HAMMER LAUNCHES YOUTUBE CHANNEL

Exclusive new filmed content alongside beloved classic genre films to make groundbreaking online debut

 

To the delight of fans worldwide Hammer, Britain's most celebrated genre film brand which recently produced box office smash The Woman in Black and the acclaimed Let Me In, today launches its first dedicated YouTube Channel at www.youtube.com/hammerfilms.  For the very first time, exclusive new content from current Hammer productions as well as carefully restored classic Hammer feature films will be available to stream online.

The Hammer Films Channel will carry a range of exclusive new content, previews, commentary and behind the scenes material from upcoming new productions such as The Quiet Ones starring Jared Harris and Sam Claflin and The Woman in Black: Angels of Death, the follow up to the worldwide box office hit, The Woman in Black, starring Daniel Radcliffe.

In addition, the Hammer Films Channel will stream a collection of Hammer’s well-known classic feature film titles including The Quatermass Xperiment, The Man In Black and Captain Kronos Vampire Hunter some of which have been newly restored and digitally re-mastered. As additional titles are added to the new platform, this will be the first time fans can view other digitally re-mastered classic Hammer films online under a restoration initiative launched earlier this year by Hammer’s owner Exclusive Media.

From the historic library, the Hammer Films Channel will also carry Classic Hammer TV series such as ‘Hammer House of Mystery and Suspense’, as well as new on-air commentary and film introductions from official Hammer historian, Marcus Hearn and Hammer archivist, Robert J.E. Simpson.  Newly created featurettes and original trailer material, not seen by the public for many years, will also be added to the Channel’s far reaching content.  The Hammer Films Channel will continually expand its range of programming as it becomes available, with the full schedule to be published and regularly updated at www.hammerfilms.com 

Simon Oakes, President and CEO of Hammer said, “The launch of our dedicated YouTube channel truly encapsulates how we have positioned Hammer as a dynamic British genre label with a great heritage.  We hope this new platform will allow us to continue to reach fans who have responded so well to films like Let Me In and The Woman in Black, while continuing to honour the great filmmaking history of our company."

Watch this brilliant video from the channel called History Hammer Films In 90 Seconds!

Frightfest 2012: Watch Teaser For UK Neo Giallo Yellow

There's seems to be a resurgence within Horror fans for all things Giallo probably thanks to the Frightfest team especially here in UK introducing classic as well as fresh new films to the British horror fans. Ironic been Frightfest As Ryan Haysom's Neo Giallo Yellow is about to make its debut at this years Film4 Frightfest 13th.

True Indie films is where things move and Yellow should go down a storm with frightfesters and Horror fans alike, for now check out this new teaser trailer.


YELLOW teaser trailer #1 from Ryan Haysom on Vimeo.
source:Twitch

Frightfest 2012:Grabbers Review

★★★1/2☆ Jon Wright's Irish set horror, Grabbers, feels like a welcome return to the days of the 1980s creature features laced with comedy. So far, it is also the most entertaining horror film of this years' Edinburgh International Film Festival. After several dead whales wash up on the shores of Erin Island, Garda Officers Ciarán O'Shea (Richard Coyle) and Lisa Nolan (Ruth Bradley) are set on the case. They soon discover the presence of blood-sucking, tentacled aliens  on the island, promptly named "grabbers". However, it soon becomes clear that these creatures have an aversion to alcohol - so let the drinking ensue! Part of the joy of Grabbers, is that it never takes itself too seriously, balancing both comedic and horror elements single handedly. It replicates the effortless whimsical charm of timeless monster features like Gremlins, Tremors and Critters - ensuring this is a fun watch from start to finish. Even the basic premise of Grabbers gives you an insight into the cheeky nature of the film - who doesn't want to see a town of drunks battle against aliens? Grabbers may be fun, but it does not skimp on the darker horror elements. There are plenty of unexpected jumps and scares spread throughout - something that many other of Festival's horror films have been lacking. Wright's uses the eerily isolated Irish coastline for numerous creepy set pieces, from an attack on the beach to a country house invasion. There are also a variety of sweeping aerial shots capturing the picturesque qualities of the Irish setting. Many a horror film has been let down by the eventual unveiling of its antagonist. Sometimes not seeing the source of the terror is far scarier than what is actually presented. However, the creature effects team behind the monsters in Grabbers, ensure that this is not the case. These are convincing, nasty looking monsters that are just as sinister on screen as they are when out of shot. Grabbers also boasts a strong cast of excellent British character actors in well-written and engaging roles. Richard Coyle, who excelled in this year's Pusher remake, brings a truly endearing performance to Grabbers, whilst also proving to be equally talented whilst handling more comedic elements. The relationship between his slack, heavy drinking Garda officer and Ruth Bradley's straight-laced, young recruit, provides some welcome laughs. Bradley shows a wonderful sense of comic talent in Lisa Nolan's transformation from loveable prude to an even more loveable drunk - she is completely terrific throughout. Russell Tovey pops up for a smaller supporting role which provides a few laughs, but as good an actor as he is, the role is more annoying than entertaining. A hilarious supporting cast continue Grabbers' charm offensive from Pascal Scott's turn as the town's cheeky GP to David Pearse and the excellent Bronagh Gallagher as the quaint local pub landlords. Grabbers is a thoroughly enjoyable return to classic creature feature horror/comedy. Atmospheric direction, a perfectly comic screenplay and charming performances help Grabbers stand out from the rest of the festival's horror pictures. It is great fun.

