Floating Weeds Blu-Ray Review (Masters Of Cinema)

Floating Weeds was one of the now legendary Japanese director Yasujitõ Ozu’s last films and one of his only handful of colours films. It is also a remake of an earlier silent film he made called A Story of Floating Weeds.

The film is set during a very hot summer in the coastal town the Inland Sea. A travelling theatre group visits the town for a series of performances. Komajuro (Ganjirō Nakamura) the theatre leader visits an old mistress Oyoshi who he had a son Kiyoshi with but his son doesn’t know who his father is. Sumiko who is Komajuro’s current mistress learns of his and becomes jealous. Sumiko plays a visit to Oyoshi’s eatery but Komajuro chases her away before she can reveal anything and breaks up with her in the rain. Sumiko to get back at Komajuro decides to have a young actress Kayo to seduce Komajuro’s son and more drama happens.

Ozu’s films in the last few decades has been reissued and reevaluated a lot and cited by many directors such as Paul Schrader, Wim Wenders and Jim Jarmusch as influence. In the latest Sight & Sound poll his earlier film Tokyo Story was voted the 3rd greatest film made after the standard classics Citizen Kane and Vertigo and it topped the director’s poll. Ozu will be very hard going for a lot of people, the films are very slow paced and his camera literally never moves, the stories are very simple domestic tales of then contemporary Japan.

However his films always very human and always powerful and beautiful in its simplicity and Floating Weeds is no exception. Floating Weeds is probably as “flashy” as Ozu ever got, the use of colour really adds a nice layer to his films with its beautiful composition and his choice of colours. The acting is always impeccably naturalistic at it’s best. Ozu should be studied by anyone interested in film and how great minimalist cinema can be, file next to Robert Bresson.

Floating Weeds has been restored by the always wonderful Masters of Cinema imprint of Eureka Entertainment, like the other recent entry Gate of Hell, it doesn’t feature any bonus features bar a trailer but includes 36 page booklet with a essay, rare photos and entries from Ozu’s personal diary.

Ian Schultz

★★★★1/2

Rating: PG
Release Date: 3rd December  2012 (UK)
Directed By: Yasujirô Ozu
Cast:  Ganjirô Nakamura, Machiko Kyô , Haruko Sugimura
Buy :FLOATING WEEDS [UKIGUSA](Masters of Cinema) (DVD & BLU-RAY DUAL FORMAT) [1959]

Gate Of Hell Blu-Ray Review (Masters Of Cinema Release)

Gate of Hell was the first Japanese colour film to released internationally. It was awarded the Palme D’or at the 1954 Cannes film festival, arguably the most prestigious award in film history. It was directed by Teinosuke Kinugasa who made quite a few films in his native Japan but it seems like all of his films bar Gate of Hell are currently unavailable in English speaking regions. He actually started in Silent film not unlike the notable Japanese filmmaker Yasujirō Ozu.

The film’s story is about a simple as you can possibly get. It tells the story of the samurai warrior Moritō who prevents an attempted coup. A lady in the court disguises herself as the lord’s wife and this allows the royal family to escape. The lord offers Moritō any wish he wants. He asks to marry the women who disguised herself as the lord’s wife, however it’s revealed that she is already married. Moritō refuses to withdraw this request and this setting in motion starts a series chain of events that can end up no way but tragic.

Martin Scorsese a couple years ago released to lists of which included 20 films and he split them up in 2 categories. The first list was colour English speaking films and the other was international. Gate of Hell was on the international list and understandably, the use was colour is almost hallucinatory, the yellows, greens, purples, blues almost literally jump out of the screen at you. In some ways the film is almost only worth watching for the use of colour, the plot is so simple but that’s not a criticism, just an observation. The colour technology used was Eastman colour, which at the time was very new and radical.

