Monsters: Dark Continent Starts Principal Photography

Vertigo Films have announced the  principal photography of their forthcoming movie Monsters: Dark Continent has officially started.

Monsters: Dark Continent will be the feature debut of Tom Green who has previously directed the E4 cult hit Misfits with the script written by Jay Basu. The film is a coproduction between Vertigo Films and 42.

The movie is a continuation to Gareth Edwards 2010 international hit Monsters that starred Scoot McNairy. Edwards was nominated for a BAFTA and the film has won four British Independent Film Awards along with many international accolades.

It is some years after the events of MONSTERS. There are Infected Zones all over the world. US military forces are fighting Monsters, attempting to wipe them out. They are met with resistance but it’s not just from the Monsters. The cast includes Johnny Harris (London To Brighton, Welcome To The Punch) Sam Keeley (What Richard Did) and Joe Dempsie (Game Of Thrones) with Edwards and McNairy returning as exec producers.

Producer Allan Niblo for Vertigo comments, “Monsters: Dark Continent is a sci-fi action film that remains true to the artistry and intelligence of its prequel Monsters as well as providing the excitement, thrills and set pieces of a genre film. We’re very excited to see Tom Greens vision unfold”.

Producer James Richardson adds "We are delighted to be working with this incredible new team - Ben and Rory are two very talented producers, Jay has written an excellent script, we have a brilliant cast and Tom is one of the most exciting new directors coming out of the UK."

Ben Pugh, co producing states, “Gareth Edwards created a rich and evocative sci-fi world with Monsters and it's a privilege to go deeper into that world for Monsters: Dark Continent with Tom Green, Vertigo and a very exciting cast".

Filming will take place in Jordan for five weeks and a week in Detroit. Vertigo Distribution will release in the UK with Protagonist handling international.

Boxing Day DVD Review

Throughout the years the average working man and woman has been lived, ruled, struggled by the capitalist dream (like now) but as always we fight back. Leo Tolstoy has provided literature world with many fine examples of the dream however there not the easiest to be adapted for film however British director Bernard Rose (Mr Nice) has tried many times with mixed results. For his latest venture he returns to his favourite source Tolstoy with Boxing Day an contemporary adaptation of 'Master And Man' with Danny Huston at his side once more.

Boxing Day tells the story of Basil (Huston) a businessman living out the lower tier end of the capitalist American dream, maxed out credit cards living the lifestyle on a risk. When it comes to business deals he thinks nothing of the date, time in order to seal the deal and decides to leave his family at Christmas time on a day he should be relaxing with his loved ones. Basil heads to a  wintry Denver to snap up repossessed homes on the cheap from the bank refurbish them on the cheap sell for a quick larger profit. Basil hire's Nick (Matthew Jacobs) as a chauffeur to drive him around the snow covered mountain areas but as night sets in  things take a drastic twist for the worst when the pair find themselves trapped leaving them  facng a  uncertain fate.

Huston and Jacobs do deliver strong central performances which help carry the film probably also thanks to the pair been friends off screen too. This gives a natural feel to the film so the dialogue comes across organic, not fake making the improvisation better.

Before the pair meet on screen we do meet the pair on their own a chance for us to try connect with them. Basil is the face of capitalism, he only care about personal wealth and profit. He's a greedy individual who is actually riding on the edge of bankruptcy we get a glimpse on how low he would go to get money he deceives a church to give him a loan, money they would never really see again.As for Nick  he is Basil's complete opposite though both are fathers Nick is more family orientated but when he visits his estranged wife we get a possible glimpse into his past one that looks was violent maybe of alcohol (maybe both). Times are hard for him living out of a case in a cheap motel waiting for his phone to ring for the next job.

As the film progresses your left with no sympathy both guilty of their fate one self centred the other hapless. Its in the car its when the confines start to get close in, Basil attempts to force some line of authority demanding Nick refer to him as sir, graceless Nick attempts to counteract getting knowhere. Eventually the pair eventually find some mutual respect but a very thin line tensions rear and the bickering  starts which actually makes the pair open their eyes and re-evaluate life. It's when the pair bicker actually brings some much needed humour to lighting the tone though it's not mainstream belly laughs more obsidian in nature.

