Showing posts with label documentary. Show all posts
Showing posts with label documentary. Show all posts
11 February 2015
3 February 2015
1 February 2015
30 January 2015
28 January 2015
Sundance 2015 Review - Best Of Enemies (2015)
Genre:
Documentary, History
Venue:
Sundance 2015
Director:
Robert Gordon, Morgan Neville
Cast:
Gore Vidal, Kelsey Grammer, John Lithgow
Two of American political history’s most arresting conservationists, will forever be heavy weight republican William F. Buckley and lizard-tongued liberal Gore Vidal. Now, whatever your political beliefs, one can neither deny the magnetism of either men, nor the balanced way in which they are dealt with in Best of Enemies. Robert Gordon and Morgan Neville strive to keep the field tight at both ends, focusing on what the outspoken gents’ televised 1968 debates meant for American politics (not to mention the development of news broadcasting as a whole) instead of simply digging up the past to settle an old score.
Buckley and Vidal’s debate came as the result of a kind of trifecta of issues; first, failing broadcaster ABC needed ratings, second, the Republican and Democratic party conferences were kicking off, and finally two desperately opposing writers were looking to cement their philosophies in the new age via TV. Unfortunately, the debates- there are 10 of them- don’t quite seem to ever deal with the issues at hand.
It’s about a clash of characters and ideals but its skimpy on the ideals. Vidal is an incredible wordsmith, but so is Buckley, the two spend so much time sparring (read; dick-waving) that the issues are left to the filmmakers to structure. And that’s where some problems can arise; too much context and arguably not enough info on what the two were actually supposed to be discussing leaves the viewer a little hungry for closure. As a whole the documentary is riveting, undeniably enjoyable, but one must eventually wonder whether it’s overly reliant on the fascinating intellectual deviants at its core.
Like Frost/Nixon without the political intrigue, Best of Enemies is a gripping piece of historical entertainment. It does however sport a line of such shattering incredulity, that it might just put Nixon’s now infamous ‘not illegal’ spurt to shame. John Lithgow and Kelsey Grammer narrate the diaries of Vidal and Buckley respectively, which is a fantastic idea given the two actors’ outspoken and parallel political views. There’s a host of charismatic and fascinating interviews, none least with Buckley’s own often hilarious brother, an excellent array of clips, and some really sparky editing. However the film never seems to quite articulate itself in the best way. The effects of the titanic duo’s verbal sparring on contemporary media is unfortunately ditched to a short credits sequence which is a shame as its one of the most striking parts.
As an introduction to the works of Gore Vidal and the processes of political commentary Best of Enemies is a blast, but it never quite manages to resonate or strike as hard as Vidal’s vocabulary. If you want to watch two very smart men be snide and snippy at an explosive point of zeitgeist, this is probably the best place to see it.
★★★
Scott Clark
Blu-ray Review - Shoah (1985)
Genre:
Documentary
Distributor:
Eureka
Release Date:
26th January 2015
Rating: E
Director:
Claude Lanzmann
Buy: Blu-ray - Shoah
Claude Lanzmann started work on what would become Shoah in 1974. He initially had backing from the Israelis but after time went on, they withdrew funds. Six years of the eleven until it’s eventual release in 1985 were simply devoted to getting the interviews. What he finally finished was an extremely long, but fascinating and thoughtful film on the Holocaust, and primarily what happened in Poland.
Shoah runs at a simply exhausting 9 and half hours. Lanzmann takes the brave move of using for the majority of the running time, filmed testimonies with survivors, witnesses and German perpetrators. It also extensively shoots the landscapes of where the camps are, and in a very eerie but effective way, puts you there, even without reconstructions or photographs etc.
The film’s most fascinating elements are stories where you hear about denial. One of the most shocking is when a Jewish woman is trying to warn everyone they are about to be gassed but they tell her to go away, and unfortunately, they get killed as well. It also goes into great detail about the production line aspect of the concentration camps and how a lot of Nazi office workers really didn't know about the final solution until really near the end of the war - if you believe them or not it’s up you to decide. The second part of the film also deals with the heroic attempts by the Jewish to fight back in the Warsaw Ghetto despite knowing it was unwinnable.
Shoah’s biggest flaw is also it’s most controversial one. When it was released in Poland many pundits criticized it as anti-polish propaganda. It does at times show the Polish in not a very good light, for example, a lot of them just stood and watched the atrocities happen, they collaborated with the Nazis, they were already anti-semitic etc. It was criticized for not showing all the great things the Polish did for the Jewish, or the millions of Polish that were exterminated by the Nazis. Lanzmann has admitted part of the film was to show how implicit the Polish were, which was true to an extent, but there was also another side which would have been nice to have it be represented.
