FF2013 Review - 100 Bloody Acres

Rating:
15
Release Date:
23rd August 2013 (FF)
Director:
Cameron Cairnes, Colin Cairnes
Cast:
Damon Herriman, Angus Sampson, Anna McGahan

Australia and New Zealand have a fine tradition of mixing comedy and horror to superb effect. Be it the early work of Peter Jackson such as Bad Taste and Brain Dead, or more recent efforts such as Primal and The Loved Ones, horror from down under always seems to walk a very fine line be laughs and scares, and 100 Bloody Acres is no different.

The Morgan Brothers’ “Blood and Bone” fertiliser has been a huge boon to their business but there’s a catch to its production – they’ve been using dead car crash victims in the mix! However it’s been months since their last find and an important new customer is waiting on a delivery. When Reg Morgan, the junior partner in the business, comes across three young people stranded on a remote country road, he sees a radical solution to their supply problems, and a way of finally gaining the respect of his bossy big brother, Lindsay. But things don’t quite go to plan when Reg starts forming an attachment with one of their captives, Sophie. Reg must now make a decision: go through with the plan and finally win Lindsay’s approval, or save the kids and destroy everything the brothers have worked for.

The debut feature from the Cairnes brothers, 100 Bloody Acres is a strange film. Filled with oddball characters and off-kilter comedy, the film manages to evoke similarities to the backwoods hillbilly horror seen in the 70s and early 80s US cinema, most noticeably The Texas Chainsaw Massacre (with which it shares the idea of humans as “meat). But at the same time the film also shares the streak of black humour found in the work of the Cohen brothers – especially the likes of Blood Simple and Fargo. So why is the film so damn dull?

It’s not hard to put a finger on why 100 Bloody Acres doesn’t work. The cast are uniformally excellent – the two “villains” of the piece are particular standouts. Damon Herriman, as the younger of the two Morgan Brothers, gives a manic performance, walking a fine line between complete lunatic and complete idiot. Meanwhile Angus Sampson, as older brother Lindsay Morgan, is one of the scariest “straight” men in horror, showing zero emotion, in the total psychopath sense! The pair bounce well off each other and the script gives them plenty of witty one-liners – in fact the script is filled with some truly black humor, be it the banter between the brothers or the outburst between their captives. However there are huge gaps of where nothing much happens – chases scenes, walks around the farm, phone calls etc. This slows the pace of the movie right down. And that’s where the problem lies…

With some tighter editing and an increased pace 100 Bloody Acres could have been yet another neo-classic from down under; as it stands now it more of an also-ran. If you want to see black humor at work in a great Aussie horror, check out The Loved Ones instead.

★★☆☆☆

This film was reviewed by Phil Wheat of Nerdly.co.uk

FF2013 - The Dead 2: India Review

Rating:
15
Release Date:
22nd August 2013 (FF)
Director:
Howard J. Ford, Jonathan Ford
Cast:
Joseph Millson, Meenu Mishra, Anand Krishna Goyal

Frightfest 2013 opened on Thursday evening with Howard and John Ford’s The Dead 2: India, a sequel to their previous Africa-set zombie flick. To be honest, it wasn’t the most auspicious start to the weekend. A zombie epidemic reaches the Asian subcontinent and American engineer Nicholas (Joseph Millson) attempts to cross the country to reunite with his Indian girlfriend Ishani (Meenu Mishra), aided only by plucky orphan boy Javed (Anand Gopal). I didn’t catch The Dead, so the novelty of watching a Zombie film set anywhere other than Middle America (or Crouch End) was not lost on me.

