25 January 2013

Competition - Win V/H/S On Blu-Ray

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“The scariest, rawest horror movie of the year” (Rolling Stone) is shortly upon us; the highly original, brutally uncompromising, creative and diverse V/H/S – out on DVD & Blu-ray January 28th (out in select UK cinemas January 18th) through Momentum Pictures.

To celebrate the release of V/H/S, we’re giving away a copy on Blu-ray!

A small group of misfit friends and petty crooks are hired by a mysterious man to break into a derelict suburban house with the sole purpose of finding and stealing a rare videotape. Their only clue to identifying the tape in question is, “You’ll know it when you see it.”

However, on arrival at the house they soon realize the job isn’t as straightforward as they imagined. In one room they discover the lifeless body of a middle-aged man sitting in an armchair, facing a wall of television sets and a stack of VHS cassettes. A similar bounty of tapes is found in the basement, none of which bears any obvious markings to suggest it is the prize they are seeking. As they search through the tapes, playing them in turn, they are treated to a succession of graphic and apparently genuine video recordings, each one more shocking and bizarre than the last.

To win V/H/S on Blu-ray please answer the following question:

Q.In the Late 1970's into 1980's VHS had a rival video format, what was that format called?

A.Betavideo
B.B-VHS
C.Betamax 

Send your Answer, name, address, postcode ONLY to winatcinehouseuk@gmail.com 
Deadline for entry is 17th February 2013 (2359hrs) (Must aged 18 or Older to enter)
Label your email  V/H/S     Read our DVD Review

Terms & Conditions:1.This prize is non transferable.No cash alternatives apply.UK & Irish entries only.2.The Peoples Movies, Cinehouse and Momentum Pictures . have the right to alter, delay or cancel this competition without any notice 3.The competition is not opened to employees, family, friends of The Peoples Movies, Cinehouse ,Momentum Pictures  employees 4.This competition is promoted on behalf of Momentum Pictures 5. If this prize becomes unavailable we have the right to offer an alternative prize instead 6.To enter this competition you must send in your answer, name, address only, Deadline 17th February 2013 (2359hrs)7.Will only accept entries sent to the correct email (winatcinehouseuk@gmail.com), any other entry via any other email will be void.8.If the above form fails please send the information required from the form email it to win [at] thepeoplesmovies [dot] com (label vhs) If any info required from the form is not sent in the email your entry will be void 9.automated entries are not allowed and will be disqualified, which could result you been banned.10.If you are friend or like us at facebook for every competition you enter you get double entry, but you must stay stay friend/like us all the time,or future entries maybe considered one entry.11.The Peoples Movies, Cinehouse takes no responsibility for delayed, lost, stolen prizes 12.Prizes may take from days to a few months for delivery which is out of our control13.The competition is opened to Aged 18 and over.14. Majority of the prizes on offer will come from representatives of the distributor, no The People’s Movies &Cinehouse, when we do have the prizes we will inform you.15. Unless Stated Please Do Not Include Telephone Numbers, we don’t need them and if you include your telephone number Cinehouse and The People’s Movies are not responsible for the security of the number 16.The winning entries will be picked at random and contacted by email or announced via facebook, sometimes we are unable to confirm winners.17.This competition is bound by the rules of Scotland,England & Wales, Northern Ireland, Ireland.18.By sending your entry for this competition you are confirming you have read and agreed to these Terms & Conditions.
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24 January 2013

Dance Hall DVD Review

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Ealing Studios had a way of always surprising you. Though their name may be most readily associated with comedy they were equally prolific in other genres, a favourite of which was social drama. A classic example of this was Dance Hall (1950), which centred around the lives and loves of a group of young girls and the dance hall they frequented in Chiswick, west London. Directed by Ealing stalwart Charles Crichton, and edited by Seth Holt who would go on to helm the Hammer classic The Nanny (1965), this film starring Diana Dors, Petula Clark and Natasha Parry, showed the passions and rivalry inspired by ballroom dancing long before anyone had ever heard of Bruce Forsyth and Tess Daly.

Eve (Parry) loves ballroom dancing and, along with her friends from the local factory, spends all her spare time at the local dance hall in the hope that with enough practice she will be chosen for the Greater London Dance Championships. However her boyfriend Phil (Donald Houston) is not such a hot hoofer, and becomes jealous when Eve joins up with a new partner Alec (Bonar Colleano). Phil persuades Eve to forget about dancing and marry him, but she quickly becomes disillusioned with life as a housewife and is soon lured back to the dance hall after meeting her old friends from the factory. When Phil discovers that she has been back with her friends and met up again with Alec, he looses his patience with his new wife with disastrous results for all.

