19 June 2013

EIFF 2013 - The East Review

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You would think a film like The East that details the work of anarchic environmental activists would make a thrilling watch, but unfortunately Zal Batmanglij's film squanders its original and simple premise through a series of crippling misfires.

With a screenplay from lead-actress Brit Marling and Batmanglij, The East details an operative (Marling) from an elite intelligence firm infiltrating an anarchist group who are targeting large corporations. However, her allegiances are challenged as she grows closer to this group of eco-terrorists who call themselves The East.

The East opens with a chilling sequence of crude oil pouring through the vents of a CEO's luxurious home after it's revealed he disposed of thousands of litres of the stuff in American waters. Batmanglij suggests that this will be a dark, subversive piece that sets out to readdress the balance between corporations and those that their greed hurts. Unfortunately excluding one other set piece (when The East elaborately poison executives with their own deadly painkiller) - we rarely see this happen. Instead Batmanglij's screenplay focuses on operative Sarah's growing relationship with the anarchists.

Despite this focus on relationships within The East, we never feel truly intimate or engaged by Sarah or the group. Instead the anarchists feel glazed over caricatures of eco-hipsters - they raid trash cans, feed each other, and jig to folk music, and there is little more to them than that. The screenplay is packed with a variety of inconsistencies like how Sarah could so easily be accepted in a well-established anarchist group or how a corporation could legally sell a drug that damages of the functions of everyone who takes it.

As for the implausible scenes involving the take-down of these corporations, they lack the excitement and drive that this film so sorely needed to kick it up a gear. The pace of Batmanglij's film remains slow, verging on downright tedious - episodes of ABC's Revenge showcase far more originality and tension whilst tackling the similar theme of corrupt corporation takedown (fans may remember Emily's take down of Bill Harmon's investment firm in the first season). This is particularly disappointing as The East boasts such a fantastic initial premise.

The performances also feel equally uneven with Brit Marling faring the worst. Despite previously shining in Arbitrage, Marling's performance feels flat here with the actress failing to display the range that this part needs. Sarah's draw towards The East despite her loyalty to her employers should have showcased an emotional struggle for the character, but Sarah simply seems impartial and unengaged by all of the events that surround her. The equally talented Ellen Page also appears squandered in a role that can simply be described as a whining brat.

On the positive side, both Alexander Skarsgard and Patricia Clarkson are excellent. Skarsgard displays a natural charisma and magnetism, whilst Clarkson packs an icy bite into the role of intelligence honcho Sharon.

Despite initially promising an exciting and subversive concept, The East is simply a flat and tedious look at the lives of unlikeable eco-hipsters that fails to showcase the readdressing of the balance of power between the social classes. It appears greed really is good.

★★☆☆☆

Andrew McArthur

Stars: Brit Marling, Alexander Skarsgard , Patricia Clarkson, Toby Kebbell, Shiloh Fernandez
Director: Zal Batmanglij
Release: 20th June, 23rd June 2013 (EIFF),28th June 2013 (UK Cinema)
Rating: 15

Watch The Intense UK Trailer For Daniel Espinola's Easy Money aka Snabba Cash

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There’s no such thing as ‘easy money’ in Stockholm’s dark underworld. There’s a price to pay for everything.It's been a long time coming but finally Daniel Espinola's Easy Money finally coming to UK, check out the film's official UK trailer.

Back in 2010 when the Swedish crime thriller was released in it's homeland Daniel Espinola was unknown but since then he has made his Hollywood debut with Safe House (Denzil Washington) and now it's time to see why Hollywood snapped the director up.

Easy Money (or Snabba Cash it's original name) tells the tale of a poor student living amongst the elite in Stockholm funding the wealthy lifestyle by selling cocaine. This 'Easy Money' becomes a gateway to the city's dark underworld of organised crime when he crosses paths with another dealer Jorge (Matias Padin Varela) who is on the run only to find himself also on the run been tracked by Mrado (Dragomir Mrsic).

The film has made a few appearances in UK film Festival most notably Glasgow Film Festival where it made it's UK debut along with Easy Money 2 (yes there's a sequel!) and more recently Nordic Noir in London Last Month. If your familiar with many of the Nordic TV Shows(original The Killing) you recognise Easy Money's lead if not you will soon as he's playing the new Robocop (released 2014), Joel Kinnaman. Easy money deliver the dark tension,violence and great storytelling so what better time to unleash the film on UK cinephiles. The film has been compared to a Swedish Goodfellas and how ironic Martin Scorsese (Goodfellas director) was a executive producer, enough said!

