Blu-ray Review - Two Faces Of January (2014)

Blu-Ray Review - Victim (1961)

Genre: Drama
Distributor: Network
BD Release Date: 28th July 2014 (UK)
Rating: 12
Running Time: 105
Director: Basil Dearden
Cast: Dirk Bogarde, Slyvia Syms, Dennis Price, Nigel Stock
Buy: Victim Blu-Ray

The year is 1961 and homosexuality in the UK is still a crime, this was also the year that filmVictim was released.  It became famous for being the first film in the English language to use the word “homosexual” and one of the first films with a sympathetic portrayal of a gay man. It is also widely believed to have played a role in the eventual overturning of the law banning homosexuality.

The police are after a young man named Jack Barrett who has stolen money from his employer and is on the run. He tries to get in contact with the barrister Melville Farr (Dirk Bogarde) who is married but in reality is gay and had an affair with the young man. Barrett commits suicide after he is caught but Melville is blackmailed.

Dirk Bogarde was widely known to be gay but rarely spoke about his own sexuality even in his own autobiography. It took him astonishing courage to take up the part in Victim in 1961 and gives a wonderfully paranoid performance throughout the film. It was a game changer and an important film for Bogarde’s career and for cinematic history.

The cinematography has a slight noir tinge which suits the material very well; Otto Heller who photographed many of the finest British films ever made such as Peeping Tom, The Ladykillers and The Ipcress File shot it. Basil Dearden-who did some of the most unique films to come out of the 50s and 60s British industry, directed it.

Network has done a very impressive disc for such an important film. The transfer is clean and has the right amount of contrast and grain. The features include a half an hour interview with Bogarde shot during the release of Victim and it also includes publicity materials like the original trailer and stills.

★★★★
Ian Schultz

Blu-Ray Review - Rapture

Blu-ray Review - Dallas Buyers Club (2013)

Blu-Ray Review - This Sporting Life (1963)

Masters Of Cinema Blu-ray Review - Boomerang! (1947)

Film Review - Stranger By The Lake (L'inconnu du lac)

Review - Nebraska

Genre:
Drama, Comedy
Distributor:
Paramount Pictures UK
Release Date:
6th December 2013 (UK)
Rating:
15
Director:
Alexander Payne
Cast:
Bruce Dern, Will Forte, Bob Odenkirk, Stacy Keech, June Squibb

Nebraska is the latest film by Alexander Payne and quite possibly his finest film to date. It stars the always wonderful Bruce Dern stars as Woody Grant who falls for the age old winning $1,000,000 letter scam and wants to go all the way to Lincoln, Nebraska to get the money. The role was originally intended for Jack Nicholson but turned it down and in many ways that’s a good thing cause it would have became a JACK movie.

Woody is an alcoholic grumpy old man with Alzheimer’s who realises he has wasted his life. The letter comes though the door and it’s one thing he can put some hope on even though he knows somewhere it’s all a scam. Woody annoys his long-suffering wife with the letter and other relatives. His son David (Will Forte) eventually agrees to drive him all the way to the return address on the letter. They meet relatives, old friends and grow closer on the way in a sentimental level but not in a sugary sweet way.

The film is in many ways similar to Payne’s previous films especially About Schmidt and to a lesser extent his last film The Descendants. Both films are about a man in the twilight years of their life and both films face morality. It however works a lot better than both of those films due to the surprise casting of the Bruce Dern in the kind of role he never gets. It’s also it’s just paced better than both of those films which has been a problem for Payne in the past especially About Schmidt.

The film full of great characters actors not just Bruce Dern in a rare starring role but Stacy Keech and everyone’s favourite Sleazy Lawyer Bob Odenkirk from Breaking Bad as Woody’s other son. Nebraska harkens back to the old days of character-based films of the 1970s, which is evident in the way the story is told as is the casting of Dern and Keach. It’s a one of the year’s finest films and it was one of the highlights of the Leeds film festival.

★★★★★

Ian Schultz

Blu-Ray Review - Heaven's Gate Restored Edition (1980)

Genre:
Western, Drama,
Distributor:
Second Sight
Rating:
15
BD/DVD Release Date:
25th November 2013 (UK)
Director:
Michael Cimino
Cast:
Kris Kristofferson, Christopher Walken, John Hurt, Isabelle Huppert, Sam Waterston
Buy Heaven's Gate 2 disc restored edition:
[Blu-ray] / [DVD]

Heaven’s Gate, in the last thirty years or so, has created a reputation for being one of the most notorious flops in the history of film. In the past thirty years since its initial lukewarm reception it has been considered a masterpiece by many critics, but it’s equally reviled as being one of the worst films ever made, albeit that viewpoint has increasingly dwindled in recent years.