Dance Hall is significant, not only in the cannon of Ealing Studios but also in the wider history of British film, as an exercise in social commentary both in its storyline as well as in its production. Set as it is so shortly after the end of the Second World War, the film is a piquant reminder of a time when the roles of men and women were very different from they are today. Eve and her friends may be independent in as far as they go to work and make their own way (even if their jobs are reminiscent of the factory work women did during the war). However once married (as is seen with Eve and Phil) their lives soon revert to the old scenario of the wife staying at home whilst the husband goes out to earn the money.

Less obvious perhaps is the way these stereotypical gender roles played out behind the camera. One of the film's three writers, along with E. V. H. Emmett and Alexander Mackendrick, Diana Morgan was amongst only six women (mostly uncredited) in a production crew of thirty nine. Women were obviously seen on the screen in Ealing's films, but they seldom played significant roles behind the scenes other than in the usual female dominated areas of makeup and costume. To be honest though, this male dominance in film production was not restricted to Ealing, as it was common throughout the film industry until more recent times.

Released by STUDIOCANAL on DVD with a host of extras including a Making of featurette, Restoration Comparison and Trailer, Dance Hall provides a nostalgic glimpse of a time when life, though harsher in many ways than it is today, was often simpler and more prone to happy endings.

Cleaver Patterson

★★★☆☆☆

Rating:PG
DVD Release Date: 21st January 2013 (UK)
Director:Charles Crichton
Cast Donald HoustonBonar Colleano , Petula ClarkNatasha ParryDiana Dors
Buy:

23 January 2013

Monsters Pictures To Release The Fallow Field. A throwback to 1970's British Horror

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Press Release:

MEMENTO meets WOLF CREEK set against the backdrop of English harvest time’

THE FALLOW FIELD is one of the most original but twisted British horror films to be seen in years, and the debut feature from British filmmakers Leigh Dovey & Colin Arnold.

Not for the first time, amnesiac Matt Sadler (Steve Garry) awakes alone in the middle of a wilderness with no recollection of the past seven days. Finding his way home he discovers a life rapidly falling apart: his wife is convinced he’s hiding an affair, the police are suspicious of his repeated disappearances and now he is plagued by terrifying nightmares when he closes his eyes.

As disturbing slithers of memory gradually return to Matt he retraces his steps to uncover his missing actions during the blackouts. Matt’s search leads him out of the city and in to the countryside, to a remote farm owned by loner Calham (Michael Dacre). The cold farmer is suspicious of Matt but instantly sparks a dark sense of déjà vu in his visitor. But Calham turns on Matt, imprisoning and interrogating him, before forcing him on a terrible journey of abduction and slaughter to show the amnesiac the twisted games they used to play together. As Matt’s fogged memory slowly begins to clear and he learns the two men share a violent history, the horrors of their past come skipping out of the darkness to greet them….

Genuinely dark and quintessentially English, The Fallow Field is a throwback to brutal horrors and thrillers made in the ‘70s.  Capturing some of the genre’s bleak tones and threat, its twisting plot, slowly building sense of dread as well as sudden shocks and visceral scenes make The Fallow Field a genuinely terrifying film. 

THE FALLOW FIELD will be released by Monster Pictures in the UK on DVD on 11 March 2013.



EXTRAS

·         Commentary with Director Leigh Dovey and Producer Colin Arnold
·         Trailer
·         Stills slideshow
·         The making of The Fallow Field 

“THE FALLOW FIELD is a handsome, thrilling and strange movie.”  John Landis (American Werewolf in London, )

Pre-Order/Buy:FALLOW FIELD, THE (Monster Pictures) (DVD)

Watch UK Trailer For Jennifer Lynch's Chained

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Let's be honest how many times have we had to rely on taxi's when local transport even own family members have let us down? Lot's of times! What if you entered one of those lifesavers that actually take your life? Jennifer Lynch's Chained might just be the last fare you'll pay, watch the UK trailer

From the mind of writer/director Jennifer Lynch comes the shocker that stunned audiences worldwide: When he was 9 years old, Tim and his mother were abducted by taxi-driving serial killer Bob (Vincent D’Onofrio). Tim’s mother was murdered. Tim was kept as a chained slave, forced to bury the bodies of young women Bob drags home and keep scrapbooks of the crimes. Now a teenager, Tim (Eamon Farren) and Bob share a depraved father/son/protégé relationship. But who will ultimately sever the bond between ‘family’ and unimaginable horror? Evan Bird (“The Killing”), Jake Weber (“Medium”) and Julia Ormond (The Curious Case Of Benjamin Button, “Mad Men”) co-star in what critics are calling one of the most controversial and uncompromising thrillers of our time.

Chained looks more a psychological horror than one that focuses on less actual murders but the actual aftermath of Bob's atrocities and emotional impact on Rabbit. Boxing Helena gave us a new twist on body in 1990's in 2013 Jennifer Lynch's Chained could potentially bring a fresh new compelling twist on the serial killer genre

Chained is set for a limited release in UK cinemas on 1st February  with the film been released on DVD& Blu-Ray from 4th February. Chained stars  Evan BirdJake Weber and Julia Ormond.