It's the final part of the film is when things go downhill as it looks like the consistent script seems to have been thrown out the window when order is replaced by chaos. Hysteria prevails as the ending we watch feels like its been stolen from another film when the pair are trapped Basil decides to leave the car and do his best Julie Andrews impression ala Sound Of Music as the film abruptly ends the hills are left certainly alive but as for Basil and Nick you'll just have to watch the film.

★★★☆☆

Paul Devine

Rating:15
DVD Release Date: 25th March 2013 (UK)
Director: Bernard Rose
Cast: Danny Huston, Matthew Jacobs
Buy:Boxing Day On DVD
Win: Boxing Day on DVD (The Peoples Movies)

The Cousins (Les Cousins) Blu-Ray Review (Masters Of Cinema)

Making its way to the cinema screens of Paris only a month after Le Beau Serge, Claude Chabrol’s Les Cousins, still preceding François Truffaut’s The Four Hundred Blows by three months, became the first box-office success of the nouvelle vague. Featuring the previous film’s starring pair of Jean-Claude Brialy and Gérard Blain, the film went on to win the Golden Bear at the 1959 Berlin Film Festival.

With the film’s script written around the same time as that of his feature debut, Les Cousins mirrors Le Beau Serge’s story. But, whereas Le Beau Serge revolved around a Parisian student’s return to the village he grew up in, Chabrol’s second feature tells the story of a student from the country who goes to stay with his cousin in Paris.

Not content with mirroring the previous film’s story, Chabrol also reverses his leading actors’ roles: Brialy now takes on the bad-guy role with his portrayal of a decadent bohemian type student while Blain becomes the good-guy with his role as the hesitant provincial type thrust into life in the big city.

In a similar way to Le Beau Serge, Les Cousins tackles those assumptions and judgements held between social classes. It is also similar to Le Beau Serge in the way it contrasts the central characters, with Les Cousins seeing the sophisticated Parisian able to cruise through life with ease while the unfortunate provincial student works hard to no avail. By the films end, the conflicting fortunes of the cousins as become tragic and a dangerous slide ensues with cruel and harsh results.

Not for nothing is Claude Chabrol known for “his sardonic view of life as a matter of the survival of the fittest.”

★★★★☆

Shane James

Rating:12
DVD/BD Release Date: 25th March 2013 (UK)
Director: Claude Chabrol
Cast:  Gérard Blain, Jean-Claude Brialy, Juliette Mayniel
Buy:LES COUSINS [THE COUSINS] (Masters of Cinema) On Blu-ray / DVD

Le Beau Serge Blu-Ray Review (Masters Of Cinema Release)

The first film of the nouvelle vague, or at the very least the first feature directed by a Cahiers du Cinéma critic, Claude Chabrol’s beautifully observed film preceded François Truffaut’s highly acclaimed The Four Hundred Blows by a year. Winning the 1958 Le Prix Jean Vigo award, and receiving praise from friend and colleague Truffaut for being “as masterly as if Chabrol had been directing for ten years,” Le Beau Serge defined the nouvelle vague’s aesthetic with its use of non-professional actors, location shooting, natural black and white photography, and its personal vision.

Opening with the words “this film was shot entirely in the village of Sardent (Creuse). Our warmest thanks to the residents and local authorities there,” Chabrol’s film introduces the audience to François (Jean-Claude Brialy), a Parisian student returning to his home village to recover from a serious illness.

Upon arrival, François seeks out his childhood friend Serge (Gérard Blain), now an unhappily married alcoholic with a baby on the way, and the pair reminisce in an attempt to reconnect. But it isn’t long before the pair become disconnected due to the differences in their circumstances: the superior François is content with his life and his education, whereas Serge has become bitter and discontented at the prospect of a life stuck in a provincial village.

The film ends when François, suffering from some kind of, as the village Doctor jokingly attests, “martyr complex,” tries to ‘save’ his debilitated friend on a snowy night after Serge’s wife goes into a premature labour. A scene wonderfully shot by cinematographer Henri Decaë, chosen because of his expertise in capturing natural light in films such as Jean-Pierre Melville’s Bob le Flambeur.

The film takes a bleak look at the judgements and assumptions held between social classes with a story that could be deemed as being simplistic and somewhat conventional. But what sets it apart, what turns it into something new, is the radical way in which it moves away from that style of filmmaking, much despised by the Cahiers critics, called the Tradition of Quality. With its aforementioned use of natural photography, location shooting, and a personal vision, Le Beau Serge became the standard-bearer for a new generation of filmmakers.

