Showing posts with label sam neill. Show all posts
Showing posts with label sam neill. Show all posts

17 July 2013

Possession Blu-Ray Review

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Rating: 18
BD Release Date:
29th July 2013 (UK)
Director:
Andrzej Zulawski
Cast:
Isabelle Adjani, Sam Neill, Margit Carstensen
Buy: [Blu-ray]


Possession is a film directed by noted Polish director Andrzej Żuławski. He worked as a assistant to Andrzej Wajda before he started directing his own film in the early 70s. He eventually moved to France after his 2nd film The Devil was banned in his native Poland. Possession came at the start of the 80s when Foreign films were finding an audience in the UK and US but was shot in English.

Possession is very possibly the oddest film I’ve ever seen and that’s saying something. The film recently has been compared to Lars Von Trier’s Antichrist by some critics most notably Mark Kermode. Both films deal with a total disintergation of a marriage and in both films take a suddenly surreal turn but even more so in Possession.

Mark (Sam Neill) is a spy and returns from a mission and his wife Anna (Isabelle Adjani) demands a divorce. She insists it is not because she is cheating on him but won’t explain her reasons to her huspand. Mark rather stay but agrees to turn the apartment and custody of kid over. He starts going mad in the process. He comes and visits the apartment and discovers she is neglecting the care of their son Bob. He decides to stay and care for the son.

He finds out she has a lover called Heinrich. He soons meets his son’s teacher who looks exactly like his wife (also played by Adjani) and is a nice and calm unlike his crazy wife. She eventually disappears off his radar so he wants to find her wherabouts and hires a PI. The film from this point takes a even more bizarre turn involving tentacled sex, gay lovers, milk bottles, body parts, murder and finally a possible apocalypse.

The performances from the 2 leads are extremely raw and times insanely over the top (Sam Neill especially). Isabelle Adjani won best actress for her role in the film (along with her role in Quartet) and she gives the kind of performance Shelley Duvall should have given in The Shining. The film boosts the most bizarre sex scene in the history of cinema involving Isabelle and a tentacled humanoid, that really needs to be see to be believed. The film has this truly unrelenting feel of disintergating, madness and fear that is very full on.

It’s a truly unique work that I will not forget anytime soon. I’m not sure it’s something I’m gonna pull out anytime but I’m happy I’ve experienced it. It’s being re-released on blu-ray by Second Sight (it was previously out on dvd). It also funnily it comes out right after their release of The Brood which also deals with divorce in a “horror setting” but not remotely as successful. It also includes as usual with Second Sight numerous special features such as an hour documentary on the making of, interviews, comparision of the UK and US reception, commentaries etc.

★★★★

Ian Schultz

28 May 2013

Andrzej Zulawski's Possession To Debut On Blu-Ray In UK This July

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A horror film like no other, Possession, directed by Andrzej Zulawski, is an intense shocking experience that was originally banned in the UK on the notorious 'Video Nasties' list. Now this hugely controversial film makes its long-awaited Blu-ray debut courtesy of Second Sight Films.

Possession was nominated for a BAFTA and the Palme d'Or and stars Isabelle Adjani (Subway, La Reine Margot), who's astonishing performance earned her Best Actress awards at the Cannes Film Festival and the French Cesars alongside Sam Neill (Jurassic Park, Omen III - The Final Conflict). The film features stunning special effects by Carlo Rambaldi (Alien, E.T) and comes to Blu-ray with an amazing array of bonus features on 29 July 2013.

With their marriage in tatters Anna (Adjani) and Mark's (Neill) tense relationship has become a psychotic descent into screaming matches, violence and self-mutilation. Believing his wife's only lover is the sinister Heinrich, Mark is unaware of the diabolical, tentacled creature that Anna has embarked on an affair with. The unhinged woman visits her monstrous lover in a deserted Berlin apartment and will stop at nothing to protect him.

