13 December 2013

Mad Fat Dairies, Make Up, Music To Manga, Glasgow Youth Film Festival Announces 2014 Line Up

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Standard GYFF ticket price is £8.00/ £6.50 concession and £5 for under 14s (with proof of age).
Special events may have different prices. GFT’s free Youth Card scheme offers standard tickets at the reduced price of £4.50. Info at www.glasgowfilm.org/youthcard
All workshop places are limited and must be booked in advance through gyff@glasgowfilm.org. Tickets and further information available www.glasgowfilm.org/gyff or www.facebook.com/glasgowyouth

Beginning with teenage punks and ending with a band night, the raucous, attitude-laden and hormonally-charged programme for the sixth annual Glasgow Youth Film Festival, the only film event in Europe curated entirely by 15-17 year olds  was launched this morning.

Teenage life has fascinated filmmakers all over the world for years, offering endless possibilities for stories about outsiders, liminal spaces, first love and good (kids) versus evil (adults). This year’s GYFF programme takes its cue from Matt Wolf’s absorbing new documentary Teenage, which charts the historical creation of the teenager over the course of the twentieth century, to bring together films exploring adolescence all over the world. There’s also a whole lot of noise happening: the Festival opens with Lukas Moodysson’s latest film We Are The Best!, following a band of thirteen year old punks, and closes with the UK Premiere of I Feel Like Disco, about a disco-loving German teen exploring his sexuality, and a band night featuring young and emerging musicians from across the city alongside a live VJ set from an upcoming young filmmaker. GYFF is also delighted to host the UK premieres of a number of highly anticipated films, including Slamdance Festival jury prize-winner The Dirties.

A series of special events take the theme beyond the screen to involve the audience even further. Sharon Rooney, star of E4 smash hit series My Mad Fat Diary, leads a special panel event looking at the making of the show; the audience can try out the newest innovations by young game designers at the Game Jam, or get hands-on experience experimenting with film-quality zombie makeup ahead of a screening of ParaNorman. Following the success of last year’s Red Carpet Cosplay Parade, young movie-geeks will again be invited to dress up as their favourite comic book, computer game, film or manga characters ahead of the UK premiere of a mystery anime film. The programme also includes discussions around issues raised by certain films, and a string of workshops and masterclasses offering professional advice and development in everything from poster design and documentary skills to comedy writing from people already working in the industry

There are events for younger brothers and sisters too, starting with the popular annual Family Gala a first-look screening of the newest Dreamworks animation Mr Peabody and Sherman.

We will be attending the Glasgow Film Festival which Glasgow Youth Festival is part off, we hope to cover as much of the festival as we can. We're excited that Hayao Miyazaki's Wind Rises will be playing as we're fans of the animation maestro and know this won't disappoint.

Glasgow Youth Film Festival Scotland's most innovative film festival will take place from 2nd until 12th February 2014.

Opening Gala: We Are the Best!
Monday 3 February (18.15), GFT
Thirteen-year-old anarchists Bobo and Klara decide to form their own punk band and do battle with the more straight-laced teenagers at their school. A tribute to non-conformists everywhere and the power of music to change lives. Directed by versatile Swedish filmmaker Lukas Moodysson (Show Me Love, Lilya 4-Ever).
Dir: Lukas Moodysson/ Sweden 2013/ 1h42m/ subtitles/N/C+15


Closing Gala: I Feel Like Disco **UK PREMIERE**
Florian is an average German teenager with an obsession with famous crooner Christian Steiffen and a bedroom full of disco balls. He develops a crush on his father’s diving student, Radu, who isn’t best pleased about being labelled gay. The UK premiere of rising star Axel Ranisch’s first feature film.
Dir. Axel Ranisch/ Germany 2013/1h38m/subtitles/N/C 12+


Family Gala: Mr Peabody and Sherman 3D
Sunday 2 February (15.30), GFT
Mr. Peabody is a talking dog and the smartest being in the world. Using an ingenious invention, he travels back in time with his ‘pet’ boy, Sherman, experiencing world-changing historical events first hand.
Dir. Rob Minkoff/ USA 2014/ Time TBC/N/ C 5+
Preceded by short film The News +Weather (13mins), devised by children in Glasgow and Falkirk and produced by Starcatchers and Toad’s Caravan.

