BFI Announces It's DVD & Blu Ray Releases For Remaining Part of 2013

This autumn the BFI will make available on DVD a superb collection of rare and previously unseen ghost and horror titles from the BBC archives. Released as part of the BFI’s GOTHIC: THE DARK HEART OF FILM blockbuster project (www.bfi.org.uk/gothic), these long-unseen gems will delight many fans of British horror and classic TV drama.

Highlights in October include:

• The legendary Play for Today drama Robin Redbreast (1970) – an unsettling tale of ‘folk horror’ that’s considered a precursor to 1973’s The Wicker Man (DVD)
• The three surviving, terrifying episodes of the long-unseen 1972 ghost story anthology Dead of Night (DVD)
• Classic Ghost Stories (1986), five spine-tingling tales from the pen of MR James, presented by Robert Powell (DVD)
• An extended six-disc repackage of the best-selling BBC Ghost Stories for Christmas (DVD)

Highlights in November include:

• A BFI Flipside Dual Format Edition presentation of the BBC’s Schalcken the Painter (1979). This highpoint of BBC arts filmmaking will be presented in High Definition from a rare 16mm source recently discovered in the BFI National Archive
• The 1977 BBC gothic horror anthology Supernatural starring a host of British acting legends including Billie Whitelaw, Robert Hardy, Denholm Elliot and Jeremy Brett (DVD)

Other Gothic releases include:

• Scary Stories – a collection of creepy films from The Children’s Film Foundation featuring The Man From Nowhere (1976), Haunters of the Deep (1984) and Out of the Darkness (1985) (September 2013, DVD)
• A three-disc Dual Format special edition of Rupert Julian / Lon Chaney’s original The Phantom of the Opera (1925) (November 2013)
• The BFI National Archive digital re-mastering of Thorold Dickinson’s dark psychological drama Gaslight (1940) (November 2013, Dual Format Edition)

October also sees the long-awaited Blu-ray premiere of Akira Kurosawa’s Seven Samurai (1954) – presented as a steelbook exclusively at www.zavvi.com .

Rescheduled releases for December include the previously announced Dual Format Editions of Roberto Rossellini’s Stromboli (1950) and Journey to Italy (1954), and Alain Robbe-Grillet’s Trans-Europ Express (1967) and Successive Slidings of Pleasure (1974).

Click here to see a picture gallery of packshots along with the news: http://www.bfi.org.uk/news-opinion/news-bfi/announcements/bfi-dvdblu-ray-releases-announced-autumn-2013

Lotte Reiniger's The Adventures of Prince Achmed (1926) on BFI Blu-ray & DVD

Director:
Lotte Reiniger
Dual DVD Release Date:
19th August 2013 (UK)
Buy:
The Adventures of Prince Achmed (DVD + Blu-ray)
On 19 August 2013, the BFI will release Lotte Reiniger’s The Adventures of Prince Achmed (Die Abenteuer des Prinzen Achmed) on Blu-ray for the first time in a Dual Format Edition (includes a DVD disc) with a newly recorded narration and the original orchestral score, along with a selection of short films and an illustrated booklet with contributors including Marina Warner.

Three years in the making, this beautiful 1926 silhouette animation brings to life magical tales from the Arabian Nights. The earliest surviving animated feature film – preserved in the BFI National Archive – it has been hailed as one of the world’s most innovative and influential animations.

Handsome young Prince Achmed is brave and eager for adventure, so when the most powerful sorcerer in the world challenges him to fly a magic horse, Achmed plunges headlong into a series of exciting escapades which take him from Baghdad to China via the enchanted spirit lands of Wak-Wak.

Made in card, cut entirely by hand, and then manipulated using sheets of lead joined by wires, Reiniger’s exquisite shadow characters move intricately through colourful worlds of demons, witches, beautiful princesses and flying castles. The incredible talent and creativity shown here has influenced the animation in other films including Snow White, Harry Potter and the Deathly Hallows and The Sword in the Stone.

Special Features

• Presented in both High Definition and Standard Definition
• Original orchestral score by Wolfgang Zeller
• Newly recorded alternative narration based on Lotte Reiniger's own translation of her German text Die Abenteuer des Prinzen Achmed, spoken by actress Penelope McGhie
• The Adventures of Dr Dolittle (Lotte Reiniger, 1928, 30 mins): a series of three short films based on the classic stories by Hugh Lofting
• The Flying Coffer (Lotte Reiniger, 1921, 8 mins): a poor young fisherman tries to rescue the Emperor of China's daughter who is imprisoned in a sky high pagoda
• The Secret of the Marquise (Lotte Reiniger, 1922, 2 mins): an early advert for Nivea skin care products
• The Lost Son (Lotte Reiniger, 1974, 14 mins): the New Testament parable animated in Lotte Reiniger's inimitable style
• The Star of Bethlehem (Lotte Reiniger, 1956, 18 mins): the nativity story with music by Peter Gellhorn, performed by the Glyndebourne Festival Chorus
• Illustrated booklet with newly commissioned essays by Jez Stewart and Philip Kemp and a contribution by Marina Warner

The Killing Of A Chinese Bookie Blu-Ray Review

Rating:
15
BD Release Date:
15th July 2013
Director:
John Cassavetes
Cast:
John Cassavetes, Ben Gazzara, Timothy Carey, Seymour Cassel
Buy: (3-Disc Limited Edition) The Killing of a Chinese Bookie was my introduction to work of John Cassavetes many years ago. It’s probably his most accessible film in a way; it’s inspired by film noir (which John Cassavetes acted in a handful in his time) but it’s a very arty and gritty take on it. Its much more story focused than most of his work that certainly helps its accessibility. It also came near the end of his golden period of filmmaking, which was from Faces to Gloria.

