Lars Von Trier Wishes You A Merry Christmas With New Clip For Nymphomaniac

We do hope your enjoyed festive pig out turkey dinner with all the trimmings with enough to feed a 100. Now that your chill-relaxing wearing that knitted jumper your aunt Mary has knitted for you, Lars Von Trier has a last minute gift for cinephiles with a new clip from Nymphomaniac.

Well are you ready to listen? As Charlotte Gainsbourg is about to tell you a few stories and us blokes are all well equipped with a 'truth detector' but what is she talking about? Well gents sit down, unbuckle storytime is is about to begin!.

What this clip is all about your guess will be as good as our's, it's entitled 'The Gun' the film's final chapter (8) and today The Danes along with the Norwegians will get the first look at Von Trier's sexual adventure. Here's a brief synopsis on the final chapter...

Sometimes things hide, because we're familiar with them. But if you change your point of view, they can suddenly take on a whole new meaning.Joe enters a shady business, and she quickly finds out that her life has taught her some valuable skills.

As in Nymphomaniac been released in UK&Ireland officially the film is been released in 2 parts officially on 7th March with part 2 a week later. However we're hearing conflicting stories that the release date is now 21st February,whatever date we'll keep you posted.



source: Nymphomaniac website

Fellini's Landmark Roma Getting Master Of Cinema Blu-Ray Release This February

Eureka! Entertainment have announced the home video release of Roma, one of the most famous international hits by Federico Fellini, the most popular Italian director of all time (the director La strada, 8-1/2, Satyricon, and much more). Roma is a landmark film in the history of '70s art-film, and one of Fellini's best known-films to this day. Released on Blu-ray as part of Eureka! Entertainment's award-winning The Masters of Cinema Series on 17 February 2014.

One of the maestro Federico Fellini's greatest '70s works (between Satyricon and The Clowns and Amarcord), Roma [Rome] erupts volcanically as a state-of-the-world pronouncement on what was not only happening within Rome at the tide of the hippies' organic birth and the post-Boom-set that made up his characters of the 1960s films, but also where, and how, his city would move feverishly forward into one of potential futures.

As Fellini himself travels with his crew to document the ring-road circling Rome, with all the natural diversions that might inherently divert a traditional film shoot, we move into episodes that chart the wartime difficulties of Roman life across those fleeting times that chronicle love and life within the modern-day Rome-time, themselves pitted against the archaelogical vestiges of the great city, — and the Catholic church rears its dominance, and we come into a midpoint that positions itself, indeed, between the memory-cinema of Satyricon and Amarcord.

One of the great and bountiful colour-spectacles of Fellini's cinema, almost leapt off toward from the moment of Giulietta of the Spirits, Fellini's Roma remains a passionate testament both to the city that finally claimed him as its son after he left small Rimini, and to the final stage of cinema that he himself would work till the day he died. The Masters of Cinema Series is proud to present Fellini's Roma in a Blu-ray edition for the first time in the UK.



SPECIAL FEATURES

• Gorgeous restored 1080p HD transfer of the film
• Outtakes from the film
• More to be announced closer to the release date
• 36-PAGE BOOKLET featuring the words of Fellini, and more!

We will be reviewing Fellini's Roma nearer the time and time will be 17th Febraury 2014.

Film Review - Jeune Et Jolie (Young & Beautiful)

Genre:
Drama
Distributor:
Lionsgate Fims UK
Rating:
18
Release Date:
22nd November 2013 (UK)
Director:
François Ozon
Cast:
Marine Vacth, Géraldine Pailhas, Frédéric Pierrot,Charlotte Rampling

François Ozon’s examination of teenage sexual awakening is a quiet, puzzling affair. As a treatise on childhood, rebellion or sexuality it seems to offer up very little in the way of answers, but repeatedly alludes to a crucial and troubling question of motivation.

Seventeen year-old Isabelle’s (Marine Vacth) disappointing holiday dalliance with a German lad prompts the striking young girl to seek out an existence as a prostitute, the reasons for which are never truly explained. She frequents high-end Parisian hotel rooms servicing a number of gents, ultimately developing something approaching a relationship with a kind, elderly client.

The arrangement takes its toll on her family life, with the inevitable revelation damaging her already detached relationship with her parents. She is trotted off to see a psychologist to reflect upon the fallout her emotionally difficult, yet financially rewarding career path has caused to her and those around her.

Isabelle is frequently quizzed on the reasons behind her new calling as a prostitute, but it’s a question which is never reasonably answered. Indeed watching Vacth’s puzzlingly vacant expression as she lounges across the bed sheets, you’re never quite sure if she or the director had any clue themselves.

Perhaps the only reasonable explanation is just that she enjoys it, which might possibly be justification enough. It’s a coolly intriguing thought to dwell upon, but it leaves you with distinctly underwhelming and disappointing sense of a missed opportunity.

A mysterious sign-off with a briefly visible Charlotte Rampling provides little closure and only serves to intensify the slight sense of dissatisfaction which lingers throughout the whole thing.

★★★☆☆

Chris Banks

Gia Coppola's Directorial Debut Palo Alto To Get Summer 2014 Tribeca U.S Release

Tribeca Film today announced it has acquired North American rights to Gia Coppola’s acclaimed directorial debut Palo Alto, starring Emma Roberts (“American Horror Story,” We’re the Millers), Jack Kilmer (in his acting debut), James Franco (Spring Breakers), Nat Wolff (“The Naked Brothers Band”), Zoe Levin (The Way, Way Back), and Val Kilmer. Written and directed by Coppola, and based on Franco's short story collection of the same name, the film features an original soundtrack by Devonté Hynes (Blood Orange) and Robert Schwartzman. Following a prestigious festival run at the Venice Film Festival, Telluride Film Festival, and Toronto International Film Festival, a Spring 2014 theatrical release is planned.

