. She is however the wife of celebrated adventurer Robert Peary however she's not only woman braving the elements Allaka (Kikuchi)  pregnant  to meet her lover and father of her child who happens to be same man Josephine is heading to. After an event  both women as they attempt to survive the most hospitable conditions on Earth.



It's refreshing to see Survival tales from a woman as epic adventures usually one taken by a man, it's also a slight unusual twist on romance too. Fantastic cast and certain to get a good festival run  then a UK distribution, which you could see someone like Artificial Eye, Soda Pictures, Studiocanal picking this film up.

Nobody Wants The Night is directed by Spanish filmmaker Isabel Coixet filmed in Norway and Tnerife, Spain.,Berlin Film Festival opens 5th February.

source:Twitch

DVD Review - God's Pocket (2013)

God’s Pocket will go down in history as one of the late Philip Seymour Hoffman’s last films. It won’t make any other serious dent in the history of cinema, but it’s a perfectly fine, indie-spirited, black comedy, that harkens back to the glory days of the character based stories of 70s cinema. It’s also the directorial debut of Mad Men’s John Slattery, which is why his Mad Men co-star Christina Hendricks plays Hoffman’s wife.

The film is set in a close knit, working class community where Mickey Scarpato (Philip Seymour Hoffman) tries to cover up the death of his son who has died in a mysterious accident. His wife Jeanie (Christina Hendricks) is convinced he was murdered. The local reporter Richard Shellburn (Richard Jenkins) also suspects something is amiss and begins to investigate.

God’s Pocket major flaw is in its tone: it is a dark comedy but it’s either too earnest or too broadly comedic to go full out. With that said, the film is funny at times, mostly because of the absurd situations Hoffman’s Micky gets into. For example, there is great set piece of him driving a dead body around only for it to fall out, which is reminiscent of Hitchcock’s unsung masterwork The Trouble with Harry. The film is passable however, due to a strong performance by Hoffman who could read the phonebook and make it captivating. John Turturro has a supporting role, and brings some comical relief as he normally does and Richard Jenkins is fantastic as usual as the alcoholic journalist.

Overall it’s a film that wants to be Five Easy Pieces or any other great 70s drama but at times it feels a little too forced. It does have strong performances from the cast, which is probably due to the fact the director is an actor himself. John Slattery makes an admirable directorial debut even though it doesn’t fully work and it’s nice to see a film about the working poor from the States as it’s so rare these day.

★★★ 

Ian Schultz

Elia Kazan's Wild River To Receive Masters Of Cinema Release This February

Eureka! Entertainment have announced the release of WILD RIVER, one of the crowning achievements of Elia Kazan, director of A Streetcar Named Desire, On the Waterfront, and Splendor in the Grass. Starring legendary actor Montgomery Clift (Red River, A Place in the Sun) in one of his most gripping roles, Lee Remick (Anatomy of a Murder) and Jo Van Fleet (Cool Hand Luke, East of Eden), Wild River is an expansive portrait that combines erotically charged love story with social realism, in the classic Kazan manner. Wild River is released in a Dual Format (Blu-ray and DVD edition) as part of the Masters of Cinema Series on 23 February 2015.



Regarded as one of the crowning achievements in the career of both director Elia Kazan (A Streetcar Named Desire, On the Waterfront) and actor Montgomery Clift, Wild River charted new territory for cinema at the dawn of the 1960s, combining psychology, eroticism, documentary realism, and

exquisite pictorial beauty within the CinemaScope frame.

In the early 1930s, an administrator for the Tennessee Valley Authority (Clift) arrives in the small town of Garthville with the business of convincing an elderly landowner to sell her land to the government. Soon afterward, he’s thrown into conflicts emotional (falling in love with the landowner’s widowed granddaughter, played by Lee Remick, who is expected to marry another man) and societal (the employment of black labour on the authority’s river project).

With its mix of the personal and the political, Wild River, in the words of critic and scholar Adrian Martin, shows us that "there is only, in each case and circumstance, the particular problem, the isolated breakthrough, and the irretrievable loss.” The Masters of Cinema Series is proud to present Wild River in a special Dual Format edition that presents the film on Blu-ray for the first time in the UK.

Wild River will come in 1080p HD presentation with its original aspect ratio and will come with a 40 page booklet with a new essay by Adrian Martin, a score of rare archival imagery, and more!

Wild River will be released in a dual format on 23rd February and we will be reviewing the film nearer the release date and you can pre-order your copy now  Wild River (1960) [Masters of Cinema] Dual Format (Blu-ray & DVD)
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Sci-fi Short Atropa Pays Homage To Classic Ridley Scott Science Fiction

If you adore Alien, Blade Runner Eli Sasich's Science Fiction short Atropa will be right up your street, paying Homage to classic gritty sci-fi of 1970s & 1980s.