★★★★☆

Shane James

Rating: 12
DVD/BD Release Date: 25th March 2013 (UK)
Director: Claude Chabrol
Cast: Gérard Blain, Jean-Claude Brialy, Michèle Méritz 
Buy: LE BEAU SERGE [HANDSOME SERGE] (Masters of Cinema) (Blu-ray)

Chillerama - Adam Green Interview

Adam ‘Hatchet Man’ Green talks about the future of the genre, why he turned about ABC’s Of Death, his new movie inspired by the artist Alex Pardee and courting controversy as CHILLERAMA gets its Horror Channel UK TV premiere on Sat 30th March at 10.55pm

Q: Your story for Chillerama could be looked at as being controversial by some, how did you pitch it to the other directors?

AG: Actually, Adam Rifkin pitched me the title (The Diary Of Anne Frankenstein) when the four of us first met up to discuss potentially doing this project. He said, “Green, you’re Jewish- you should do Anne Frankenstein.” I said, “But Rifkin, you’re Jewish, too. Why don’t you take that one?” He replied, “Yeah, but what if instead you did it?” And that was sort of it. Though the phrase “the diary of Anne Frankenstein” is a joke that’s been around for decades, I have to admit I was still scared to death of it at first. I mean, who wants to touch that title with a ten-foot pole? Unfortunately, we live in a world full of people who literally seek out reasons to be offended and who love nothing more than to be “outraged” so that they can get attention. Especially coming off of Hatchet 2 and all of the controversy I had just lived through with that film’s public battle with the MPAA and its assassination from cinemas here in the US… the last thing I wanted was to be put in the spotlight for ridiculous negative reasons again. However, I immediately came up with the idea of doing a piece that would be a complete mockery of Hitler and not something that could possibly be taken seriously.

Q: To me its Monty Python at its creative peek meets classic Universal horror, would you agree?

AG: Wow. That’s a very big compliment and yes, that was exactly what I was going for. I walk away from every screening feeling so incredibly proud of the piece. Reviews, awards, and accolades… those are all nice. But as a comedian, there is no feeling of accomplishment greater than hearing an audience howl with laughter to the point that they drown out the film itself. You can’t fake laughter like that. There are no politics or agendas behind that kind of uproarious laughter. It’s the most primal and real reaction you can hope to get and when it happens universally across oceans and language barriers… it’s a wonderful thing.

Q: Do you think the horror genre is in good health at the moment?

AG: I’m excited to see what the next decade will hold. Looking back, filmmakers my age who came onto the scene in the past ten years or so were saddled with some very difficult hurdles. Not only was the “trend” all about remakes over originals (both with the studios who churned the remakes out and the fans who supported them in droves) but we also saw the indie financing industry take a nosedive with budgets and distribution as internet piracy wreaked havoc on us. There was never a harder time than this past decade to get an original (decent budgeted) horror movie made and distributed. But now that remakes have kind of run their course they’re now out of recognizable titles to remake and people are starting to see the light about internet piracy I am optimistic that more and more original horror movies will get a chance to be made and to be seen. As a genre- we’re always alive and well. Horror will never die and we will always survive the passing trends because we’re a “community” unlike fans of other genres. Just walk by the “sleepy queue” for FrightFest later this summer and look at the die hard fans standing in line over-night for tickets (not even knowing 100% what the programming will exactly be yet). Of course we’re fine! We’ve got zombies! The rest of ya’ll are f***** though.

Q: You must be pleased Chillerama is getting its UK premiere on the Horror Channel?

AG: I’ve had a very special connection with the UK audience ever since Hatchet first premiered at UK FrightFest in 2006 and so I’m always especially excited when a new film of mine premieres across the pond. The Horror Channel has been incredibly supportive of my career over the years so this is like a double-win. Who knows? Perhaps Holliston will wind up on the Horror Channel when it arrives in the UK? You never know!

Q: Would you like to be part of another anthology film such as the recent ABCs Of Death?

AG: I was approached for “ABC’s Of Death” when they first started putting the project together but I passed. I was in the middle of post-production on Chillerama when they started assembling their team of directors and the thought of doing another anthology film at that time just wasn’t appealing to me, as fun as the project sounded and as terrific as the people behind it were. While I can never say “never”, right now another anthology just isn’t in the cards for me. Remember, with Chillerama I didn’t just write and direct a segment. My company (ArieScope Pictures) also produced it and put the money and distribution together to make it happen. That’s a hell of a lot of responsibility/heartache and so I couldn’t just make my segment and “let the chips fall where they may”. When you produce a film it is essentially an STD for your company. It never goes away and it is never really over. Wait, did I really just compare Chillerama to syphilis? Yup. Have at it, critics and haters. You’re welcome for that one.