Jean Cocteau the great French filmmaker, poet, artist and writer wrote a preface for the French release said something along the lines of “the greatest use of colour ever in film”. This may be a slight over statement but you can clearly see what he meant. The film has been lovingly remastered by the always wonderful Eureka Entertainment as a part of their Masters of cinema range, it’s has no extras except a booklet but the film speaks for itself.

Ian Schultz

★★★★½

Rating: PG
DVD/BD Release Date: 03 December 2012 (UK)
Director: Teinosuke Kinugasa
Cast: Machiko Kyô, Kazuo Hasegawa , Isao Yamagata 
Buy: GATE OF HELL [JIGOKUMON] (Masters of Cinema) (DVD & BLU-RAY DUAL FORMAT) [1953]

Marlene Dietrich's The Blue Angel To Get Masters Of Cinema Treatment

THE BLUE ANGEL [DER BLAUE ENGEL] will be released as part of Eureka Entertainment’s MASTERS OF CINEMA Series in a DUAL FORMAT (Blu-ray & DVD) edition on 28 January 2013

Eureka Entertainment have announced that they will be releasing THE BLUE ANGEL [DER BLAUE ENGEL] as part of Eureka Entertainment’s MASTERS OF CINEMA Series on 28 January 2013.  The film launched the career of the legendary Marlene Dietrich and her multi-film collaboration with Josef von Sternberg, and stars Emil Jannings, the famous German actor of such classics as Faust, The Last Laugh, and The Last Command.  The Blue Angel showcases Dietrich in performance singing many of the songs that would take on the status of trademarks throughout her long career.

“A remarkable performance from Emil Jannings.” – Kim Newman, EMPIRE Magazine

“Not only is Mr. Jannings's and Miss Dietrich's acting excellent, but they are supported by an unusually competent cast.”– New York Times

“Exceptionally high drama for its day, this tragic, tragic tale is one of the best examples of well-realized filmmaking from the first half of the 20th century.” – Filmcritic.com

Synopsis:The Blue Angel is one of the first German language sound films (filmed simultaneously in an English-language version), and the picture that represents the initial collaboration between Josef von Sternberg and his immortal muse, Marlene Dietrich. 

Following up his role in Sternberg's great silent The Last Command, Emil Jannings portrays a schoolteacher named Immanuel Rath, whose fateful expedition to catch his students frequenting the cabaret known as "The Blue Angel" leads to his own rapture with the establishment's main attraction Lola (Dietrich) — and, as a result, triggers the downward spiral of his life and fortune.

Directed by Sternberg while on loan from America to the pioneering German producer Erich Pommer, The Blue Angel is at once captivating, devastating, and powerfully erotic, laced-through with Sternberg's masterful cinematography. From here, the director and Dietrich would go on to make six more films together in the span of five years, and leave a legacy of some of the most indelible iconography in the cinema of glamour and obsession. The Masters of Cinema Series is proud to present The Blue Angel in a new Dual Format presentation that incorporates both versions of the film in 1080p HD for the first time in the UK.

SPECIAL DUAL FORMAT (BLU-RAY + DVD) EDITION:

• New 1080p HD presentation of both the German-language and English-language versions of the film, with progressive encodes on the DVD.

• Newly translated optional subtitles on the German-language version, and SDH on the English-language version.

• New and exclusive video essay on the films by critic and scholar Tag Gallagher.

• New and exclusive feature-length audio commentary by critic and scholar Tony Rayns on the German-language version.

• Original screen test with Marlene Dietrich.

• Archival interview clips with Dietrich.

• Substantial booklet containing writing on the film, vintage excerpts, and rare archival imagery.

• More features to be announced closer to release date!

Pre-Order:THE BLUE ANGEL [DER BLAUE ENGEL] (Masters of Cinema) (DUAL FORMAT) [Blu-ray] [1930]

Zombies Go Mexican Arthouse In Trailer to Halley

I may have deceived everyone with the use 'zombie' so apologies there, however we are keeping with the undead  with Halley new film from Mexican filmmaker Sebastian Hofmann. The film was originally screened at this years Sundance film festival Hofmann's film takes an arthouse look at the undead though whose seem to have found a new approach to the very tired crowded sub-genre. Don't expect lots of running, chasing ala Zack Synder's zombies or even George Romero style either expect something a little more atmospheric a little more moodier.