The film stars frequent Cassavetes collaborator Ben Gazzara who plays Cosmo Vittelli. He is a strip club owner and is making his last payment of his gambling debt to this sleazebag loanshark (played by the film’s producer/cinematographer Al Ruban). He celebrates this by taking his 3 favourite dancers out and it eventually ends in another poker game and he looses $23,000. The mob uses this against him so he will do a hit for them. He believes it to be some small-time Chinese bookie but in reality it’s a capo of the Chinese mafia “the heaviest cat on the West Coast”. He manages to perform the hit but soon realises he is double-crossed.

The film not unlike many of his other films was originally released in a much longer cut. It was originally released in a 135 minute cut but he pulled it after a week and Ben Gazzara hated this version and said it was too long. It was eventually recut in a much more accessible shorter cut of 108 minutes. It mostly cut the strip club routines but true to Cassavetes’ form he ordered the scenes in the new cut. The BFI Blu-ray includes both cuts.

The film is a great piece of cynical neo-noir 70s filmmaking in the vein of Chinatown or Night Moves. It’s boosts a wonderful performance by the always great Ben Gazzara (I’m sure the Coens watched this before they cast him in The Big Lebowski due to his role in this). His performance really makes the film, which is not unlike most of Cassavetes’ films where the leading actor or actress makes the film like for example his wife Gena Rowlands in many of the films. It’s different cause it’s male protagonist when a good majority of his films have a female one.

It’s one of John Cassavetes’ best films partly due to its accessibility. If you’re a fan of Scorsese’s early films and other noir inspired films of the 70s it’s very much worth your time. BFI has released a 3-disc special edition, which includes the film on both Blu-ray and dvd and a bonus disc with a feature length doc on John Cassavetes, a short, a interview and the film itself includes scene selected commentaries by the producer and Cassavetes’ friend and contemporary Peter Bogdanovich.

★★★★★

Ian Schultz

BFI To Bring Satyajit Ray’s The Big City To Cinema's Across UK.

On 16 August the BFI brings Satyajit Ray’s The Big City to cinemas across the UK. This richly absorbing tale of family and city life from the master of Bengali cinema is set in mid-50s Calcutta, a society still adjusting to Independence and gripped by social and financial crisis.

The film’s nationwide release will coincide with a two-month complete retrospective of the director’s work at BFI Southbank during August and September.

Subrata Mazumdar (Anil Chatterjee), a young bank clerk struggling to support his entire extended family on a meagre salary, firmly believes that ‘a woman’s place is with her cooking pots’. Unsurprisingly, he experiences conflicting emotions when his wife Arati (Madhabi Mukherjee) helps out by taking a job as a door-to-door ‘salesgirl’ peddling knitting machines to rich housewives. Though shy and nervous to begin with, Arati soon proves a huge success, relishing her new-found independence (not to mention the joys of lipstick) and thoroughly upsetting the family dynamic.

Bengali star Madhabi Mukherjee, with her expressive frown and mischievous smile, gives a ravishing, spirited performance as Arati. This was Mukherjee’s first film with Ray (she was later to star in his Charulata) and she confessed herself ‘stunned’ by his extraordinary ‘woman-centred’ screenplay, so different from anything she had previously encountered. Indeed, Ray originally considered calling the film ‘A Woman’s Place’.

Yet, for all his focus on Arati’s problems, Ray – who is renowned for his breadth of sympathy – also deploys warmth, abundant humour and deep psychological insight in his depiction of a large, multi-generational cast of characters, including Arati’s conservative old father-in-law, her studious teenage sister-in-law, her feisty Anglo-Indian colleague and her benevolently despotic boss.

For this new restoration of The Big City, undertaken in India, the original negative was scanned at a high resolution (2K), enabling the film’s epic scale and intimate detail – from the portrayal of bustling urban life to the exquisite play of emotions on Arati’s face – to emerge in greater beauty and clarity.

Now re-released by the BFI to mark its fiftieth anniversary, The Big City, with its emphasis on conflicting social values – and most particularly on the role of women – feels as fresh and relevant as ever.



The Big City is part of The Sayjit Ray season next month at The BFI Southbank from 16th August, more details here.For listings of when The Big City will be playing near you please check with your local independent/Arthouse cinema for exact dates.

BFI To Release A London Trilogy: The Films of Saint Etienne (2003-2007) On DVD In July

On 15 July the BFI will release A London Trilogy: The Films of Saint Etienne 2003-2007, bringing Finisterre, What Have You Done Today Mervyn Day? and This is Tomorrow together on one DVD for the first time. The trilogy is accompanied by a selection of rare and previously unavailable short films.