Q: How much involvement have you had with Hatchet III?

AG: I wrote it, I produced it, I’m presenting it, I cast most every actor in it, I was there for every step of pre-production, filming, and post-production, I surrounded our new director with my incredible ArieScope crew, and I had final cut of the film. So let’s just say that it won’t feel like I ever left. If you’re a fan of the first two films I think you’re going to really like what we did with Hatchet III.

Q: So what are you working on at the moment?

AG: Right now I’m finishing up post-production on the second season of my television series Holliston. It’s a massive undertaking each season given that I wear so many hats on the show (writing every episode, being the show runner, directing, and playing one of the main four characters) but it’s far and away my favourite and the most personal project I’ve ever done. Holliston is an absolute joy to work on and I go to work every day surrounded by only my closest of friends. I’m so excited that we’ll soon be starting the process of bringing the series to the rest of the world and we’re all blown away by how quickly and passionately the audience in America embraced this show and this cast. Next week I kick off my tour in support of Hatchet III and the launch of Season 2 of Holliston so I’m basically in a different place every weekend until the end of summer/early Fall. I’m also in the process of shooting Digging Up The Marrow, a “documentary” (kinda) about monsters (sorta) that is inspired by the art of the insanely talented artist, Alex Pardee. We’re keeping the details of that one under wraps for now, but what I can say is that collaborating with a genius like Alex has proved to be a completely soul inspiring and creative re-awakening for not only myself, but for my core crew as well.

Adam Green, thank you very much.

TV: Sky 319 / Virgin 149 / Freesat 138
www.horrorchannel.co.uk | twitter.com/horror_channel

The Rise of Scandinavia Cinema

There has been a steady rise over recent years in the popularity of the Scandinavian film industry. The Girl with the Dragon Tattoo franchise is widely perceived as being the series that kick-started this interest, in addition to a flurry of exceptional hit TV shows including The Killing and The Bridge to name but a few.

With Hollywood gazing admiringly at Scandi output, what better time to look at the cream of the crop, so here’s our guide to the very best output from our blonde haired friends:

The Hunt

- Gripping, compelling and devastatingly dramatic The Hunt is one of the most searingly intelligent feature releases in recent years. Mads Mikkelson plays lead character Lucas who is just starting to pull his life back together following a divorce. But when a little girl at the nursery where he works tells a random lie that is impossible to ignore, Marcus’ world begins to fall apart. As shock turns to mistrust and then malice, it doesn’t take long before the local community is in a collective state of hysteria, igniting a witch-hunt that threatens to destroy an innocent man’s life.

The Girl With The Dragon Tattoo

– It all started when Stig Larson introduced his hugely popular trilogy of novels a few years ago. One of the most popular series crime books ever written, there was huge expectation and anticipation when the movie adaptation was announced. 2012 saw the first instalment hit cinema screens and fans weren’t left disappointed. Not only a huge critical success, the film became a worldwide phenomenon with Hollywood eventually snapping up the rights to this movie franchise. A visually stunning thriller, this trilogy grabs fans attentions from the moment the opening credits roll with its complex series of twists and turns. The cast help to propel this franchise, most notably lead character Noomi Rapace who took on the role of iconic character Lisbeth Salander.

Headhunters

– Another novel (this time Jo Nesbo), and another hit – Headhunters follows a corporate headhunter and part-time art thief who bites off more than he can chew when his latest mark turns out to be a very different kind of head hunter... One of the highest grossing foreign films of 2012, Headhunters continued Scandinavia’s continuing success at the box office.

Let The Right One In

– Ahead of its time, Let The Right One In is a simply stunning horror movie concerned with examining the vampire myth – Twilight this is not! Following the theme of film adaptations, Let The Right One In started life as a novel by author John Ajvide Lindgvist, and is anything but a slasher fest instead intelligently focusing on friendship, love and loneliness.

King Of Devil’s Island

– Hollywood heavyweight Stellan Skarsgard returns to his Scandinavian roots in this indie flick. King of Devil’s Island is based on a true story telling the unsettling story of young delinquents banished to a remote prison of Bastoy.