The making of Heaven’s Gate is as infamous as the film itself; it went wildly over budget, there are confirmed stories that the director Michael Cimino would literally wait for exactly the right cloud in the sky, and there are unconfirmed reports that a sizeable amount of the budget went on cocaine for the cast and crew.There’s been a very famous book on the making of called Final Cut, which was later made into a TV documentary which is included on this disc. It has been cited as the single film that took the power from the director, which was very much a thing of the 70s to more studio-controlled films, which is still sadly the case.

The story of Heaven’s Gate is relatively simple it’s about Jim Averill (Kris Kristofferson) who is a marshal in Johnson County, Wyoming. Averill is from money but has rejected his classes’ rejected attitude to the poor immigrates of Johnson County. The immigrates sometimes steal the rich cattle barons’ stock for food and the cattle owners have decided to create a kill list and have hired men to do the job and have got political power from Washington to do so. The rest of film shows the people of Johnson County and the war they fight with the cattle barons.

The film’s initial reaction from New York Times critic Vincent Canby has went down in history as one of the most infamous bad reviews with the line “it fails so completely that you might suspect Mr. Cimino sold his soul to obtain the success of The Deer Hunter and the Devil has just come around to collect.” The truth of the matter is it’s actually a better film than the much-loved The Deer Hunter and a more interesting film; it doesn't have the tour de force of the legendary Russian roulette scenes. It’s a considerably slower film but Cimino’s intention was to transport you to experience the west, as it was not some romantic version, which is so often the case.

The cinematography of the film is some of the best ever committed to film so some initial reviews like saving “there are no redeeming features” is absurd. Vilmos Zsigmond who was the cinematographer of the 1970s shot it. The famous roller skating scene is spellbinding and there are shots in the film, which are literally just jaw dropping in their beauty.

The cast Cimino complied is simply outstanding including Kris Kristofferson in possibly his finest performance. Christopher Walken is great as usual as one of the hired killers. The film’s supporting cast is complied which like people as Jeff Bridges, John Hurt and a very young Mickey Rourke and if you watch carefully you can spot a young Willem Dafoe in the cockfighting scene. The one flaw in casting is Isabelle Huppert as madam of a whorehouse in Wyoming but even that works cause the film is almost dreamlike at times.

Heaven’s Gate seems to have become a modern classic for many and rightfully so, it’s a film that has became legendary for the both the right and wrong reasons. It deserves the 2nd chance it’s now receiving with the recent theatrical and Blu-ray reissues here and across the pond in the USA. It’s well worth the 3 hours and 40 minutes of your time.

★★★★★

Ian Schultz

This is a shared review with The People's Movies

Top American History Dramas (Parkland Feature)

PARKLAND is a historical drama recounting the chaotic events that occurred in the Parkland hospital and elsewhere in Dallas following John F. Kennedy’s assassination. In anticipation of the release of the new movie, we are taking a look at the top American historical drama films in cinema.

LINCOLN (2013)

Directed and co-produced by Steven Spielberg starring Daniel Day-Lewis, Lincoln is a historical drama that follows the final four months of Lincoln’s life, primarily focusing on his efforts to have the thirteenth amendment to the United States Constitution passed by the House of Representatives. The film was nominated for 12 Academy Awards winning Best Achieving in Production Design and Best Performance by an Actor in a Leading Role.

Argo (2012)

This nail biting thriller follows a CIA agent as he instigates an undercover mission to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980. The film is based on the CIA operative Tony Mendez’s book The Master of Disguise and The Great Escape by Joshuah Bearman. Argo received widespread acclaim and seven Academy Award nominations and won three, for Best Adapted Screenplay, Best Editing and Best Picture. The film also won five Golden Globe Award nominations, winning Best Motion Picture – Drama and Best Director.

The Patriot (2000)

The Patriot is an American historical war film depicting the story of an American, widowed, father of seven as he is swept into the American Revolutionary War when his family threatened by the British. The protagonist, Benjamin Martin (Mel Gibson), is a composite character based on four real American Revolutionary War heroes. The film was nominated for three Academy Awards and became a classic American film.