Pre-order/Buy Chained: DVD / Blu-ray

22 January 2013

V/H/S DVD Review

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If I’ve said it once I’ve said it a thousand times; found footage horror is a dry well. Once a potent concept that had us all quaking in our boots with genre highlights like The Blair Witch Project and even things like Paranormal Activity, the shaky cam low-res high-tension thing has inevitably worn thin thanks to a myriad of badly sculpted films out to make big bucks on small money. Of late there’s been an outcry from the horror audience, the word is out and it’s getting pasted here there and everywhere, V/H/S has arrived to save the day and pull the handheld cam back into respectability and give us all a good reason to take up insomnia. The general opinion ain’t that far off the truth. When a film pops up written and directed by such an eclectic mix: Adam Wingard (A Horrible Way To Die), Ti West (House of the Devil), David Bruckner(The Signal), Glenn McQuaid (I Sell the Dead), Joe Swanberg (Hannah Takes the Stairs), and the directing quartet known as Radio Silence, you can’t help but get interested.

Following the format of an old-school anthology horror, V/H/S reveals the dire doings of a group of social misfits hired by a shadowy employer to break into a house and steal a video tape, a tape they are told they will know on sight. Arriving at the deserted household the group find a dead body slumped in an armchair facing a few TV’s and a stack of video cassettes. As the group split up to search for the tape, watching them one by one, it becomes evident that something isn’t right. The tapes document bizarre, brutal, and terrifying events but that’s not the only thing the hapless group have to fear.

The great thing about V/H/S is that there’s something for everyone. The short segments are all weird and wonderfully horrific, but as with anything some ideas don’t quite take off. Through all the segments there winds the careful writing of obvious horror fans combined with the sometimes gentle and creepy/sometimes visceral direction of guys who know their stuff. For horror aficionados there’s enough role reversal and unanswered questions to fill a hundred film theory essays. Female roles seem to be toyed with with glee, male roles get dragged through the muck, every segment is balanced with reality and heart against fantasy and gore. Problems show up in some of the films when there’s no one to relate to, no real hero or heroine to guide us, just a large group of very weird/silly/stupid/horrific human beings and “other”. In fact V/H/S could probably be renamed something like “How Boisterous Jocks in Motels Cause Hell”, or “She’s Not What You Think”. It’s that clever reliance on horror tropes  that puts the film above others since it then pulls the other way just to teach you for thinking you were smart.

Amateur Night is horror 101: jocks try to take advantage of girls, everything goes horribly wrong. Tuesday 17th is essentially a slasher with a pretty fantastic idea for a villain that genuinely scares. The Sick Thing That Happened to Emily When She Was Younger is polarising since it features possibly the best scare out the lot, but has some wobbly moments of overexposure and an ending that could leave you disappointed. 10/31/98 is a real gem; essentially a haunted house story with an initially clueless group of guys stumbling into what they think is a well-set-up house of Halloween horror. The imagery here is stupendous, macabre in a Clive Barker’s Lord of Illusions kind of way, flaunting some really intense sequences and a killer finale. The frame structure of the break-in denies us answers no matter how hard you think then gives us shit-in-pants scares for our troubles.

A key strong-point of the piece is the relentless curiosity it inspires. A failure to Ta-da a reveal in all sequences results in a more engaging experience overall, though some viewers will no-doubt find it infuriating/ disappointing before rewarding. Too often, explanations cock-up an otherwise riveting affair so here the guys have reserved outlandish reasoning just to screw with our heads. I don’t doubt there’s a possible and awesome plot behind each piece; I just don’t think we need it.

Though, the found footage thing does at points get tiresome and the stories at times flit between fantastic and meh, there’s still fun to be had in this mixed bag. It’s still well written, at times genius, and definitely worth a watch, this is a must-see for horror fans and a welcome surprise to the found footage sub-genre.

— Scott Clark

★★★★


Rating: 18
UK DVD/BD Release: 28th January 2013
Stars: Calvin ReederJoe Swanberg ,Jas Sams
Directors: Adam Wingard, David Bruckner, Ti West, Glenn McQuaidJoe Swanberg

Buy V/H/SDVD / Blu-ray

Watch Trailer for Colin Director Marc Price's MAGPIE

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Maverick film maker Marc Price, director of the £45/$70 zombie film Colin, has finished work on his second feature film MAGPIE. After the success of Colin, Price was approached with the scripts for numerous films including the Halle Berry shark movie Dark Tide, but opted to make a shark movie in his own unique style. Very different from Colin, MAGPIE is a dark relationship drama with significantly higher production value.

Financed by Emmerdale actor Dominic Brunt, it tells the tragic story of a negligent young father who returns home for his 9-year-old, shark-obsessed son’s funeral. An unwelcome guest, he steals the coffin and finds himself on the road with the child’s mother and two friends.

