BFI To Screen Claude Sautet's Classe Tous Risques (The Big Risk) This September

Highly rated by Jean-Pierre Melville, Robert Bresson and Bertrand Tavernier, Classe tous risques is a truly great, astonishingly neglected French crime movie, deserving of far wider renown. The dazzling directorial debut of Claude Sautet (1924 - 2000), better known for his later films Un Coeur en hiver (1992) and Nelly et Monsieur Arnaud (1995), it will be released in cinemas nationwide on 13 September.

Classe tous risques stars the great Italian-born character actor Lino Ventura as Abel Davos, a once powerful Parisian gangster, convicted of multiple crimes in France and sentenced to death in absentia, who has grown weary of his Italian exile and longs to return home with his wife and two small children. In order to finance this ambition, he decides to pull one last job  boldly executed in broad daylight on the streets of Milan  before heading in the direction of Nice. The getaway proves highly perilous, and Abel realises that he will never make it to Paris without a little help from his friends. But his old pals and partners-in-crime despite the incredible debt they all owe him  are reluctant to risk their own safety. Instead they send a complete stranger, the fresh-faced Eric Stark (the young, still unknown Jean-Paul Belmondo), to escort their former comrade from Nice to Paris.

Scored by Georges Delerue and shot in expressive black and white by Ghislain Cloquet (who was to win an Oscar for Tess), Classe tous risques is based on a novel by death-row-inmate-turned-writer José Giovanni (Le trou, Le deuxième souffle) whose intimate knowledge of the underworld helped steer him away from cliché. Brilliantly suspenseful and surprisingly moving, it is a devastating study of loyalty and betrayal, distinguished by a bleak, incisive psychological realism.

The relative obscurity of Sautet’s superb thriller is in many ways an accident of history. It was simply swept away in the frenzy of excitement generated by the Nouvelle Vague which made its classical virtues appear old-fashioned. Released in Paris in March 1960, it was almost immediately overshadowed by Godard’s Breathless (Belmondo’s international breakthrough) which opened a week later.

Now, more than half a century on, the mists which obscured Sautet’s achievement have cleared. In the words of Tavernier: “We’ve come to understand that Classe tous risques … was just as revolutionary as Breathless … Sautet was renewing the genre, profoundly, from the inside, instantly turning dozens of contemporary films into dusty relics.” The BFI’s release will enable cinema audiences to relish in full this wonderful rediscovery.



The film’s nationwide release will coincide with a month long retrospective of Claude Sautet’s work at BFI Southbank from 11 September until 7th October.Check your local independent/Arthouse cinema for listings

The Returned (They Came Back) DVD Review

Rating:15
DVD Release Date:
22nd July 2013 (UK)
Director:
Robin Campillo
Cast:
Géraldine Pailhas, Jonathan Zaccaï, Frédéric Pierrot
Buy The Returned (2004):[DVD]
A disappointing watch for anyone who’s got too caught up in the word zombie, Robin Campillo’s 2004 film The Returned is a haunting original tale of undead awakening. Now a major series with the same title, The Returned has obviously addressed a void in the zombie market and caught people’s imaginations, Campillo’s eye for political commentary is as sharp as Romero’s but undoubtedly less entertaining to watch. Here you will find no flesh eating denizens of grave, no Savini, Berger/Nicotero effects:  this is a film startling in its total lack of similarity to any other feature of the genre.

You can see why it arguably works better in serial format; thousands of the recently deceased return to life and are registered, accounted for, then let back to their families, jobs, etc. Campillo’s focus here is less inclined towards the chaotic Armageddon factor and more towards the quiet sombre realisation of what is happening, his script picks its way through a realistic portrayal of the bureaucracy involved, the systems of testing, the reactions of loved ones, and ultimately the effects these have on a small French town. A series would be better equipped to explore the effects on individual people and to build a bigger sense of the event; Campillo’s feature unfortunately lacks focus and scale. We don’t follow a single character well enough to feel pulled into the moment, and there’s no attempt to show the global scale of the incident.

It takes a while for anyone to ask the questions that seem to jump to mind first, but even when the opportunity pops up, it comes from a child who is quickly brushed aside. It is in this manner Campillo deals with most of the important events of The Returned, quickly serving moments of intrigue then whisking them off with no further development, leaving the viewer to put the message together in their own good time. Perhaps the film and its creator are to be lauded for a fearless disregard of the anticipated reactions: the how’s, why’s, and what’s.

The dream-like quality of the film, the slow heartfelt, dizzy feel of the look and pace, evolve not just through the docile meanderings of the dead, but by that very elusive manner of story-telling you could easily get frustrated with. No matter how you feel it’s the perfect aesthetic for a zombie film sans gruesome flesh.

By no means is a zombie film in the traditional manner, The Returned a far more emotional rendering of that tired old trope, an intriguing look at the reality behind an event such as this. However, it is difficult to enjoy a film so laconic in its method, so dull and heart-wrenching that- at its core-  it is intrinsically boring.

★★☆☆☆

Scott Clark

In The House (Dans La Maison) DVD Review

Rating: 15
DVD Release Date:
22nd July 2013 (UK)
Director:
François Ozon
Cast:
Fabrice Luchini, Ernst Umhauer, Kristin Scott Thomas
Buy: [Blu-ray] [DVD]
A talented pupil and a frustrated teacher. A tale as old as time and a mainstay of cinema ever since Robin Williams received a table striding declaration of support in Dead Poet’s Society. Francois Ozon’s In The House uses this well worn template to blur the lines between fantasy and reality, bringing an uneasy dynamic to the classroom drama.

Having scored his biggest UK hit to date last time out with gender role comedy Potiche, Ozon’s follow-up eschews the laughs in favour of a return to the more ambiguous tone found in his earlier works. It’s also as much a paean to the power of our imagination as it is a tale of mentor and student.