Andrew McArthur

Stars: Richard Coyle, Ruth Bradley, Russell Tovey Director: Jon Wright Release: 23rd August 2012 (Frightfest)

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B-Horror Fun In Dragon Wasps - Attack! In New Clip

The Kings of Trashy B-Horror fun Chelsea Films have have sent us another clip from there latest Monstrous upcoming release Dragon Wasps to whet your appetite! The last time we met these beasties we where discovering them now this time  this is complete balls-out carnage where we learn of the wasps' surprise method of attack - FIRE!

Written by fast-becoming genre connoisseur Mark Atkins (Sand Sharks), the film stars Corin Nemec (Stargate SG-1; Smallville; Supernatural), Dominika Juillet (Dark Angel), Benjamin Easterday (Stargate SG1; Fast & Furious 5) and Nikolette Noel who’s stars  in “The Expendables 2”.

Dragon Wasps will be released in UK&Ireland  by Chelsea Films September 24th. 
When a clue arises as to the whereabouts of her scientist father, three months after he inexplicably disappeared on an expedition deep in the heart of the Belize rainforest, entomologist Gina Humphries and her impassioned assistant Rhonda set out on a makeshift rescue mission. Unfortunately, unbeknownst to them the land they’re desperate to cross is Government protected and without the correct documentation they subsequently find themselves stopped dead in their tracks and whisked away to the hands of officer John Hammond. Due to the ongoing feud between the US Army and the rainforest’s guerrilla military, lead by the notorious Jaguar, Hammond agrees to escort Gina and Rhonda to her desired destination as one last escapade with his team before his retirement. When their convoy is ambushed by Jaguar and his men, things quickly turn sour and they find themselves amidst a bloody shootout. Yet it soon becomes apparent that it’s not their known enemies that present the biggest threat in the jungle…

update 24 August - Apologies The above clip has now been re-uploaded

Love Exposure Blu-ray Review

If you're like been a fan of Japanese pop culture it's been a journey of many great times but also a journey of many stressful when those who don't understand the finer  details attack unselfishly. If we where to choose a sole representative to let the world know the reasons why we love this culture, Sion Sono could be an ideal spokesman with his film Love Exposure may do the trick to convince the non believers.

In a style of a cooking Tv programme get a big bowl throw in plenty of kick-ass martial arts action, a tablespoon of Humour, scratching of religious cults, a slice of sexual perversions, boy meets girl, a litre of porn barons, family relationships. Give it a good mix before adding Sono's tender mix of voyeurism and don't forget to add upskirt panty shots, give it 4 hours in your DVD or Blu-Rayer result a film that has a lot to offer.

Yu (Takahiro Nishijima) has always been a well-behaved kid probably due to his devout Christian upbringing but when his mother dies torment prevails. Because of Yu's upbringing, it forces him to confess his sins on a daily basis however he is a normal kid and has no legitimate sins to confess. Determined to become a true sinner and appease his demanding priest father who's just been seduced by a woman whose broken his heart. Yu finds the ultimate sin, Porn trains to become a sneak upskirt photographer which gets the attention from his father he's been seeking. After loosing a bet with his sinner pals Yu is forced to dress as a girl (Sasori) and its this time he meets a beautiful girl Yoko (Hikari Mitsushima). Their first time together was glorious ending the night with a kiss, all-out street brawl but that's not the end of it Yoko thinks Yu is a woman and both maybe been manipulated by a devious cult leader named Aya (Sakura Ando).