Palo Alto weaves together three stories of teenage lust, boredom, and self-destruction: shy, sensitive April (Emma Roberts), torn between an illicit flirtation with her soccer coach (James Franco) and an unrequited crush on sweet stoner Teddy (Jack Kilmer); Emily (Zoe Levin), who offers sexual favors to any boy to cross her path; and the increasingly dangerous exploits of Teddy and his best friend Fred (Nat Wolff), whose behavior may or may not be sociopathic. One of the strongest American directorial debuts of the past decade, Coppola's film has a palpable sense of time and place, but her characters — seeking cheap thrills and meaningful connections — could be teenagers from any generation.

“Gia Coppola’s auspicious filmmaking debut Palo Alto is an elegant depiction of generational angst and despair which resonates with realism and restraint. Fueled by a vibrant cast of young talent, Coppola’s artistic collaboration with James Franco results in a thoughtful and subtly intertwined coming of age story,” said Tribeca Film Chief Creative Officer Geoff Gilmore.

“I'm very excited that Tribeca film will distribute my debut feature film, Palo Alto. It's a company that has been a pleasure to partner with and share creative ideas in this ever evolving film industry. I can't think of a better home for my film,” said Gia Coppola.

The deal was negotiated for Tribeca Film by Nick Savva, and Barry Hirsch and George Hayum of Hirsch Wallerstein Hayum Matlof + Fishman on behalf of the filmmakers.

Palo Alto is a James Franco and Rabbit Bandini Productions presentation, produced by Sebastian Pardo, Adriana Rotaru, Miles Levy, and Vince Jolivette.

No word yet on who will release Palo Alto in UK if and when that date will be too.

Source: Tribeca Press Release

Felini's Il Bidone (1955) To Get Duel Format Masters Of Cinema Release

Genre:
Comedy,Drama, World Cinema, Arthouse
Distributor:
Eureka! Entertainment
Release Date:
30th December 2013 (UK)
Format:
Dual (DVD&Blu-Ray)
Rating:
12
Director:
Federico Felini
Cast:
franco fabrizi, richard basehart, broderick crawford, Giulietta Masina,


Eureka Entertainment have announced that they will be releasing IL BIDONE, one of the most acclaimed films of the 1950s by legendary filmmaker Federico Fellini (8-1/2, Nights of Cabiria, La Dolce Vita). The first Blu-ray release anywhere in the world of this classic drama, will be released in the UK in a Dual Format (Blu-ray &DVD) edition as part of the Masters of Cinema Series on 30 December 2013.

Federico Fellini followed up his iconic breakthrough La strada with this brilliant drama - an unsparing look at the dog-eat-dog values of post war Italian society that nonetheless manages to navigate expertly between the lightly comic and the emotionally stark to become one of his richest, most moving works.

Il bidone [The Swindle] follows three small-time conmen - the ageing Augusto (Broderick Crawford), "Picasso" (Richard Basehart), and Roberto (Franco Fabrizi) - as they prey upon the poor and gullible for modest gains. However, once Augusto is unexpectedly reunited with his daughter, now struggling with her studies, the moral and emotional demands of his lifestyle begin to take their toll sooner than he had anticipated.

With its masterful set pieces and host of superb performances (including the director's wife and muse Giuletta Masina), this forms the centrepiece of what has been termed Fellini's "Trilogy of Loneliness" (with bookending films La strada and Le notti di Cabiria), and may be the darkest examination of human nature he ever attempted. The Masters of Cinema Series is proud to present this long-undervalued classic in a new high-definition restoration.



SPECIAL FEATURES

• Beautiful new high-definition master, with the film appearing in 1080p on the Blu-ray
• Optional English subtitles
• Original theatrical trailer
• 36-PAGE BOOKLET featuring the words of Federico Fellini, rare imagery, and more!
• More to be announced!

Pre-order or Buy - Il Bidone [Masters of Cinema] Dual Format [Blu-ray & DVD]

Blu-Ray Review - Heaven's Gate Restored Edition (1980)

Genre:
Western, Drama,
Distributor:
Second Sight
Rating:
15
BD/DVD Release Date:
25th November 2013 (UK)
Director:
Michael Cimino
Cast:
Kris Kristofferson, Christopher Walken, John Hurt, Isabelle Huppert, Sam Waterston
Buy Heaven's Gate 2 disc restored edition:
[Blu-ray] / [DVD]

Heaven’s Gate, in the last thirty years or so, has created a reputation for being one of the most notorious flops in the history of film. In the past thirty years since its initial lukewarm reception it has been considered a masterpiece by many critics, but it’s equally reviled as being one of the worst films ever made, albeit that viewpoint has increasingly dwindled in recent years.

The making of Heaven’s Gate is as infamous as the film itself; it went wildly over budget, there are confirmed stories that the director Michael Cimino would literally wait for exactly the right cloud in the sky, and there are unconfirmed reports that a sizeable amount of the budget went on cocaine for the cast and crew.There’s been a very famous book on the making of called Final Cut, which was later made into a TV documentary which is included on this disc. It has been cited as the single film that took the power from the director, which was very much a thing of the 70s to more studio-controlled films, which is still sadly the case.