Fabrice Luchini shakes off the misogynous mindset instilled in his role of Catherine Denevue’s husband in Potiche to play literature teacher Mr Germain, returning to school for another year of uninspiring works from unenthused students. Or so it is until a routine ‘how I spent my weekend’ assignment unearths a rare nugget of promise among his apathetic class. While the majority of hand-ins recount the mundane adolescence of video games, pizza’s and wasted Sunday’s, one student, Claude (a suitably creepy Ernst Umhauer), bucks the trend by regaling a somewhat sinister account of voyeurism. Under the premise of maths tutorage, Claude talks his way into the home of fellow classmate Rapha, observing and rather disparagingly depicting the model middle-class life on show. Instantly catching the literary eye of Germain, Claude takes his attention for encouragement, returning time and again to this suburban ideal to portray the life behind those doors, in the house.

The comfortably domestic lives of Germain and wife Jeane (Kristen Scott-Thomas) are given a new distraction, evenings now spent ingesting and dissecting the latest work from the star pupil. While Germain, slightly in awe of his potential-laden student, somewhat neglects his teacher duties in overlooking the increasingly concerning tone of the passages, it is left to () to point out the glaring dangers of such obsessive voyeurism. Indeed it is she who at times understands the works on a far greater level than her book-loving husband.

Taking Claude under his wing, Germain gives Ozon the chance to go conduct a literature 101 class. Structures, rules and questions of authorship are all mulled over. This is literature with a capital L, to be discussed, debated and considered. It’s also where Ozon seems to be having most fun. Placing us within Claude’s writing as well as the world outside, Ozon toys with our (and Germain’s) perception of what is real what is fiction and what is pure teenage fantasy. It’s a theme he embellishes with a lightweight subplot for Scott-Thomas’s art curator. Her under threat gallery has it’s fate in the hands of two ill-informed and unappreciative identical twins with the varying works that pass through offering Ozon another chance to touch upon further themes of authorship and creative ownership.

It’s a film that encourages us to become the voyeurs, the ending an invitation to mimic the leads – peeking behind the curtain and imagining the lives being carried out. In these hands people watching takes on a whole new mindset, transcending into an art form from which great works can appear. It’s a notion that outshines the film itself, ultimately In The House never quite engrosses as much as one of the stories from the pen of it’s young lead.

★★★☆☆

Matthew Walsh

Jacques Rivette's Rarely Seen Le Pont Du Nord Getting A Masters Of Cinema Release

Buy :BLU-RAY / DVD
Le Pont Du Nord, the rarely seen, and long-requested key film by one of the world's greatest filmmakers Jacques Rivette, will be released as part of Eureka Entertainment’s Masters Of Cinema Series on Blu-ray and DVD on 29 July 2013.

Eureka Entertainment have announced that they will be releasing the first-ever Blu-ray and DVD editions in the world of Le Pont Du Nord, from the great French New Wave director Jacques Rivette, the creator of such sprawling and legendary works as Out 1, Céline and Julie Go Boating, La Belle noiseuse, and Va savoir. Rarely seen, and long-requested key film by one of the world's greatest filmmakers, the film stars Rivette's staple actress Bulle Ogier and her then-21-year-old daughter, Pascale Ogier. Released as part of the Masters of Cinema Series, these editions will Include a lengthy booklet containing new and vintage writing by Arthur Mas, Andy Rector, Serge Daney, and Caroline Champetier; writing from the original press-book by Jacques Rivette, and Jean Narboni; rare archival imagery; and more. Le Pont Du Nord will be released on DVD and Blu-ray as part of the Masters of Cinema series on 29 July 2013.

“It seems more obvious than ever how much Rivette has influenced a subsequent generation of filmmaker - Spike Jonze, Charlie Kaufman, Michel Gondry - and expanded our sense of the possible.” – Village Voice

The culmination of New Wave master Jacques Rivette's legendary middle period (which ranged from L'Amour fou through Out 1, Céline and Julie Go Boating, Duelle, Noroît, and Merry-Go-Round), Le Pont du Nord envisions Paris as a sprawling game-board marked off with tucked-away conspiracies, where imagination and paranoia intermingle; where the hinted-at stakes are sanity, life, and death.

Regular Rivette actress Bulle Ogier stars as Marie, a claustrophobic ex-con who, shortly after wandering into Paris, encounters the wild and potentially troubled young woman Baptiste (Pascale Ogier, Bulle's actual 22-year-old daughter). Baptiste, a knife-wielding, self-proclaimed kung-fu expert with a drive to slash the eyes from faces in adverts (including, in one instance, those on a placard for Akira Kurosawa's Kagemusha), accompanies Marie on her quest to solve the mystery behind the contents of her former lover's (Pierre Clémenti's) suitcase: an amalgam of clippings, patterns, and maps of Paris that points to a vastly unsettling labyrinth replete with signs and intimations whose menacing endgame remains all too unclear.

Gorgeously shot by the master cinematographer William Lubtchansky, Le Pont du Nord is a freewheeling, powerful experience whose hypnotic rhythm and ominous undercurrents resolve into a frightening and exhilarating portrait of post-revolutionary, early-'80s Paris – and in turn form a prime example of Rivette's uncanny, occult cinema. The Masters of Cinema Series is proud to present Jacques Rivette's rare and essential feature Le Pont du Nord on Blu-ray and DVD for the first time anywhere in the world.

Here's a preview clip from Le Pont Du Nord


Special Features DVD And Blu-Ray:
• Gorgeous new 1080p presentation (on the Blu-ray) of the film in its original 1.37:1 aspect ratio
• Optional English subtitles
• A lengthy booklet with writing about the film by Arthur Mas, Andy Rector, Serge Daney, and Caroline Champetier; writing from the original press-book by Jacques Rivette, and Jean Narboni; rare archival imagery; and more
• More details to be announced soon!