From a beautifully conceived film-poem and an imaginative exploration of the Lower Lea Valley to an uplifting documentary on a London landmark, the collaborations between electronic indie trio Saint Etienne and filmmaker Paul Kelly (Lawrence of Belgravia) document London's ever-changing environment and landscapes with music by the band.

Finisterre (2003), directed by Paul Kelly and Kieran Evans, is a homage to London featuring a host of well-known voices including Mark Perry, Julian Opie, Vic Godard and Lawrence who’ve made the capital their own, soundtracked by songs from the Saint Etienne album of the same name.

What Have You Done Today Mervyn Day? (2005) follows paperboy Mervyn Day on his round, tracing the fascinating hidden history of East London’s Lower Lea Valley in the years before it was redeveloped to become the Olympic Park. Guest voices include David Essex and Linda Robson.

Commissioned by the Royal Festival Hall to mark its renovation and grand reopening, This is Tomorrow (2007) lovingly records the immense labour and attention to detail that went into the refurbishment of one of London’s most distinguished concert venues.

The additional short films are:

• Today’s Special (2004): three shorts about London’s disappearing cafés
• Banksy in London (2003): outtakes from Finisterre documenting the artist’s work, some of which is no longer in situ
• Monty the Lamb (2006): a day in the life of Monty, mascot for North London’s Hendon FC
• Seven Summers (2012): Sarah Cracknell narrates this follow up to What Have You Done Today Mervyn Day?
• The Other South Bank (2008): a look at Teeside’s South Bank. 

Pre-order/Buy:A London Trilogy: The Films of Saint Etienne 2003-2007 [DVD]


Also included in a 32-page illustrated booklet with an introduction by Paul Kelly and new essays by Bob Stanley, Sukhdev Sandhu, Owen Hatherley and Tom Dyckhoff.

The DVD will be a launched with a BFI &Caught by the River screening event and Q&A attended by the band, at Rough Trade East, Brick Lane, E1 on Friday 12 July at 6.30pm which is free and open to all. More details here: Rough Trade

BFI To Release John Casavettes' The Killing Of A Chinese Bookie On DualPlay This July

The Killing of a Chinese Bookie, released on 15 July 2013, is the fifth and final title in the BFI's John Cassavetes Collection. Presented on Blu-ray for the first time, it is released in a Dual Format Edition (containing both DVD and Blu-ray) in both its original 1976 cut and Cassavetes’ re-edited shorter 1978 version. Also available on the same date will be a Limited 3-Disc Collector’s Edition which has a bonus DVD containing the documentary Anything for John (1993), the short film The Haircut (1982), and an interview with Tamar Hoffs, director of The Haircut.

In an absorbing performance, Ben Gazzara plays small-time Sunset Strip entrepreneur Cosmo Vitelli, owner of the Crazy Horse West night spot. An obsessive showman, Cosmo navigates a murky world of loan sharks and crooks to keep his club afloat, but, when a gambling debt spirals out of control, he is blackmailed into accepting a murderous commission.

Featuring standout turns by Seymour Cassel and Timothy Agoglia Carey as the underworld racketeers out to fleece Cosmo, John Cassavetes' portrayal of one man's hubristic descent subverts the conventions of its plot to explore the darker regions of the American dream.

Arguably the most plot-driven of all his films, Cassavetes withdrew The Killing of a Chinese Bookie shortly after the initial release and subsequently cut a new version which features different scenes.

Check out this funny clip from the documentary Anything For John, in which actor Ben Gazzara talks about the time he and Cassavetes discussed the film's title. The documentary the clip is from is included as a bonus on the BFI's 3-Disc Collector's Edition of The Killing of a Chinese Bookie.

Special features
• Presented in both High Definition and Standard Definition
• Includes the original 1976 cut of The Killing of a Chinese Bookie
• Selected scenes commentary on 1976 version by Al Ruban and Peter Bogdanovich
• Illustrated booklet with a newly commissioned essay by Tom Charity

Limited 3-Disc Collector's Edition - Dual Format - As above, plus:
• The Haircut (Tamar Simon Hoffs, 1982, bonus DVD only): John Cassavetes stars as a busy music executive sidetracked by a haircut in Hoffs' delightful directorial debut
• Anything for John (Doug Headline, 1993, 91 mins, bonus DVD only): feature length documentary tribute to John Cassavetes, featuring interviews with Peter Falk, Gena Rowlands and Al Ruban
• Tamar Hoffs interview (Doug Headline, 1993, 6 mins, bonus DVD only)

Pre-Order/Buy The Killing Of A Chinese Bookie:Dual Play (DVD + Blu-ray) / 3-Disc Limited Edition (DVD & Blu-ray)

BFI To Release Complete Humphrey Jennings Vol 3 - A Diary for Timothy This July

Widely celebrated as one of Britain’s greatest filmmakers, Humphrey Jennings is a true poet of the cinema, and his work was the inspiration for Danny Boyle’s 2012 Olympic Games Opening Ceremony. Released on 15 July 2013, this is the third and final volume of Dual Format Edition (DVD and Blu-ray) releases that bring together his entire directorial output. It includes the films he made between 1944 and 1951, and charts his transition from wartime to peacetime filmmaking.