The story of Heaven’s Gate is relatively simple it’s about Jim Averill (Kris Kristofferson) who is a marshal in Johnson County, Wyoming. Averill is from money but has rejected his classes’ rejected attitude to the poor immigrates of Johnson County. The immigrates sometimes steal the rich cattle barons’ stock for food and the cattle owners have decided to create a kill list and have hired men to do the job and have got political power from Washington to do so. The rest of film shows the people of Johnson County and the war they fight with the cattle barons.

The film’s initial reaction from New York Times critic Vincent Canby has went down in history as one of the most infamous bad reviews with the line “it fails so completely that you might suspect Mr. Cimino sold his soul to obtain the success of The Deer Hunter and the Devil has just come around to collect.” The truth of the matter is it’s actually a better film than the much-loved The Deer Hunter and a more interesting film; it doesn't have the tour de force of the legendary Russian roulette scenes. It’s a considerably slower film but Cimino’s intention was to transport you to experience the west, as it was not some romantic version, which is so often the case.

The cinematography of the film is some of the best ever committed to film so some initial reviews like saving “there are no redeeming features” is absurd. Vilmos Zsigmond who was the cinematographer of the 1970s shot it. The famous roller skating scene is spellbinding and there are shots in the film, which are literally just jaw dropping in their beauty.

The cast Cimino complied is simply outstanding including Kris Kristofferson in possibly his finest performance. Christopher Walken is great as usual as one of the hired killers. The film’s supporting cast is complied which like people as Jeff Bridges, John Hurt and a very young Mickey Rourke and if you watch carefully you can spot a young Willem Dafoe in the cockfighting scene. The one flaw in casting is Isabelle Huppert as madam of a whorehouse in Wyoming but even that works cause the film is almost dreamlike at times.

Heaven’s Gate seems to have become a modern classic for many and rightfully so, it’s a film that has became legendary for the both the right and wrong reasons. It deserves the 2nd chance it’s now receiving with the recent theatrical and Blu-ray reissues here and across the pond in the USA. It’s well worth the 3 hours and 40 minutes of your time.

★★★★★

Ian Schultz

This is a shared review with The People's Movies

Blu-Ray Review - Federico Fellini's 8½

Genre:
Arthouse, World Cinema, Drama, Classic
Release Date:
11th November 2013 (UK)
Distributor:
Argent Films
Rating:
15
Director:
Federico Fellini
Cast:
Marcello Mastroianni, Anouk Aimee, Sandra Milo, Barbara Steele
Buy 8 ½: [DVD] or [Blu-ray]

8 ½ is one of those films like Citizen Kane or 2001: A Space Odyssey that every film critic pretty much agrees is one of the films that changed film forever. It’s a film that influenced a wide range of films from Brazil to All That Jazz and Woody Allen’s unfairly maligned Stardust Memories. The great Italian maestro film director Federico Fellini was at the helm and it’s quite possibly the greatest film ever made about making a film. 8 ½ was later adapted/remade at the musical Nine but the less said about that the better.

The plot concerns Guido Anselmi (Marcello Mastroianni) who is a director who is having “director’s block” while trying to finish a science fiction film. Guido is quite obviously based on Fellini and Mastroianni was always director’s alter ego on screen. Guido’s marriage is failing apart and has lost interest in finishing the film. The film is a classic mixture of fantasy, memories and reality and at times it’s never clear which is which.

8 ½ like many of the truly great films like Citizen Kane or Brazil it’s all really a great big magic trick. Fellini was first and foremost a dreamer like Orson Welles and Terry Gilliam, who cites Fellini as his biggest influence and 8 ½ as his favourite film. He tried to make cinematic dreams with his great films and he plays around with time and space but also the form of cinema itself. Its both a film that plays with avant-garde film techniques but simultaneously is also extremely watchable and relatively commercial and in turn it’s a pitch-perfect juggling act.

Fellini was also a cartoonist (like Gilliam) and his post-Neo-Realist films certainly have a cartoonish take on life. The characters at times especially the female characters have an also caricature quality to them in the best possible way. It’s all shot in truly beautiful black and white widescreen by Gianni Di Venanzo who was the Italian cinematographer of the early 60s but he died very young sadly.

8 ½ has rightfully earned its reputation at simply one of the greatest film ever made. It’s really THE Fellini film and you really must experience the film if you haven’t already. It’s film like Citizen Kane that was one of the building blocks of modern cinema.

★★★★★

Ian Schultz

Bite Into First Trailer For Jim Jarmusch's Vampire Film Only Lovers Left Alive

When Jim Jarmusch announced he was to make a counter vampire film to Twilight he was greeted great sarcasm now few years on that film Only Lovers Left Alive has it's first trailer and we have to say we love what we're seeing!

Love him or hate him when a filmmaker such as Jarmusch dips his fingers into a genre you wouldn't expect from his stature it can be quite exciting to see the end product. After receiving fairly positive response from Cannes, Toronto and New York fans of the director can breathe easily Only Lovers Left Alive has all the trademark weirdness, stylings you want to see.

Set against the romantic desolation of Detroit and Tangier, Adam (Tom Hiddleston) an underground musician, deeply depressed by the direction of human activities, reunites with his resilient and enigmatic lover Eve (Tilda Swinton). Their love story has already endured several centuries at least, but their debauched idyll is soon disrupted by her wild and uncontrollable younger sister. Can these wise but fragile outsiders continue to survive as the modern world collapses around them?



This isn't a vampire film that's  focusing on sterotypical cliches of the vampire mythos but has the mythology on parallel with drug addiction looks to work well as our lead characters ive a rock  'n' roll lifestyle. It looks minimal, stylish more engaging than other vampire flicks you'll probably see.