Magpie was shot on location in London, Cornwall and Price’s native Swansea. Without a script, Price instead opted to workshop scenes with the actors based on a carefully designed structure. What follows is a journey with no destination, just a desperate desire not to return.


Magpie Trailer from Nowhere Fast Productions on Vimeo.

Marc Price first grabbed headlines as the film maker who made the 2009 feature COLIN. A zombie film told entirely from the perspective of its zombie protagonist. The film is more notoriously referred to as the £45/$70 feature.

COLIN was released theatrically in the UK, US, Canada, Australia and received numerous awards and nominations including a British Independent Film Award (BIFA) and has received acclaim from Mark Kermode, Sight & Sound, The Guardian, Total Film and many others including Martin Scorsese.

Shortly after COLIN's release Price joined Casarotto Ramsay Associates. His agent proudly represents many of Marc's favourite film makers including Shane Meadows and Terry Gilliam.


Watch American Red Band Trailer For Neo-Giallo Tulpa

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He's seen as the new leaders of Italian Horror Federico Zampaglione and after his 2009 film Shadow, he returns with his Dario Argento inspired Giallo homage Tulpa.Jinga Films have today released a red band trailer which they have sent to us and you can check that trailer below.

After teasing at Film4 Frightfest Glasgow last year with his 7 minute preview the film premiered at the Film4 Fright Fest London later that summer and despite the best efforts the film came across rather comical.With its tacky sex scenes,with dubbing on par with a 1970's dubbed martial arts or even porn film it looks like Zampaglione has had a major wake up call. It seems a forced trip into the editing room  may have been a saving grace as the dubbing is better, some of the film about 20 minutes has been cut and the festival the film played at after Frightfest like Sitges the response have been alot more positive.

Starring Claudia Gerini (The Passion Of Christ), Michele Placido (Ages Of Love) Nuot Arquint (Shadow) and Michela Cescon, TULPA tells the story of a powerful stock broker who frequents a sex club owned by a mysterious Tibetan guru. Unshackled from the pressure of her job she will do anything to attain a higher consciousness, but when her lovers are murdered in shocking ways, she tries to unmask the anonymous assassin with nightmare consequences.




Thanks to our good friends at Blogomatic3000 we where able to review Tulpa at Frightfest London read our views here.

First Light has announced its nominees for the First Light Awards 2013.

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Now in their 11th successive year, First Light is proud to announce the nominees for the 2013 First Light Awards, which will take place at theOdeon Leicester Square on 19 March 2013. Known as the mini Oscars®, the ceremony is attended by a mix of film industry luminaries and celebrities who present the young people with awards across various categories, including Best Drama, Best Animation, Best Film by Under 12s, Best Film by Over 13s and FILMCLUB of the Year Award. The Awards is an uplifting celebration of young filmmakers from across the country which provides them with industry recognition and a platform to showcase their work.

Nominees hail from all over the UK, including Glasgow, Bradford, Sheffield, Nottingham, London, Liverpool and more, and their films explore a wide range of issues, such as bullying in school, mental health issues, young offenders revealing why they committed crimes, and a drug abuser getting back on track through music.

The young filmmakers come from a wide variety of social backgrounds and experiences – including those with learning difficulties, young offenders and those from deprived areas – with each filmmaker imparting a unique aspect of themselves into their films.

First Light helps young people from all backgrounds develop skills, talent, creativity and confidence by giving them opportunities to create their own short films with the help of industry professionals. The films the young people create cover many topics and genres, and make use of today’s accessible digital technologies to tell their stories with them in control. The roles of cast and crew would have been undertaken by various members of the young people in the group. Each would have had the opportunity to write, act, shoot, direct, light, edit, produce and screen their own film.

FLIC AWARD

Pig
Bracknell Forest Youth Offending Team
Two boys fall out and the only way they can resolve their differences is to play a game of Pig with their scooters. However the story nearly ends in tragedy when one scooter is sabotaged and their relationship is tested.
Aged 12-13
This film was a collaborative production between a group of four young people from Bracknell Forest Youth Offending Service and guided by professional filmmakers from Big Up Films. All of the participants are young offenders who had expressed an interest in making their own film. Through this project, the young people have developed their communication skills, had the chance to use professional filmmaking equipment and are more willing to work with others.

Transition Day
North Walsham High School
Starting High School can be a scary time. What if there are bullies? What about all the homework? What if you don't like the food? Transition tells the story of the Super Awesomeness Gang, as they work together to overcome their fears.
Aged 11-12
This film was a collaborative production between a group of 12 young people from North Walsham High School and guided by professional filmmakers from C Media. All of the participants had just finished primary school and had been selected as part of a government initiative to narrow the gap in disadvantaged during the transition to secondary school. Through this project, the young people have developed their literacy and communication skills, explored and addressed their fears for starting secondary school and made new friends.