Featuring A Diary for Timothy, Jennings’ much-loved collaboration with E M Forster, The Dim Little Island, a muted but affecting celebration of Britishness, and Family Portrait, the esoteric Festival of Britain film, this essential collection confirms Jennings as a master of the cinematic art.

Films
The True Story of Lili Marlene (1944)
The Eighty Days (1944)
Myra Hess (1945)
A Diary for Timothy (1945)
A Defeated People (1946)
The Cumberland Story (1947)
The Dim Little Island (1949)
Family Portrait (1950)

Special Features

• Presented in High Definition and Standard Definition
• V.1. (1944): alternative cut of The Eighty Days
• The Good Life (Graham Wallace, 1951): the film Jennings was working on at his death
• Illustrated booklet with film notes, credits and biographies by John Wyver, Patrick Russell, Kevin Jackson, Scott Anthony and others.

The Complete Humphrey Jennings volume 3: A Diary for Timothy [Blu-ray] [DVD]

Theorem (Teorema) Blu-Ray Review

Theorem is very important film in Pier Paolo Pasolini’s career in many different ways. It was the first time he had worked with primarily with professional actors (and international actors), first film he did with dealt explicitly with homosexuality and the influence of Luis Buñuel was evident.

Theorem is about a mysterious visitor (played by Terrence Stamp) who appears in the lives of an Italian bourgeois family. He has sexual affairs with all of family… the religious maid, the son, the sexually repressed mother, the daughter and lastly the father. The first half of the film is basically that but about half way thought the film he disappears as mysteriously as he appears. The rest of film is about what happens to the family and how the live their lives after the visitor have touched them in some way.

The film is quite clearly about divine intervention and Terrence Stamp is clearly playing a angel of some kind. Curiously the film was given a special award by the International Catholic Film Office at the Venice Film Festival but was quickly withdrawn when the Vatican protested for obviously reasons. The film has long been talked about because of the ambiguousness of the film. It has been interpreted as statement as a disgust at bourgeois society and the emergence of consumerism in Italian Society. Other interpretations are it’s both a critique of bourgeois society and the working class maid and Pasolini’s other struggle with his homosexuality.

It’s a fascinating film from one of Cinema’s great enigma’s Pasolini who was of course brutally murdered soon after the release of his still shocking Salo. He worked in neo-realism, films based on mythology, surrealism, and social satire and often in the same film. He was full of many contractions but his body of work is one of the most fascinating in post-war European cinema.

★★★★☆

Ian Schultz

Rating: 15
DVD/BD Release Date: 27th May 2013 (UK)
Director: Pier Paolo Pasolini
Cast: Terence Stamp, Massimo Girotti, Anne Wiazemsky, Silvana Mangano

Buy: Theorem (DVD + Blu-ray)

Chronicle Of A Summer Blu-Ray Review

Made during the summer of 1960 by anthropologist filmmaker Jean Rouch and sociologist Edgar Morin, Chronicle of a Summer set out to record the everyday lives of a diverse array of Parisians through an highly influential approach to documentary filmmaking that made use of an original mixture of intimate interviews, debates, and observation.

The idea for the film arose when Rouch and Morin served as members of the jury for the first International Festival of Ethnographic Film in Florence, 1959. Rouch remembers Morin approaching him with the following question: “You have made all your films abroad; do you know anything about contemporary France?” Morin then proposed that Rouch should move away from his devotion to African rituals and customs and instead turn his gaze onto the Parisians “and do anthropological research about my own tribe.”

The film hinged on a simple theme: ‘How do you live?’ For Morin, this was a question that “should encompass not only the way of life (housing, work) but also ‘How do you manage in life?’ and
'What do you do with your life?’” These questions were tackled through the film’s redefined approach to the documentary form which was, as the opening voice-over announces, “made without actors but lived by men and women who devoted some of their time to a novel experiment of film-truth’,” or, as it is more commonly known, cinéma vérité.

The film’s interviews, debates, and observations reveal many fascinating insights into Parisian society at the onset of the 1960s. We witness factory workers and mechanics who talk about the oppressive nature of daily work and life; with one interviewee evoking the words of Albert Camus as read in his The Myth of Sisyphus. Then there are the debates surrounding the independence wars in Algeria and Congo which situate the film within discussions of racism and decolonisation.

More recently, Chronicle of a Summer has been read by Richard Brody as “one of the greatest, and perhaps the primordial, Holocaust film.” This interpretation of Rouch and Morin’s documentary as a ‘Holocaust film’ can be seen in the story of Marceline. We are first introduced to Marceline at the beginning of the film; first as an interviewee for the filmmakers’ as they make a first attempt at their experimental documentary technique, and then as an interviewer asking random passers-by: “Are you happy?” It isn’t until much later in the film that the numbered tattoo on her arm is revealed.

Immediately after the revelation that Marceline was a Holocaust survivor, the film presents us with its most intense, haunting, beautiful, and powerful scene. Marceline walks along an almost deserted Place de la Concorde, reminiscing about her experience of the Occupation. Far from making this film one about the Holocaust, what this scene demonstrates is a direct link between the legacy of the Second World War and France’s position as a colonial power clinging onto its territories during a time of decolonisation.