''An unsung masterpiece...the film that prefigures everything that's in Antichrist'- Mark Kermode



Special features:

  • THE OTHER SIDE OF THE WALL - THE MAKING OF POSSESSION
  • AUDIO COMMENTARY WITH DIRECTOR ANDRZEJ ZULAWSKI
  • AUDIO COMMENTARY WITH CO-WRITER FREDERIC TUTEN
  • ANDRZEJ ZULAWSKI INTERVIEW
  • REPOSSESSED - The film's UK and US reception, the 'video nasties- furore and the US recut
  • A DIVIDED CITY - Interview with the composer Andrzej Korzynski
  • OUR FRIEND IN THE WEST - Interview with legendary producer Christian Ferry
  • BASHA - featurette on the artist who created the famed film poster
  • THEATRICAL TRAILER





29 October 2012

The Hunter Blu-Ray Review

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When it comes to films starring Willem Dafoe his performances are nothing more but mesmeric, outstanding even when the film he stars in is truly awful. The actor is one of films great gems who delivers wonderful performances that are deserving of awards but the true professional he is he doesn't complain just gets on with the job. Past 20 years or so Willem Dafoe has been making big noises in arthouse / world cinema and his latest film The Hunter the actor excels once again as a hired hand to find one of the world's rarest commodities whilst battling his own morality.

The Hunter is based on a novel by Julia Leigh that tells the story of Martin(Willem Dafoe) a mercenary sent from Europe to Australia by mysterious Biotech company.Martin heads to Tasmanian wilderness to embark on a dramatic hunt for the so called last Tasmanian Tiger despite the creature been reported extinct since 1982. As he searches the elusive creature he discovers the mysteries hidden within the wild landscape, triggering long forgotten emotions, but can a human who has led an immoral life find connection and redemption too?

What really grabs your attention in The Hunter is the central performance of Willem Dafoe. As I mentioned earlier in the review the actor rarely disappoints, he also rarely gets a chance to a lead a film and when he gets he grabs the bull by the horns delivering something truly fantastic. Martin is a charismatic emotionless man but when he's on his own especially in the wilderness he's in his element becoming part of the land, a predator, animalistic with frightening tenacity. When there's no dialogue you really do get drawn into something rather haunting,atmospheric gving you a chance to appreciate the surroundings he's in as well as his predatory skills.

We have to also give a mention to Morgana Davies and Finn Woodlock who play the children at the farm Martin stays at, they deliver a performance so naturalistic as they are given a chance to be..children. They bring out the parental side of Martin as they adopt him as a father figure with their own father lost in the wilderness, this makes Martin feel awkward. Even the children's mother Lucy (Frances O'Connor) whose in a depressive state drugged up, constantly sleeping greets Martin's presence within her home she embraces him when he sorts out the power and when he becomes more comfortable it then his morality is questioned even his loneliness.

It's Films like The Hunter that make you think twice at how small the world is becoming at a frightening pace. This is a film that doesn't just question the morality but environmental issues but the allegorical message of the film is terrifying and throughout the film thanks to the smartly written script reminders of the world changing drastically are scattered throughout the film: the desrruction of the Tasmanian rain forest (like many other forests globally), job losses that impact local towns as they loose jobs, conservation groups been harassed by multi-national companies but most of all hunting a extinct creatures. The latter sort of ask you why do you hunt these 'mythical' creatures and why should we only read about these creatures in books and for the sake of the creature and it's environment maybe they should stay 'extinct'?

The Hunter is an beautifully shot film thanks to Robert Humphrey's breath taking cinematography that captivates the desolation and beauty of the wild terrain of Tasmania. The world is getting smaller and these hidden tranquil treasures are becoming as elusive tiger asking you what can you do to make sure these lands don't disappear?

The Hunter wont be a film which will appeal to everyone as it's a slow burning psychological thriller will keep you engaged until the end.It's atmospheric, beautifully shot and masterfully performed by an underrated esteemed actor in the industry today.

Paul Devine 

★★★★

Rating:15
DVD/BD Rating: 29th October 2012 (UK)
Directed By: Daniel Nettheim
Cast:Willem Dafoe, Sam Neill , Morgana Davies, Frances O'Connor
Buy The Hunter:Blu-ray / DVD
Win The Hunter on DVD here



6 July 2012

The Hunter Review

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★★★1/2☆


The problem with The Hunter is that it is in fact two different films. One is a relationship drama, the tale of a lonely, isolated man finding a family. The other is a tense, quiet, conspiracy thriller with spiritual overtones, played out against the backdrop of an ideological dispute between environmentalism and labour. This is hardly a match made in heaven, and though there is a thematic throughline, it doesn’t manage to fully meld the two halves. As a result The Hunter comes across as confused, and is undone by that confusion.