Ony Lovers Left Alive doesn't have a official UK or even U.S release date however the film's rights have just been picked up by Sony Picture Classic so expect a release date probably 2014. The film also stars Mia Wasikowska, John Hurt and Anton Yelchin.

The Bling Ring DVD Review

Rating:
15
Release:
28th October 2013 (UK)
Distributor:
Studiocanal UK
Director:
Sofia Coppola
Stars:
Emma Watson, Katie Chang ,Leslie Mann, Israel Broussard,
Buy The Bling Ring:[DVD] or [Blu-ray]
The Bling Ring is very sadly Sofia Coppola’s latest film. She seems to have got to the point her dad is in making absolutely dreadful films cause the money people want to make a film by a Coppola. Both generations of Coppola struck gold early on in their career but after a gold period of about a decade (longer in her father’s case) they stop making those great films.

The Bling Ring is based on a true series of crimes committed by celebrity-obsessed teenagers in L.A during 2008 and 2009. These vacuous spoiled little brats robbed other spoiled brats like Paris Hilton, Lindsay Lohan etc. They do this by stalking their every move on facebook. The clan of vermin end up stealing more than $3,000,000 worth of kit off these equally horrible human beings and come on who really cares?

Sofia clearly thinks she is making a satire on Celebrity culture but in falls flat in almost every instance. Some noted film critics quite liked and it has some about the 60% mark on rottentomatoes.com and who knows why. Every character is a unlikable Hollywood kid who spends too much time on facebook posting selfies who eventually decide stealing some coke snorting whores who pretend then can “act”’ stuff is a good idea. To be fair to Lindsay she was quite good in that Robert Altman film but that was what nearly a decade ago and she has done enough coke and botox to ruin her career.

Emma Watson plays like the ringleader of the coke fuelled teenage gang who does these robberies and is dreadful as is the rest of the cast. Her character is a home schooled (a wonderful American concept) by an equally air headed liberal new age mad women who should have had a forced a Tubal Ligation so her spawn wouldn’t inflict herself on the world. She is joined by her equally self absorbed gay friend who is just obnoxious from the get go who gets involved in coke and stealing shit like the rest of them.

The film is very sadly the last film shot by Harris Savides who shot one of the greatest films of the noughties Zodiac. He also worked with Fincher on The Game and Se7en, Gus Van Sant, Scorsese, Ridley Scott Woody Allen and Sofia Coppola before on Somewhere. He probably got the brain cancer he died from this due to the brain-dead nature of the film’s material. It’s a real shame cause he was a damn fine cinematographer.

It’s a massive failure by the golden girl of American cinema of the noughties, shame her career had to lead to this. Sofia please go to a cabinet and don’t come back till you something that isn’t this vapid on us. Everybody involved should repent, I want my money back and I got the dvd for free.

★☆☆☆☆

Ian Schultz

The White Dove (1960), Josef Kilián (1963) DVD Reviews

The White Dove (1960)
Rating:
PG
Director:
Frantisek Vlácil
Cast:
Katerina Irmanovová, Anna Pitasová, Karel Smyczek
Josef Kilián (1963)
Rating:
n/a
Director:
Pavel Jurácek, Jan Schmidt
Cast:
Pavel Bartl, Pavel Silhánek, Stanislav Michler
Buy The White Dove & Josef Kilián: DVD
Second Run has continued it’s love of 60s Czechoslovakian New Wave cinema with films by two of it’s key players. The people in question are František Vláčil and Pavel Jurácek. Vláčil would later direct what is often considered the greatest Czech film ever made Marketa Lazarová and Jurácek is more well known as a writer for his screenplays for Ikarie XB-1 and Daisies. All of these films are available from Second Run and all are highly recommended.

The first film is The White Dove. It’s a very simple story it’s about a boy who nurses a dove after he injures it so it can return back home. It contrasts his story and the girl Susanne waiting for it’s return to his home in the Baltics. There really is much more to that story than that, it’s only slightly over an hour. It exceeds its simplistic story which wonderful cinematic touches throughout. It’s compared to Kes in the press notes but it’s a very strange comparison cause it has tons of surrealistic touches, which is the complete opposite of Ken Loach’s great film. It’s photography is truly stunning and leaves indelible marks on the viewer’s memory, it won award for it’s cinematographer Jan Curík who would later shoot Valerie and Her Week of Wonders and The Joke.

Jan Curík also shot the other film on the disc Josef Kilián. It’s directed by Pavel Jurácek and Jan Schmidt and is only slightly over half an hour. It’s obviously inspired by Kafka and it’s no coincidence that the year the film came out 1963 was the same year that there was a large conference which including a cultural reappraisal of Kafka’s work. It was later “banned forever” after the 1968 Soviet invasion.

It’s a Kafkaesque nightmare of bureaucracy. A young man goes to a cat rental place to rent a cat for a day (best idea ever for non cat owners) but when he comes back to return the cat. He then enters into a world of bureaucracy to try to solve his issue. There is a truly stunning shot of him against a wall of filing cabinets, which is reminiscent of the famous un-filmed deleted scene of Brazil, which was used for the criterion cover. It has cats and has a labyrinth of surreal bureaucracy so ticks 2 important cinematic boxes for me.

So overall another great release from Second Run and hopefully more hidden Czech gems will come in the near future. According to the booklet Karel Zeman’s A Jester’s Tale will be come out soon which Pavel Jurácek also wrote and hopefully The Joke comes out so I can see it.