As this review as shown, it is often the filmmakers themselves who can provide the best analysis of their film. So I will end this piece on the excellent Chronicle of a Summer with two quotes by Morin. The first quote relates to the films questioning of how much reality and truth is presented in documentary filmmaking: “I thought we would start from a basis of truth and that an even greater truth would develop. Now I realise that if we achieved anything, it was to present the problem of truth.”

The final quote is taken from the films end in which Rouch and Morin pace up and down the Musée de l’Homme before Morin states: “We wanted to make a film about love, but it turns out to be about indifference.”

★★★★½

Shane James

Rating: 12
DVD/BD Release Date: 27th May 2013 (UK)
Director: Edgar Morin, Jean Rouch
Cast: Marceline Loridan Ivens, Landry, Régis Debray

Buy: Chronicle of a Summer (DVD + Blu-ray)

John Cassavetes' Opening Night Blu-Ray Review

Opening Night is the latest John Cassavetes film BFI being re-released on a dual format blu-ray/dvd combo. They started they’re reissues back in April 2012 with the landmark films Shadows and Faces (which I just picked up the other day). One of the very first reviews I did for the people’s movies / cinehouse was Shadows which to this day remains my favourite Cassavetes directorial effort.

Opening Night is a later Cassavetes film in that golden period of American cinema known as the New Hollywood of the 1970s. Cassavetes was one of the first truly independent American directors of feature films (sometime mistaken as the first but Sam Fuller was a decade before). John would act or sometimes direct Hollywood films so he could fund (and distribute) his more personal improvisational melodramas. John Sayles would later do a similar thing but in that case screenwriting.

Opening Night is very much A Woman Under the Influence (one of Cassavetes’ best films and most well known) goes Broadway. Like A Woman Under the Influence it’s stars John Cassavetes’ real life wife Gena Rowlands who plays the central character Myrtle Gordon, a actress who is rehearsing for her latest play. The play is about a woman unable to admit she is aging and it has many parallels to her own mid-life crisis. Myrtle witnesses a young woman who gets killed after trying to meet her after a preview of the play and this deeply troubles her and she feels responsible for her death. Her feelings of guilt start to interfere with her professional work but she also has a serious drinking problem as well. The film deals with her very complicated relationships with the stage director (played by frequent Cassavetes collaborator Ben Gazzara) producer, fellow actors (including one played by John Cassavetes) etc. She also starts having hallucinations of the dead girl near the end of the film, which reminds you of Black Swan, a similar themed film about the parallels of a stage life and personal life and the eventual merging of the 2.

Like many of Cassavetes films he could certain use with some reigning in during the editing process (many of his films have went though many cuts and released and then withdrawn and re-released) and the film suffers from many way too long. It’s round the 2 hour and 30 minute mark with many scenes of the play wasting the running time and being pretty obvious with it’s parallels with Myrtle’s life. Cassavetes was first and foremost an actor and all his films are very much actor’s pieces and he is great and bringing out great performances but they can become too actory and stagey (most evident in this film for obvious reasons). Cassavetes has always struggled with pacing in his films and this is no exception but it has a great performance by Gena Rowlands. I would recommend seeing A Woman Under the Influence before you see this, which is the superior film and performance.

★★★½☆

Ian Schultz

DVD/BD Release Date:27th May 2013 (UK)
Director: John Cassavetes
Cast:John Cassavetes, Gena Rowlands, Ben Gazzara, Joan Blondell

Buy: Opening Night (DVD & Blu-ray)

Anthony Asquith's Underground To Get BFI Release This June

Anthony Asquith's Underground (1928), a subterranean tale of love, jealousy, treachery and murder, evokes the daily life of the average Londoner better than any other film in Britain's silent canon. Restored by the BFI National Archive and following an acclaimed theatrical release in January, the BFI now brings the film to DVD and Blu-ray for the first time on 17 June 2013 in a Dual Format Edition. It is presented with a new orchestral score composed by Neil Brand and performed by the BBC Symphony Orchestra; along with five short complementary films and an alternative score by musician/sound recordist Chris Watson

In the late 1920s Asquith, along with Hitchcock, was one of the most audacious young talents in British film and Underground was his own original screenplay. With its scenes of the bustling tube (passenger behaviour is strikingly familiar) and the capital’s parks, double-decker buses, pubs and shabby bedsits, Asquith masterfully balances the light and dark sides of city life, aided by a superb cast of Brian Aherne and Elissa Landi as the nice young lovers and Norah Baring and Cyril McLaglen as their unhappy counterparts

At just 26, Asquith's direction is assured, efficient and spare with some remarkably cinematic flourishes, clearly inspired by contemporary German and Russian filmmaking. It climaxes with a thrilling chase scene across the rooftops of the Lots Road Power Station.

For many years the restoration of Underground presented insurmountable difficulties, but developments in digital technology have enabled the BFI to make a significant improvement to the surviving film elements.