Apollo 13 (1995)

The incredibly journey of Americas’ third Moon landing aboard Apollo 13 is portrayed through this docudrama film directed by Ron Howard, starring Tom Hanks, Kevin Bacon and Bill Paxton. Surviving an on-board explosion which deprives the spacecraft of most of its oxygen supply and electric power, forcing an abort mission and struggling to get home, the film is packed with non-stop suspense. Apollo 13 received critical acclaim and was nominated for nine Academy Awards, winning two. The film grossed over $335 million worldwide during its theatrical release and is an American classic.

PARKLAND (2013)

One of the most shocking moments in TV history, and a major event in the history of the United States and the wider world, the assassination of President John F. Kennedy set in motion events that would change lives, and the world, forever. The new film Parkland retraces the actions of some of the lesser-known players on that fateful day in 1963 – the staff of the Parkland Hospital, some of the bystanders, and members of the FBI and Secret Service. A must-see, delving into the details of the people behind the scenes, Parkland is the latest film to show an important drama in US history.

PARKLAND is released in the UK on November 22nd.

Le Week End Review

Certificate:
15 (UK)
Release:
11th of October 2013
Distributor:
Curzon Film World
Director:
Roger Michell
Stars:
Lindsay Duncan, Jim Broadbent, Jeff Goldblum

Jim Broadbent and Lindsay Duncan starring in a classy drama about the ever-changing relationship of two married sixty-somethings sounds like a must-see with more than a little allusion of Richard Linklater's Before... series. Whilst the lead performances are quite excellent, what exactly director Roger Michell has to say is never quite clear.

Le Week-End follows Nick (Broadbent) and Meg (Duncan) - a long-married British couple who travel to Paris for a weekend break. However, this is not plain sailing as the couple's relationship problems come to the forefront.

Nick and Meg are not likeable protagonists - which is by no means a bad thing, it simply results in a lack of compassion and engagement towards the pair. Both characters key attribute is their overwhelming sympathy for themselves - Meg feels unfulfilled (and has no issue about letting it be known) and Nick is a man plagued by demons of self-doubt and fear of abandonment. Both Broadbent and Duncan ensure that Le Week-Ending is watchable and strip back the veneer of faux-sentimentality that we traditionally see in the romantic drama. However, it is Michell's depiction of the couple's relationship that proved truly troubling to this reviewer.

Perhaps as a younger viewer, Le Week-End is alienating in that the complexities of a twenty-five year plus-marriage are not something that tends to be thought about a lot. Apologies for using that old cliché, but is love not supposed to be a universal language - regardless of what age or stage it is at? Le Week-End as a representation of how relationships can yo-yo is a fine one, but an extreme one: Nick and Meg can go from the height of intense love to threatening each other with divorce in the space of one short scene. It is this extreme change in dynamic that means it is never easy to grasp what exactly Michell is trying to say - other than people and relationships change and are not simple.

This results in a watch that is not particularly compelling to the average viewer. Yes there will be occasions where we can all relate to the impromptu moments of fun, blood-minded arguments, self-doubt, and unhappiness - although in this high volume it feels somewhat erratic and ultimately draining. The introduction of Jeff Goldblum's character Morgan - Nick's old university pal - perks things up through a spirited performance that only he is capable of. However like Goldblum's character, it is hard not to think that Le Week-End is slightly full of itself and smug about its own complexities.

Fortunately, cinematography from Nathalie Durand, captures the blustery Autumn of Paris and fits the tone of Michell's bittersweet feature, often resulting in a picturesque watch.

It is the stellar performances from Broadbent and Lindsay Duncan that dominate bitterly complex, and often alienating Le Week-End which may prove more of a hit with older audiences.

★★½☆

Andrew McArthur

Spike Island Review

This one could not have come along at a better time. The Stone Roses' return to the music scene last year, followed up by gigs in London a little over a week ago, and Shane Meadows' eulogizing love letter-cum-documentary, has seen interest in the band at its highest in decades.

Not since they signed off with a Reading festival set so dire that it has since assumed the status of arguably the worst live performance of any Manchester band, have The Roses been so bloody prevalent. There's a palpable wave of goodwill for Spike Island to surf, which can only help its chance of finding an audience beyond devotes of the baggy quartet.

Mat Whitecross' tale of youthful abandon centres around The Roses' 1990 gig at Spike Island (near Widnes), a show which may even have attained an even greater mythical standing than the aforementioned palava, and a young band's desperate attempts to ensure they are involved in the fun and games.