The Returned Original 'Returning' To UK For July DVD Release

Were you one of the 1.5 million viewers who tuned into Channel 4's French subtitled supernatural drama The Returned last night? Did you know the French series is in fact based on a 2004 cult hit feature film called Les Revenants? Arrow Films have announced they will be releasing Robin Campillo's original feature film on UK DVD on Monday 22nd July 2013 which is also now re-titled The Returned.

The recently dead return to life and seem content merely to go back to their former lives, but their return causes a myriad of complications. Isham and Véronique have their trepidations,but they're generally happy, at first, to see their little boy Sylvain,and the town's elderly mayor welcomes home his wife, Martha . But Rachel, a government health official, cannot bring herself to visit her newly returned husband, Mathieu, at the ad-hoc shelter where the government houses the "zombies" like refugees. Eventually, she relents, and Mathieu returns home, but the living find that their loved ones are not exactly as they remember them. Studies soon reveal that the dead suffer from a form of aphasia.

They cannot create new memories, and they cannot be trusted to perform any but the most menial tasks. Perhaps sensing the discomfort they cause the living, the dead gather together at night, and seem to be formulating some kind of secret plan.

So if you where hooked on last night's new series, you can buy the film that started it all off The Returned (Les Revenants), which  is out on DVD Monday 22nd July 2013.

Pre-order/ Buy: The Returned (Les Revenants): The Returned On DVD

Chronicle Of A Summer Blu-Ray Review

Made during the summer of 1960 by anthropologist filmmaker Jean Rouch and sociologist Edgar Morin, Chronicle of a Summer set out to record the everyday lives of a diverse array of Parisians through an highly influential approach to documentary filmmaking that made use of an original mixture of intimate interviews, debates, and observation.

The idea for the film arose when Rouch and Morin served as members of the jury for the first International Festival of Ethnographic Film in Florence, 1959. Rouch remembers Morin approaching him with the following question: “You have made all your films abroad; do you know anything about contemporary France?” Morin then proposed that Rouch should move away from his devotion to African rituals and customs and instead turn his gaze onto the Parisians “and do anthropological research about my own tribe.”

The film hinged on a simple theme: ‘How do you live?’ For Morin, this was a question that “should encompass not only the way of life (housing, work) but also ‘How do you manage in life?’ and
'What do you do with your life?’” These questions were tackled through the film’s redefined approach to the documentary form which was, as the opening voice-over announces, “made without actors but lived by men and women who devoted some of their time to a novel experiment of film-truth’,” or, as it is more commonly known, cinéma vérité.

The film’s interviews, debates, and observations reveal many fascinating insights into Parisian society at the onset of the 1960s. We witness factory workers and mechanics who talk about the oppressive nature of daily work and life; with one interviewee evoking the words of Albert Camus as read in his The Myth of Sisyphus. Then there are the debates surrounding the independence wars in Algeria and Congo which situate the film within discussions of racism and decolonisation.

More recently, Chronicle of a Summer has been read by Richard Brody as “one of the greatest, and perhaps the primordial, Holocaust film.” This interpretation of Rouch and Morin’s documentary as a ‘Holocaust film’ can be seen in the story of Marceline. We are first introduced to Marceline at the beginning of the film; first as an interviewee for the filmmakers’ as they make a first attempt at their experimental documentary technique, and then as an interviewer asking random passers-by: “Are you happy?” It isn’t until much later in the film that the numbered tattoo on her arm is revealed.

Immediately after the revelation that Marceline was a Holocaust survivor, the film presents us with its most intense, haunting, beautiful, and powerful scene. Marceline walks along an almost deserted Place de la Concorde, reminiscing about her experience of the Occupation. Far from making this film one about the Holocaust, what this scene demonstrates is a direct link between the legacy of the Second World War and France’s position as a colonial power clinging onto its territories during a time of decolonisation.

As this review as shown, it is often the filmmakers themselves who can provide the best analysis of their film. So I will end this piece on the excellent Chronicle of a Summer with two quotes by Morin. The first quote relates to the films questioning of how much reality and truth is presented in documentary filmmaking: “I thought we would start from a basis of truth and that an even greater truth would develop. Now I realise that if we achieved anything, it was to present the problem of truth.”

The final quote is taken from the films end in which Rouch and Morin pace up and down the Musée de l’Homme before Morin states: “We wanted to make a film about love, but it turns out to be about indifference.”

★★★★½

Shane James

Rating: 12
DVD/BD Release Date: 27th May 2013 (UK)
Director: Edgar Morin, Jean Rouch
Cast: Marceline Loridan Ivens, Landry, Régis Debray

Buy: Chronicle of a Summer (DVD + Blu-ray)

The Murderer Lives at 21 (L'assassin habite... au 21) Blu-Ray Review

The Murderer Lives at 21 is the debut feature film by legendary French director Henri-Georges Clouzot. He would later make such masterpieces as The Wages of Fear and Les Diabloiques. He was the envy of Alfred Hitchcock who wished he made Les Diabloiques, so much so he commissioned the writers of the source novel to write Vertigo for him.

The basic story of The Murderer Lives at 21 is that murder/thief is stalking the streets of Paris. He leaves a calling card with “Monsieur Durand” at the scene of each crime. The inspector on the case gets a hot tip that he is living at the boarding house at 21 Avenue Junot. He decides to go under cover as a priest to trying to solve the crime and end this terror.