Fork In The Road
Wrexham Youth Justice Service
Two friends get involved in a violent incident but when they get caught, will they choose to redeem themselves or dig their hole even deeper.
Aged 16-17
This film was a collaborative production between a group of three young people from Wrexham Youth Justice Service and guided by professional filmmaker, Dion Thorpe. All of the participants are young offenders and the film is inspired by their own experiences of the youth justice system. Through this project, the young people have developed their communication skills; have a greater understanding of their own abilities, which has led to them all continuing to engage in filmmaking activity.  

Watch Your Language
Fosse Way School
Has someone said anything that you found confusing? Sometimes words mean exactly what they say and sometimes words or phrases have a different meaning. These are called Figures or Speech or Idioms and can be mystifying. Watch You Language explores words and phrases we use every day that can lead to a misunderstanding.
Aged 11-14
This film was a collaborative production between a group of 32 young people from Fosse Way School and guided by professional filmmaker, Kari Nygård. All of the young people have learning difficulties and/or disabilities and teachers had previously found it difficult to engage such a large group in the same activity. Through this project, the young people have developed their communication and teamwork skills, they are more confident in their abilities and better behaved in group activities.


YOUNG VOICE AWARD

I’m Here
Film City Production Agency
Taking a cue from the Olympic and Paralympic values of friendship, courage and equality, young people living together in a children’s home introduce their “home”. They dispel stereotypes and misconceptions and discuss the highs and lows of their lives in care, the strong friendships that are built & the heart wrenching break up of those relationships.
Age 13-17
This film was a collaborative production between a group of 14 young people from Derby Children in Care Services and guided by professional filmmakers at the Film City Production Agency. All of the participants are in care and often had difficulty in maintaining attendance. Through this project, the young people have developed a clearer sense of focus and ambition which has led to increases in school attendance and willingness to listen to career advice and guidance.

Work Experience: It’s A Journey
Furze Down School
This film follows special needs students as they undertake work experience.
Joshua is having a taster day at a local theatre, Kieron is helping out in a local charity shops for a few weeks and Ellie has been working at the Dog’s Trust for over two years.
Aged 16-19
This film was a collaborative production between a group of 15 young people from Furze Down School and guided by professional filmmakers at Sixth Sense Media. All of this group have various special needs. Communication & interaction were the major issues for the group and this project gave them the opportunity to practice communicating with each other. This in turn developed their self-confidence and they demonstrated a greater ability to work as a team.

Dream Land
Medb Fiilms Ltd
With 68 different languages being spoken in Margate today, this documentary investigates the integration difficulties the Roma and local teenagers face. Looking at community violence, in particular the knife fights that started in Dalby Square, young teenagers discuss the myths surrounding immigration.             
Aged 12-24
This film was a collaborative production with a group of 46 young people from Kent Community Organisation and guided by professional filmmakers at Medb Fiilms. The documentary allowed the participants to openly discuss the racism in the area.  The project was designed to improve relations between the Eastern European migrants, Gypsies and local British residents, through the creative means of film production, this has been achieved.

Days That Made Us
Somerset Film
We all make choices. Some choices move us on, some move us back to places best left behind. In this frank and powerful documentary, a group of young offenders reveal the decisions they took that led them to committing crime.
Aged 16-19
This film was a collaborative production between a group of 15 young people from Somerset Youth Offending and Bridgwater YMCA and guided by professional filmmakers Somerset Film. The group were difficult to engage due their chaotic lives. Many of them had very low confidence, were depressed and disengaged. They said that getting up knowing that they were doing something constructive that day felt good.
The project gave them a focus and a chance to be creative and to be involved in something positive. 

BEST DOCUMENTARY

Charming Southwark
The Cuming Museum
What do charms mean to you?
Inspired by the Lovett Collection at Southward’s Cuming Museum, this mixed media documentary examines how the meanings of charms have changed for people over the years. In the past, they were used for protection and good luck but nowadays they are more often simply fashion accessories. Using interviews from people with different cultural backgrounds, the young people leant that some charms have personal significance.
Aged 13-17
This film was a collaborative production between a group of 16 young women from Cuming Museum Youth Panel and guided by professional filmmakers at Chocolate Films. All felt an enormous sense of achievement along with improved teamwork, confidence and self-esteem. They believed the project would have a positive impact on their school work especially ICT, media and photography.

Ghost Girl
Thomas Adams Media Arts Programme
The face of a young girl appears in the flames of a great fire. Is it the infamous Wem ghost?
This short film uses archive footage and animation to reveal the truth behind the notorious Wem Town Hall Ghost photograph. Are ghosts real? Spooky stories of ghost cats and scary anecdotes of strange goings on add to the mystery.
Aged 12-16
This film was a collaborative production between a group of 20 young people from Thomas Adams School & Sir John Talbots School and guided by professional filmmakers Thomas Adams Media Arts Programme. One participant had a significant stammer during script development but this disappeared after some coaching. He was determined to fix his stammer as he now wants to pursue a career in the media. All of those involved in the filmmaking elements are very keen to continue and are already working on new ideas for projects.