Easy Money arrives in UK&Irish cinema from Icon and Lionsgate UK on 19th July.



synopsis

JW (Joel Kinnaman) is a poor student living a double life among the wealthy elite in Stockholm. Using increasingly illicit means to fund his exclusive lifestyle, he hits on a chance to score ‘easy money’ through selling cocaine. As JW enters the dark world of organised crime, his fate entwines with that of Jorge (Matias Padin Varela), a drug dealer on the run, and Mrado (Dragomir Mrsic), a mob hitman tasked with tracking Jorge down.

J Is For July Release Of The ABCs Of Death In UK on DVD, BluRay

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Monster Pictures announced today the full list of extras that will be included on the UK DVD and Blu-ray release of The ABCs of Death.

The ABCs of Death is perhaps the most ambitious anthology film ever conceived with productions spanning fifteen countries and featuring segments directed by over two dozen of the world's leading talents in contemporary genre film, including the directors of House of the Devil, Hobo with a Shotgun, A Serbian Film, Tokyo Gore Police, You’re Next & four British Directors - Ben Wheatley (Sightseers), Simon Rumley (Red, White & Blue), Jake West (Doghouse) & Leeds based Lee Hardcastle, who with his claymation short, won a competition to be the final Director. Inspired by children’s educational books, the motion picture is comprised of twenty-six individual chapters; each helmed by a different director assigned a letter of the alphabet. The directors were then given free rein in choosing a word to create a story involving death. Provocative, shocking, funny and ultimately confrontational, The ABCs of Death is the definitive vision of modern horror diversity.

This alphabetical arsenal of destruction orchestrated by what has been described as "a stunning roll call of some of the most exciting names in horror across the world." is one of the most hotly anticipated releases for 2013, and will be released on DVD & Blu-ray on 22 July 2013.

The DVD & Blu-ray extras are as follows:

- Filmmaker Commentary
- A Is for Apocalypse - Oil Burns Visual Effects
- B Is for Bigfoot - Making of
- C Is for Cycle - Deleted Scenes
- D Is for Dogfight - Making of
- F Is for Fart - Behind the Scenes
- H Is for Hydro-Electric Diffusion – Behind the Scenes, The Making of Bertie the Bulldog & Frau Scheisse and Finished Short vs. Behind the Scenes
- I Is for Ingrown - Making of
- J Is for Jidai-Geki - Behind the Scenes
- P Is for Pressure - Interviews with Writer/Director Simon Rumley and Producer/Director of Photography Milton Cam
- R Is for Removed - Behind the Scenes Photo Gallery
- T Is for Toilet - Behind the Scenes
- V Is for Vagitus - Deleted Scene, Behind the Scenes and Animatics.
- W Is for WTF! - Behind the Scenes, Bonus Flubs! and Star-Beast Outtakes
- Z Is for Zetsumetsu (Extinction) - Behind the Scenes
- AXS TV: A Look at The ABCs of Death
- Do You Know Your ABCs Trailer
- Redband Trailer

- Greenband Trailer


THE SHORTS
Apocalypse by Nacho Vigalondo (TimeCrimes), Spain
Bigfoot by Adrían Garcia Bogliano (Cold Sweat), Mexico
Cycle by Ernesto Díaz Espinoza (Mirageman; Mandrill), Chile
Dogfight by Marcel Sarmiento (Deadgirl), USA
Exterminate by Angela Bettis (Roman), USA
Fart by Noburu Iguchi, (Robo Geisha), Japan
Gravity by Andrew Traucki (The Reef), Australia
Hydro-Electric Diffusion by Thomas Malling (Norwegian Ninja), Norway
Ingrown by Jorge Michel Grau (We Are What We Are), Mexico
Jidai-Geki by Yudai Yamaguchi (Yakuza Weapon), Japan
Klutz by Anders Morgenthaler (Princess), Denmark
Libido by Timo Tjahjanto (Macabre), Indonesia
Miscarriage by Ti West (House of the Devil; The Innkeepers), USA
Nuptials by Banjong Pisathanakun (Shutter), Thailand
Orgasm by Bruno Forzani & Héléne Cattet (Amer), Belgium
Pressure by Simon Rumley (Red, White & Blue), UK
Quack by Adam Wingard (A Horrible Way to Die), USA
Removed by Srdjan Spasojevic (A Serbian Film), Serbia
Speed by Jake West (Doghouse), UK
Toilet by Lee Hardcastle (T is For Toilet), UK
Unearthed by Ben Wheatley (Kill List), UK
Vagitus by Kaare Andrews (Altitude), USA
WTF! by Jon Schnepp (Metalocalypse; The Venture Bros.), USA
XXL by Xavier Gens (Frontiers; Hitman), France
Youngbuck by Jason Eisener (Hobo With A Shotgun), Canada
Zetsumetsu by Yoshihiro Nishimura (Tokyo Gore Police), Japan