The various locations around rural India are occasionally used rather well. Nicolas’s introductory scene is a slow pull out from extreme close up to a panoramic shot of him dangling from a wind turbine, which works really well and there several nicely implemented vistas. Much of the film takes place during the daytime, which is a pleasing exception from the accepted norm. The incidental music was also atmospheric. Unfortunately, that’s about all there is to say of note about The Dead 2. The film is the same zombie feature you’ve seen dozens of times before with nothing new brought to the table other than location. The acting is somewhat subpar and the script is nothing special. A call-back to an Indian legend at the film’s conclusion attempts to wrap things up pithily but feels half-hearted. Still, as the opening film, it seemed to ride something of a wave of goodwill but I imagine if it was shown in the middle of the day on a smaller screen, it would have made little impression on anyone.

This is a review by Jack Kirby of Nerdly.co.uk

Love Is All You Need Blu-Ray Review

Rating:
15
DVD/BD Release Date:
2nd September 2013 (UK)
Director:
Susanne Bier
Cast:
Pierce Brosnan, Trine Dyrholm, Molly Blixt Egelind
Buy Love Is All You Need:
Blu-ray / DVD
Win Love Is All You Need on DVD:
Enter Here (opens link to The People's Movies)

Love is All You Need (originally titled The Bald Hairdresser) is a heart-warming romantic tale by Danish filmmaker Susanne Bier. The excellent Trine Dyrholm plays Ida, a recovering cancer patient, whom arrives home one day to discover her husband in the midst of a sexual encounter with another – much younger – woman. When travelling from Demark to Italy for her daughter Astrid’s wedding alone, Ida finds herself unexpectedly crossing paths with Philip (played by Pierce Brosnan), the father of Astrid’s fiancé. In Italy, both Ida and Philip learn to overcome their problems and are given the chance for a new beginning.

Love is All You Need is a charming film that would win over even the most cynical of viewers. I am hesitant to label it a romantic comedy – the genre the film has generally been regarded as falling into – since it does not contain much humour. However this is no bad thing, as most typical rom-coms tend to try far too hard to win laughs from the audience, and usually fail quite miserably. Instead, Bier’s text engages us with down-to-earth and likeable characters contending with relatable issues in their lives, all which are dealt with in a realistic fashion. While the film does have a fairy-tale like quality to it, containing plenty of picturesque Italian sunrises and orange and lemon groves, enhanced by beautiful cinematography; the grounded narrative lends it a level of authenticity that distinguishes it from most of Hollywood’s current cinematic output.

With well above average performances and a non-stereotypical plot, Love is All You Need is definitely worth a watch.

★★★★☆

Sophie Stephenson

Extracted DVD Review

rating:
18
DVD Release Date:
2nd September 2013 (UK)
Director:
Nir Paniry
Cast:
Jenny Mollen, Dominic Bogart, Sasha Roiz
Buy Extracted:
Extraction (DVD)
At first glance Nir Paniry’s neuro-trip Extracted (nee Extraction) can seem a little too Inception for its own good.  Nolan’s cerebral masterpiece has unfortunately taken command of an entire ocean of narrative possibility meaning that no matter what happens, any film that tries to tackle this area will undoubtedly end up being compared to the mega budget, thrill ride of 2010. If you can stomach a first half that’s perhaps a little too caught up in the science of Inception and the near-monotonous base storyline of a scientist trapped in the machine of his own making, then the second act will impress with a well-tempered tale of cyclical abuse and the power of memory.

The basic story follows an obsessed scientist, Tom, (Sasha Roiz) who has created a machine capable of allowing a person into the memories of another, for the purposes of psychological therapy. The machine is tested on a junky convicted of shooting his girlfriend but something goes wrong trapping the scientist in the mind of a killer.

The key turning point for the film is when Paniry becomes less interested in the mind boggling genius of Tom’s endeavours, and more focused on the realities of venturing into a human mind. Unfortunately, though Roiz provides a solid performance, Tom’s drives and goals are quickly overtaken by the desperation and urgency of addict Anthony, here played wonderfully by Dominic Bogart. Anthony’s story arc is a far more interesting, complex chain of events punctuated by more edgy characters.  The best of these is Anthony’s bilious but loving father played by the fantastic Frank Ashmore (The Lost Coat Tapes), an ever-magnetic screen underdog.