Going back to that famous saying from Alfred Hitchcock by judging a film by the strength of your bladder, Love Exposure maybe touching 4 hours running time which may not agree with some bladders. However we have an advantage the great film maestro didn't have, DVD/Blu-Ray players. That epic running time may be a putt off for many people however with your remote control you can play this film in parts, pause but with Love Exposure it provides an entertainment value that you will only pause to refill your glass (or empty your bladder) as it'll keep your grip on your tv screen.

When I chat to fellow cinephiles and when Sono's name is introduced to the mix if it's not Suicide Club for many fans the stepping stone into his world is Love Exposure. Ironically myself it was Coldfish then Suicide Club been my route into the deranged mind of our cordial Japanese host.

Love Exposure is that satirical homage to those non-believers who call Asian/Japanese as perverted and satanic (2 things I was labelled by a friend of our family when I was 15!). It mocks those who ridicule the culture but also mocks how sexually repressed the Japanese are too.It's ridiculous to think this is the same nation who privately liberated  sexually, have machines on streets that provide everything from  your favourite soft drink  too worn School uniforms. Sono really taps into the dark underlinings of his nations obsession with eroticism, but he approaches the topics in an astute but humorous kind of way.

What we mustn't forget here Love Exposure is a teen romance/coming of age story also, which really highlights when it comes to falling in love, love does work in mysterious ways or in Son's film absurd ways. Life isn't simple but with love comes hurt too. This is no Mills & Boon story there are no saints but those we label sinners really are saints who have lost direction to be the saints, we need direction and religion is one way to find the right direction. Living in a country  where religion has brought chaos and order (Scotland), I've seen the good and ugly side which gets a little upsetting when a person cant practice a faith without prejudice. Someone can be a devout follower of a faith but following a religion where God is treated more like a rockstar is quite funny but also unsettling reminds me of Dogma and the Jesus statue in shades  pointing at you. When your soul and mind are damaged you can fall prey to who use religion for other means making you opened to easy persuasion.

Those stories you hear about Sono been the master Nihilist, king of voyeurs Love Exposure is a perfect example of why he's worthy of those titles. Sono presents Love Exposure like one of those old naughty peepshows, undefined, seductively addictive, engaging, absurdly humorous but passionately gratifying. How many films these days can tick all the boxes for film satisfaction? Not many but Love Exposure can and it's why it's worthy of being called an essential piece of contemporary Japanese Cinema.

Paul Devine | ★★★★1/2

action, comedy | Japan, 2009 | 18 | 6th August 2012 (UK) | Third Window Films |
Dir:Shion Sono,Takahiro Nishijima,Hikari Mitsushima,Sakura Andô

The Fields DVD Review

★★★☆☆

The Fields is one of very few horrors to successfully put a child in the lead character position and pull it off. Part of this comes down to B.Harrison Smith’s script, but for the most part it’s down to Joshua Ormond’s muted performance as Steven, a kid who, rather than being mouthy, irritating, cocky, inhumanly lucky etc, is more acceptable as a guide due to his shy innocence and fallibility. Through his eyes we explore a Pennsylvania farm in 1973: a rustic and sometimes cruel looking place where hippies wash up on the roads on their travels from California, and little out of the ordinary seems to go on.

The story follows Steven as he goes to live with his grandparents after he witnesses his troubled father(Faust Checho) pull a gun on his alcoholic mother (Tara Reid). On the way to his grandparent’s Steven hears about Charles Manson’s possible parole and begins to worry the madman could come after him next. When he arrives his grandparents (Cloris Leachman and Bev Appleton) warn him above all to stay out of the corn fields, but over time, his curiosity gets the better of him and he delves into a world full of monsters and shadows.

You never really know what is happening for real when there’s so much going on to set off Steven’s young and imaginative mind: his mother explains what parole is after he hears about Manson’s crimes, his grandparent’s sinister jokes seem to stick with him, his father pulls a gun on his mother in front of him, and Pennsylvania circa 1973 looks like a breeding ground for nightmares. Thankfully, the tensions successfully grow and grow until they break the wall between Steven and his family, becoming louder, more public, and way more unsettling by the finale.