The film is a solid whodunit. It’s no masterpiece but for fans of Clouzot and French crime cinema of the 40s and 50s it’s a welcome re-release. It does however has a great sense of paranoia which certainly reflects the Nazi occupation of France. It does jump from a comedy to noir quite freely which doesn’t quite work but it’s a fascinating film that bridges the gap between French poetic realism and later film noir.

The film has been widely unavailable in Britain or the United States for a long time while most of Clouzot’s other work is widely available. It’s a breath of fresh air that the always reliable Masters of Cinema has released on both blu-ray and dvd with a strong transfer taken from Gaumont’s restoration and some supplementary features.

★★★★1/2

Ian Schultz

Rating: PG
BD/DVD Release Date: 20th May 2013 (UK)
Director: Henri-Georges Clouzot
Cast: Pierre Fresnay,
Buy: Blu-ray / DVD

Clouzot's The Murderer Lives At Number 21 (L'assassin habite... au 21) To Get Masters Of Cinema Treatment

Eureka Entertainment have announced that they will be releasing the long-awaited release of Henri-Georges Clouzot's (Les diaboliques, The Wages of Fear) debut film THE MURDERER LIVES AT 21 [L'ASSASSIN HABITE AU 21]. The film is a brilliant hybrid of crime thriller and comedy, and will be released in a breathtaking high-definition restoration by Gaumont in a Blu-ray & DVD edition on 20 May 2013.

One of the most revered names in world cinema, Henri-Georges Clouzot, made a remarkably self-assured debut in 1942 with the deliciously droll thriller The Murderer Lives at 21 [L'Assassin habite au 21].

A thief and killer stalks the streets of Paris, leaving a calling card from "Monsieur Durand" at the scene of each crime. But after a cache of these macabre identifications is discovered by a burglar in the boarding house at 21 Avenue Junot, Inspector Wenceslas Vorobechik (Pierre Fresnay) takes lodging at the infamous address in an undercover bid to solve the crime, with help from his struggling-actress girlfriend Mila (Suzy Delair).

Featuring audacious directorial touches, brilliant performances, and a daring tone that runs the gamut from light comedy to sinister noir, as well as a subtle portrait of tensions under Nazi occupation, this overlooked gem from the golden age of French cinema is presented in a beautiful new high-definition restoration.

“good fun for whodunit fans” – The New York Times

“clever cocktail of humour and drama” - Le Miroir de l'Ecran

SPECIAL BLU-RAY AND DVD EDITIONS:

• Gorgeous new Gaumont restoration of the film in its original aspect ratio, presented in 1080p HD on the Blu-ray
• New and improved English subtitles
• A fully-illustrated booklet, including the words of Henri-Georges Clouzot and rare imagery

Pre-Order/Buy The Murder Lives At Number 21 (L'assassin habite... au 21): DVD / Blu-ray

Le Beau Serge Blu-Ray Review (Masters Of Cinema Release)

The first film of the nouvelle vague, or at the very least the first feature directed by a Cahiers du Cinéma critic, Claude Chabrol’s beautifully observed film preceded François Truffaut’s highly acclaimed The Four Hundred Blows by a year. Winning the 1958 Le Prix Jean Vigo award, and receiving praise from friend and colleague Truffaut for being “as masterly as if Chabrol had been directing for ten years,” Le Beau Serge defined the nouvelle vague’s aesthetic with its use of non-professional actors, location shooting, natural black and white photography, and its personal vision.

Opening with the words “this film was shot entirely in the village of Sardent (Creuse). Our warmest thanks to the residents and local authorities there,” Chabrol’s film introduces the audience to François (Jean-Claude Brialy), a Parisian student returning to his home village to recover from a serious illness.

Upon arrival, François seeks out his childhood friend Serge (Gérard Blain), now an unhappily married alcoholic with a baby on the way, and the pair reminisce in an attempt to reconnect. But it isn’t long before the pair become disconnected due to the differences in their circumstances: the superior François is content with his life and his education, whereas Serge has become bitter and discontented at the prospect of a life stuck in a provincial village.

The film ends when François, suffering from some kind of, as the village Doctor jokingly attests, “martyr complex,” tries to ‘save’ his debilitated friend on a snowy night after Serge’s wife goes into a premature labour. A scene wonderfully shot by cinematographer Henri Decaë, chosen because of his expertise in capturing natural light in films such as Jean-Pierre Melville’s Bob le Flambeur.

The film takes a bleak look at the judgements and assumptions held between social classes with a story that could be deemed as being simplistic and somewhat conventional. But what sets it apart, what turns it into something new, is the radical way in which it moves away from that style of filmmaking, much despised by the Cahiers critics, called the Tradition of Quality. With its aforementioned use of natural photography, location shooting, and a personal vision, Le Beau Serge became the standard-bearer for a new generation of filmmakers.

★★★★☆

Shane James

Rating: 12
DVD/BD Release Date: 25th March 2013 (UK)
Director: Claude Chabrol
Cast: Gérard Blain, Jean-Claude Brialy, Michèle Méritz 
Buy: LE BEAU SERGE [HANDSOME SERGE] (Masters of Cinema) (Blu-ray)

Rust And Bone DVD Review

Jacques Audiard has fast become one of Europe’s most prominent filmmakers with his previous two features: The Beat That My Heart Skipped and A Prophet. His latest film, Rust and Bone, will surely further boost his reputation and gain the director a wider audience with its crowd pleasing love story starring Academy Award winning actress Marion Cotillard.

The film opens in a style reminiscent of a Dardenne social drama when we’re introduced to Ali, an unemployed ex-boxer, with his five-year-old son in tow, fleeing Belgium for the French Riviera, where he moves in with a sister he hasn’t seen for years. After finding employment as a bouncer at a local nightclub, he has a chance encounter with Stephanie, a whale trainer. After this brief encounter Stephanie loses her legs in a horrific accident at work and the film turns away from its gritty social drama beginnings and becomes a fey and ridiculous love story hinged on the relationship between the two leading characters.