Come the end of the film, the Inception likeness pops up in a bittersweet but effectively grand finale accompanied by a Zimmer-esque piece of music. No matter what, it’s still a good end, better than the one they use, because here is a film that suffers from multiple ending syndrome. So many points present themselves and many would be suitable and great places to cap the tale, but Paniry goes for the one that is, if not pretentious, then dull in comparison to some of the other opportunities.< Extraction’s main issue is that it does seem a bit predisposed with trying to stay sharp and edgy, injecting moments of speed and action into an otherwise tame but thought-provoking affair. Overall it’s a fairly good go at the cerebral thriller genre, boring at points but still an enjoyable watch.

★★★☆☆

Scott Clark

Hammer of The Gods DVD Review

Rating:
18
DVD/BD Release Date:
2nd September 2013 (UK)
Director:
Farren Blackburn
Cast:
Charlie Bewley, Clive Standen, Elliot Cowan, James Cosmo
Buy:
Blu-ray / DVD
Win Hammer Of The Gods On DVD
Enter Here
If you can, try to sweep past the dull blasé action cover that adorns director Farren Blackburns feature debut, Hammer of Gods. To be honest don’t invest too much stock in the title either which, in its giant silver lettering, looks like the proud wrapping for a boy’s action figure. Past that, there’s a film here that ain’t half bad.

Prince Steinar (Charlie Bewley) is sent by his dying father to retrieve a long lost and ferocious brother who is likely to be apt in leading the Norse empire in its battle against the Saxons. However, conspiracy and the dangers of an alien land plague the Prince’s journey, forcing him and his band of warriors to fight for survival.

This is a Norse action epic, in the vein of Valhalla Rising, brutal and bloody and most of all gritty. The energy of the story and the frantic bloody nature of hand to hand combat is refreshing in an era where the gun is king. Though some of the fights can seem a little sloppy most of them are well choreographed bits of what-for courtesy of 871A.D.

Some decisions seem utterly preposterous, why someone thought each of Steinar’s warriors had to be introduced through giant gimmicky silver lettering is beyond me, you can almost hear Jimmy Hart chanting out the names as they pop up. In the same fight, a ridiculous amount of CGI lightening ripples the background, punctuating a sea of Norse ships preparing to land. It looks like a great Tekken arena, but is too much for a film that very quickly proves its heart is in basic, grounded action sans effects. That is, if you ignore the omnipresent, utterly evil CGI blood.

Excellent use of set and natural location ensures a steady tone and mood: brutal violence and fights, a grey pallatte, and some of the most beautiful scenery matched to the Norse world since Valhalla. Though the settings can sometimes be overbearing to the point where the film seems like an advert for a charming, if gruelling, hike in the Scottish highlands

Unfortunately Hammer of Gods goes on for far too long, but there is substance to the finale that proves the cuts could be made to the main body of the film where too much meandering across gloomy moors and mountain tops becomes inevitably dull. Some interesting characters punctuate the Prince’s journey: James Cosmo appears as the violence-craving Norse King, whilst Ivan Kaye pops up as a forbidding man-rapist named Ivar. Beyond these inductions, too much time is wasted on scenery and ultimately pointless scuffles.

A gritty, brutal, and surprisingly enjoyable action adventure in the vein of Valhalla Rising and Black Death, Hammer of Gods is worth a watch if you’re big on back-to-basics kinds of combat films. There’s plenty of things wrong with it, but enough is right to ensure an enjoyable watch.

★★★☆☆

Scott Clark

Win A Signed Copy Of Hammer Of The Gods On DVD

Bloody mayhem reigns supreme in this gritty and uniquely stylised Viking actioner. Viking and Saxon go head to head in a thrilling new feature starring up-and-comer Charlie Bewley (The Twilight Saga, Like Crazy, The Vampire Diaries). With a cast of veteran actors, rising stars and a story slick with bloodthirsty action and an unnerving twist, Hammer of the Gods is an action-packed treat that makes the players in Game Of Thrones look positively normal.