Still a really intriguing looking film, check out the trailer below....

Alberto is dead and can no longer hide it. Make-up and perfume can no longer conceal his quickly decomposing body. Dismayed, he decides to withdraw from the world. But before surrendering to his living death, Alberto forms an unusual friendship with Luly, the manager of the 24-hour gym where he works as a night guard. 

source:Twitch

Sightseers Review

Ever get the impression that you were watching a different film from everyone else? I'm not sure what I was missing with Sightseers (2012), the new film from director Ben Wheatley and written by and starring Steve Oram and Elizabeth Sladen lookalike Alice Lowe, all three of whom were involved with the recent cult hit Kill List (2011), but half way in I was praying for the end to come mostly as a result of boredom and disgust. Marketed as a comedy, the film attempts to leaven this with a liberal dose of horror, failing dismally to achieve either satisfactorily.

In order to escape from her overpowering mother, Tina (Lowe) agrees to go on a caravan trip with her new boyfriend Chris (Oram). However what starts off as a sightseeing trip of North Yorkshire soon becomes the road trip from hell after Chris's true psychotic tendencies come to the fore, following a misunderstanding at a local tourist attraction, with murderous results for all involved.

Like the caravan holiday that forms the basis around which its story is built Sightseers swiftly looses its appeal. Its real problem, as with much of what currently passes itself off as humorous particularly in Britain, is that it tries too hard. As with most 'laddish' fun, the laughs here are more as a result of embarrassment than anything genuinely amusing.

Neither does it work particularly well from a horror point-of-view either. Comedians often see the field of horror as an ideal entry into the world of films. However they frequently make the mistake which many people do, of not taking the genre seriously. By it's very nature horror often lays itself wide open for parody, providing prime material for people to send up. However study them closely and you will discover that those horror films which are successful approach it with a degree of reverence, even when it's being poked fun at.

Those who understand the secret of real horror grasp the concept that less is more. The audience's imagination is always much stronger than anything filmmakers can depict on the screen, with most good horror films cutting away before you see anything at all - The Texas Chain Saw Massacre (1974) had a degree of black humour, but the secret of its longevity was that everyone believed they saw more than they actually did. The current crop of films from mainland Europe such as the upcoming Spanish chiller Sleep Tight (2011) succeed by taking this subtle approach, whilst the American hit Scream (1996), which marketed itself as neither a comedy or a horror film (though it was quite clearly both) worked by doing the whole thing quasi seriously. Much modern British horror on the other hand, like Sightseers and the recent crass monstrosity Inbred (2011), doesn't know when to stop, showing vivid violence and gore in nauseating close-up.

In its defence the film looks beautiful - the English backdrop against which the shenanigans play out is breathtaking. Unfortunately this does little to compensate for an otherwise lurid and inept attempt at offbeat wit. I know my opinion is likely to meet with universal disagreement, in which case please do fill me in on what I was missing.

Cleaver Patterson

★★☆☆☆

Rating: 15
Release Date: 30th November 2012 (UK)
Directed By: Ben Wheatley
Cast: Alice Lowe, Steve Oram, Eileen Davies

Frightfest Announce UK Theatrical Tour For American Mary

Following its recent successful UK festival run, including the world’s first screening at Film4 FrightFest in London in August, the smart and stylish horror thriller American Mary will return to UK cinemas for a theatrical tour from January 11 2013, courtesy of FrightFest Presents.

Additionally, Canadian-born writer/directors Jen and Sylvia Soska, and Mary Mason herself, lead actress Katharine Isabelle (Gingers Snaps) will all be returning to the UK to introduce the screenings, starting at the Prince Charles Cinema on Friday January 11, followed by shows around the UK including Glasgow, Edinburgh, Brighton and Leeds.