Young Tits (Elliott Tittensor) and his bands mates, the venerable Shadowcastre, are having a right time of it kicking about their Manchester estate. School's a drag and life at home ain't much better for the gang, a preposterously named bunch of mononymous toe-rags, sporting monikers that wouldn't sound out of place amongst the well-thumbed pages of The Beano; Dodge is on rhythm guitar and Zippy the drums, leaving Penfold to assume the role of poor-man's Bez.

The boys idolise the The Stone Roses and will stop at nothing to crash their upcoming gig and make forge a reputation for themselves.

It's a coming-of-age, right-of-passage tale which certainly packs enough youthful energy to keep the show rolling along, even if it times it feels as if the script may have been cribbed from a copy of the Mancunian Book of Cliches.

The dialogue frequently descends into extended bursts of Manc patois but it's a good-as-gold tale of working class, northern ecentricity and music. Which in itself is no bad thing, but all this swaggering and floppy hair might not translate south of Crewe.

At times the the drudgery and domestic strife feels laboured and unwelcome, but at it's heart it's a film about the music; a story with a rock and roll sentiment, which should render it palatable for anyone with anything approaching an interest in great British music.

★★★☆☆

Chris Banks

Rating: 15
Release Date: 21st June 2013 (UK)
Director: Mat Whitecross
Cast:  Elliott Tittensor, Nico Mirallegro, Jordan Murphy, Emilia Clarke

Teen In Trouble For Tiff Winning Blackbird Trailer

Alot of films win awards at film festivals but when its one of the big Festivals such as Toronto you have to take notice. Jason Buxton's Blackbird was that film winning Best Canadian film at last year's festival a joint win with Brandon Cronenberg's Antiviral and tonight before the film starts its tour of the American/Canadian cinemas a brand new trailer has been released.

Blackbird tells the story of an alienated teenager's online threat ignites fear in a small community, in this disturbing and perceptive look at how our media-fuelled, post-Columbine culture can transform typical teen angst into intimations of murder.

How ironic most of all relevant Blackbird plot line to whats happening with Social media right now  and the dangers that occur using it. Let's be honest we've all experienced teen angst in our lives some of us suppressed others let it out but no technology has evolved and so are the way frustrated souls let out their anger too.

No word on a UK release but Blackbird will be released in Canada 10th May 2013. The film also stars Connor Jessup, Alexia Fast, Michael Buie, and Alex Ozerov.


source:Thefilmstage

Boxing Day DVD Review

Throughout the years the average working man and woman has been lived, ruled, struggled by the capitalist dream (like now) but as always we fight back. Leo Tolstoy has provided literature world with many fine examples of the dream however there not the easiest to be adapted for film however British director Bernard Rose (Mr Nice) has tried many times with mixed results. For his latest venture he returns to his favourite source Tolstoy with Boxing Day an contemporary adaptation of 'Master And Man' with Danny Huston at his side once more.

Boxing Day tells the story of Basil (Huston) a businessman living out the lower tier end of the capitalist American dream, maxed out credit cards living the lifestyle on a risk. When it comes to business deals he thinks nothing of the date, time in order to seal the deal and decides to leave his family at Christmas time on a day he should be relaxing with his loved ones. Basil heads to a  wintry Denver to snap up repossessed homes on the cheap from the bank refurbish them on the cheap sell for a quick larger profit. Basil hire's Nick (Matthew Jacobs) as a chauffeur to drive him around the snow covered mountain areas but as night sets in  things take a drastic twist for the worst when the pair find themselves trapped leaving them  facng a  uncertain fate.

Huston and Jacobs do deliver strong central performances which help carry the film probably also thanks to the pair been friends off screen too. This gives a natural feel to the film so the dialogue comes across organic, not fake making the improvisation better.

Before the pair meet on screen we do meet the pair on their own a chance for us to try connect with them. Basil is the face of capitalism, he only care about personal wealth and profit. He's a greedy individual who is actually riding on the edge of bankruptcy we get a glimpse on how low he would go to get money he deceives a church to give him a loan, money they would never really see again.As for Nick  he is Basil's complete opposite though both are fathers Nick is more family orientated but when he visits his estranged wife we get a possible glimpse into his past one that looks was violent maybe of alcohol (maybe both). Times are hard for him living out of a case in a cheap motel waiting for his phone to ring for the next job.

As the film progresses your left with no sympathy both guilty of their fate one self centred the other hapless. Its in the car its when the confines start to get close in, Basil attempts to force some line of authority demanding Nick refer to him as sir, graceless Nick attempts to counteract getting knowhere. Eventually the pair eventually find some mutual respect but a very thin line tensions rear and the bickering  starts which actually makes the pair open their eyes and re-evaluate life. It's when the pair bicker actually brings some much needed humour to lighting the tone though it's not mainstream belly laughs more obsidian in nature.