11 December 2013

Eureka! To Give First Oscar Winning Film Wings The Master Of Cinema Treatment

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Genre:
Drama, Romance, War
Distributor:
Eureka! Entertainment
DVD/BD Release Date:
27th January 2014 (UK)
Pre-order/Buy Wings:
WINGS (Masters of Cinema) (Dual Format Blu-ray &DVD)

Eureka! Entertainment have announced the release of the first-ever Best Picture Academy Award (Oscar) winner, Wings starring the exquisite early-Hollywood actress Clara Bow and from the director of such golden-era classics as The Public Enemy, Beau Geste, and Track of the Cat, William A. Wellman. This thrilling effects-laden melodrama of World War I aerial combat will be released in a Dual Format (Bluray &a DVD) edition as part of Eureka! Entertainment's award-winning The Masters of Cinema Series on 27 January 2014.

Forever granted a place in cinematic history by winning the first ever Academy Award for Best Picture in 1927 and the only silent film to do so, William Wellman’s silent epic Wings is more than an Oscar winner, but an epic story of friendship with the type of thrilling action only practical effects can imagine…

Hometown best friends Jack (Charles "Buddy" Rogers) and David (Richard Arlen) compete for the affection of a gorgeous dame (Jobyna Ralston), though Jack doesn't realise that girl next door Mary Preston (Clara Bow) has eyes for him as well. But World War I is soon upon them, so the boys are off to France to fight against the Germans. Meanwhile, Mary follows Jack into enemy lines as a nurse.

Wellman's epic drama combines the most spectacular of stunts with the most classical of melodrama, along with one of Bow's greatest performances and the screen debut of Gary Cooper. The Masters of Cinema Series is proud to present this American classic in a beautiful new restoration on Blu-ray for the first time in the UK as part of a Dual Format (Blu-ray & DVD) edition.

Watch this fantastic clip from Wings


SPECIAL FEATURES:

• Gorgeous newly restored 1080p transfer
• Video documentary Wings: Grandeur in the Sky
• Video documentary Restoring the Power and Beauty of Wings
• Video piece Dogfight!
• 40-PAGE BOOKLET featuring a new essay on the film by critic Gina Telaroli; excerpts from a vintage interview with Wellman; a 1930 profile of stuntmen from the film; a vintage piece on the production of the film; personal anecdotes from Wellman; rare archival imagery; and more!

10 December 2013

Fellini's Landmark Roma Getting Master Of Cinema Blu-Ray Release This February

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Eureka! Entertainment have announced the home video release of Roma, one of the most famous international hits by Federico Fellini, the most popular Italian director of all time (the director La strada, 8-1/2, Satyricon, and much more). Roma is a landmark film in the history of '70s art-film, and one of Fellini's best known-films to this day. Released on Blu-ray as part of Eureka! Entertainment's award-winning The Masters of Cinema Series on 17 February 2014.

One of the maestro Federico Fellini's greatest '70s works (between Satyricon and The Clowns and Amarcord), Roma [Rome] erupts volcanically as a state-of-the-world pronouncement on what was not only happening within Rome at the tide of the hippies' organic birth and the post-Boom-set that made up his characters of the 1960s films, but also where, and how, his city would move feverishly forward into one of potential futures.

As Fellini himself travels with his crew to document the ring-road circling Rome, with all the natural diversions that might inherently divert a traditional film shoot, we move into episodes that chart the wartime difficulties of Roman life across those fleeting times that chronicle love and life within the modern-day Rome-time, themselves pitted against the archaelogical vestiges of the great city, — and the Catholic church rears its dominance, and we come into a midpoint that positions itself, indeed, between the memory-cinema of Satyricon and Amarcord.

One of the great and bountiful colour-spectacles of Fellini's cinema, almost leapt off toward from the moment of Giulietta of the Spirits, Fellini's Roma remains a passionate testament both to the city that finally claimed him as its son after he left small Rimini, and to the final stage of cinema that he himself would work till the day he died. The Masters of Cinema Series is proud to present Fellini's Roma in a Blu-ray edition for the first time in the UK.



SPECIAL FEATURES

• Gorgeous restored 1080p HD transfer of the film
• Outtakes from the film
• More to be announced closer to the release date
• 36-PAGE BOOKLET featuring the words of Fellini, and more!

We will be reviewing Fellini's Roma nearer the time and time will be 17th Febraury 2014.