Valhalla Rising

– starring The Hunt’s Mads Mikkelson as One Eye, a mute warrior of supernatural strength, who has been held prison by the chieftain Barde. Aided by a boy, Are, he kills his captor and together they escape, beginning a journey into the heart of darkness.

Nightwatch

– Focusing on a young law student, Martin Waldau, who takes a job at the local morgue, this edgy thriller is a gripping tale of mistaken identity. When the victims of a serial killer of prostitutes are deposited at the morgue, scary things begin to happen and before long the police suspect Martin is the killer!

Show Me Love

– Set in small town Sweden, Show Me Love explores the lives of two teenage girls. Elin is beautiful, popular, and bored with life. Agnes is friendless, sad, and secretly in love with Elin. This coming of age movie explores the growing pains of turning from child to young adult

Deliver Us From Evil

- This Danish classic focuses on a father who returns to his old hometown with his young family. Events force him to face the small town's xenophobia.

Jackpot

– This edgy thriller starts with a terrified and bloody man, Oscar Svendsen, who wakes up gripping a shotgun in a strip joint, surrounded by eight dead men and with the police aiming squarely at him. To Oscar it's clear that he is innocent, but how does he prove he is the victim here?!

Manga Entertainment To Release Okami-san And Her Seven Companions In UK On DVD

Manga Entertainment have announced they will be releasing Yoshiaki Iwasaki's Okami-san And Her Seven Companions on DVD in UK&Ireland from 8th April 2013. The series comprises of 12 episodes based around Ryoko (Wolf) and a high school club that helps classmates out of grim situation

Synopsis

Ryoko Okami, the “wolf,” and her BFF Ringo, also known as Little Red Riding Hood, are members of Otogi Bank - a high school club that helps classmates out of grim situations. One day, a meek young man proclaims his love to Ryoko, who does nothing but bite him in return. “You're much too weak for me,” she huffs. So the boy joins Otogi Bank to prove he has the stuff to protect his beloved - even if it means taking a blow to the head with a lead pipe. He's no Prince Charming, but will Ryoko allow herself to have her own happily ever after?

Pre-order/Buy : Okami-san And Her Seven Companions Complete Series Collection [DVD]

The Hunt DVD (Jagten) Review

Thomas Vinterberg returns to the difficult subject of abuse with The Hunt, co-written with Tobias Lindholm it’s a simple story told very well. Vinterberg screened his film at last year’s Cannes Film Festival where leading man Mads Mikkelsen scooped a best actor award, it’s now been handed a wider cinematic release which, given the recent high-profile false accusations of abuse, couldn’t be more timely.

Set in small Danish town, The Hunt is a muted, infuriating and utterly engrossing story of lies, paranoia and untamed mass hysteria.

Mikkelsen is outstanding as Lucas, the modest kindergarten teacher who’s dragged through the emotional and physical ringer after being accused of exposing himself to one of the girls in his class. Lucas of course, did no such thing but the rumour spreads, slowly at first, throughout the town slowly turning colleagues and friends against him. The lie then begins to grow and to evolve, soon Lucas is being accused of more and worse, and little by little he is morphed into an outcast, a hated and hunted pariah.

The key to The Hunt is its lack of ambiguity, the message is clear: Lucas is a wronged man, and wronged in the most heinous way possible. It’s because we feel so sure of his innocence, and because Mikkelsen is so good at portraying a tender man persecuted, we find ourselves hoping and rooting so strenuously for him as the shit inexorably hits the fan.

Vinterberg’s thriller is taut, lean and visually arresting, while Lucas’s descent into emotional hell is heart-breaking and utterly gripping. Vinterberg’s ability to draw the maximum tension from sparse set-pieces and stand-offs is truly astounding. Two moments late in the piece in which Lucas is confronted by the townsfolk in a supermarket, and attends a Christmas Eve church service are both gripping and horribly uncomfortable.

Chris Banks (@Chris_In_2D)

★★★★☆

Rating:15
DVD/BD Release Date: 25th March 2013(UK)
Directed By:Thomas Vinterberg
Cast:  Mads Mikkelsen, Thomas Bo Larsen,Annika Wedderkopp
Buy The Hunt :Blu-ray / DVD

Human Centipede helmer Tom Six joins the 666 Short Cuts To Hell judging panel

Tom Six, currently in the States shooting Human Centipede 3, will help select the winner of the 666 Short Cuts to Hell short film competition, fronted by FrightFest and Movie Mogul, in association with Horror Channel.