Buy The ABCs Of Death:DVD / BLU-RAY

18 June 2013

BFI To Release A London Trilogy: The Films of Saint Etienne (2003-2007) On DVD In July

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On 15 July the BFI will release A London Trilogy: The Films of Saint Etienne 2003-2007, bringing Finisterre, What Have You Done Today Mervyn Day? and This is Tomorrow together on one DVD for the first time. The trilogy is accompanied by a selection of rare and previously unavailable short films.

From a beautifully conceived film-poem and an imaginative exploration of the Lower Lea Valley to an uplifting documentary on a London landmark, the collaborations between electronic indie trio Saint Etienne and filmmaker Paul Kelly (Lawrence of Belgravia) document London's ever-changing environment and landscapes with music by the band.

Finisterre (2003), directed by Paul Kelly and Kieran Evans, is a homage to London featuring a host of well-known voices including Mark Perry, Julian Opie, Vic Godard and Lawrence who’ve made the capital their own, soundtracked by songs from the Saint Etienne album of the same name.

What Have You Done Today Mervyn Day? (2005) follows paperboy Mervyn Day on his round, tracing the fascinating hidden history of East London’s Lower Lea Valley in the years before it was redeveloped to become the Olympic Park. Guest voices include David Essex and Linda Robson.

Commissioned by the Royal Festival Hall to mark its renovation and grand reopening, This is Tomorrow (2007) lovingly records the immense labour and attention to detail that went into the refurbishment of one of London’s most distinguished concert venues.



The additional short films are:

  • Today’s Special (2004): three shorts about London’s disappearing cafés
  • Banksy in London (2003): outtakes from Finisterre documenting the artist’s work, some of which is no longer in situ
  • Monty the Lamb (2006): a day in the life of Monty, mascot for North London’s Hendon FC
  • Seven Summers (2012): Sarah Cracknell narrates this follow up to What Have You Done Today Mervyn Day?
  • The Other South Bank (2008): a look at Teeside’s South Bank. 

Pre-order/Buy:A London Trilogy: The Films of Saint Etienne 2003-2007 [DVD]


Also included in a 32-page illustrated booklet with an introduction by Paul Kelly and new essays by Bob Stanley, Sukhdev Sandhu, Owen Hatherley and Tom Dyckhoff.

The DVD will be a launched with a BFI &Caught by the River screening event and Q&A attended by the band, at Rough Trade East, Brick Lane, E1 on Friday 12 July at 6.30pm which is free and open to all. More details here: Rough Trade





17 June 2013

Hitchcock DVD Review

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To fans, admirers he is Alfred Hitchcock but to his friends, colleagues to them you called him 'Hitch' hold the cock. Based on Stephen Rebello's Alfred Hitchcock And The Making Of Psycho, Sacha Gervasi's Hitchcock attempts to deliver the master of suspense at crossroads whilst creating his horror masterpiece Psycho. A film that has a rare insight into the relationship with the only woman to steal his heart and most of all his confidant, his co-collaborator Alma Reville (Helen Mirren) his wife.

Hitchcock starts at the premier of the 1959 North By Northwest, Alfred Hitchcock (Anthony Hopkins) is unnearved by a reporter who questions his ability at 60 to still produce the goods. With a new wave of filmmakers emerging could he still handle the pressure? Why not quit when he's ahead? Determined not to be pigeonholed  and not to become 'television show' Hitchcock searches high and low for that piece of magic to recapture his past glories delivering something fresh most of all something different.

It is thanks to the discovery of Robert Bloch's dark twisted Psycho Hitch finds himself a magical source, a novel based on the life of the infamous serial killer Ed Gein , but who'll support him?As ever Hitchcock's faithful agent Lew Wasserman but his support ended here as Paramount, the usual private investors all refused to support him forcing him to find the $800,000 needed to make the film in 30 days.