Special features
• Feature presented in both High Definition and Standard Definition
• Newly commissioned score by Neil Brand presented in 5.1 and 2.0
• Alternative score by Chris Watson
• The Premier and His Little Son (1909-12, 1 min): previously unseen footage of Anthony Asquith as a child
• A Trip on the Metropolitan Railway (1910, 13 mins, DVD only)
• Scenes at Piccadilly Circus and Hyde Park Corner (1930-32, 6 mins, DVD only)
• Seven More Stations (1948, 12 mins, DVD only): a film about the expansion of the Central Line beyond Stratford
• Under Night Streets (1958, 20 mins): a documentary about the tube's nightshift workers
• Illustrated booklet featuring film notes and new essays by Christian Wolmar and Neil Brand.

Pre-order/buy: Underground (DVD + Blu-ray)

BFI To Release Weird Adventures On DVD In June

The last feature made by the distinguished duo of Powell and Pressburger is one of three films featured on a new volume of Children's Film Foundation tales, Weird Adventures, released on DVD by the BFI on 17 June 2013.

This latest collection brings together Alberto Cavalcanti’s The Monster of Highgate Ponds (1961), Powell and Pressburger’s The Boy Who Turned Yellow (1972) and A Hitch in Time (Jan Darnley-Smith, 1978) which stars Patrick Troughton.

In The Monster of Highgate Ponds young David promises to guard a mysterious egg which his uncle brings back from Malaysia. But, when a baby monster hatches, mayhem ensues as David struggles to keep the unruly, but friendly, creature from falling into the clutches of two ruthless crooks. This enchanting tale, shot on location on Hampstead Heath, features brilliant animated sequences by the legendary Halas & Batchelor, who also produced the film, and was directed by the celebrated Ealing director Alberto Cavalcanti (Went the Day Well?).

The Boy Who Turned Yellow is the splendidly eccentric final collaboration from eminent filmmaking duo Michael Powell and Emeric Pressburger (Black Narcissus, The Red Shoes). London schoolboy John Saunders turns bright yellow after losing his pet mouse on a school trip. Is the mysterious colour change the result of an alien invasion or does the answer lie closer to home?

In A Hitch in Time, Patrick Troughton (Doctor Who) plays time-hopping inventor Professor Adam Wagstaff. Discovered working on his time machine by two curious kids, Wagstaff decides to send them back through the ages. But, with malfunctions a-plenty, will they be able to make it back? Featuring Jeff Rawle (Harry Potter and the Goblet of Fire) as 'Sniffy' Kemp, the teacher out to spoil everybody's fun, A Hitch in Time is a riotous retelling of history.

For over 30 years the Children's Film Foundation produced quality entertainment for young audiences, employing the cream of British filmmaking talent. Newly transferred from the best available elements held in the BFI National Archive, these much-loved and fondly remembered films finally return to the screen after many years out of distribution in specially curated DVD releases from the BFI. The fourth volume of CFF films, Bumps in the Night, will be released in October 2013.



Special Features

• Brand new High Definition transfers of all films;
• Illustrated booklet with writing by Michael Powell, Lem Kitaj (who played Munro in The Boy Who Turned Yellow), Vivian Halas and BFI curator Vic Pratt

Pre-Order/Buy:Children's Film Foundation Collection: Weird Adventures (The Boy Who Turned Yellow | The Monster of Highgate Pond | A Hitch in Time) [DVD]

 

BFI To Release Jean Rouch's Chronicle Of A Summer This Month on Dual Play

On 27 May 2013 the BFI releases the hugely influential French documentary Chronicle of a Summer, newly restored, on Blu-ray and DVD (in a Dual Format Edition) for the first time in the UK.

Shot in Paris during the summer of 1960 and released the following year, Chronicle of a Summer is the compelling result of a collaboration between anthropologist filmmaker Jean Rouch and sociologist Edgar Morin.

Jean Rouch (Moi, un noir, Les maîtres fous) and Edgar Morin set out to chronicle the everyday lives of Parisians using a mixture of intimate interviews, debates and observation. Artists, factory workers, office employees, students and others open up to the camera to share their experiences, fears and aspirations. The film became one of the most influential of the sixties, and redefined the documentary form with its use of handheld cameras and observational techniques.

Rouch, whose work inspired the likes of Jean-Luc Godard, Jacques Rivette and Roberto Rossellini, trained his ethnographic lens on the metropolis, recording a series of extraordinary sequences, including a French survivor’s Holocaust testimony, to reveal the political underlying the personal in a society struggling into the post-colonial era.

The film questions the level of reality and truth in documentary filmmaking, and offers a fascinating insight into 1960’s Parisian society.



Special Features:
• Presented in both High Definition and Standard Definition
• Brand new restoration
• Un été + 50 (Florence Daumon, 2011, 75 mins): documentary on the making of Chronicle of a Summer featuring new interviews with the participants including Edgar Morin and Régis Debray
• Jean Rouch at the NFT (1978, 55 mins): audio recording of a lecture delivered by Jean Rouch on Dziga Vertov and Robert Flaherty's influence on his work and that of his peers
• Illustrated booklet with newly commissioned essays by Professor Ginette Vincendeau

Pre-order /Buy: Chronicle of a Summer (DVD + Blu-ray)

BFI To Release Carlos Saura's Hauntingly brilliant Cría cuervos This May

One of cinema’s most hauntingly vivid depictions of a child’s fantasy-imbued reality, Cría cuervos is a darkly unsettling and deeply touching film which stands as a landmark of Spanish cinema. Released for the first time in the UK, on 27 May 2013, this BFI Dual Format Edition (DVD and Blu-ray discs) also contains an hour-long portrait of Carlos Saura (Carmen, Blood Wedding) and an on-stage interview with the director.