★★★★☆

Ian Schultz

Before Midnight DVD Review

Rating:
15
Release Date:
28th October 2013 (UK)
Distributor:
Sony Picture Classics (UK)
Director:
Richard Linklater
Cast:
Ethan Hawke, Julie Delpy, Seamus Davey-Fitzpatrick
Buy Before Midnight:DVD [Amazon]
Before Midnight is the 3rd film in the most unlikely film franchise ever made. It started with the tiny budget Before Sunrise and followed 9 years later with Before Sunset. Neither film were smash hits but were critically acclaimed universally. Before Sunset even got an Oscar nomination for screenplay. It’s credited as directed by Richard Linklater but it’s more of collaboration between the director and it’s leads Ethan Hawke and Julie Delpy, who are credited as screenwriters on the 2 sequels.

It all started with Before Sunrise, which came out in 1995 that concerns a brief encounter between Jesse (Ethan Hawke) and Céline (Julie Delpy) in Vienne in their early 20s. They have a night together after meeting on a train and they wander aimlessly in Vienne and fall in love. They realise they will probably never see each other again and decide not to swap contact details.

The saga continued in Before Sunset, Jesse has written a book about their night together and it’s a bestseller. He Is on European book signing/reading tour and is in Paris and Céline pops by to say hi to an old friend. Jesse has a kid and is married but his love with Céline is rekindled and he famously misses his plane in the last scene.

Before Midnight is set 9 years after the events of the last film. Jesse and Céline have married and parented twin girls. Jesse’s son from his previous relationship is staying with them for summer in Greece but he has to fly home to Chicago to stay with his mother. Jesse has continued writing to great success but Céline is at a crossroads about her career and is debating to work for the French Government. The two of them go to dinner with some writer friends and they buy them a hotel for a night so they can have a night together. Jesse and Céline arrive at the hotel but tensions mount between the two and breaks into an argument.

The Before trilogy is one of the very few honest depictions of a romantic relationships on films. They are so often sentimental and unrealistic. The 1st 2 films are so hopelessly romantic so in the 3rd film they decide to see how is it to really live with the personal you are madly in love with. It’s perfectly acted by the two leads you buy into these characters, you care for about them and it’s works it’s strange magic over you.

Linklater has worked in all genres from teen comedies, scif-fi, dark comedy, more experimental works, crime etc. The one thing that is really his forte is the films within one day, which he has done 8 times now. Almost all of these films are his best films. It’s just a time frame that suits his aesthetic of films about people wandering and talking aimlessly about art, philosophy, films etc.

Overall Before Midnight is by the far the best cinematic romance you will see all year and the most real. It helps that Linkatler, Hawke and Delpy are such good friends for it not seemed forced which it could so much. I hope there will a 4th film in the series cause the ending definitely leaves that possibility. It’s about 100 minutes and you will hard pressed to find a more enjoyable 100 minutes of cinema this year.

★★★★★

Ian Schultz

Time To Check In And Watch Wes Anderson's The Grand Budapest Hotel Trailer!

Say what you like about Wes Anderson personally he is one of the many reasons why I love Arthouse/Independent film. Colourful, vibrant, off-kilter, witty most off all charming and tonight we finally get our first look at his next chapter of his visual journey into film The Grand Budapest Hotel!

The Grand Budapest Hotel recounts the adventures of Gustave H (Ralph Fiennes), a legendary concierge at a famous European hotel between the wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.

All the trademark Wes Anderson traits are here as expected, same with many of the regular cast as well as many new faces, but most of all its essential Anderson and that's all cinephiles need to know!



No official UK release date has been confirmed however US date is set for Easter 2014 so expect the same or late Spring.

The Grand Budapest Hotel also stars Jude Law, Bill Murray, Jason Schwartzman, Saoirse Ronan, F. Murray Abraham, Jeff Goldblum, Willem Dafoe, Adrien Brody, Owen Wilson, Edward Norton, Harvey Keitel, Léa Seydoux, and Mathieu Amalric.

Le Week End Review

Certificate:
15 (UK)
Release:
11th of October 2013
Distributor:
Curzon Film World
Director:
Roger Michell
Stars:
Lindsay Duncan, Jim Broadbent, Jeff Goldblum

Jim Broadbent and Lindsay Duncan starring in a classy drama about the ever-changing relationship of two married sixty-somethings sounds like a must-see with more than a little allusion of Richard Linklater's Before... series. Whilst the lead performances are quite excellent, what exactly director Roger Michell has to say is never quite clear.

Le Week-End follows Nick (Broadbent) and Meg (Duncan) - a long-married British couple who travel to Paris for a weekend break. However, this is not plain sailing as the couple's relationship problems come to the forefront.

Nick and Meg are not likeable protagonists - which is by no means a bad thing, it simply results in a lack of compassion and engagement towards the pair. Both characters key attribute is their overwhelming sympathy for themselves - Meg feels unfulfilled (and has no issue about letting it be known) and Nick is a man plagued by demons of self-doubt and fear of abandonment. Both Broadbent and Duncan ensure that Le Week-Ending is watchable and strip back the veneer of faux-sentimentality that we traditionally see in the romantic drama. However, it is Michell's depiction of the couple's relationship that proved truly troubling to this reviewer.

Perhaps as a younger viewer, Le Week-End is alienating in that the complexities of a twenty-five year plus-marriage are not something that tends to be thought about a lot. Apologies for using that old cliché, but is love not supposed to be a universal language - regardless of what age or stage it is at? Le Week-End as a representation of how relationships can yo-yo is a fine one, but an extreme one: Nick and Meg can go from the height of intense love to threatening each other with divorce in the space of one short scene. It is this extreme change in dynamic that means it is never easy to grasp what exactly Michell is trying to say - other than people and relationships change and are not simple.