Echoes of Substance Abuse
Twin Vision
An insight into the effects of substance abuse.
Following Mike, aka Rapper Innuendo’s journey from drug abuse to musician, we learn how he turned his life around to develop a successful music career free from drugs.
Aged 15-25
This film was a collaborative production between a group of 17 young people from Sefton Youth Service and guided by professional filmmakers at Twin Vision.
At first, most of the group wished to stay behind the scenes but as their confidence grew so did their participation. Meeting inspiring professionals fully engaged those low achievers and those with low attention spans. All involved grown emotionally, dealing with challenging and sensitive issues with great care.  They learnt the professional language of film, and were able to deconstruct a visual narrative. Several are now pursuing careers in film and media studies.

Hopeless or Courageous?
The Lighthouse Group
Read the real label.
Some groups of young people can be typically viewed as growing up to be hopeless cases. An onlooker watches a group of young people and labels them mugger, vandal, shoplifter and drunk. However, a closer look reveals something altogether more courageous.
Aged 12-18
This film was a collaborative production between a group of 35 young people from TLG and Hanson School and guided by professional filmmakers at The Lighthouse Group. 
The group are from a variety of complex backgrounds. Through the project, all improved their team building skills as well as self-confidence, meeting new people and talking to adults. Challenging behaviours were replaced with enquiries about continuing filmmaking with diplomas and media studies at Bradford College. One young woman with a particularly difficult history grew enormously, finding her passion for filming, helping her concentration levels which had a positive impact in other areas of her life.

BEST ANIMATION

It Will Be Fine
Somerset Film
A busy life online might mean you miss what’s happening around you.
A young woman chats with her friends online failing to notice that her pet mouse is about to drown. Will she sacrifice social media to save her pet’s life?
Aged 13-14
This film was a collaborative production between a group of 14 young parents from Avonbourne School and guided by professional filmmakers Somerset Film. The group had great resistance to thinking and discussing climate change and the environment.  The project drew them into this topic and gave them a chance to explore why they don’t like to talk or think about it. By the last session the young people said that their attitude to the environment had changed and that they were now interested in being involved in issues around climate change.


High Above The Sky
S.P.I.D. Theatre Company
Little Leo loves sweeties but when he steals a whole jar, he soon regrets having to go on the run.
Little Leo helps himself to a jar of sweeties in the supermarket. His Dad tells him off so he goes on the run. However, when he finds himself heading for the moon, he starts to wish he’d never been naughty.
Age 5-19
This film was a collaborative production between a group of 58 young people from Kensal Youth and guided by professional filmmakers at Mew Lab and Twisted Noodle. This group came from very diverse backgrounds, young offenders, young refugees and care homes. All of them were inspired by the project feeling very proud of their first achievement in film. The young offenders said the project made them see learning in a different light. They were all far more technically adept than first thought, lending to a very professional animation.

Olympic Fortunes
Wind & Foster
Clairvoyant, Mystic Maggie, loses patience with her overly superstitious customers.
The year is 2012 and it is only a few days before the Games. Unfortunately for Britain, there is a crisis of confidence; Olympians everywhere are looking for more than lucky shorts.
Aged 10-19
This film was a collaborative production between a group of 23 young people from Northamptonshire Bangladeshi Association and Tag Youth and guided by professional filmmakers at Wind & Foster. The majority of participants are excluded or at risk from being excluded from school. Usually working in single sex groups, this project ran mixed sex workshops which boosted confidence in both sexes in talking to each other & in turn their creativity. Animation proved an incredible tool for working with young people with behaviour problems. The group spent lots of time working on the script.

Stargazer
GMAC
A bitter sweet tale of love and loss.
Matt stargazes, searching the sky every night looking for signs of his departed wife. Keeping him company is his plucky companion, Jockie the dog. Matt is planning a surprise for his Grandson Tony. Overnight something changes; Will Tony ever find out what his Grandfather had planned?
Aged 10-22
This film was a collaborative production between a group of 28 young people aged 10-22 from The Arches Youth Club, Solar Bear and HillheadHigh School and guided by professional filmmakers at GMAC. Working creatively together as a mixed ability group - some of the participants are deaf or hard of hearing - but all participants expressed an increase in confidence and made new friends both hearing & deaf. One participant is now studying product design at Glasgow School of Art.

BEST FILM BY UNDER 12S

Scales
West Ham United (WHU) Inspire Learning Centre
A somnambulist with a sea obsession sleepwalks through reality into a nightmare stop motion ocean.
Charlie, a young somnambulist with a sea obsession sleepwalks from his bedroom and falls into the darkness of a swimming pool. The pool becomes a nightmare ocean filled with talking fish and a deadly shark. When Charlie wakes up all seems well but it is really?
Aged 9-11
This film was a collaborative production between a group of 17 young people from Sandringham Primary School and guided by professional filmmakers at Beautness Animation.
Over half the group use English as their second language. The children felt working with professionals made them feel more confident whilst using the equipment. Several of them excelled in various aspects of the process, such as directing, acting and camerawork showing leadership, responsibility and determination. The school now runs its own film and animation club.