To celebrate the home entertainment release of Hammer of the Gods (eOne), we have a DVD copy signed by the star of the film - Charlie Bewley. Hammer of the Gods is out to own on DVD, BD and VOD from 2nd September onwards.

Set in Viking Britain in 871 AD, Hammer of the Gods is an intense visceral tale set in a world whose only language is violence. A young Viking warrior, Steinar (Charlie Bewley), is sent by his father the king on a quest to find his estranged brother, who was banished from the kingdom many years before. Steinar’s epic journey across terrifyingly hostile territory with his most trusted friends and warriors, gradually sees him emerge as the man his father wants him to be – the ruthless and unforgiving successor to the throne.

To Be the lucky winner of Hammer Of The Gods on DVD please answer the following question:

Q.Charlie Bewley starred in Twilight Saga Franchise, He also plays a vampire in a popular TV Series, name that series?

Email your answer, name to winatcinehouseuk@gmail.com (subject Hammer Of The Gods). You must be 18 years or older to enter.

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Terms&Conditions: You Must be a UK or Irish resident aged 18 or older to enter. If your successful and win the competition then you will be asked for Postal address to arrange deliver of the prize.The competition is not opened to employees, family, friends of The Peoples Movies, Cinehouse, eOne/ Vertigo Films employees who have the right to alter, change or offer alternative prize without any notice. The Peoples Movies, Cinehouse takes no responsibility for delayed, lost, stolen prizes.Prizes may take from days to a few months for delivery which is out of our control so please do not complain, we will tell you when prizes are sent to us, mostly all cops prizes come directly from the PR company representing the film distributor. Deadline Sunday 22nd September 2013(23:59pm)..

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FF 2013 Review - V/H/S 2

Rating:
18
Release Date:
23rd August 2013 (Frightfest) 14th October 2013 (UK DVD)
Director:
Simon Barrett, Greg Hale, Gareth Evans, Adam Wingard, Timo Tjahjanto, Jason Eisener
Cast:
Lawrence Michael Levine, Kelsy Abbott, Adam Wingard
Pre-order/Buy V/H/S 2:
[DVD]
The horror anthology has received a fair bit of new blood lately with two high-profile effort V/H/S and The ABCs of Death both arriving on a huge wave of hype in horror circles but ended up raining a shower of disappointing poop over us instead. Both indulged in the worst of what this genre’s filmmakers seem to think fans want, splashes of misogyny, gore purely for gore’s sake and the same old story repeated ad infinitum with the same old scares played the same old ways. The insanely quick turnaround of V/H/S 2 (or as its original brilliant title had it, S-V/H/S) was cause for concern but with filmmakers more exciting than those involved in the first instalment, there was cause for hope. This is something which is thankfully proven to be the case with V/H/S 2 improving on the first anthology in virtually every single way and in moments pushes your expectations of what a horror film can do .

Simon Barrett’s wraparound segment, Tape 49, is wholly more satisfying than the original films equivalent showing two private detectives breaking into a house to retrieve a woman’s son and finding a bunch of tapes. Unlike many wraparound segments in horror anthologies, this has a beginning, middle and end, it’s a story in itself with its own little horrors working as a stand-alone but also giving us the inkling of mythology, alluding to certain events in the first film but not feeling beholden to them and weaving elements of both J-horror and body horror to crunchy effect.

Adam Wingard, director of the next hotly buzzed horror film coming down the road, You’re Next, brings us the first uninterrupted short Clinical Trials, which is the least effective of the whole film, relying on jump scares which feel very tired, but the first person perspective manages to remain effective and at least a gratuitous sex scene, one of only two in the whole film, in itself a refreshing change, comes off as funny and not leering.