It's the final part of the film is when things go downhill as it looks like the consistent script seems to have been thrown out the window when order is replaced by chaos. Hysteria prevails as the ending we watch feels like its been stolen from another film when the pair are trapped Basil decides to leave the car and do his best Julie Andrews impression ala Sound Of Music as the film abruptly ends the hills are left certainly alive but as for Basil and Nick you'll just have to watch the film.

★★★☆☆

Paul Devine

Rating:15
DVD Release Date: 25th March 2013 (UK)
Director: Bernard Rose
Cast: Danny Huston, Matthew Jacobs
Buy:Boxing Day On DVD
Win: Boxing Day on DVD (The Peoples Movies)

Experience The Realities of War in The WW1 Short "Coward"

Some friends ask me why do continually promote , support short films? My simple answer was to quote Michael Fassbender's line from Prometheus 'Big things have small beginnings' great films, filmmakers all start small developing into either fully fledged films or feature film directors. You could say Short films are like the equivalent of a singer starting at the bottom working there up the ladder of success through the club circuit waiting to be spotted. As technology improves so does the quality of the short film and David Roddham's Coward is an perfect example superb craftsmanship and why we should take time out to enjoy these wonderful films.

Coward is a sentimental throwback to World War One to a sensitive topic among those experienced the atrocities of the war the brutal treatment of the soldiers especially the soldiers with shell shock. We follow 2 Northern Irish soldiers Andrew and James cousins who go to war to serve country and make their families proud. Through their eyes we see the brutal realities of been on the front,tragic tale these young men need a voice someone to tell their story to show they where not cowards.

From the epic cinematography to a solid story line that gives these brave men the respect they always deserves, Coward is one of the best  28 minutes you'll enjoy in 2013.


"COWARD" from Stephen Murphy on Vimeo.
source:Vimeo

Watch The Full Short Text Tone

 A few days ago we previewed the official trailer for Chicago based film maker Sanicole's new Short film Text Tone and now we have the full 12 minute film for your viewing pleasure.

Text Tone is a Drama comedy After dodging his girlfriend to avoid meeting her father on their 6 month anniversary, the young lover wakes up to discover he is mute and must resort to winning his girlfriend back with extraordinary gestures.

The film stars Corey Williams and Ashley Snow, enjoy!

Six months into a blossoming relationship, Corey (Corey Williams) receives a text from his girlfriend Snow (Ashley Snow) about meeting her father for the first time. Nervous about the meeting and struggling to communicate his affection for her, he resorts to ignoring her calls and texts. On the night of the dinner with her father, he doesn't show. The next morning, he checks his voicemail, listening on as adistraught and frustrated Snow admonishes him. Before ending the message she tells him he's lost the right to speak to her and wants nothing to do with him. When he attempts to explain himself in a voicemail, he finds that he can't speak. Mute and rejected, Corey exasperates all avenues to finally show her how he feels and try to win her back. Written and Directed By Sanicole (@Sanicole) Starring Corey Williams (@Corey_Demon) and Ashley Snow (@OfficialAshSnow)

Watch The Official UK Trailer For Zaytoun Starring Stephen Dorff

This boxing day one of the surprise hits of this year's London Film Festival Zaytoun will be released in UK&Ireland cinematically and the film's official UK trailer has arrived online.

Starring Stephen Dorff who plays a Israeli fighter pilot Yoni who finds himself a captive to a young Palestinian refugee boy in war torn Lebanon. Yoni forms a tentative bond with the boy Fahed (Abdallah El Akal) as the pair attempt to make their way home.

With the film set in Beirut 1982 there is an extra surge of tension with it been set 30 years ago despite the fact things in the Middle East sadly haven't changed much though you could say with the recent struggles things are a lot worse. The question is,the subject of a balance between entertainment and possibly your knowledge of the war or even what view you have on what's going on in that part of the world. I haven't seen the film so a lot of  what i'm reading up on the film is from previous articles, reviews and things like compassion between 2 people from areas that have grown up hating each other can bond together in order to survive. There is a big Waltz With Bashir feel to this film and it's a film which should spark some rather intriguing debate on how you see the whole Israeli / Middle East fiasco. It will  also be interesting to see as the film's director Eran Riklis an ex-Israeli military how balance or even imbalanced Zaytoun might be.On an acting front this film sounds like another piece of evidence proving Stephen Dorff does possess some good acting chops but why doesn't he make more of these movies and get the credit he deserves?