It's ironic you look at the relationship cinema has with Television now, the stigma of the reporter's TV comment  wouldn't raise an eyebrow when you see the likes of Steven Soderbergh's Behind The Candelabra only getting a TV S creening compared to cinema elsewhere. Even the likes of online with Netflix, Lovefilm, seeing someone like JJ Abrams, David Fincher direct tv amongst the cinema blockbusters wouldn't have been thought of in Hitch's time and now days the stress, pressure between the media are vitually the same.

Hitchcock is a film that really doesn't know what it really wants to be. Is it a Biopic? Soap style drama or comedy?If anything at times it's more like an extended Terry & June episode plenty of drama with a lot of comedy moments or was director Sacha Gervasi pulling off a McGuffin? What this film does do is capture a period of Hitch's career (Psycho era) rather than all his career and attempts to underline his fascination with Ed Gein. Hitchcock may not be a dark film tonely but it dips its fingers into that world nearly controlling his every move blurring reality  driving him into paranoia making him believe his nearest and dearest  was having an affair though we do see she was tempted on several occasions.

Anthony Hopkins may sound like the man nor a carbon copy lookalike of Hitchcock but what he does do well is capturing his personality, mannerisms, posture even his humour is near spot on too. The lack of delving into his past will frustrate some, even when they do in the briefest of moments to showcase his childlike, creepy voyeuristic tendancies is disappointing. In those scenes his fascination for blondes is touched going further into watching them from his peephole, a regular trait but not addressing the source which will annoy those thinking this is a 'biopic'.

Helen Mirren is personally the star of the show as Hitchcock's long suffering wife Alama. She is Hitch's rock, confidant, mother to his childlike traits most of all the driving force behind 99.9% her husband's success. Unaccredited but most of all deserving of the right to share in her husbands success which the film tries to attempt to fix, sort off. The fantastic chemistry between Hopkins and Mirren is one of the film's big selling points, compelling, funny and a distraction (in a positive way) as Hitchcock's family estate refused to show any of Psycho footage. This is also probably the reason why we see very little of James D'arcy who uncannily looks like a Anthony Perkins spitting image, Scarlett Johansson delivers a good astute performance as leading lady Janet Leigh.

Hitchcock may not be the perfect film nor totally satisfy the purists. At times it feels clumsy as if your been pulled in 2 different directions, so when it veneers one way just as the scene nears a conclusion it heads into something new making scenes feel incomplete. . As much as we've criticised the film, Hitchcock is still a highly entertaining film which captures the era very well, creating a stylish film. So when you have Hitch 'conducting' the screams of the people at the Psycho premier from behind the cinema doors, its certainly worth a look.

★★★☆☆

Paul Devine


Rating: 15
DVD/BD Release Date: 17th June 2013 (UK)
Directed by: Sacha Gervasi
Cast: Anthony Hopkins, Helen Mirren, Scarlett Johansson, Danny Huston
Buy Hitchcock: DVD / Blu-ray (+ UV Copy)


Win Hitchcock on Bluray (ends 7th July - opens to a thepeoplesmovies.com page)


15 June 2013

To The Wonder DVD Review

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To The Wonder is Terrence Malick’s latest film and it’s been released in the shortest period between films for him ever… a gap of one year! He notoriously didn’t make a film for literally 20 years between Days of Heaven and The Thin Red Line. He has only made 6 films in his 40-year career of directing films (He wrote drafts of some films like Dirty Harry and Pocket Money) beginning with his masterpiece Badlands (a top ten film for me). He is considered by many to be one of the cinema’s greatest living talents and any new film by Malick is a real event.

Malick isn’t a director known for his great story telling ability. He makes great films but he is a mostly visually storyteller first and foremost, most of films have a very simple plot. To The Wonder is no exception and very possibly his simplest. French woman meets American man in Paris, they move to Oklahoma, it doesn’t quite work out, she moves back, he meets somebody else and it doesn’t work out, she decides to move back.

The film as is the case with all of Malick’s films to a extent is a deeply spiritual film. Malick own believes’ are truly unknown because he has been interviewed proper in almost 40s and is rarely photographed. The title To The Wonder has obvious spiritual connotations. The spirituality of a film is most obvious in its subplot of the film deals with a priest having a crisis of faith played by Javier Bardem.