Better than this is Eduardo Sanchez and Gregg Hale’s A Ride In The Park, a zombie tale with a USP of being told from the zombies perspective. Suffering from tonal inconsistency with a vein of humour uncomfortably meshing with somewhat sadder, darker content, this still hits home thanks to its at-times ferocious paciness, it by far feels the shortest of the bunch, the directing team wisely understanding that this is a one-note story and thus can only be played for a limited time to remain effective. This pace also feeds into some rather crazy “how did they do that?” moments of directional sleight of hand which are huge fun to behold.

This is just an appetiser for the main course that is Gareth Evans’ and Timo Tjahjanto’s Safe Haven, the longest film in the anthology and one which is absolutely breathtaking. The first film of either V/H/S to be centred in another country, already bringing a sense of otherness, this tale of a documentary crew entering a cult’s sanctuary manages to pull off the brilliant and highly skillful trick of being both incredibly disturbing while also being an awful lot of fun with mixture of body horror and cult rituals which builds up with superb intensity but ends on a quiet but rather chilling note. This one feels like a love letters horror fans which evolves from the pathetic “fratboy” nature of so many horrors today and instead offers the cliched but true “thrills and chills”. A mature and harrowing effort, it is the finest piece of horror cinema I’ve seen in quite some time.

After Safe Haven virtually anything would be a bit of a come down and Jason Eisner’s Alien Abduction Slumber Party is indeed that, though it’s got a lot of merit to it also. Focusing on a bunch of kids having rather dirty fun and getting caught in a house invasion from unfriendly aliens, this works through a sheer sense of blind panic. When the alien strike it’s visually and audibly overwhelming, hitting that primal nerve of “what the hell is going on” with the camera being tossed around all over the place before finding the characters in perilous situations. The intensity recalls the final segment of the first film but is a meaner beast than that especially with the last shot which is a little too cruel for my blood takes away from the enterprise somewhat.

This and other relatively minor quibbles peppered in spots aside, V/H/S 2 is a wholly more impressive and satisfying collection of horror shorts than last year’s film, resulting in the best horror of 2013 up to this point. Daring, shocking, fun and managing to regain my sense of hope that there is still horror of great worth out there, the whole experience is hugely refreshing and it’s delightful to say so.

★★★★☆

Review By Phil Wheat at Nerdly.co.uk

Greg Araki's Nowhere (1997) DVD Review

Rating: 18
DVD Release Date: 26th August 2013 (UK)
Director: Gregg Araki
Cast: James Duval, Rachel True, Nathan Bexton, Christina Applegate
Buy: Nowhere [DVD]
When I watched the daring and beautiful Mysterious Skin some five years ago, Gregg Araki topped my list of filmmakers to further explore. At that time, though, the rest of his oeuvre was not available on DVD in the UK so I put my interest on the back burner. In the years since, my interest in Araki’s films had dramatically subsided having heard and read on numerous occasions that his other films were, quite frankly, not worth bothering with. However, having recently developed an interest in the New Queer Cinema movement (and after recently watching The Living End, his seminal, yet flawed, contribution to that movement) my interest in Araki’s films was rekindled. So, when the opportunity arose to review Second Sight’s release of Nowhere, I jumped at the chance.

With a stellar cast of, what were at the time, up and coming stars including James Duval, Chiara Mastroianni, Christina Applegate, Ryan Phillippe, Heather Graham, Scott Caan, Mena Suvari, Shannen Doherty, Rose McGowan, and Jordan Ladd, Nowhere is the final instalment in Araki’s Teen Apocalypse Trilogy following Totally F***ed Up and The Doom Generation (fortunately, as I have seen neither, the films only share a common theme).

Envisioning a nihilistic future world, the film offers up a surreal, apocalyptical vision of Los Angeles that is both hedonistic and decadent. At the centre of the film is the existential Dark Smith (Duval) who is tormented by his girlfriend’s (Rachel True) polygamous nature. Over the course of a day, we follow Dark and an array of his eccentric friends as they confront issues ranging from drug addiction and eating disorders through to alien abduction. Hell, by the end of the film we witness Dark’s not-gay, gay new soul mate’s absurd transformation into a cockroach like alien.