9 December 2013

DVD Review - Pussy Riot: A Punk Prayer

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Genre:
Documentary
Distributor:
Independent Distribution
Rating:
18
DVD Release Date:
25th November 2013 (UK)
Director:
Mike Lerner, Maxim Pozdorovkin
Cast:
Mariya Alyokhina, Ekaterina Samutsevich, Nadezhda Tolokonnikova
Buy: Pussy Riot - A Punk Prayer [DVD]

“They walked into the heart of Russia and took a shit”. So comes the damning opinion of an elderly Russian lady stood outside a Moscow church. She is not alone. Surrounding her are large groups of protesters, holding banners, clutching at rosaries and collectively chastising three women who have long since been imprisoned. Opposite stand another, younger group, worried about the way the rest of the world will now perceive their nation. A protest against the protest all stemming from an original protest on the spot this face-off takes place.

On February 21st 2012 three members of the feminist punk group Pussy Riot donned their now iconic balaclava’s, entered the Cathedral of Christ the Saviour and performed around 30 seconds of their number ‘It’s God’s Shit’. Security stepped in along with members of the visiting public, forcing them back into retreat. By now you’d be troubled not to have a vague understanding of what followed; public outrage, heavy-handed state intervention and Nadia, Katia and Masha now locked up inside the Putinist Russia they so vehemently protest against.

Some back-story is needed and Mike Lerner and Maxim Pozdorovkin’s documentary adequately provides it, rolling through the band’s birth, ideals, and other, less news-grabbing performances. The band was formally conceived the very day Putin returned to office for at least 6 more years following his sole rival’s withdrawal of candidacy. That catalyst spawned a reaction, one unfamiliar to the nation at large. One aspect of the Pussy Riot story that Punk Prayer shines a light on is the landscape into which they launched their brand of protest art. The years of communism under Soviet reign has led to something of a cultural gap in Russia’s consciousness, leaving a country largely oblivious to Pussy Riot’s main calling cards – punk and performance art. You sense the communal outrage comes from confusion; a misunderstanding of their actions and a fear of their motives due to their ways seeming so other worldly to swathes of locals, especially those holding the Church is some high esteem.

Pussy Riot, far from being a trio of chancers armed with three chords and a job-lot of balaclava’s, is a collective infused with art and political ideals. They release call to arms video’s urging other to join their cause, write songs against Putin, feminist anthems and choose the locations for their performances carefully. The headlines came after their attack on the union between the Church and the state that forms the Russian Orthodox Church. It was a song written to be heard at large and performed at the home of the nation’s church where they mounted the sacred, male-only alter and landed three members behind bars.

As noted by Nadia’s boyfriend, the Pussy Riot case is curiously the highest profile court case Russia has witnessed for decades and A Punk Prayer provides an intriguing overview of its ins and outs. The greatest achievement is the level of access which we are treated to. The camera’s are there to take in the prosecution, defence and statements of the court case as well holding interviews with family members, fellow ‘rioters’ and providing footage of previous art projects undertaken by the incarcerated trio. The other side is represented by the Church’s supporters, those gathered to protest against the band and the cross carriers who, decked out like members of an aging biker gang, dismiss the women as ‘witches’ and ‘demons’ who would have been burned in times past.

This all leads to a greater understanding of the argument from both sides without ever really moving the genre forward or unveiling any great revelations. A rather balanced synopsis of a case that caught the world’s attention. Where the film could be accused of not going far enough is to examine aspects that are touched upon but never investigated. The prosecution lawyers who laugh at the claims of Putin’s personal involvement in the case are never questioned why the rumours persist and there is no real effort to look further into the shadowy regime that the band hold in such disdain. There is a moment too when Nadia’s father is grilled by rival supporters, genuinely fearing for his safety yet, despite multiple interviews with him this isn’t a subject breached throughout.

A flawed but fascinating take on a case likely to run and run providing an excellent entry point into the culture clashes at the heart of Russia.

★★★½

Matthew Walsh


Metro Manila Wins Big At The 2013 Moët British Independent Film Awards

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 British talent turned out this evening for the 16th Moët British Independent Film Awards. The winners were announced at the star-studded ceremony, held at Old Billingsgate which was hosted by BIFA Winning actor James Nesbitt.

For the first time, the lucky winners took home the brand new iconic award designed by Fredrikson Stallard and created by Swarovski.