After the accident Ali and Stephanie strike up an unlikely relationship. This is where my problem with the film lies. Rust and Bone becomes forced and overly sentimental in its depiction of the opposing nature of the characters sensibilities. Ali is predictably brutish and Stephanie is predictably frail and it is these characteristics that bring them together. The film is about damaged humans and the animalistic nature of human behaviour but is too predictable and simplistic in its execution to be convincing.

Besides the gimmicky and rather conventional telling of its story, Rust and Bone boasts some beautiful cinematography and outstanding special effects. The scene where Cotillard’s Stephanie swims for the first time after becoming an amputee is a breathtaking example of both the beauty of the films cinematography and its seamless use of special effects. Unfortunately, the visual beauty of the film isn’t enough to elevate the film above its conventional and predictable storyline. By the end the film just feels too fey and insubstantial.

Shane James

★★1/2☆☆

Rating:15
BD/DVD Release Date:25th February 2013 (UK)
Director:  Jacques Audiard
Cast:  Marion Cotillard, Matthias Schoenaerts, Armand Verdure
Buy Rust&Bone: Blu-ray / DVD

Watch Trailer For The Scapegoat Starring Berenice Bojo

There is life after The Artist for Berenice Bejo at least as she returns to the land of speaking with The Scapegoat (Au Bonheur Des Ogres). The film based on a Daniel Pennac novel of the same name is due out this April in France and we have a new trailer to test your French speaking skills.

The Scapegoat tells the story of Benjamin (Raphaël Personnaz)a quality controller for a Parisian Department who becomes the prime suspect responsible for a series of bombings that have claimed shoppers lives.Bejo plays Tante an investigative journalist who becomes involved with Benjamin with Emir Kusturica (Farewell) plays Benjamin's Serb-Croat petty thief uncle.If you enjoy Jean-Pierre Jeunet’s films you will enjoy The Scapegoat which blends the tone and visual elements combining reality as well fantasy with some nice results. The world is going CGI crazy and it looks like director Nicholas Bary has borrowed one of Ang Lee's Giraffes!

No word on a English language release just yet, but with the success of The Artist we do expect to hear Peppy Miller  sometime, The Scapegoat will be released in France on 10th April.


source:ThePlaylist

Holy Motors Blu-Ray Review

Holy Motors is the first full length film by Leos Carax since his previous film Pola X which came out all the way back in 1999! Holy Motors was the sensation of last year at Cannes and at it's initial screening it was widely tipped at the prime contender of the Palme d'Or. It eventually lost out to the most more predictable pick of let another Haneke film (who just has to show up at Cannes and his wins it) but it did win the “award of the youth” award at the festival.

Holy Motors in a nutshell about Mr. Oscar (played by always wonderful Denis Lavant) during the time frame of one day who is has appointments to do and he driven in a limo by Celine (played by Edith Scob). These appointments get increasingly more and more surreal and the first one has him dress up as an old lady and beg.  The film is part about cinema it's littered with references to such great French directors such as Franju and Cocteau but the other hand is certainly can be interrupted as a film about what it means to be performer.

Denis Lavant was Leos Carax's one and only choice was the main character he said “If Denis had said no, I would have offered the part to Lon Chaney or to Chaplin. Or to Peter Lorre or Michel Simon, all of whom are dead.” He is obviously perfect he is like a fucked up French Fred Astaire cause is known for dancing abilities from Leos' previous film The Night is Young and Beau Travail but he is also just a great actor. The film also has bit roles by Kylie Minogue and Eva Mendes, which just add to the surreal quality of the film especially Kylie's cameo especially since they played one of her songs in a scene earlier in the film.

The film is truly unique it's utterly bonkers and makes no logical sense but it's truly a masterpiece that should be seen over and over and interrupted in any which way you like.

Ian Schultz

★★★★★

Rating:18
DVD/BD Release Date: 28 January 2013 (UK)
Director: Leos Carax
Cast: Denis Lavant, Edith Scob, Jeanne Disson, Elise Lhomeau, Eva Mendes, Kylie Minogue
Buy Holy Motors:Blu-ray / DVD

Studiocanal announce Rust And Bone UK February Home Release

StudioCanal have informed us the award winning and 2 time BAFTA nominated film, Rust And Bone the follow up film to Jacques Audiard's arthouse classic A Prophet. Rust And Bone stars Marion Cotillard, Matthias Schoenaerts and will be yours to own this February.

Following a theatrical opening to tremendous national and international acclaim, and a Best Film Award at the London Film Festival in October, Jacques Audiard, acclaimed director of A Prophet and The Beat That My Heart Skipped, returns with this powerful drama about two people from very different worlds, seeking redemption in each other.
Ali (Matthias Schoenaerts - Bullhead) dreams of becoming a professional boxer. When he is suddenly put in charge of his five year old son, he moves in with his sister for support. While at his new job as a nightclub bouncer, he meets the beautiful and confident orca trainer, Stephanie (Academy Award® winner Marion Cotillard - The Dark Knight Rises, La Vie en Rose). He gives her his number, not expecting that she will ever call. However, after becoming the victim of a tragic and life changing accident, Stephanie surprisingly turns to Ali for support. These lost souls discover new meaning in life together when Ali enters the dangerous world of underground boxing.

Winner of several international awards, Rust And Bone is one of the best and most talked about films of 2012. you can read our cinema review here. With 2 BAFTA nominations, Rust And Bone is up for Best Leading Actress (Marion Cotillard) and Best Film not in the English Language.