The tour will take in seven cities over seven dates, with introductions and post-film Q&As from the filmmakers, compered by FrightFest’s Alan Jones and Paul McEvoy.


Ian Rattray of FrightFest Presents commented: "After the fantastic reception both American Mary and the Soska Sisters got at FrightFest, we're immensely proud to be able to partner Universal Pictures UK for the theatrical opening of the film. This is FrightFest Presents’ first step into theatrical distribution and American Mary is the perfect fit for us".

Jen & Sylvia Soska commented: “After being given an opportunity of a lifetime for a filmmaker by having our first American Mary screening at the fantastic FrightFest, the festival organisers and Universal are doing it again by bringing us out to travel with the film in the UK for its theatrical tour. We are so thrilled to be coming  back where our career first kicked off with the first film and cannot wait to experience the new film with all the filmgoers in the darkened theatres. Looking so forward to meeting you all and seeing you there!”

Katharine Isabelle commented: “American Mary is dark, twisted, smart and beautiful. When I first read Jen and Sylv’s script, I knew it would be an incredible professional adventure. The twins’ ingenuity and wit is just undeniable and I am so excited to share the result with audiences in the United Kingdom this January”.

Full cinema listings:

Fri January 11 - Prince Charles Cinema, London
020 7494 3654, www.princecharlescinema.com

Sat January 12 - Edinburgh Filmhouse
0131 228 2688, www.filmhousecinema.com 

Sun January 13 - Glasgow Film Theatre
0141 332 6535, www.glasgowfilm.org/theatre

Mon January 14 - Sheffield Showroom
0114 275 7727, www.showroomworkstation.org.uk 

Tue January 15 - Hyde Park Picture House, Leeds
0113 275 2045 www.hydeparkpicturehouse.co.uk

Wed January 16 - Bristol Watershed
0117 927 5100, www.watershed.co.uk 

Thu January 17 – Duke’s at Komedia, Brighton
www.picturehouses.co.uk/cinema/Dukes_At_Komedia

One of the year’s most horrific highlights, American Mary tells the story of broke student Mary Mason (Katharine Isabelle) who grows disenchanted with medical school and the doctors she once idolised.
The allure of easy money sends a desperate Mary through the gruesome world of underground surgeries but soon finds they leave more marks on her than the so-called freakish clientele...
Smart, sexy, funny and utterly gorgeous to look at, American Mary features a standout lead performance from award-winning actress Katharine Isabelle (Ginger Snaps), and puts the Soska Sisters, aka the Twisted Twins, squarely at the forefront of modern genre filmmaking.
On both sides of the Atlantic, Jen and Sylvia Soska’s American Mary has already been celebrated with more than a dozen international film festival honours, including Best Picture (LA ScreamFest, Shudder Fest) as well as Best Director and Best Actress (Toronto After Dark, LA Screamfest, Shudder Fest).
Total Film Magazine voted Katharine Isabelle Best Actress at London’s Film4 FrightFest in August, whilst SFX Magazine called American Mary the ‘Best of the Fest’.

American Mary will be released theatrically through FrightFest Presents at selected cinemas nationwide from January 11 2013.

Watch An Hour Long Q&A With Paul Thomas Anderson For The Master

With The Master no finally out in UK&Irish cinemas it seems to be having what I call the 'Tree Of Life' effect. Nothing to do with comparing both films but to do with a film  thats visually beautiful, a cast that's at home not just in mainstream cinema but also arthouse film and is dividing not just the public but also the critics. It's probably down also your understanding of the story, The Master loosely based on L Ron Hubbard the founder of Scientology but many people coming out disappointed as its more about man and his master or even man animalistic cravings.

Paul Thomas Anderson was recently in Australia to help promote the film Down under where he was involved in a intriguing 1 hour Q&A after a screening.Within the video the director talks about his reasons for shooting in 70mm, his vision, just watch and enjoy a true master of cinema explain the story behind The Master.