Time Report
Signals Media Arts Centre
 A futuristic news show set that explores the history of Earth’s ecological problems.
In a galaxy far, far away, the Time report is broadcast live from a battered old space station. The roving Time Reporter jumps through space and time to bring viewers the latest information on Earth’s ecological problems, whilst the studio director struggles to keep the show going. Featuring interviews with a dinosaur, a Tudor farmer and an alien, this is a whimsical look at global warming.
Aged 7-10
This film was a collaborative production between a group of 61 young people from Perryfields Junior School and guided by professional filmmakers at Signals Media. The participants were made of those pupils with learning difficulties or seen as underachieving. All gained additional skills in literacy due to the extensive scriptwriting process. One participant with Downs Syndrome showed a remarkable increase in his vocabulary as well as socialising more with the group.

Strange Playground
Heymann Primary School
Who’s coming out to play?
On her first playtime at her new school, Sam imagines the worst as she wanders through footballers, nerds, cool kids and zombies, searching for a friend.
Aged 10-11
This film was a collaborative production between a group of 28 young people from Heymann Primary School and guided by professional filmmakers at Nottingham Trent University.
Working with professional equipment gave the participants a real sense of pride & achievement, even sacrificing playtime to continue filming. Each child blossomed differently at different stages of filming. One boy was able to see very quickly how the story could be told in meaningful scenes and shots. Two girls who didn’t engage with the scriptwriting were totally absorbed during rehearsals and filming.

The Spaghetti Tree
Stocksbridge Nursery Infant School
Spaghetti growing on trees? Don’t be ridiculous!
After insisting spaghetti grows on trees, a cheeky crow listens to the words of a wise scarecrow as he explains where spaghetti really comes from.
Aged 6-7
This film was a collaborative production between a group of 20 young people from Stocksbridge Nursery Infant School and guided by professional filmmakers at Big Voice Media. The high level of autonomy afforded the children has led to a real sense of achievement and a deep feeling of pride in the end product.

BEST DRAMA

Coins
Red Dog Film
Redemption takes time.
In Victorian England a young man learns a hard lesson when he steals from his friends. He still has to protect his mother and his brother. Can he manage or will he end trying to steal his way out of trouble?
Aged 13-19
This film was a collaborative production between a group of 16 young people from Lincoln and guided by professional filmmakers Red Dog Film. The participants showed a high level of commitment to this project. One person is now engaged on a media apprenticeship with Red Dog Film. Other members of the team said they have media ambitions too.

Mutiny
Fairbridge in Scotland
A group of young people board the Spirit of Fairbridge to crew for the week, setting sail to develop their skills and confidence as well as an adventure on the high seas. However it soon becomes clear to one of the crew that they are not alone. This ghostly sea voyage explores themes of dislocation and paranoia against a haunting soundtrack.
Aged 14-25
This film was a collaborative production between a group of 47 young people from Fairbridge in Scotland and guided by professional filmmakers at The Forest of Black. All participants have reported an increase in confidence and self esteem and staff noticed an improvement in team work and behaviour as the project progressed. They are mostly young people disengaged from education and include some young offenders from around the UK.


The Woodland
Blind Ditch
A grieving girl is helped to find a new sense of perspective after a transformative experience.
Rachel is running away from her problems in the woodland. Suffering a bump to the head, she has an extraordinary experience in which she sees the world from a different perspective.
Aged 6-17
This film was a collaborative production between a group of 17 young people from Devon Integration Support Services and guided by professional filmmakers Blind Ditch. The young people showed a great deal of attention to detail, extraordinary listening skills, the ability to review and critique what they had recorded as well as really enjoying the opportunity to listen so closely to the sounds around them.  Pride in the final film was evident at screenings where at one time, the film was played six times.

Crystal Clear
GMAC
Three generations of witches in a modern day world.
Crystal is a very curious thirteen year old girl. Her enquiring mind turns to that around her. She becomes increasingly aware of her Grandmother and Mother’s special powers. One bright day Crystal’s inquisitiveness gets the better of her. Crystal decides to do a little more investigation, against her Mother’s will. What will Crystal discover?
Aged 10-19
This film was a collaborative production between a group of 38 young people from The Get Into Media Youth Group and guided by professional filmmakers at GMAC.
Many young people were directly inspired by working with industry professionals. One participant has aspirations to become a First AD, another to become a camera assistant, whilst 2 others have applied to the BBC Scotland Apprenticeship. None of which were previously in education or employment.