Sasich's beautifully created film tells the tale of a space detective (Anthony Bonavetura) whose sent on a deep space mission to investigate the missing  research vessel Atropa, but what he finds everything is not what it seems.

There's also a big nod to the sci-fi horror Event Horizon here, a fantastically constructed film and for short with impressive CGI. Atropa is another fine example to filmmaker wannabe's that sometimes crating something smaller with plenty of TLC is a smarter move than going the juggular with a full feature. Here's hoping those with the power in film have there eyes on Sasich's fantastic film as it's a film we love to see created into a full feature.

ATROPA -- Sci-fi Short from Eli Sasich on Vimeo.

source: GeekTyrant

DVD Review - Night Moves (2013)

Genre:
Thriller, Drama
Distributor:
Soda Pictures
Rating: 15
DVD/BD Release Date:
12th January 2015 (UK)
Running Time:
112 Minutes
Director:
Kelly Reichardt
Cast:
Jesse Eisenberg, Dakota Fanning, Peter Sarsgaard, Alia Shawkat
Extras:
Interviews With Kelly Reichardt, Jesse Eisenberg, Short Film Trailer
Buy:Night Moves [DVD]
Night Moves, directed by Kelly Reichardt, is not a conventional thriller, yet it remains compelling because of its character-driven, slowly-unfolding nightmare. What stood out most for me in this film was the characterisation and acting; each character was written and casted perfectly.

The film follows Josh (Jesse Eisenberg, The Social Network), Dena (Dakota Fanning, Twilight Saga: New Moon) and Harmon (Peter Sarsgaard, Garden State), three eco-activists who blow up a dam that they believe is harming the environment. However, their protest with good intent quickly becomes a dangerous misfortune. After they blow up the dam, and return to their ordinary lives, everything carries on as normal, making the situation eerily real – there are no high-octane police chases or fight scenes – these genre standards are replaced with increasing paranoia, guilt and numbness.

Eisenberg’s character is a subdued version of the actor’s typically awkward film roles, perfectly portraying a temperamental and troubled eco-terrorist. As the film progresses, and the suspense builds, he becomes more and more erratic and threatening, executed outstandingly by the actor. Dakota Fanning provides incredible support, as an edgy and unreadable college dropout, whilst still retaining a young innocence. Sarsgaard’s character, an ex-marine, appears light-hearted at first, with a calmer approach to the act of eco-terrorism. However, the actor’s performance becomes more chilling as Horman slowly becomes desensitised after the event.

The character relationships are subtle and implied rather than thrown in your face, with the first hour, seemingly, dedicated to character development – learning about their backgrounds and personalities which influence their roles in the second hour’s conflict. A key scene shows a wide shot with all three activists sitting in the car they used to escape from the imminent explosion. Each character’s face is extremely telling as they wait for the sudden eruption of their plan coming together. These character building scenes, at first, can seem slightly un-engaging however, they are integral for the ensuing tension.

The accompanying music, composed by Jeff Grace (composer for the Lord of the Rings trilogy), is quiet and subdued, consisting mainly of piano and pan-pipes, but is still eerie and, at times, unsettling as the onscreen action can become very tense. It becomes clear that the label of ‘thriller’ is not because of anything particularly action-packed and grand, but rather because of the guilt eating away at the protagonists, until they all become extremely fearful and unconfident in a unique way.

This is not a film for someone expecting to be immediately gripped and thrilled, as it sometimes lacks the ability to engage, however, Reichardt’s portrayal of three people made victim to their own psychological decay stays with its audience long after watching.

Night Moves is available on DVD from 12th January.

★★★ 1/2
Jenn Spiers

Yee-Haa! Eureka! Entertainment Giving Gary Cooper's Classic Western Man Of The West Masters Of Cinema Treatment

Eureka! Entertainment have announced the release of MAN OF THE WEST, starring studio superstar Gary Cooper in one of his most uncompromising performances. The capstone to director Anthony Mann’s extraordinary run of westerns in the 1950s (including Winchester ’73, The Furies, Bend of the River, The Naked Spur, and more), Man of the West is regarded alongside The Searchers, Rio Bravo, and The Man Who Shot Liberty Valance, as one of the greatest of all westerns. Man of the West will be released on Blu-ray in a Dual Format (Blu-ray & DVD) edition as part of Eureka’s award-winning The Masters of Cinema Series on 23 February 2015.

Check out the original theatrical trailer sent to us courtesy of Eureka! Entertainment...

The pinnacle in the brilliant career of director Anthony Mann, Man of the West has earned a reputation as one of the finest westerns — and one of the finest films, full stop — produced in the late studio era.