As well as the absurdities surrounding alien abduction, Araki also likes to throw in some over the top violence and a scene in which one of the characters is raped by a Baywatch star. All the over the top irreverence goes nowhere, rather ironic given the film’s title, and the film lacks any of the political punch that was served up in The Living End. It would seem that the reservations held by those who have warned me about Araki are true. What the film does have going for it, though, is a visual style that owes much to Godard and a punk aesthetic reminiscent of Derek Jarman’s Jubilee.

★★☆☆☆

Shane James

FF 2013 - Hatchet III Review

Rating:18:
Release Date: 23rd August 2013 (Frightfest)
Director:BJ McDonnell
Cast: Danielle Harris, Kane Hodder, Zach Galligan, Derek Mears
The final(?) film in the trilogy, Hatchet III loses the series’ director, Adam Green, replacing him with BJ McDonnell, who has previously carved out a career as cam/steadicam operator on a ton of movies – including one of my all-time favourite flicks, How to Rob a Bank. However all is not lost as Green is still on board as the films guiding light and scriptwriter for this tale which picks up immediately where the second film left off.

In Hatchet III our heroine Marybeth (Harris) has finally “killed” Victor Crowley (Hodder) – or so she thinks. When she shows up at the police station covered in blood the sheriff (Galligan) doesn’t believe her story and locks her up while he sends a search and recovery team out to the haunted swamp to find out what has gone on and to pick up the pieces left behind after Crowley’s previous massacre. Meanwhile Marybeth finally learns the secret to ending the voodoo curse that has left Victor Crowley haunting and terrorizing Honey Island Swamp for decades.

When I originally heard the news that Adam Green was stepping down from the directors chair for this third film in the series, I questioned the sanity of letting someone new helm what was to be the last outing for Victor Crowley. However, knowing BJ McDonnell worked on the first two Hatchet movie’s and having seen his filmography and watched the finished film I know exactly why McDonnell was given the reigns for this movie – he has an eye for action, and Hatchet III is filled to the brim with huge action set pieces as the trilogy goes big for its epic finale, out-doing all that has come before in terms of violence, gore and body count.

Third films can be tricky, especially when it comes to horror franchises. Some get it right revitalising a worn seires, like Nightmare on Elm Street 3 but many get it wrong. If I’m truly honest Hatchet III sits somewhere in between, mainly because it sacrifices scares for spectacle. But what spectacle… There are some truly outrageous gore scenes, going even further than the previous film, easily surpassing even the ridiculous chainsaw death that marked the end of Hatchet II – a scene which is actually repeated in the opening of this flick.

But, and this is a big but, where Hatchet III does rise above the former films is in it’s story. Adam Green has crafted a script that offers twists and turns, wraps up plot threads that have proliferated the series from the very first film, makes nods to other movies AND is also a love letter to fans of the franchise – a thank you note if you will to all those that love the series and have been there since the beginning.

Yet what is noticeable when comparing this film to its predecessor’s is the quality of some of the practical effects (yes Green and co. still keep all the effects CGI-free thankfully). Whether the “rubbery-ness” is due to budgetary constraints I don’t know, however the cheesy FX work plays well into the idea that the Hatchet series harkens back to the heyday of the 80s slasher movies, a lot of which were shot on a shoe-string budget and had to make the most of the effects they could afford. Speaking of FX, Victor Crowley himself has had a makeover in this flick, allowing horror icon Kane Hodder to emote much more this time round (well as much as the monstrous Crowley can).