The film has a very ambiguous ending not unlike his previous film The Tree of Life. Both films have been important in Malick’s career, both are much more overtly spiritual (they both deal with god, faith, nature as religion etc.), both are much more overly experimental than even stuff like The Thin Red Line or The New World. They have been critically very divisive even though The Tree of Life was more acclaimed on release. The films stars on both films have been even spoke of their reservations Sean Penn and Ben Affleck respectively.

However despite the very experimental nature of the film doesn’t mean its bad film, it’s a very good film. I’ve seen To The Wonder twice now, it’s clearly a meditation on love and faith and the loss of both. It’s beautifully photographed, which is always the case. The film’s biggest flaw is the subtitled narration throughout which can be really distracting from the stunning visuals but Malick is well known for using narration (it’s used heavily in every film of his). It’s a beautiful film even though it has some flaws.

★★★★

Ian Schultz

Rating: 15
DVD/BD Release Date: 17th June 2013(UK)
Directed By: Terrence Malick
Cast: Ben Affleck, Olga Kurylenko, Rachel McAdams, Javier Bardem
Buy To The Wonder: DVD / Blu-ray

14 June 2013

Another Slick Trailer For Only God Forgives Slides Online

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Despite the mixed vibes from Cannes Film Festival Nicholas Winding Refn's Only God Forgives is still high on many cinephile's most anticipated films to see this year and tonight your appetite will be re-nourished with another slick trailer.


Here in UK we might be just over 2 months to go before this Neon drenched slow burning revenge thriller invades our visual palettes but over on the other side of the Atlantic it arrives next month hence the new trailer. Only God Forgives set in Thailand, Ryan Gosling plays Julian a Thai Boxing club owner in Bangkok a club that's serves a front for his families drug running. Even is Hunky dory until a ruthless bent cop murders his brother forcing Julian's acid tongued mother to appear and demand her son seek revenge for his dead brother.

Some of the footage has already been seen in previous trailers & clips but this has enough new brutal footage to make it worth your  2 minutes of your time. The dialogue is minimal the silence ferocious feels just as Savage and domineering of hat comes out of Kristen Scott Thomas lips and once again this shows she will be the film's resident scene stealer. The word from the street Only God Forgives is one of those unique experience you have to witness first hand to appreciate the visceral richness that will play in front of us. It's not perfect but it has the makings to be a cut classic in years to come.



Only God Forgives arrive in UK&Ireland on 2nd August 2013 (USA 19th July), the film also stars Yayaying Rhatha Phongam, Vithaya Pansringarm, Tom Burke and Byron Gibson.

source: Yahoo! (via The Peoples Movies)

Watch First Trailer For Lynne Shelton's Touchy Feely

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The queen of mumblecore Lynn Shelton returns with her latest dramedy Touchy Feely starring Rosemarie Dewitt as Abby a free spirited massage therapist who develops an aversion to human touch. This is not good for business for Abby not just professionally but also personally and her relationship with her boyfriend (Scoot McNairy).

The film made its debut at Sundance and Sundance London festivals this year, it's a film that sneaked onto cinephiles radar. Its probably Shelton's best ensemble unfortunately for those people who caught this film that cast seems to be the films strongest feature. Touchy Feely certainly looks a ambitious film and if your like us fans of Your Sister's Sister this film should still bring you  satisfaction and escapism for those film fans who want something different from the usual array of big Hollywood blockbusters that dominate the cinemas at this time of the year.

We don't actually have an UK&Irish release date yet but Touchly Feely is due a 6th September USA release date. The film also stars Ellen Page, Allison Janney, Josh Pais,Ron Livingston and Tomo Nakayama.



Synopsis

TOUCHY FEELY is a closely observed examination of a family whose delicate psychic balance suddenly unravels. Abby (Rosemarie DeWitt), is a sought after massage therapist and a free spirit, while her brother Paul (Josh Pais) thrives on routine and convention, running a flagging dental practice and co-dependently enlisting the assistance of his emotionally stunted daughter Jenny (Ellen Page). Suddenly, transformation touches everyone. Abby develops an uncontrollable aversion to bodily contact, which not only makes her occupation impossible but severely hinders the passionate love life between her and her boyfriend (Scoot McNairy).

source: Apple

Monster Pictures To Release The Long Awaited Little Deaths

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Monster Pictures have announced the release of shocking and gruesome horror anthology Little Deaths, out on DVD and download from 12th August 2013.