This results in a watch that is not particularly compelling to the average viewer. Yes there will be occasions where we can all relate to the impromptu moments of fun, blood-minded arguments, self-doubt, and unhappiness - although in this high volume it feels somewhat erratic and ultimately draining. The introduction of Jeff Goldblum's character Morgan - Nick's old university pal - perks things up through a spirited performance that only he is capable of. However like Goldblum's character, it is hard not to think that Le Week-End is slightly full of itself and smug about its own complexities.

Fortunately, cinematography from Nathalie Durand, captures the blustery Autumn of Paris and fits the tone of Michell's bittersweet feature, often resulting in a picturesque watch.

It is the stellar performances from Broadbent and Lindsay Duncan that dominate bitterly complex, and often alienating Le Week-End which may prove more of a hit with older audiences.

★★½☆

Andrew McArthur

Much Ado About Nothing DVD Review

Rating:4 stars
12
DVD/BD Release Date:
7th October 2013 (UK)
Distributor:
Kaleidoscope Home Entertainment
Director:
Joss Whedon
Cast:
Alexis Denisof, Amy Acker, Fran Kranz ,Spencer Treat Clark, Reed Diamond, Nathan Fillion,Clark Gregg.
Buy Much Ado About Nothing:
DVD / Blu-ray [Amazon]
When it came to blockbuster spectacle circa 2012, Joss Whedon ruled the waves. His reflective, genre-busting, The Cabin in the Woods had audience and critic alike lauding its equal measures of critique and entertainment. Marvel extravaganza The Avengers knocked it out the part, pulling off an ambitious superhero epic that fulfilled expectations and left us hungry for more. But what did Whedon do next?

Filmed across 12 days at Whedon’s home, this modernisation of the bard’s most humorous work is beautifully realised. His own taste for the comic picks out the silliest physicality and most subtle jokes of the play then relays in his sharp - yet light hearted - way. Much Ado seems to translate Shakespeare’s humour in a way that makes this feature one of the best adaptations to date.

Whedon has always been fairly character driven, The Avengers, for all its action and effects, was essentially driven by the balance of screen time awarded each of its larger-than-life characters. And thus Much Ado is made better time and time again by the band of talent committed to creating this balanced love-play. Alexis Denisof and Amy Acker shine as foe/lovers Beatrice and Benedick, relaying the thin line between love and hate with a vicious kind of tenderness.  Clark Gregg threatens to steal the show as Leonato, his dominating presence and dry humour perhaps fit the script best out of all the cast. When the drama of the lovers perhaps starts to grate, Nathan Fillion professes a comic control second to none as Dogberry.

With this, surely a benchmark for performance has been reached within Whedon’s repertoire, for this is a near-entirely performance based feature. Though, the visual impact of the film is obvious, there are few scenes of genuinely touching image, bar the funeral procession which mixes Gothic imagery with the modern setting, the film can be a bit straight forward. However a tender laid back control of image means his monochrome Shakespeare is impressive and proves the director is just as at home with smaller intimate features as he is with mega-budget fantasy adventures.

A Sleek, sharp, excellently acted, and above all well-orchestrated update, Much Ado About Nothing explores love in all its cruelty and tenderness, whilst keeping intact that staunch element of humour integral to the play. It’s not Luhrmann’s Romeo +Juliet, but it’s definitely Whedon’s Much Ado About Nothing

★★★★☆

Scott Clark

Oval Space Cinema Club presents: Berberian Sound Studio

Continuing with its monthly series of independent film screenings, Oval Space Cinema Club is delighted to announce its Halloween special: Berberian Sound Studio, the multiple award-winning 2012 psychological thriller by acclaimed director Peter Strickland.

Curated with dedication to the art and power of filmmaking, Oval Space Cinema Club covers everything from groundbreaking political documentaries to art house explorations from across the globe. Always geared to adding something extra to the cinematic experience, Oval Space aims to engage and inspire film fans with a carefully selected program of Q + As with directors, heated panel discussions, open debates and more.

Set in 1976, the film follows mild-mannered and introverted sound engineer Gilderoy (Toby Jones) as he leaves the comfort of the home he shares with his mother in Dorking for a film studio in Italy. Having previously specialised in providing the sounds of babbling brooks and birdcalls for British natural history films, Gilderoy finds himself at the centre of a production for ‘The Equestrian Vortex’, a gory horror film by exploitation maestro Giancarlo Santini, requiring him to design sounds for mutilation, torture and terror.

Soon, life begins to imitate art and Gilderoy finds himself lost in a downward spiral of on-screen witchcraft, off-screen sexual intrigue and psychological mayhem as realities shift.

An homage to the art of analogue sound and a brilliantly executed deconstruction of the Italian horror genre, Strickland’s masterpiece features an excellent soundtrack from Broadcast, a signature band of Warp Records and has won multiple awards, including Best Film at the Toronto Film Critics Association, Film of the Year at the Evening Standard London Film Awards and Best Actor nods for Toby Jones at the Evening Standard London Film Awards and the British Independent Film Awards (BIFA).

For Those In Peril Review

Rating: 18
Review Date:
4th October 2013 (UK)
Director:
Paul Wright
Cast:
Kate Dickie, Michael Smiley, George MacKay, Nichola Burley, Brian McCardie, Gavin Park, Jordan Young
British cinema is great at taking quaint environments and turning them into Hell. We also have a penchant for misery and wasted lives, both of which you’ll find abundantly in Paul Wright’s impressive feature debut For Those in Peril, a keyhole into the social mechanics of a small fishing community in Scotland.