Six said today that he was 'delighted' and 'flattered' to be invited to join the panel and was looking forward to hopefully meeting the six finalists winner at this year's FrightFest event in August.

Rosie Fletcher, Total Film Magazine’s genre expert, will make up the ‘6 of the best’ panel, which also includes filmmaker/Special Make-up Effects expert Paul Hyett. Horror Channel presenter Emily Booth, FrightFest director Paul McEvoy and Movie Mogul’s John Shackleton.

The hottest short film competition around challenges aspiring filmmakers to make a short horror film - the best six of which will be shown on Horror Channel and at the 2013 Film4 FrightFest event. The overall winner will receive a prize fund of £6,666 and the opportunity to develop a horror short or feature idea under mentorship from Movie Mogul, for a possible 2014 production.

Entrants will have to follow a series of 'killer' restraints such as a maximum of 6 lines of dialogue, a maximum of 6 cast and crew members and a maximum budget of £666.



Entrants must submit their completed film by 6pm on the 6th June 2013.
Submission guidelines and terms and conditions can be found at www.shortcutstohell.com

The overall winner will be announced at FrightFest 2013 after the six films have been screened.

TV: Sky 319 / Virgin 149 / Freesat 138
www.horrorchannel.co.uk | twitter.com/horror_channel

NBCQ To Take Flying Blind Starring Helen McCroy on UK Tour April/May

THE PASSIONATE LOVE STORY OF A WOMAN AND A YOUNGER MUSLIM MAN, IN A WORLD WHERE SECURITY IS PARAMOUNT AND NOTHING IS QUITE WHAT IT SEEMS
Frankie is part of the war-machine, a successful aerospace engineer designing drones for the military. Then she meets Kahil, a French-Algerian student. They embark on a passionate affair and for the first time in her life Frankie utterly, thrillingly, loses control. One morning at work, she’s detained by the security services and told that Kahil may not be quite what he seems. She finds that she has crossed a line into a nightmare world of suspicion and accusation. Realising how little she knows of this man, Frankie determines to find out the truth, only to discover to her cost that betrayal always comes from those closest to us.

Flying Blind is the first feature film by young Polish director Katarzyna Klimkiewicz, whose short film, Hanoi-Warsaw, won the 2010 European Film Award for Best Short. A multinational cast includes Helen McCrory (Hugo, Skyfall, Harry Potter and The Half Blood Prince), French-Algerian Najib Oudghiri (Rendition, The Wedding Song), Kenneth Cranham (Hot Fuzz, Valkyrie) and Tristan Gemmell (Casualty). The screenplay credit is shared by Naomi Wallace (Lawn Dogs, The War Boys), Bruce McLeod (The War Boys), and Bristol-based writer Caroline Harrington. Behind the camera is Polish Director of Photography Andrzej Wojciechowski, Klimkiewicz’s long time collaborator, and DoP on Hanoi-Warsaw.



FLYING BLIND will tour through key cities in the UK throughout April including London, Bristol, Cardiff, York, Cambridge, Oxford, Nottingham, Sheffield, Edinburgh, Glasgow, Manchester and Brighton. Each event will be followed by a Q&A with the filmmakers and/or cast TBC.

Regional tour dates:
Thursday 11th April – Barbican, London (Additional screenings 12th – 18th April)
Saturday 13th April - Chapter Arts Centre, Cardiff
Sunday 14th April – Watershed, Bristol (Additional screenings 12th – 18th April)
Tuesday 16th April - Greenwich Picturehouse
Wednesday 17th April - York Picturehouse
Saturday 20th April - Cambridge Picturehouse
Monday 22nd April - Ritzy Picturehouse, Brixton
Tuesday 23rd April - Ultimate Picture Palace, Oxford
Wednesday 24th April, Hackney Picturehouse, London
Thursday 25th April – Nottingham Broadway (Additional screenings 26th April – 2nd May)
Friday 26th April – Sheffield Showroom
Saturday 27th April – Edinburgh Filmhouse
Sunday 28th April – Glasgow Film Theatre
Tuesday 30th April – Manchester Cornerhouse
Thursday 2nd May – Brighton Komedia

For a full list of tour dates and tickets go to http://www.flyingblindfilm.com/