BEST FILM BY 13S & OVER

Cat In The Box
Evil Twin Artworks
One crazy lady, one weird cat, one strange day.
A lady who lives alone painting cats receives a mysterious package and her life is never the same again...
Aged 13-17
This film was a collaborative production between a group of 16 young women from Swindon Borough Council’s Integrated Youth Support and guided by professional filmmakers at Evil Twin Artworks. Nearly half this group are excluded from school. Confidence was an issue and some of the girls took quite a while to allow themselves to try the camera or work on the computer. However by post production their sense of self esteem and confidence had noticeably grown! They have all expressed an interest in taking the animation side of things further.

Your Future Home
Chocolate Films
A home so perfect you’ll never want to leave.
A chilling drama where David thinks he is being offered a new home but instead ends up somewhere much less homely.
Aged 16-19
This film was a collaborative production between a group of 12 young people from St Basil’s and guided by professional filmmakers at Chocolate Films.
All the participants are young homeless residents at St Basils & at risk of offending. One young man was crucial to the development stage and as an actor. He is now an intern at Prince’s Trust & has attended several First Light workshops and master-classes. One young woman who really took to editing, is studying media at college. Another young woman who has a history of violence and was finishing her parole at the time, wanted to use the project as a platform to educate others at risk of offending. All the participants came from difficult backgrounds but have benefited greatly from the experience, growing in confidence, team building and self-esteem.


The Envelope
FACT
A comic strip comedy surrounding a very sought after envelope...
The protagonist is given an envelope that appears to be sought after in many circles. Follow our girl to find out what exactly is in that envelop and solve the mystery.
Aged 13-18
This film was a collaborative production between a group of 12 young people from Liverpool Youth Service and guided by professional filmmakers at FACT.
Trust was an issue to start with but soon the participants felt confident talking to & working with adults. This meant they had a longer attention span and less disruptive behaviour. One normally aggressive girl has become more attentive and calm whilst a boy with Downs Syndrome has shown a marked improvement at school. Parents have reported improved behaviour and a thirst for a career in the film industry.

Not Just A Diagnosis
Ideal Films Ltd
For some people, this nightmare is real
A young woman finds herself in a nightmare world where her feelings of being branded because of her mental health issues are made very real. Can she find the strength to break the cycle?
Aged 13-19
This film was a collaborative production between a group of 30 young people from Swindon Youth Forum and guided by professional filmmakers at Ideal Films. Most of the participants have mental health issues ranging from Aspergers to self-harming. Everyone felt the set design was a real triumph so the group decided to create their own soundtrack too. One person said “Working with all the pro equipment makes me feel more creative.”

BEST COMEDY

H.B.
My Pockets
A pencil sharpener tries to seduce a shy pencil but will he shape up 2B like her much harder boyfriends?
Aged 15
This film was a collaborative production between a group of 12 young people from Tiverton High School and guided by professional filmmakers My Pockets. All the skills, including recording sound, camera skills, puppet making and Final Cut Pro were learnt because the young people were enjoying themselves. The project enabled a difficult subject to be tackled through humour and the transferable skills came from the laughter and enjoyment from frank discussions about sex and relationships. 

Accidently in Daventry
Cobblers Study Centre
The quest for intelligent life.
Three aliens are sent on a mission to Earth to determine whether there is indeed human intelligence and if not, blow it up!
Aged 11-16
This film was a collaborative production between a group of 16 young men from Danetre Secondary School and guided by professional filmmakers at the same organisation. Most of the participants are on the ASD spectrum so their level of perfection was very high. Since completing their film, many have gone to further their filmmaking skills: Two have enquired about studying film production at University,
three are planning on taking media at GCSE level and one student has been making detailed plans for taking a gap year to make a feature film of his own.

RoboCarer
CTVC
A young carer finds an ingenious way of releasing his caring duties, but is this what he really wants?
Joe is a young carer. He loves his mum but wishes he had more time to play with his friends. He comes up with an inventive plan that he thinks will give him the best of both worlds...
Aged 6-15
This film was a collaborative production between a group of 12 young people from Blackpool Young Carers and guided by professional filmmakers at CTVC.
All of the participants involved are young carers who often lead chaotic lives, leading to tiredness and missed sessions due to commitments at home. Filmmaking focussed their attention and they flourished exceeding in costume and set design. This film was a very personal story to its creators.


Justin The Party Animal
Arpeggio Films
The adventures of Justin the Bellboy at Hotel Talk To The Hand!
Justin has NOT been invited to the party but undeterred he tries several creative techniques to sneak in unnoticed....
Aged 16-19
This film was a collaborative production between a group of 19 young people from Beacon Hill Sixth Form and guided by professional filmmakers at Arpeggio Films. All participants have learning difficulties and complex needs so conventional communication such as writing and speaking is challenging. Filmmaking frees their creativity engaging them in devising characters, locations and props. Two young women spent a day at a professional edit studio & showed such competencies that they were left alone for a time. Another two members with a fantastic flare for filmmaking are now working alongside an Employment Support Mentor learning about locations, budgeting and exhibition.

You can watch the nominated films at First Lights website here (just click on the films image to watch).