Of course besides the returning Kane Hodder as Victor Crowley and Danielle Harris as Marybeth, Hatchet III features a ton of familiar faces including Gremlins’ Zach Galligan as the Sheriff; former Jason Vorhees Derek Mears; Sean Whalen (Special Unit 2); Parry Shen, who’s played three different characters in all three Hatchet movies; The FP’s Jason Trost; and, best of all, Stretch from The Texas Chainsaw Massacre 2! Aka actress Caroline Williams. This really is a veritable who’s-who of genre flicks, with some surprise cameos and roles I’m not going to spoil in this review, but I will say it all adds an extra layer of fun for both horror fans and fans of the Hatchet series.

In the end Hatchet III is a fantastic end to the franchise, filled with all the hallmarks of the series – laughs, violence, action and gore – whilst being a fitting swansong for Victor Crowley and co. Not as stunning as the previous film but still a great “old-school American horror”.

★★★½☆

Review by Phil Wheat at Nerdly.co.uk

FF2013 - Win The Dyatlov Pass Incident On DVD

To celebrate the release of the captivating return of acclaimed Hollywood director Renny Harlin (Die Hard 2; Cliffhanger; Deep Blue Sea) with his conspiracy theory horror The Dyatlov Pass Incident - out on DVD and Blu-ray 26th August 2013 - we have a copy to give away to one lucky winner!

Based on the bizarre but true events surrounding the mysterious deaths of nine ski hikers who went missing in the Ural Mountains in 1959, this “The Blair Witch Project” meets “The Descent” by way of “The X Files” horror is the most unnerving supernatural shocker to come out in years!

The Dyatlov Pass Incident takes the known facts of the tragedy and spins them into a truly chilling horror experience that brilliantly combines elements of contemporary history, conspiracy theory, sci-fi and the supernatural that all contribute to a knock-out twist and a breathtaking finale.

In February 1959, nine ski hikers went missing in a remote area of the Ural Mountains in Russia. Two weeks later all nine were found dead, half dressed and hundreds of yards from their camp, their bodies giving off high levels of radiation and bearing severe internal injuries, including broken ribs and fractured skulls, but showing no discernible external wounds or any signs of a struggle. Their deaths have remained a mystery, with rumours attributing the incident to everything from alien encounters, government conspiracies and the supernatural.

Now, five American college students are hoping to solve the mystery of what has become known as the Dyatlov Pass Incident by retracing the steps of the original ill-fated expedition and documenting their findings on film. But what they are about to discover in the remote, icy wastes will prove to be more shocking and unexpected that anything they could possibly have imagined.

To Win The Dyatlov Pass Incident on DVD please answer the following Question:

Q.The Dyatlov Pass Incident director Renny Harlin directed Die Hard 2, where was that film set in?

A.Tower Block
B.Airport
C.Hospital

Email your answer, your name only to winatcinehouseuk@gmail.com, must be 15 years or older to enter.

Deadline date to enter is Sunday 15th September 2013 (23:59pm)

(If you are the winner we will contact you for your address)

Terms&Conditions:
1.The competition is not opened to employees, family, friends of The Peoples Movies, Cinehouse, Anchor Bay Entertainment UK employees who have the right to alter, change or offer alternative prize without any notice.2.All The Peoples Movies entries must be done via contact form. deadline Sunday 15th September 2013 (23:59pm) 15 years or older to enter 3.Failure to include any information required to enter could result in your entry been void.  4.automated entries are not allowed and will be disqualified, which could result you been banned, DO NOT INCLUDE telephone numbers as for security reason your entry will be deleted.5.If you are friend or like us at facebook for every competition you enter you get double entry, but you must stay friend/like us all the time,or future entries maybe considered one entry if you are liking us share the post on facebook and re-tweet the post.6.The Peoples Movies, Cinehouse takes no responsibility for delayed, lost, stolen prizes 7.Prizes may take from days to a few months for delivery which is out of our control so please do not complain 8.The winning entries will be picked at random and contacted by email for postal details and will be announced via facebook, sometimes we are unable to confirm winners. Uk & Irish entries only.

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