DVD & Blu-ray Extras:

- Audio Commentary with Jacques Audiard, Thomas Bidegain and Arnaud Calistri

- Making of Rust and Bone

- The Special Effects of Rust and Bone

- Deleted Scenes

- Trailer

DVD & Blu-ray HMV Exclusive Extras:

- Audio Commentary with Jacques Audiard, Thomas Bidegain and Arnaud Calistri

- Making of Rust and Bone

- The Special Effects of Rust and Bone

- Deleted Scenes

- Trailer

- Exclusive UK Interviews with Marion Cotillard, Matthias Schoenaerts, Jacques Audiard and Thomas Bidegain

- Exclusive BAFTA Q&A with Marion Cotillard, Matthias Schoenaerts and Jacques Audiard

Pre-order Rust And Bone: DVD / Blu-ray

Watch The Adorable Trailer For Michel Gondry's Mood Indigo

Feeling a little woozy maybe a little whimsical? It's probably because your about to watch the first trailer for Michel Gondry's Mood Indigo (L’écume des jours).

Based on a 1947 Boris Vian's novel L'ecume des jours about a wealthy young inventor Nicholas(Romain Duris) who falls in love Chloe (Audrey Tatou)they marry.Unfortunately during their honeymoon Chloe takes seriously ill thanks to a water lilly sprouts in her lung and the only way to help is to surround her with fresh flowers but as time goes by the funds start to dry up.

Mood Indigo is like that Michel Gondry film made into one big  film, this is the French trailer however there's very little dialogue as the strength of the trailer is in  it's visual quality which simply gorgeous. Many Gondry fans, film critics have been waiting nearly 10 years for that film that can match what we loved in Eternal Sunshine Of The Spotless Mind, Mood Indigo might just be that film they have been waiting for. What can say without doubt this is uniquely a Michel Gondry film which is sure to be a hit in arthouse cinemas around the world.

Mood Indigo doesn't have a  release date confirmed however Studiocanal are handling the UK&Irish release , French cinephiles can see this 24th April. Mood Indigo also stars Omar Sy, Gad Elmaleh, Lea Seydoux.



Michel Gondry's last film The We & The I will be closing gala at next Month on 13th February at Glasgow Youth Film Festival and the following night you can see Romain Duris starring in the Opening Gala for Glasgow Film Festival starring in Populaire.

DVD Review: Partners In Crime (Associés contre le crime...)

Pascal Thomas' third film in his series of Agatha Christie's Tommy and Tuppence adaptations receives its UK home video release this week. Partners In Crime (or Associés contre le crime... to French audiences), has no illusions of grandeur - it is simply highly entertaining, playful fun.

Private detectives, Prudence Beresford and Bélisaire, decide to take a much needed break from their adventures. However, this proves to be short-lived as they become involved in the case of a missing Russian heiress and a sinister health clinic promising eternal youth.

Despite the previous adaptations in the series being unavailable in the UK, viewers are likely to warm to Partners In Crime almost immediately. Thomas' screenplay combines all the mystery and thrills of a classic Christie novel, with an unabashed sense of fun akin to Blake Edwards' Pink Panther films. This creates a bizarre, but particularly watchable fusion of quick-witted and zany comedy, combined with a genuinely intriguing mystery narrative.

This sense of playfulness is further carried in the near perfect performances from Catherine Frot and André Dussollier. The pair have a charming and authentic on-screen chemistry, with both forming a highly watchable and instantly loveable dynamic. Frot channels Prudence's fiery determination and focus with ease, whilst also showing an enchanting and playful side when working with Bélisaire. Dussollier also proves completely entertaining with his ditzy antics and cheeky one-liners.

Even when elements of the screenplay verge on ridiculous - such as Bélisaire being transformed into a kilt wearing, whisky drinking baby, one can only embrace the light-hearted playfulness of Partners In Crime. The above scene, whilst ludicrous is particularly amusing - mainly when Prudence needs to explain to her daughter as to why she is wandering around with a small kilted baby.

It is no shock that Thomas' has reached the third film in his series, as the combination of charming performances and mysterious narratives, have a completely terrific end result. I only wish more films could be as playful and entertaining as this little French gem.

Andrew McArthur

★★★★☆

Stars: Catherine Frot, André Dussollier & Linh Dahn Pham
Director: Pascal Thomas
Certificate (UK): 12
Release: 7th January 2013
Buy:Partners In Crime [DVD] [2012]

Love Crime (Crime d'amour) Review

The final film of late French filmmaker, Alain Corneau receives a posthumous British cinematic release this month. Love Crime (Crime D'amour) remains a testament to the high quality of Corneau's work.

Christine, a controlling business executive (Kristin Scott Thomas), leads a young associate, Isabelle, (Ludvine Sagnier) into a controlling game of manipulation and domination. After embarrassing her at a staff function, Isabelle vows deadly revenge on Christine.

Love Crime boasts a near Hitchcockian narrative, proving to be a completely unpredictable ride. Corneau's film opens with a meeting between Christine and Isabelle,  which verges on seduction - we see the young associate drawn to magnetic persona of Christine.  As this character dynamic builds we gradually see this idolisation turn into a passionate contempt between both women, as Christine continually toys with Isabelle's emotions - this cat and mouse relationship makes Love Crime a truly absorbing watch. We see the tension build between the pair until Isabelle  reaches breaking point in a twist that completely overturns the narrative of the whole film. This twist creates dozens of questions and mysteries throughout the remainder of the film, which gradually get unravelled in Corneau and Nathalie Carter's sharp script. The pair pay a strong attention to detail, with meticulous answers to any plot-hole or inconsistency, a viewer may attempt to pick. However, one small flaw lies in Love Crime's ending which feels too outlandish and contrived to be wholly satisfying, yet is unlikely to spoil your enjoyment of Cournea's film.