The Fields also gets brownie points for impressive cinematography that helps to make Steven’s world all the more involving. When everything seems to be going well the skies are blue and the corn is lush and beautiful, giving the boy the escape he needs. Small moments of happiness are then overshadowed by ominoussigns and the world goes all grey sinister skies and scraggly decrepit fields. It’s a basic device but an effective one.

The climax of the film abandons subtlety and all-out assaults the audience in a taught and nerve-wracking sequence which has all the cast on top performance, especially Leachman, Appleton, and Ormand. The Fields plays out like a less bizarre version of Terry Gilliam’s Tideland, using the innocent eyes of the child to present a drama which is more unsettling due to narrative angle than genuinely horrific. It’s a brilliant idea realised by a pretty solid cast and some really sinister imagery, but lack of action and some short comings in emotional punch may leave some viewers yawning.

Scott Clark

Rating:15
UK Dvd/BD Release Date: 27th August 2012
Directed By:Tom Mattera, David Mazzoni
Cast: Cloris Leachman, Tara Reid, Joshua Ormond, Tom McCarthy

Watch The Children's Dark Fantasy Short Lost For Words

The world can be a magical place to a child but it's also be a dangerous one which was a theme that kids fantasy films used to play however things ave changed. Every seems to be a little dull too squeeky clean, over stylised predictable however Canadian filmmaker Sean Wainsteim  remembers when we embraced the dark elements in his superb 10 minute short Lost For Words, a short film love-letter to the libraries I grew up in and the stories and illustrations that found me there. An unusual girl leads a naive lost little boy through an eerie fairy-tale land filled with fantastic creatures and powerful words.

enjoy....

Lost For Words from Sean Wainsteim on Vimeo.

source: Twitch

Frightfest 2012:The Inside which has its World Premiere at FRIGHTFEST

You’ve seen him as Sir Gwaine in the BBC’s TV series Merlin, now Eoin Macken steps behind the camera to direct The Inside, featuring Czech starlet Tereza Srbova (Sirens, Eastern Promises) alongside the cream of Irish acting talent that includes Emmett J. Scanlan (fan favourite Brendan Brady in Hollyoaks, Charlie Casanova), Sean Stewart (Occi, Coward), Natalia Kostrzewa (The Clinic) & Brian Fortune (Game of Thrones).  The WORLD PREMIERE takes place at the 13th Frightfest, Empire Cinema, Leicester Square on the Discovery Screen, Sunday 26^th August 12.45PM (Also screening on Monday 27^th 6.30PM).

Eoin Macken, Emmett J. Scanlan, Tereza Srbova & Brian Fortune will all be in attendance.

While in a pawnshop a young man comes into possession of a second hand video camera; discovering a tape still inside he plays back the footage and witnesses a horrific series of events involving a group of teens in an undisclosed location. Using the footage as a guide he retraces the steps to where the events seemingly occurred. Deciding to investigate he discovers to his horror not only the truth of the events on the tape but comes face to face with a supernatural terror from which he may not escape....

The Inside is a hard, violent, visceral psychological horror, which gets into your belly, and leaves an unnerving disturbed feeling after watching it.  Shot mostly in alarming 1st person perspective this evocatively realistic story of five girls breaking into an abandoned warehouse for excitement -  then finding themselves subject to a terrifying human attack before succumbing to a supernatural terror -  will leave you shaking with fear!  The film shows the worst side of humanity and contrasts it with the horror of the supernatural, which has no compunction between good and evil.  But what is worse - the fear of the unknown, or the known fear of man?  Shot and directed by Eoin C Macken, with additional cinematography by David Laird, and also featuring Eoin Macken, with sound by Greg French of Irish band The Brilliant Things and a chilling score from Kevin Whyms of Whymsonics, The Inside will re-invigorate the Irish horror genre.

For further details see:

Website http://www.theinsidemovie.co.uk (Coming soon)

Like on Facebook http://www.facebook.com/TheInsideMovie

Follow on Twitter http://www.twitter.co.uk/TheInsideMovie

Monster Pictures will release The Inside on DVD in the UK, Eire & Australia in early 2013, this is  typical Frightfest film and the Frightfesters will love it.

Shadow Dancer Review

★★1/2☆☆

BBC Films latest production, Shadow Dancer has already met positive receptions at both this year's Sundance and Berlin Film Festivals. Now it is the turn of The Edinburgh International Film Festival to take on this slow-burning British thriller.