After a tragic accident takes the lives of five young fishermen, Aaron (George MacKay), the sole survivor of the tragedy which also claimed his older brother, is left in a steadily growing state of social detachment as the town around focuses their grief on him.  Mackay shines as a social outcast, a loner before the tragedy and even more so after with little to live for in a town that sees survivors as a constant burning reminder of tragedy. Wright’s choice to include sound snippets of news coverage/interviews with locals helps explore the small town mentality and collective hatred for Aaron, who’s only crime is retaining a childish mind in a place that demands manhood sooner as opposed to later. As the film goes on and Aaron’s actions become slightly more elusive in the face of hatred, the audience starts to see that in treating someone like a monster, especially someone with serious trauma, you can end up making them one. Kate Dickie lends her talents as Aaron’s troubled mother, single-handedly providing a sort of normality bar with which to compare the rest of the town to, she’s also where most of the film’s heart comes from, hers being possibly the most heart-breaking story of all. The relationship between Dickie and Mackay is frankly one of the most impressive pairings in ages.

Aaron’s obsession with a fairy tale around a monster in the sea becomes more vivid as the film progresses, just as the town’s contempt for him does. Wright punctuates an otherwise muted cinematography with moments of vivid colour and crushing darkness to better convey the collapse of Aaron’s reality: as his guilt flares so does his anger at the “monster” and his alienation from family and friends comes full circle so that he descends into a sort of childish dream.

There’s a very honest quality to Wright’s camera and the performances of his stars, nothing out-there, nothing melodramatic, just a well worked story of people and their relationship to the world around them.  At some points the film can maintain a palate too drab and spend too much time following Aaron’s isolated wanderings to the point of angst, but by the end Wright proves he has the vision to deliver an emotionally charged whopper of a finale that allows this quant wee Scottish sea-side affair to rest on more breath-taking grounds.

Not just a run of the mill sombre British piece about rural environments, For Those in Peril is a heart-wrenching narrative of guilt and redemption with a daring final direction and stand-out performances from two of Scotland’s finest.

★★★★☆

Scott Clark

This is a repost of Edinburgh Film Festival post at Cinehouse

Win No To Pinochet The Pablo Larrain Collection on DVD

In 2013, acclaimed Chilean director Pablo Larraín’s ‘Pinochet trilogy’ reached its pinnacle when NO was nominated for an Academy Award. Larraín has vowed never to make another film on Chile’s darkest days but now, for the first time, all three acclaimed films will be released as part of one set. Released this week (16th September) in UK on DVD we have joined forces with our friends at Network Releasing we have 2
copies of the box set to give away tcoinciding with the 40th anniversary of the coup that brought him to power.

This definitive set includes films charting life in Chile at various stages of the Pinochet regime. TONY MANERO is the tale of a Saturday Night Fever obsessed psychopath living under the regime at the height of its power. POST MORTEM is set amidst the backdrop of the 1973 coup, NO stars Gael García Bernal. In the arthouse hit of 2013 about the true story of the election campaign that brought democracy to Chile.

To win this fantastic box set please answer the following question...

Q.Who played the character Tony Manero in the cult 1977 Hollywood hit film?

You must be 18 years or older to enter.
Deadline for this competition is Sunday 13th October 2013 (23:59pm)(anyone who includes telephone number entry will be deleted automatically for security reasons)

If you haven’t done already Like us and stay with us at our Facebook page (if you are already liking us just share this post)

Terms&Conditions: You Must be a UK or Irish resident aged 18 or older to enter. If your successful and win the competition then you will be asked for Postal address to arrange deliver of the prize.The competition is not opened to employees, family, friends of The Peoples Movies, Cinehouse,Network Releasing  who have the right to alter, change or offer alternative prize without any notice. The Peoples Movies, Cinehouse takes no responsibility for delayed, lost, stolen prizes.Prizes may take from days to a few months for delivery which is out of our control so please do not complain, we will tell you when prizes are sent to us, mostly all cops prizes come directly from the PR company representing the film distributor. Deadline Sunday 13th October 2013(23:59pm)..

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Greg Araki's Nowhere (1997) DVD Review

Rating: 18
DVD Release Date: 26th August 2013 (UK)
Director: Gregg Araki
Cast: James Duval, Rachel True, Nathan Bexton, Christina Applegate
Buy: Nowhere [DVD]
When I watched the daring and beautiful Mysterious Skin some five years ago, Gregg Araki topped my list of filmmakers to further explore. At that time, though, the rest of his oeuvre was not available on DVD in the UK so I put my interest on the back burner. In the years since, my interest in Araki’s films had dramatically subsided having heard and read on numerous occasions that his other films were, quite frankly, not worth bothering with. However, having recently developed an interest in the New Queer Cinema movement (and after recently watching The Living End, his seminal, yet flawed, contribution to that movement) my interest in Araki’s films was rekindled. So, when the opportunity arose to review Second Sight’s release of Nowhere, I jumped at the chance.

With a stellar cast of, what were at the time, up and coming stars including James Duval, Chiara Mastroianni, Christina Applegate, Ryan Phillippe, Heather Graham, Scott Caan, Mena Suvari, Shannen Doherty, Rose McGowan, and Jordan Ladd, Nowhere is the final instalment in Araki’s Teen Apocalypse Trilogy following Totally F***ed Up and The Doom Generation (fortunately, as I have seen neither, the films only share a common theme).