The titular Hunter is a man named Martin David (Willem Dafoe), a mercenary, bounty-hunter-ish person suffering from Unspecified Malaise, which is the bubonic plague of independent movies. He is hired by the not-at-all-sinister military company Red Leaf to go to Tasmania. His mission: to find and capture the Tasmanian tiger, a striped, doglike marsupial thought to be extinct, whose paralysing poison would be of considerable value if reverse-engineered. In order to ensure that they remain the only ones hunting for the animal Martin is ordered undercover. As such, he ends up staying in a house of hippies under the fiction that he is a university researcher. There he encounters two children: Bike (Finn Woodlock) and Sass (Morgana Davies), and immediately the precocious bonding commences.

But these are not your everyday child actors. In fact, the performance given by these kids is easily the high point of the film. Davies manages to keep her childish talkiness the right side of irritating, her chattering instead being consistently funny and sweet, even with her slight lisp. Woodlock is also adorable, and, thinking back on the film, crazy talented. His role, as a withdrawn, silent boy, scarred by the disappearance of his father and the mental collapse of his mother, makes for an entire movie with no talking. And yet he is a good enough actor that his silence speaks volumes. In addition it is his relationship with Dafoe’s character that is the core of the film, and holding his own against such a seasoned veteran is an achievement an actor twice his age should treasure.

By comparison I don’t feel Dafoe brought his A-game to The Hunter. That’s not to say his performance is bad: such would be the ramblings of a madman. Dafoe perfectly captures the chill isolation of Martin’s life. Unfortunately, the thaw is less convincing. This feels like a film where the central character should end up transfigured, where the person he becomes at the end should be very different to the person he was at the beginning. But that is not the case. Dafoe’s performance never loses the chill, and this undermines a lot of his more emotional moments towards the end.

But really, the problem with The Hunter is with the story, not the lead. Simply put, the parts of this film where Dafoe and the kids are interacting, where John Martin is coming out of his shell and becoming part of the family; those parts are engaging, delightful and fun. The parts that concern his hunt for the Tasmanian tiger? Well they’re good from a character perspective, and show that at least one of the writers (probably Julia Leigh, who wrote the original book) really knows their stuff when it comes to trapping. But they’re also pretty freaking dull. I frequently found myself drifting off during these sequences, staring blankly at the screen and getting lost in my own thoughts. I had to make an effort to pay attention. That is less than ideal.

For my money, this lack of engagement is a result of these scenes deviating from the central theme. The Hunter is a movie about emergence from a living death. John Martin at the beginning of the film is basically a zombie. He pointedly avoids human company. He listens to classical music, but has no idea what any of it means. There’s even this visual metaphor in which Martin takes a bath, slides under the surface, and lies there for as long as possible, before erupting out of the water like a corpse from his grave. This cycle of death and forced rebirth is broken when the children invade his bath: their lively enthusiasm interrupts his Lazarus-style ritual and symbolises the return of true life.

It’s a great theme. Unfortunately, it’s not till the very end that it becomes part of his hunt for the tiger. Instead to pass the time we have a conspiracy thriller subplot that, though fairly well-constructed, feels disconnected and wasteful. What I cared about in The Hunter was Martin’s awakening, and I didn’t have many shits left to give for the outcome of a vague murder-mystery. I might have had some care for a subplot based around an ideological conflict between environmentalism and labour, which the film promises now and again. Irritatingly though, The Hunter leaves that potentially interesting avenue unexplored. Workers and environmentalists are, broadly speaking, both ‘good guys’ from a left-wing political perspective. Having such a perspective, I would love to witness an examination of a conflict between them and the social consequences. But though the film promised, it never delivered.

The Hunter then has much to recommend it. In the scenes with Dafoe and the kids bouncing off each other, there’s even a spark of greatness. But the film loses its way. It doesn’t develop where it should, and spends time where perhaps it shouldn’t. It is not a bad film. But it is confused and messy, and so ultimately devoid of lasting impact.

Adam Brodie



Rating: 15
UK Release Date: 6th July 2012
Directed By:Daniel Nettheim
Cast:Willem Dafoe, Sam Neill, Frances O'Connor, Sullivan Stapleton

The Hunter UK trailer - starring Willem Dafoe, in cinemas nationwide 6 July Published via LongTail.tv