It’s quite riveting stuff throughout, there are numerous parts where you zone out for a while, but within 20 minutes you get all wrapped up into the story again. Obviously the film cannot explore the full depths of the Holocaust, because of the scope of the atrocities, it is impossible to make a definitive document, however this is one of the most powerful films made on the subject to date.
Over the years Lanzmann has revisited the subject in another 4 films, mostly made out of outtakes of Shoah with the latest being the recently released The Last of the Unjust. Naturally, they are all included in this Blu-ray set.
★★★★1/2
Ian Schultz
23 October 2014
18 October 2014
8 September 2014
2 September 2014
21 July 2014
11 July 2014
EIFF 2014 Film Review : Ai Weiwei: The Fake Case (2013)
Genre:
Documentary
Rating: 15
Running Time:
87 minutes
Screened:
24, 27th June 2014 (EIFF)
Director:
Andreas Johnsen
Cast:
Andreas Johnsen, Ai Weiwei
Last year I was lucky enough to catch the tale-end of a Toronto exhibit of Ai Weiwei’s work. It was the first time I’d laid eyes on the renowned Chinese artist’s stuff but even then you can see the acidic commentary on the Chinese government clean off the bat. Andreas Johnsen’s insightful documentary proves an educational look at the inspirational man behind the work, but most of all a disturbing glimpse into what fuels his message.
From the beginning of The Fake Case, Weiwei is a picture of composure: dignified, friendly, wise, considerate, a family man. It is unsettling then to learn of his incarceration at the hands of a totalitarian government who kept him isolated for 80 days in a blank room with 3 guards, then released him unceremoniously to continue persecuting him. The intended message is clear: no one fucks with the Chinese government.
Yet, Weiwei does.
Struggling against the titanic force of a 1984 caricature, a party so villainous it’s a real life version of Orwell’s dystopian nightmare, Weiwei remains zen and considerate, even mischievous, finding a few opportunities to stand defiant in front of his persecutors. Johnsen’s camera shows much of the enigmatic artist, his family, his life post-prison, the ominous control the government still exerts on Weiwei and his supporters, but the overwhelming amount of support he garners from the world and his fellow countrymen alike. The sounds of the Hong Kong cityscape play loud and ominous through distressing segments of the film, most notably during a display of Weiwei’s work at the end of the film.
This is a film that has to be seen, not simply as a fantastic account of Weiwei and his methods, but as a frankly terrifying look at the corruption inherent in an empire and the potential turning of a tide against it.
Scott Clark
19 June 2014
12 May 2014
DVD Review - Birth of the Living Dead (2013)
Genre:
Documentary
Distributor:
Solo Media
DVD Release Date:
12th May 2014 (uk)
Rating: 15
Running Time:
76 Minutes
Director:
Rob Kuhns
Cast:
George A.Romero, Gale Ann Hurd, Larry Fessenden, William Hinzman
For any horror fans well versed in their history, Rob Kuhns Night of the Living Dead expose Birth of the Living Dead, will probably come off as a little basic. For anyone mildly interested in the film or its cultural context, the film could be potentially intriguing, though never altogether fascinating. Energetic perhaps, but never fascinating.
The story of Romero’s infamous guerrilla-shoot is recalled by a host of interviewees; producers, academics, horror filmmakers (the wonderful Larry Fessenden), and Romero himself who appears extensively to chuckle and lovingly gibber about his crew. Granted Kuhns utilises archive footage excellently and quotes rigorously from interesting sources, the late Roger Ebert’s surprisingly dismissive review for instance, but something’s missing here. Apart from Romero, there’s few original crew members and fewer celebrity appearances, but perhaps this is all in the name of guerrilla film-making since what self-respecting underdog needs the involvement of the mainstream horror genre? That aside, it would have been lovely to see a few more familiar faces.
Kuhns goes to great lengths to prove the cultural validity of Night of the Living Dead by exploring the political climate of the late 60’s. Here lies one of the strongest elements of the documentary: extensive use of vintage news footage and interviews is blended with footage from Night to highlight how part of the 60’s zeitgeist Night really is. In examining how the collapse of faith in the American government came about and how Romero critically engaged with it, Kuhns’ primary objective appears to be validating Night as a cultural artifact ranked with the likes of Easy Rider. Which he achieves gloriously, but seems to carry on reiterating rather than engaging with.
Lovingly crafted, informative, but eventually slow, Birth of the Living Dead misses out on some great opportunities to expand on the legacy of George A. Romero’s zombie masterpiece. It does however prove what a miracle the film is in production terms, and serves as a gushing testament to the spirit of Independent film-making.
Scott Clark
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