Envisioning a nihilistic future world, the film offers up a surreal, apocalyptical vision of Los Angeles that is both hedonistic and decadent. At the centre of the film is the existential Dark Smith (Duval) who is tormented by his girlfriend’s (Rachel True) polygamous nature. Over the course of a day, we follow Dark and an array of his eccentric friends as they confront issues ranging from drug addiction and eating disorders through to alien abduction. Hell, by the end of the film we witness Dark’s not-gay, gay new soul mate’s absurd transformation into a cockroach like alien.

As well as the absurdities surrounding alien abduction, Araki also likes to throw in some over the top violence and a scene in which one of the characters is raped by a Baywatch star. All the over the top irreverence goes nowhere, rather ironic given the film’s title, and the film lacks any of the political punch that was served up in The Living End. It would seem that the reservations held by those who have warned me about Araki are true. What the film does have going for it, though, is a visual style that owes much to Godard and a punk aesthetic reminiscent of Derek Jarman’s Jubilee.

★★☆☆☆

Shane James

A Hijacking (Kapringen) DVD Review

Rating: 15
DVD/BD Release Date:
26th August 2013 (UK)
Director:
Tobias Lindholm
Cast:
Pilou Asbæk, soren malling, Dar Salim
Buy/rent:
[Blu-ray] [DVD]

It's not much of a pirate's life for ship's cook Mikkel (Pilou Asbaek), who becomes the victim of a hijacking in Tobias Lindholm's gruelling tale of piracy in the Indian Ocean.

Lindholn co-wrote last year's superbly tense The Hunt, and he excels once more with a drama is low on the sort of swashbuckling frippery that has been prevalent in much of the recent pirate fare Indeed, the vast bulk of the film plays out post-hijacking as the increasingly desperate Mikkel plays a long and excruciating waiting game; tortuously dragged out over many weeks.

Meanwhile, half a world away in his Copenhagen office, Mikkel's boss prowls the corridors and walks a psychological tightrope of his own as he plays chief negotiator with the captors via their irritable translator.
Lindholm's steady, brooding film is sparse on frills but flooded with tension. A documentary aesthetic gives the whole piece a hyper-real sense of desperate, miserable futility. For poor Mikkel and his shipmates trapped aboard their floating prison the abyss looms large with little hope of salvation.

Raw and glossless it may be, but A Hijacking is nevertheless tough, claustrophobic and relentlessly tense. If your idea of a great pirate movie is all chattering parrots and rum, do yourself a favour and hoist the white flag.

★★★★☆

Chris Banks

The Rise and Rise of Ryan Gosling

Ryan Gosling is one of films most sought after actors. With raw talent and a passion for every role he takes on, this four time Golden Globe and Academy Award nominee shows no signs of slowing down. This summer, Gosling is taking on another challenging role as Julian, a respected drug dealer and boxing club owner looking to seek vengeance for his brother’s murder. To honour the release of Only God Forgives, we decided to chronicle Goslings most notable roles.

The Mickey Mouse Club (1993-1995)

Ryan Gosling started his career as a fresh faced tween on Disney’s revamp of The Mickey Mouse Club. Convincing his mom to move from Canada to Florida, Gosling appeared in three episodes before the show was cancelled in 1995.

The Believer (2001)

Portraying a Jewish Neo-Nazi in his first lead role in film, Gosling shattered his child star image in The Believer. Although the film was considered a failure in terms of profit, his performance received rave reviews from critics. Gosling credits this role as his stepping stone into the career he has today.

The Notebook (2004)

The Notebook is the film that made Ryan Gosling a household name. His first leading role in a mainstream movie, Gosling made girls everywhere swoon as the passionate Noah Calhoun. The film was a box office success making over $115 worldwide. As the first person cast, Gosling got to help select his leading lady Rachel McAdams. The pair later dated after the film wrapped.

Half Nelson (2006)

Gosling earned his first Academy Award nomination as a drug addicted middle school teacher in Half Nelson. To prepare for the role, Ryan moved into a small Brooklyn apartment to shadow an 8thgrade teacher for a month. The next year Gosling was invited to join the Academy of Motion Picture Arts and Sciences, solidifying his legitimacy as an actor.

Blue Valentine (2010)

After a three year hiatus from acting, Gosling burst back onto the scene making five movies in 2010 and 2011. His first, an indie film called Blue Valentine, was a box office and critic success and earned him his second Golden Globe nomination. Gosling and his co-star, Michelle Williams, were instructed to improvise their parts as they played a married couple struggling with their relationship.

Drive (2011)

Gosling gave a genuine and chilling performance as a mysterious getaway car driver in Nicolas Winding Refn’s Drive. This thriller had critics commending Gosling on his constant ability to deliver fantastic performances, with Roger Ebert stating that he [Gosling] could achieve anything.

Crazy, Stupid, Love (2011)

Seriously, he has to be photo shopped. Ryan Gosling showed off his comedic talents and unwavering charm in the romantic-comedy Crazy, Stupid, Love. As Jacob Palmer, Gosling played the smooth talking ladies man looking to help out his fellow single men in need. Known for normally playing darker characters, Gosling stunned audiences and critics alike with his performance, earning him a Golden Globe nomination for Best Actor in a musical or comedy.

Only God Forgives

In his second collaboration with director Nicolas Winding Refn, Gosling takes on a darker role in the revenge thriller Only God Forgives. As one of the most anticipated films of the summer, Ryan is sure to deliver another heart-stopping performance with intensity and style.

Only God Forgives opens in UK cinemas 2 August.