Shot in the summer of 1975 as General Franco lay dying, Saura's masterpiece takes its title from a sinister Spanish proverb: Raise ravens and they'll pluck out your eyes.

Eight-year-old Ana (the spellbinding Ana Torrent from The Spirit of the Beehive) lives in a mysterious mansion in central Madrid, cut off from the roaring traffic and urban bustle by a high-walled garden. Recently orphaned, she believes herself to have poisoned her cold, authoritarian father (Héctor Alterio), a high-ranking military man whom she blames for the death of her much adored, musically gifted mother (Geraldine Chaplin in a performance of exquisite tenderness). Now cared for, along with her two sisters, by her uptight, scolding Aunt Paulina (Mónica Randall), Ana has ample opportunity to observe the frustrations – emotional, sexual, and professional – of her adult female relatives. This is a world of secrets and lies in which only the family maid Rosa (Florinda Chico) will respond frankly to questions about sex or the Spanish Civil War.

Cría cuervos was nominated for a Golden Globe and won the Grand Prize at Cannes in 1977. It enjoyed a highly successful BFI theatrical release in June 2011 when it received 5 star reviews.

Special Features

• Presented in both High Definition and Standard Definition;
• Portrait of Carlos Saura (José Luis López-Linares, 2004, 63 mins, DVD only)
• On-stage interview with Carlos Saura (2012, 23 mins, DVD only)
• Optional alternative English language soundtrack;
• Original theatrical trailers;
• Illustrated booklet featuring new essays and notes from Maria Delgado, Mar Diestro-Dópido and Michael Brooke.


Pre-Order/Buy Cria Cuervos:Dual Format Edition [DVD + Blu-ray] [1976]

John Cassavetes Opening Night To Get BFI UK Home Release This May

The latest release in the BFI’s John Cassavetes Collection, out on 27 May 2013, is the award-winning Opening Night (1977), starring Gena Rowlands, John Cassavetes and Ben Gazarra.

Released on Blu-ray for the first time in the UK, it is presented in a Dual Format Edition (also contains a DVD disc). Numerous extras include an audio commentary, a documentary – Memories of John and Peter Falk (Columbo) talking about John Cassavetes.

Broadway actress Myrtle Gordon (Gena Rowlands) rehearses for her latest play about a woman in denial at the onset of her autumn years. When Myrtle witnesses the accidental death of an adoring young fan, it leads to a crisis of confidence in both her professional and her personal life which threatens to undermine the whole production.

Featuring a startling and compelling performance by Gena Rowlands, which won her the Silver Bear for Best Actress in 1978, Opening Night is arguably one of John Cassavetes’ most self-reflexive works and offers an insightful and intriguing evocation of the theatrical experience from both sides of the proscenium.

Click here to see Peter Falk talking about the director, along with a short clip from the film:

Special Features

• Presented in both High Definition and Standard Definition;
• Audio commentary by Tom Charity, Mike Ferris and Bo Harwood;
• Memories of John (DVD only, 29 mins);
• Falk on Cassavetes: the later years (DVD only, 14 mins);
• Illustrated booklet featuring interviews and essays from Tom Charity, Al Ruban and Peter Bogdanovich

Pre-Order/Buy: Opening Night (DVD & Blu-ray) 1977

BFI Adding Pasolini's Theorem (Teorema) To Home Release This May

Following its theatrical release this month, the BFI will bring Pier Paolo Pasolini’s Theorem (1968) to Blu-ray for the first time in the UK when it is released complete and uncut in a Dual Format Edition (includes a DVD disc) on 27 May 2013. The new high definition digital transfer has restored picture and sound. Special features include a filmed interview with Terence Stamp, a feature commentary and an optional English language soundtrack.

A handsome, enigmatic stranger (Terence Stamp) arrives at a bourgeois household in Milan and successively seduces each family member, not forgetting the maid. Then, as abruptly and mysteriously as he arrived, he departs, leaving the distraught members of the household to make what sense they can of their lives in the void of his absence.

In this cool, richly complex and provocative political allegory, Pasolini uses his schematic plot to explore family dynamics, the intersection of class and sex, and the nature of different sexualities. After winning a prize at the Venice Film Festival, Theorem was subsequently banned on an obscenity charge, but Pasolini later won an acquittal on the grounds of the film’s ‘high artistic value’.

Theorem is visually ravishing, with superb performances from its international cast and a brilliantly eclectic soundtrack featuring music by composers ranging from Mozart to Morricone.

Special Features
• Presented in both High Definition and Standard Definition;
• Optional alternative English language soundtrack;
• Audio commentary by Italian film expert Robert Gordon;
• An Interview with Terence Stamp (2007, 34 mins, DVD only);
• 2013 theatrical release trailer;
• Illustrated booklet with an essay by Geoffrey Nowell-Smith, a review by Philip Strick and biographies of Pasolini and Stamp.