Best British Independent Film was won by METRO MANILA with the film’s director Sean Ellis picking up Best Director. Lindsay Duncan won Best Actress for LE WEEK-END and James McAvoy won Best Actor for FILTH. Imogen Poots collected her BIFA for Best Supporting Actress for THE LOOK OF LOVE and Ben Mendelsohn took home Best Supporting Actor for STARRED UP.

METRO MANILA won the most awards on the night, picking up three trophies for Best Achievement in Production and as previously mentioned Best Director award and Best British Independent Film.

Joint Directors, The Moët British Independent Film Awards Johanna von Fischer & Tessa Collinson said: "This year our independent jury had an extremely tough job, they were asked to choose from an impressive pool of talent and creativity in a year where the diversity of storytelling is more extreme than ever. Thanks to an independent film industry which encompasses so many different cultures, personalities, visions and voices, Britain is producing a new generation of fearless artists both behind and in front of the camera who represent that richness of our diverse British society. With so many of the films exploring themes about being less judgmental and more forgiving, this perhaps reflects a movement within British independent filmmaking that brings much hope for the future.

As previously announced, Julie Walters was awarded the coveted Richard Harris Award for outstanding contribution by an actor to British film, and Paul Greengrass the Variety Award, which recognises an actor, director, writer or producer who has helped to shine the international spotlight on the UK. The Special Jury Prize went to Sixteen Films &Friends (AKA Team Loach), in recognition of their contribution, bringing the work of Ken Loach to life.

Ben Roberts, Director of the BFI Film Fund said: 'this has been a standout year for British film and the BIFAs has once again kicked off the awards season in style, putting the wild creativity and bold storytelling of the UK's independent sector centre stage. Congratulations to all the winners and to the BIFAs for doing such a great job of spotlighting so many brilliant filmmakers.'

Elsa Corbineau, Marketing Director Moët &Chandon commented: “As a long term supporter of British film, Moët & Chandon is delighted to share in the celebrations of tonight's very well deserved winners. To toast the successes of 2013, guests joined us in creating a seven - foot champagne fountain to salute a year of amazing achievements.'

The Raindance Award was won by THE MACHINE. Elliot Grove, Founder of BIFA and the Raindance Film Festival added: “The breadth, scope and quality of this year's nominated films shows that British independent films and talent are not only the talk of the town but the talk of audiences everywhere.

The Moët British Independent Film Awards are proud to announce the following winners for 2013 (highlighted below in red):

BEST BRITISH INDEPENDENT FILM
Sponsored by Moët &Chandon

Metro Manila
Philomena
The Selfish Giant
Starred Up
Le Week-end

BEST DIRECTOR
Sponsored by All City & Intermission

Jon S Baird – Filth
Clio Barnard – The Selfish Giant
Sean Ellis – Metro Manila
Jonathan Glazer – Under the Skin
David Mackenzie – Starred Up

THE DOUGLAS HICKOX AWARD [BEST DEBUT DIRECTOR]
Sponsored by 3 Mills Studios

Charlie Cattrall – Titus
Tina Gharavi – I Am Nasrine
Jeremy Lovering – In Fear
Omid Nooshin – Last Passenger
Paul Wright – For Those in Peril

BEST SCREENPLAY
Jonathan Asser – Starred Up
Clio Barnard – The Selfish Giant
Steven Knight – Locke
Hanif Kureishi – Le Week-end
Jeff Pope, Steve Coogan – Philomena

BEST ACTRESS
Sponsored by M.A.C Cosmetics

Judi Dench – Philomena
Lindsay Duncan – Le Week-end
Scarlett Johansson – Under the Skin
Felicity Jones – The Invisible Woman
Saoirse Ronan – How I Live Now

BEST ACTOR
Sponsored by BBC Films

Jim Broadbent – Le Week-end
Steve Coogan – Philomena
Tom Hardy – Locke
Jack O'Connell – Starred Up
James McAvoy – Filth

BEST SUPPORTING ACTRESS
Siobhan Finneran – The Selfish Giant
Shirley Henderson – Filth
Imogen Poots – The Look Of Love
Kristin Scott Thomas – The Invisible Woman
Mia Wasikowska – The Double

BEST SUPPORTING ACTOR
Sponsored by Sanderson & St Martins Lane
John Arcilla – Metro Manila
Rupert Friend – Starred Up
Jeff Goldblum – Le Week-end
Eddie Marsan – Filth
Ben Mendelsohn – Starred Up