Corneau is a master of crafting intrigue and suspense, allowing us to empathise with Isabelle but keeping us distanced from her motivations, gradually unravelling them by the conclusion of Love Crime.  This allows for a magnificent performance from Sagnier as we see the character turn from vulnerable underdog to a more-than-fitting opponent of Christine.  The actress is equally convincing as both victim and challenger, boasting her finest performance since Francois Ozon's Swimming Pool.  Kristin Scott-Thomas brings a cold, self-satisfying presence to the role of Christine, truly commanding the screen.

Love Crime may not cover any new ground to a traditional euro-thriller, but proves engaging, sharp and fast paced enough to  prove completely enjoyable, particularly thanks to performances from Sagnier and Scott Thomas.

Andrew McArthur

★★★★☆

Stars: Ludvine Sagnier, Kristin Scott Thomas,;Patrick Mille
Director: Alain Corneau
Release: 14th December 2012
Certificate: 15 (UK)

Rust And Bone Review

Rust and bone - the very name conjures up rough and ready imagery typical of a Jacques Audiard film. The French auteur’s star has seldom shone so bright following the release of the widely lauded A Prophet forcing the anticipation for this, his follow up, to rocket, only to intensify after early screenings at festivals confirmed its worth. Somewhat of a departure, it’s an incredibly human film, with all our flaws, hopes and problems on show. Above all however, it is our relationships – connections with other humans with their own dreams, worries and needs that take centre stage, flanked by two staggering performances from leads Marion Cotillard and Matthias Schoenaerts.

Relocated from its American-border setting in the short story source material of the same name, Audiard places us on the south coast of France and the allure of the Cote d’Azour, home to Stephanie (Cotillard); an Orca whale trainer at a local sea life centre whose life is changed irreversibly by two events of vastly varying severity. The first is her chance encounter with the physically imposing Alain (Schoenaerts); a new resident and single father looking to tie down regular employment in a mixture of security jobs trying his hand as a bouncer when his doorman duties collide with the partying Stephanie at local nightclub The Annex. The pair begin a quasi-relationship which only begins in earnest after the horrific accident that befalls Stephanie while working at Marineland, an event that invariably forces a change in lifestyle.

Without becoming reliant on Ali, Stephanie finds in him a companion whose candid approach to life and sex enables her to re-evaluate her own life and values and gently encourages her to start living once again. Eschewing the air-punching, life-affirming delight of other works like the recently released Untouchables, Rust and Bone’s success comes from its tone steeped in almost Dardennes levels of realism and, as you’d expect from an Audiard film, there is little room for sentimentality. At no point are we asked to pity either lead despite their various and very real challenges. Alain’s single father is light-years apart from a Will and Jaden Smith venture, his gruff barks to son Sam coming from frustration and anger as much as love and affection and there’s little sympathy (offered or given) when he struggles to control this anger. It’s an unforgiving role and one newcomer Schoenaerts takes in his stride turning in a wonderfully controlled performance both menacingly fierce and endearingly gentle in equal measure. Not to be outdone, Cotillard turns what had the potential to be a restricted, self-pitying role into one unlike any other. She has the ability to tell whole stories with the smallest gesture or look, conveying a self-conscious vulnerability alongside stubborn desire and seamlessly flicking between the two.

Audiard’s body of work from Read My Lips through The Beat that My Heart Skipped and A Prophet shows a film maker adept in telling crime stories about tough men in tough situations which allows the more personable approach in Rust and Bone to be brought to the fore while avoiding anything remotely Mills and Boon or TV-movie about a story that in lesser hands could have easily turned that way. On more familiar territory he shows flashes of his nuanced approach to violence; the fighting scenes are simultaneously beautiful and barbaric, taking in slow motion visceral beatings and culminating in a solitary tooth, bloodied and spinning on gravel.

That he so effortlessly marries the tender with the terrifying is testament to a director at the very top of his game, elevating the film to more than the some of it’s parts. It becomes neither an out and out romance nor a stripped down brutally macho piece but instead, much like life itself, a mixture of all different aspects that affect these characters and their relationships. An incredibly powerful yet restrained film.
Matthew Walsh

★★★★★

Rating: 15
Release Date: 2nd November 2012 (UK)
Directed By: Jacques Audiard
Cast: Marion Cotillard, Matthias Schoenaerts, Armand Verdure

Watch The UK Trailer For Rust&Bone (De rouille et d'os)

Studiocanal have released the stunning new UK trailer for Rust & Bone. A new romantic drama from the director of A Prophet Jacques Audiard and starring Oscar award winning actress Marion Cotillard(The Dark Knight Rises).The film also stars Matthias Schoenaerts and tells the story of an unlikely relationship between a couple whose relationship blossom thanks to an unlikely accident.

Jacques Audiard, acclaimed director of A Prophet and The Beat That My Heart Skipped, returns with this powerful, tender romantic drama about two people from very different worlds seeking redemption in each other. Marion Cotillard (La Vie En Rose, Inception) stars as Stephanie, a killer whale trainer who late one night meets Alain (Matthias Schoenaerts, Bullhead) in a fracas at the nightclub where he works as a bouncer. Put in charge of his young son, Alain has come from Belgium to Antibes to live with his sister and her husband as a family. Alain’s bond with Stephanie grows deeper after she suffers a horrible accident, bringing the two together once more.