Pe-order/buy:Theorem (DVD + Blu-ray)

Tess Blu-Ray Review

Tess was the film Roman Polanski made at the end of quite arguably his great period coming on the tails of The Tenant and Chinatown (his masterpiece). Tess however is a very different kettle of fish to those 2 films, one is homage to film noir and one a rather disturbing psychological thriller. Tess based on novel Tess of the d’Urbervilles by Thomas Hardy. He made Tess in part as a tribute to his wife Sharon Tate who of course was brutally murdered by The Manson family. Sharon gave Roman a copy not long before her untimely death saying “it would make a great film”.

Tess is about a young woman naturally called Tess. Her family the Durbeyfields find out they a part of old noble family. They have fallen on very hard times and her father makes her see their “relatives”. Her father is hoping for some kind hand-out or work. Tess arrives and her Alec d'Urberville falls madly for her and tries to seduce her but Tess isn’t interested. Alec in reality just bought the name to seem more important than he is. He rapes her and impregnates hers but the child soon dies after birth. She starts working on a dairy farm and begins working as a milkmaid and falls in love with Angel Clare. They start a relationship and get married but it does not end well for all parties concerned.

The film is probably most noted for it being the film that propelled Klaus Kinski’s beautiful daughter Nastassja Kinski to worldwide stardom and it’s luscious photography. Nastassja’s accent is patchy at times but it’s more adequate. The supporting cast is very disappointing especially compared to Polanski’s previous work with no real standouts. It’s from all accounts very faithful to the original Thomas Hardy novel (I’ve never read it) and it’s shows cause for such a simple tale, it does drag a bit especially with it’s near 3 hour running time. Despite its flaws it’s absolutely gorgeous to look at and Nastassja Kinski has always being a captivating screen presence.

Tess was the centrepiece of a recent retrospective of Roman Polanski’s work at London’s BFI and it’s no wonder they have re-released it on a blu-ray/dvd double pack. Polanski is better at psychological torment which Tess touches on near the end with it’s unfortunate incident but check out his earlier work before you watch Tess.

Ian Schultz

★★★★☆

Rating: 12
Directed By: Roman Polanski
Cast: Nastassja Kinski, Peter Firth, Leigh Lawson 
Buy:Tess (DVD & Blu-ray) [1979]

Ellipse The Movie Needs Your Help , Film and Science worlds collide at the Royal Observatory

Love Science Fiction? Fancy joining Sci-fi London and help them fund a great little Sci-fi  Project? Yes! Read On!

Following in the steps of the vastly successful projects helped along by Kickstarter, Sponsume (www.sponsume.com) are asking Science and Sci-Fi film fans to help fund the final edits and special effects of movie Ellipse to ensure it achieves its full filmic potential. Filmed at the impressive Royal Observatory, the story aims to inspire and encourage interest in science and the creative arts with emphasis to inspire girls to engage with the science sector.

The film, which premieres at the BFI Southbank on Friday 3rd May 2013 is so extraordinary in its authenticity of scientific representation. Real research sits at the core of the film with data from NASA's Kepler mission and EXOPLANET app. Hanno Rein, from the Institute of Advanced Study at Princeton has chosen several stars with Exoplanets to feature on screen and in the accompanying educational pack for schools written by Dr Lewis Dartnell and Marek Kukula, the Public Astronomer at the Observatory.

Synopsis

Directed by award winning Ilana Rein and produced by Louis Savy, founder of UK’s premiere science fiction event SCI-FI LONDON, the film starts off in 17th century London where Louise de Kérouaille, a mistress of Charles II and keen amateur mathematician, persuades the King to build an observatory in Greenwich. She encounters an unusual character, LEO (Brian Bovell). Centuries later, RO (Deborah Bouchard), a young girl also meets LEO and her interest in astronomy begins. As an astrophysicist in adult life, working with real NASA data, RO can investigate whether we are really alone.

Louis Savy, Festival Director, SCI-FI-LONDON says: “Science fiction film has been a key influence on so many of today’s scientists as film sparked their imaginations when they were kids. I want to contribute to making those sparks for today’s generation. Also, I must have seen over 10,000 sci-fi shorts and features coming through the festival and think it’s about time we made one!”

Award-winning Ilana Rein directs Ellipse. She says: "I love that so many incredibly talented people are on board for Ellipse – it proves to me that people recognize that we are creating a film that will spread inspiration through art. I know that women are vastly underrepresented in the sciences and we hope to help be a part of changing that in the coming generation. Having the Royal Observatory as a location is a filmmaker's dream and the fact that it's a true sci-fi story filmed there adds to the excitement."

Encouraging girls towards following their dreams in science
Women are vastly underrepresented in science, and we need thoughtful, positive strategies to engage young girls in science subjects at school. Ellipse begins with a 10 year old girl in a London park, and shows her successful journey as an astrophysicist, leading a crucial mission to the discovery of life in other solar systems. The female lead and real NASA data used in the film work together: Ellipse encourages girls to believe there is room for women in the sciences.

Crowd-funding films The producers of the film needed to fund this film as cuts to the Observatory's budget wouldn't allow for this type of project. Therefore the film has had to use a crowd funding platform, Sponsume.com, to help finance the project.

The details are here: http://www.sponsume.com/project/ellipse