MOST PROMISING NEWCOMER
Sponsored by Studiocanal

Harley Bird – How I Live Now
Conner Chapman / Shaun Thomas – The Selfish Giant
Caity Lotz – The Machine
Jake Macapagal – Metro Manila
Chloe Pirrie – Shell

BEST ACHIEVEMENT IN PRODUCTION
Sponsored by Company3

A Field in England
Filth
Metro Manila
The Selfish Giant
Starred Up

BEST TECHNICAL ACHIEVEMENT
Sponsored by LightBrigade Media

Shaheen Baig – Casting – Starred Up
Johnnie Burn – Sound Design – Under the Skin
Amy Hubbard – Casting – The Selfish Giant
Mica Levi – Music – Under the Skin
Justine Wright – Editing – Locke

BEST DOCUMENTARY
Pussy Riot - A Punk Prayer
The Great Hip Hop Hoax
The Moo Man
The Spirit of '45
The Stone Roses: Made of Stone

BEST BRITISH SHORT
Supported by BFI NET.WORK

L'Assenza
Dr Easy
Dylan's Room
Jonah
Z1

BEST INTERNATIONAL INDEPENDENT FILM
Blue is the Warmest Colour
Blue Jasmine
Frances Ha
The Great Beauty
Wadjda

THE RAINDANCE AWARD
Sponsored by Wentworth Media and Arts

Everyone’s Going to Die
The Machine
The Patrol
Sleeping Dogs
Titus

THE RICHARD HARRIS AWARD (for outstanding contribution by an actor to British Film)
Julie Walters

THE VARIETY AWARD
Paul Greengrass

THE SPECIAL JURY PRIZE 
Sixteen Films & Friends (AKA Team Loach)

Sixteen Films & Friends (AKA Team Loach)

6 December 2013

Our House Short Film Delivers A Nice Twist To The Home Invasion Sub Genre

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When it comes to originality within film is virtually zero, so when new films get released with original plot its a rewarding experience, so whats the next best thing?In Drew Cooke's Our House we get a fantastic short film which takes a used formula and adds a few twist delivering something refreshingly intense.

Our House has the beautiful young woman(Kollyn Muangmaithong) terrified hiding in a upstairs room, throw in a electric show which would be more home with close encounters of The Third Kind than Home Invasion. Its Instinctual, gripping and keep you eager to see what will happen, it's only 7 minutes long but its worth those precious minutes of your time.


source:Filmschoolrejects

Your Pain Is Her Pleasure And This Is For Your Pleasure Watch Nurse 3D Trailer

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Her cure is killer, tonight Lionsgate have unleashed that 'killer' trailer for erotic horror slasher Nurse 3D, cheating men of the world beware shes after you!

This is one for those out there with that secret fetish of nurses especially ones in PVC uniforms but if your a cheater boys I would think twice about 'playing around' with her as it could cost your life. Paz De La Heurta plays Abby a caring nurse by day but at night a maneater pursuing the clubs, the bars for those men who want to play but when young nurse Danni suspects her colleague is upto no good Abby has to change her plans.

Nurse 3D has been gathering cobwebs for the past 2 years finally Lionsgate has dusted it down but you wonder why its taken so long? Its one twisted, ridiculously silly movie  but what is it with film studios who think 3D will put more bums on seats for Nurse 3D? Is this just slab of male sexual fantasy? Lesbian  revenge on male promiscuity? Whatever you think it's trying to hitch onto trashy 1980's horror slasher sub-genre.


Nurse 3D doesn't have a UK release date but USA release date is 7th February 2014,directed by Doug Aarniokoski, written by David Loughery, and co-stars Katrina Bowden , Corbin Bleu!

SYNOPSIS:
Nurse 3D is a thriller/horror film directed by Doug Aarniokoski and written by David Loughery starring Paz de la Huerta, Katrina Bowden, Corbin Bleu. By day Abby Russell is a dedicated nurse, someone you wouldn’t hesitate to trust your life with. But by night, her real work begins…using her smoldering sexuality she lures cheating men to their brutal deaths and exposes them for who they really are. When a younger nurse starts to suspect Abby's actions and compromises her master plan, Abby must find a way to outsmart her long enough to bring the cheater you’d least expect to justice.
source:Traileraddict

Watch The Engrossing Short Film Grays

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If there's any reason why here at Cinehouse should be posting more short films Henry Hobson's Grays is that reason. Hobson may not be known by many but some will now his work as a designer designing title sequences for many popular TV shows and Films such as Rango, The Walking Dead and Guy Ritchie's Sherlock Holmes. Hobson is actually a established short film director and below is his latest Grays.