Three boundary-pushing tales of sex and death from acclaimed British horror directors Sean Hogan (‘The Devil’s Business’), Andrew Parkinson (‘I, Zombie’), and Simon Rumley (‘ABCs of Death’, ‘Red White and Blue’, ‘The Living and the Dead’)

In House And Home, Sean Hogan’s opening segment, a ‘good Samaritan’ couple invite a pretty young homeless girl into their house for a meal and a bath. But when they reveal their perverted motive behind the charitable act, they soon discover that they are not the only ones with a dark hidden agenda for the night’s events.

Andrew Parkinson’s sci-fi horror segment Mutant Tool takes experimental drugs treatment to a whole new level. When a former prostitute visits a shady doctor and is given some tablets, she suffers headaches and nightmares. She soon learns that the unorthodox ‘treatment’ is preparing her for a sinister new role in a nightmare-ish medical experiment.

Simon Rumley’s Bitch completes the unholy trilogy. When a young woman’s kinky sex games and abusive character push her submissive boyfriend too far, she finds herself the victim of her worst fears – her phobia of dogs – and the sick revenge that her boyfriend has planned for her.



Pre-Order/Buy: Little Deaths ( House and Home / Mutant Tool / Bitch ) On DVD

Film 4 Frightfest 2013 Announce Opening And Closing Films

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Big Bad Wolves from Israel and Indian Zombies signal global horror invasion at this year’s FrightFest. This year’s festival opens with the world premiere of The Ford Brothers THE DEAD 2: INDIA - the first-ever International production of a zombie film shot in India.

Howard and Jon Ford, the British director, writer and producer team behind the acclaimed African-set zombie road movie 'The Dead’ said today: “It's truly an honour to be the opening film – mind-blowing! Being at FrightFest for ‘The Dead’ was such an incredible experience for us and one of the highlights of our whole journey with the film. It's an awesome event with a brilliant crowd and we both sincerely cannot wait to see you all there!”.

The film follows the story of India-based American engineer Nicholas Burton (JOSEPH MILLSON) in a race against time to reach his pregnant girlfriend Ishani Sharma (MEENU). Burton enlists the help of an orphan street kid Javed (ANAND GOYAL) and together they make a perilous 300 mile journey across deadly landscapes as a zombie apocalypse threatens to engulf the entire nation.

Film4 FrightFest will close with the UK premiere of directors Aharon Keshales &Navot Papushado’s extraordinary revenge thriller BIG BAD WOLVES. Soaked in twisted tension, fairytale myth and seat-edged suspense, the film follows the lives of three men on a collision course: following a series of brutal murders: the father of the latest victim now out for revenge, a

vigilante police detective operating outside the law, and the main suspect in the killings - a religious studies teacher arrested and released due to a police blunder.

Aharon and Navot said today: “We always dreamt of having a film which would be good enough to be shown at FrightFest, but not even in our wildest dreams did we think that an Hebrew speaking revenge thriller would get us there. FrightFest is really making history here. As a token of our appreciation we promise to give everyone there a night they won't easily forget”.

All the directors and some cast members will be attending the festival.

Film4 FrightFest Co-director Alan Jones commented: “Film4 FrightFest is delighted with our Opening and Closing Film choices. Both THE DEAD 2: INDIA and BIG BAD WOLVES represent everything FrightFest is about; the discovery, nurturing and celebration of vital new voices in the genre. FrightFest launched the Ford Brothers' THE DEAD to worldwide acclaim in 2010 and Aharon Keshales and Navot Papushado's RABIES in 2011 became the only movie in our entire 14-year history to warrant successive extra screenings based on overwhelming want-to-see demand. So to welcome both duos back with their stunning new movies, both exploring unusual cultural aspects within a remarkable genre framework is an absolute thrill. These films bookend Film4 FrightFest perfectly and hint at what we are trying to achieve this year - the best platform to deliver our broadest, most diverse and most surprising event ever”.

Film4 FrightFest, the UK’s biggest genre film festival, runs from Thursday 22 August to Monday 26 August at the Empire Cinema, Leicester Square. The full line up will be announced on Fri 28 June. Festival & day passes go on sale from 29 June. Tickets for Individual films are on sale from 27 July.

Bookings: 08 714 714 714 or www.empirecinemas.co.uk