James Marsh (Man On Wire, Project Nim) directs Shadow Dancer, an adaptation of ITV Political Editor, Tom Bradby's novel of the same name. After a failed railway bombing, IRA member Colette McVeigh (Andrea Riseborough), is detained by MI5. In order to avoid a length prison sentence, McVeigh is left with no other choice but to act as an informant for the British authorities.

Shadow Dancer requires a lot of patience, this is a particularly slow and brooding, cat and mouse thriller. Marsh's films opens with a completely startling and heartbreaking, 1970s set opening sequence that completely encapsulates the Irish troubles of the time. We are quick to learn that this may be the story of one individual family, but Bradby's haunting story also represents a whole country going through turmoil.

When Shadow Dancer transfers to the 1990s, we see that these troubles are still highly prevalent. This is captured in a tense sequence where McVeigh attempts to detonate a bomb in a British railway station. The pace of the film completely slows after this, building up a brooding sense of unease and tension - a fitting representation of British and Irish relations of the time. Due to this lessened pace, it is quite a struggle to stay engaged with Marsh's film for its' first hour. However, the third act sees the story begin to unravel, as tensions reach boiling point - completely shaking the lives of McVeigh and her family.

At its heart, there is a profound story of family loyalty and dedication running through Shadow Dancer. The quiet resilience of the McVeigh family as they try and make the best out a dark situation is endearing. This is perfectly captured in Andrea Riseborough's stunning lead performance. The actress who thoroughly impressed in W.E. and Brighton Rock, proves to one of Britain's finest young talents with her powerful turn as Colette McVeigh.

Unfortunately, one of the most interesting aspects of Shadow Dancer - the relationship between McVeigh and MI5 agent, Mac (Clive Owen) is completely underutilised. The occasional meetings between the two characters are sporadic, yet prove to be some of the most tense aspects of the film. This is a role that Clive Owen could play in his sleep, giving a solid performance, despite it being a slightly predictable role. Strong supporting turns from Gillian Anderson and Aidan Gillen, add some moments of interest but prove equally underused.
While James Marsh's Shadow Dancer is excellent at building brooding atmosphere and capturing the tension of the time, it proves to be too slow paced to be classed as enjoyable. Andrea Riseborough's performance is the strongest element of the film and ultimately its saving grace.

Andrew McArthur

Rating:15  
Release:  24th August (UK)  
Stars: Andrea Riseborough, Clive Owen, Aidan Gillen,  Gillian Anderson  
Director: James Marsh

Win White Vengeance On DVD

Two brothers contend for supremacy during the fall of the Qin Dynasty in Imperial China. Liu Bang (Leon Lai) and Xiang Yu (Feng Shaofeng), became leaders of a rebellious army, and also became sworn brothers in battle. King Huai states that whoever can subvert the Qin kingdom will be the Lord Qin, in order to benefit from the competition between Xiang Yu and Liu Bang. But who will emerge as the winner from this epic battle and survive to claim their path to the crown?

White Vengeance is written and directed by Daniel Lee (14 Blades, Three Kingdoms) and will come to DVD &Blu-ray 20 August. Courtesy of G2 Pictures we have 3 copies of White Vengeance on DVD and for a chance to win a copy please answer the following question:

Q.White Vengeance star Anthony Wong starred in what cult classic with Chow Yun-Fat, Tony Leung which came out in UK In 1992 name that film? 

Email Your Name, Address, answer along with what 2+2=? to winatcinehouseuk@gmail.com, to double your entry if you haven't done it already like us at Facebook page (include your facebook name in email)
Deadline for this competition is September 9th, 2012 (2359hrs).

Terms and Conditions

• This prize is non-transferable.
• No cash alternatives apply.
• UK & Irish entries only
  The Peoples Movies, Cinehouse and G2 Pictures have the right to alter, delay or cancel this competition without any notice
• The competition is not opened to employees, family, friends of The Peoples Movies, Cinehouse, G2 Pictures employees
• This competition is promoted on behalf of G2 Pictures
• If this prize becomes unavailable we have the right to offer an alternative prize instead.
• The Prize is to win White Vengeance on DVD
• To enter this competition you must send in your answer, name, address only, Deadline September 9th, 2012 (2359hrs)
• Will only accept entries sent to the correct email (winatcinehouseuk@gmail.com), any other entry via any other email will be void.
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