The story is simple about a young man determined to find out why his father has died with a military official they go search for that information leads him to meeting something possibly not of this earth.

This is a fantastic film and one that needs to be expanded from its 5 minutes running time, nice ending but most of all it has the uber-cool Michael Ironside in it!



source: Geektyrant

Edinburgh And Fribourg Film Festivals To Celebrate 2014 Festivals With Iranian Retrospectives

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Fribourg International Film Festival (FIFF) and Edinburgh International Film Festival (EIFF) are pleased to announce their collaboration on an ambitious retrospective called The History of Iranian Cinema by Its Creators.

FIFF will launch the retrospective programme at their 28th edition, for which 14 major Iranian directors have named 27 titles, from 1933 to 2006. The 14 directors who have taken part are: Mania Akbari, Kaveh Bakhtiari, Bahram Beyzaie, Asghar Farhadi, Sepideh Farsi, Mahmoud Ghaffari, Bahman Ghobadi, Mohsen Makhmalbaf, Shahram Mokri, Amir Naderi, Jafar Panahi, Shirin Neshat, Rafi Pitts and Mohammad Rasoulof. Some of them will attend Fribourg to present their choices.

Iran’s cinema is one of the richest in the world, but the view of Iranian cinema available to worldwide audiences has been subject to numerous restrictions, which have obscured the continuity of Iranian filmmaking before and after the 1979 revolution. That continuity is the concern of this major retrospective, for which leading contemporary Iranian directors have been contacted to choose and introduce the key works of Iranian film history.

The complete list of titles to be screened will be revealed at FIFF’s line-up press conference on 12th March 2014. The Cinemathèque Suisse (National Film Archives) will also, simultaneously with FIFF, screen part of this historical event.

EIFF will continue the programme in their 68th edition in June 2014, introducing further retrospective selections by contemporary Iranian filmmakers, together with new works.

FIFF’s Artistic Director Thierry Jobin said, “The idea of this programme was born not out of any political motivation, but out of a deep frustration. Year after year, we are impressed by Iranian movies without getting the full picture. This unique retrospective will, no doubt, confirm some of our common understandings of Iranian cinema. But it will also offer many amazing rediscoveries and, through powerful movies, a better understanding of Iran and of its culture. I would like to thank all the filmmakers for their confidence.

Chris Fujiwara, Artistic Director of EIFF, said, “The series promises a powerful re-writing of film history through the recovery and re-affirmation of neglected connections. Film festivals have a great responsibility to the past heritage and the current and future understanding of cinema, and I consider this programme a step toward fulfilling that responsibility.

The 28th edition of FIFF runs from 29 March to 5 April 2014. The 68th EIFF runs from 18 to 29 June 2014.

5 December 2013

Drew Cullingham’s full-frontal apocalypse nightmare THE DEVIL’S BARGAIN gets download release

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Unseen. Uncertified. Unmissable. Drew Cullingham (Umbrage: The First Vampire, Black Smoke Rising) has written and directed a savage, psychological portrait of love, lust and the end of the world, which will be available to watch from Mon Jan 17, 2014, via www.distrify.com and https://www.facebook.com/TheDevilsBargain for just £3.99.

It’s 1974 and Earth is about to be obliterated by a massive asteroid. Adi (Jonnie Hurn) and his young wife Ange (Chloe Farnworth), haunted by memories of the death of their son, journey to the idyllic rural setting where he was conceived, determined to shed clothes, inhibitions and psychological traumas before the planet is destroyed forever. But the arrival of Luca (Dan Burman), a charismatic and mysterious young photographer, turns what’s left of their world upside-down and the horror to come is of biblical proportions.

Cullingham told us: “It was made on a shoestring budget in twenty-four hours over
four days, using an experimental ‘pinhole’ technique to give it a unique look. Containing copious amounts of full frontal nudity, the mantra for this film has been: No money. No clothes. No fear”.

A Disparado and Monk3ys Ink Films production, written and directed by Drew Cullingham, produced by Drew Cullingham & Ian Manson, co-produced by James Fisher & Andrew Mackay. Starring Jonnie Hurn, Chloe Farnworth & Dan Burman.