Zaytoun will be released by Artificial Eye films on 26 December and also stars Alice Taglioni, Ashraf Barhom.

Floating Weeds Blu-Ray Review (Masters Of Cinema)

Floating Weeds was one of the now legendary Japanese director Yasujitõ Ozu’s last films and one of his only handful of colours films. It is also a remake of an earlier silent film he made called A Story of Floating Weeds.

The film is set during a very hot summer in the coastal town the Inland Sea. A travelling theatre group visits the town for a series of performances. Komajuro (Ganjirō Nakamura) the theatre leader visits an old mistress Oyoshi who he had a son Kiyoshi with but his son doesn’t know who his father is. Sumiko who is Komajuro’s current mistress learns of his and becomes jealous. Sumiko plays a visit to Oyoshi’s eatery but Komajuro chases her away before she can reveal anything and breaks up with her in the rain. Sumiko to get back at Komajuro decides to have a young actress Kayo to seduce Komajuro’s son and more drama happens.

Ozu’s films in the last few decades has been reissued and reevaluated a lot and cited by many directors such as Paul Schrader, Wim Wenders and Jim Jarmusch as influence. In the latest Sight & Sound poll his earlier film Tokyo Story was voted the 3rd greatest film made after the standard classics Citizen Kane and Vertigo and it topped the director’s poll. Ozu will be very hard going for a lot of people, the films are very slow paced and his camera literally never moves, the stories are very simple domestic tales of then contemporary Japan.

However his films always very human and always powerful and beautiful in its simplicity and Floating Weeds is no exception. Floating Weeds is probably as “flashy” as Ozu ever got, the use of colour really adds a nice layer to his films with its beautiful composition and his choice of colours. The acting is always impeccably naturalistic at it’s best. Ozu should be studied by anyone interested in film and how great minimalist cinema can be, file next to Robert Bresson.

Floating Weeds has been restored by the always wonderful Masters of Cinema imprint of Eureka Entertainment, like the other recent entry Gate of Hell, it doesn’t feature any bonus features bar a trailer but includes 36 page booklet with a essay, rare photos and entries from Ozu’s personal diary.

Ian Schultz

★★★★1/2

Rating: PG
Release Date: 3rd December  2012 (UK)
Directed By: Yasujirô Ozu
Cast:  Ganjirô Nakamura, Machiko Kyô , Haruko Sugimura
Buy :FLOATING WEEDS [UKIGUSA](Masters of Cinema) (DVD & BLU-RAY DUAL FORMAT) [1959]

Outskirts DVD Review

Outskirts is a early Soviet film which is post-Potemkin and was made in 1933. It was directed by noted Soviet director Boris Barnet who has another film By The Bluest of the Seas that is also getting reissued by Mr. Bongo films.

The film tells the story of this Russian town and it’s inhabitants in the 1910s on the cusp of World War 1. The film has a very loose collection of episodes. The most affective scene is the very harrowing war scenes which Kubrick must have studied for his masterpiece Paths of Glory. The least successful aspects of the film are it’s structure which all over the place. It also anticipates some of Samuel Fuller’s war films in uncompromising work at warfare. It’s all about the mirror of the conflict on war on the homefront and frontlines. This is very effectively done near the end which innovative editing of the soldiers and fast cuts back and forth to a bunch of workers making shoes.

The film is noted for it’s use of sound which at times are horribly done, the sound effects are used in a humours matter and really distracts from the images on screen. The film would be much greater if it was done a lot more seriously because the film’s subject matter is so serious. It’s also not done in the way something like Life is Beautiful, which has a pitch perfect juxtaposition of tragedy and comedy.

The film has some brilliant cinematography, which is always expected with Soviet cinema. The scenes of the trenchs are amazing and some amazing landscape photography as well. Despite some previously mention moments the editing is very poor which is sad cause the film could really use some more focus and strange because after all modern film editing owes everything to the Soviets.

Overall it’s really interesting piece of early Soviet cinema but I think it would have been a much greater had it been Silent; you don’t hear that one everyday.

Ian Schultz

★★★1/2☆

Rating: U
UK Release Date: 12 November 2012
Directed By: Boris Barnet
Cast: Aleksandr Chistyakov, Sergei Komarov , Yelena Kuzmina
Buy Outskirts: DVD

Trailer For Turkish Period Drama Eve Donus: Sarikamis 1915