The Master is out on now on general release, read our review here.


source:CinemaBlend 

First Bloody Image From Horror Anthology V/H/S Sequel

This January one of the highlights of next year Horror Anthology V/H/S will finally arrive in UK&Irish cinemas thanks to Momentum Pictures. The film has already done the rounds in U.S Cinemas as well as festivals along with the film's UK premier at this years Edinburgh Film Festival(read our review) and before the film hits these merry shores the first official image of the sequel (see above).

Called S-V/H/S still following classic anthology horror movie with a contemporary and brilliantly visceral spin by some of the hottest new directors working in the genre today. The new movie has Gareth Evans (The Raid) co-directing with Timo Tjahjanto (Macabre); Eduardo Sanchez (The Blair Witch Project) co-directing with his long time producer Greg Hale; Jason Eisener (Hobo With A Shotgun); Adam Wingard (You're Next) and writer Simon Barrett making his directorial debut all providing the scares.

The above image is from Tjahjanto/Evans segment what it's about we don't know at this stage but it looks unhinging , something of occult in nature. If we go buy the buzz built from the first film Found footage horror may have found the film genre an exciting prospect. Check out the new UK poster for the film below!

V/H/S will be released in UK&Ireland 18 January 2013.

source:Twitch

Watch The Action Packed Sci-Fi Short Memorize

Whilst we may not always give the credit CGI deserves, Jimmy Eriksson and Eric Ramberg's action packed sci-fi short Memorize proves the technology has a few beneficial tricks up it's sleeve. If your opposed Identity cards with chips in them containing everything you need to know about yourself (good & bad) , in Memorize 15 years from now we'll all have chips embedded into our necks!

In 2027 The SSU - Special Surveillance Unit track all our moves to make sure no crime is committed, Earth is simply a Police state. When a SSU agent attempts  track down an suspected killer that perfect system to prevent crime show the agent it has 'problems'. As we slowly move towards becoming a 'Police State' I'm sure the Police force of today would love to get their hands on some of those gadgets and control those among us  who love to be on the wrong side of the law. Memorize is a very slick looking film with nice CGI touches and with a big doze of Minority Report thrown in, just remember don't think about things that could be construed as 'criminal' or you'll have The SSU breathing down your back!


Memorize - Short Film from Jimmy Eriksson on Vimeo.
source:Vimeo

Watch Alan Moore's Jimmy's End

Been a kid from UK who loved comic books in 1980's I didn't go for the typical Beano, Dandy, Topper,I just loved something a little darker, gritter sometimes surreal like 2000AD, Watchmen and V For Vendetta. It was unusual choices as I first went to primary school in 1980 starting high school 1988. There's one man I have to thank is Alan Moore the British cult comic book writer and his latest story come film Jimmy's End has appeared online in it's entirety.

Jimmy's End is a 32 minute short film which is part of a bigger project revolving around the same narrative, characters and locations. When you watch the film you can see a big David Lynch feel to it, very intense, surreal and full of sexual tension, it's neo-noir ala 1950's style at it's most disturbing. After you watch the film check out the 19 minute prequel Act Of Faith and spend an glorious hour in the company of Britain's finest comic book writer Alan Moore!

Did someone say bizzare?!

We’ve all been there: in the lapses after midnight, stumbling down unfamiliar gutters after one too many for the road and looking for inviting lights before they call last orders. James is trying to lose himself, but in a fractured men’s room mirror finds the eyes that have been waiting for him.

Following from the unnerving prelude Act of Faith, Alan Moore and Mitch Jenkins unveil a phantasmagoric English dreamtime made of goosefleshed pin-up girls, burned out comedians and faulty lights, with judgement just behind the tinsel
Jimmy’s End pulls back the purple drapes upon an intricate new planet of desire and mystery. We’ve all been there.

source:Bloody Disgusting