Since winning her Oscar for La Vie en Rose, Marion Cotillard has certainly excelled herself in Hollywood with some fantastic and at times challenging roles.So it's always refreshing to see and actor return to their homeland and act in their native tongue, Rust & Bone looks potentially another strong film which could see her possibly challenge for Oscar glory once more.Since  Rust & Bone opened away back at Cannes(Audiard missing out on Michael Haneke for the Palme d'Or) it has been lapping up critical praise where ever the film has been been shown and this trailer highlights the beautiful cinematography, heartfelt powerful performances from it's lead pair. If there's one reason to finally check out foreign language films for first time, Rust & Bone may just be that film when it arrives in UK&Ireland November 2nd.

source: MSN

Win Studiocanal's CloClo On DVD

A musical icon, an incredible story. His masterpiece will live forever, that legend is Claude Francois better known to his fans as CloClo. Tomorrow 3rd September, Studiocanal will release CloClo on DVD, Bluray and to celebrate the release we have 3 copies of the film on DVD to be won!

While England was rocked by The Beatles, France was going crazy for Claude François, aka CLOCLO. Directed by Florent-Emilio Siri (Hostage) and written by Julien Rappeneau (Burma Conspiracy, 36) CLOCLO is, in the vein of La Vie en Rose, a powerful biopic of one of the most famous French singers.

Starring Jérémie Renier (In Bruges, Potiche) CLOCLO draws the portrait of a complex character who became a legend in his country and reached international fame with his famous song Comme D’Habitude adapted as My Way by Frank Sinatra.

The destiny of Claude François, who died at the age of 39, continues to fascinate fans more than 30 years later. He was a much-loved star and shrewd businessman, great showman and marketing magician, hit machine and magazine publisher, but also family man and ladies’ man.

CLOCLO is the fascinating story of a man whose ambition drove him straight to the top, but ultimately led him to a tragic end.

To win this film on DVD we have 3 copies to give away and to win a copy all you have to do is 3 things:

1. Send us your name, address and postcode only to winatcinehouseuk@gmail.com 
2. Retweet and like& share this post at facebook (include your twitter/facebook name in email)
3. Answer to 5+6 (include in email too)

Deadline for contest is Sunday 23rd September 2012 (2359hrs)


Terms and conditions

Terms and conditions

• This prize is non transferable.
• No cash alternatives apply.
• UK & Irish entries only
  The Peoples Movies, Cinehouse and Studiocanal  have the right to alter, delay or cancel this competition without any notice
• The competition is not opened to employees, family, friends of The Peoples Movies, Cinehouse,Studiocanal employees
• This competition is promoted on behalf of Studiocanal.
• If this prize becomes unavailable we have the right to offer an alternative prize instead.
• The Prize is to win Cloclo on 3 DVDs
• To enter this competition you must send in your answer, name, address only, Deadline September 23rd, 2012 (2359hrs)
• Will only accept entries sent to the correct email (winatcinehouseuk@gmail.com), any other entry via any other email will be void.
• automated entries are not allowed and will be disqualified, which could result you been banned.
• The Peoples Movies, Cinehouse takes no responsibility for delayed, lost, stolen prizes
• Prizes may take from days to a few months for delivery which is out of our control.
• The competition is opened to Aged 13  and over 
• Unless Stated Please  Do Not Include Telephone Numbers, we don’t need them and if you include your telephone number Cinehouse and The People’s Movies are not responsible for the security of the number.
• The winning entries will be picked at random and contacted by email
• This competition is bound by the rules of Scotland,England & Wales, Northern Ireland, Ireland.
• By sending your entry for this competition you are confirming you have read and agreed to these Terms & Conditions.

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That Obscure Object of Desire Blu-Ray Review

★★★★★

That Obscure Object of Desire was Luis Buñuel’s last film in 1977 after a very long career. His career started in 1929 with the classic surrealistic short film Un Chien Andalou. That Obscure… was one of his most critically successful films where it got nominated for numerous awards including a Oscar noms for “Best Foreign Language Film” and “Best Adapted Screenplay”. It stars Fernando Rey who worked frequently with Buñuel during the 60s and 70s. It was also based on the novel “The Women and the Puppet” by Pierre Louÿs which has been adapted many times to film, That Obscure… was the 5^th and final to date.

It tells the story of a middle age wealthy French man Mathieu (Fernando Way) and meets Conchita (played by both Carole Bouquet AND Ángela Molina). They start a dysfunctional romance to say the least against the backdrop of terrorist bombings in France and Spain. The film starts with Mathieu getting on a train, Conchita is running towards the train and he pays a train worker to get a bucket of water and he dumps it on her and he believes their relationship is finished but she sneaks on.

Mathieu meets a group of people a midget, a friend of cousin, a mother and her daughter on the train. He tells them his’ story of their extremely complicated relationship.  The flashbacks consist of Mathieu trying to screw Conchita (who claims to be a Virgin) and failing miserably by escalating absurd reasons why they can’t have sex and the reasons and at one point she wears a pair of tightly laced canvas shorts to protect her groin region.

The film as always expected with Buñuel is a wonderfully twisted satire on the Bourgeoisie, Religion, Sex and Politics. It’s rip roaringly funny as places and one of the most astute films on the games women play on men. Fernando Ray is great even though his lines are actually dubbed by Michael Piccoli but his sense of being madly in love, frustration and despair is obvious despite this. Carole Bouquet and Ángela Molina are also great as Conchita, the beautiful but totally wicked girl of his dreams.

The film is also one of his least surreal films. However it’s got very subtle surrealist touches such as the randomness of a dwarf in Michael’s train cabin, the use of 2 actresses, a woman carrying a pig like a baby.

It’s a wonderfully twisted end of the career of one cinema’s true artists and originals. It may not be the best starting point for a new person to Buñuel (something like The Exterminating Angel would be more fitting). I think any man can relate to the Mathieu and it’s a true classic at this point. It has been recently reissued as part of the StudioCanal collection on Blu-Ray.

Ian Schultz

Rating:18
Re-release Blu-Ray: 10th September 2012 (UK)
Directed by:Luis Buñuel
Cast: Fernando Rey, Carole Bouquet, Julien Bertheau,