Ex-outlaw Link Jones (Gary Cooper) boards a train to Fort Worth to hire a schoolteacher for his town when he’s knocked unconscious and robbed — by a gang of outlaws associated with his own uncle (Lee J. Cobb) whom he abandoned years earlier in his bid to go straight. Soon after, and in order to protect the life of the woman he’d earmarked for schoolteacher, saloon singer Billie Ellis (Julie London), Link rejoins the gang for one last hold-up…

Jean-Luc Godard wrote of Man of the West: "I have seen nothing so completely new since — why not? — Griffith… With Anthony Mann, one rediscovers the western , as one discovers arithmetic in an elementary maths class. Which is to say that Man of the West is the most intelligent of films, and at the same time the most simple." The Masters of Cinema Series is proud to present Man of the West in a special Dual Format edition that presents the film on Blu-ray for the first time in the UK.

Man Of The West will come on dual format in a New HD 1080p HD presentation of the film in its original aspect ratio, plus a 44-PAGE BOOKLET with writing by Jean-Luc Godard, a score of rare archival imagery, and more!

We will be reviewing the film so stayed tuned, Man of The West will be released on 23rd February on Dual Format , pre-order your copy here

When Mad Max Meets Dawn Of The Dead, Watch The Trailer For Wyrmwood: Road Of The Dead

What if Mad Max was set in a world not plagued by psychotic road pirates but the walking dead,
what would it look like? Step forward Wyrmwood: Road Of The Dead as Ozploitation turns zombie road movie as the new trailer arrives online, so it's time to rev up and lock and load!

After a successful run via Fantastic Fest, After Dark and Busan Film Festival South Korea, the Zombie Apocalypse is getting ready for it's cinematic release next month.

Wyrmwood: Road Of The Dead is the creation of brothers Kiah and Tristan Roache-Turner  foolows our road warrior hero Barry who must save his sister from the militia forces.However things never run smoothly as Barry must fight his way through the hordes of undead and a psychotic doctor who is behind the kidnapping.



This is bat-shit crazy and it's that premise that we love about this film, it has a sense of fun about it, but it seems this trailer  reveals too much of the plot. It has a nice balance of action and horror which should bring a smile to fans of each genre, so if you haven't seen any of the coverage of the film I maybe not watch this for a few weeks so you don't spoil the excitement of checking this one out.

IFC Midnight have bought the American rights to Wyrmwood:Road Of The Dead with Raven Entertainment for Canada. What we can gladly announce is this will get an UK release by Altitude Entertainment what date that will be we don't know at this Stage. We think this one may play a few UK film festivals in 2015 possibly Frighfest either next month at Glasgow or in the summer at London Frightfest, Wyrmwood will be released in Australia 6th February cinematically and USA 13th February on V.O.D

Source: IGN (via Twitchfilm)

Eureka! Entertainment To Give An UK theatrical release of Alain Renais' Last Film Life Of Riley

Eureka! Entertainment have announced the UK theatrical release of LIFE OF RILEY (Aimer, boire et chanter), Alain Resnais’ (Last Year at Marienbad, Hiroshima mon amour) final film before his death in March 2014 is a moving, graceful, and surprisingly affirmative farewell to life from a truly great artist.

After Smoking/No Smoking (1993) and Private Fears in Public Places (2006), this is the late Alain Resnais’s thirdnadaptation of a work by British playwright Alan Ayckbourn and the great master’s last film. By confining the action to an artificial, almost entirely studio-bound world, he succeeds in creating a tragicomic theatre of vanities. Employing the ironic distance of a sage observer of human nature, Resnais ponders the power of love and desire and in doing so enables his characters, driven by their longings, hopes and obsessions, to leave the beaten track for once



In the Yorkshire countryside, the life of three couples is upset for a few months, from Spring to Fall, by the enigmatic behaviour of their friend George Riley.When general practitioner Dr. Colin inadvertently tells his wife Kathryn that the days of his patient George Riley should be numbered, he doesn’t know that George was Kathryn’s first love. Both spouses, who are rehearsing a play with their local amateur theatre company, convince George to join them. It allows George, among other things, to play strong love scenes with Tamara, who is married to Jack, his best friend, a
rich businessman and unfaithful husband.

A tearful Jack tries to persuade Monica, George’s wife who left him to be with Simeon the farmer, to go back to her husband in order to support him during his last months. George has a strange seductive power over Monica, Tamara and Kathryn, which highly upsets those men sharing their lives with the three women.

Which one will George Riley take on holidays in Tenerife with him?

If you missed LIFE OF RILEY at the recent UK French film festival, it will be released in selected cinemas nationwide in the UK and Ireland on 6 March 2015, starring Sabine Azéma, Hippolyte Girardot, Caroline Sihol.