27 October 2012

Watch The Metaphoric Sci-Fi Short SEED

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This is why I love short films sometimes more than feature films as final result compared to some of the crap that's plagued our cinemas recently these films are a breath of fresh air. Some the ideas may not be 100% original but script wise, visually, structurally superior asks the question maybe some of those feature films maybe should be short films or simply should have stayed short film. We're a little disappointed we haven't covered short films as much as we should have this year but things are changing starting tonight with Tyson Wade Johnston's Seed. 

Seed is set in the year 2071, where technology has brought mankind to the brink of colonization on a planet named Gaia, one astronaut takes on an isolated mission and discovers unearthly horrors that could bring an end to human life on this planet. This is a tale of colonization gone wrong , a film that feels like a modern war film too, its a visual treat plenty of atmosphere most of all this looks a professionally polished CGI film worthy of  14 minutes of your time.

SEED (2012) Short Film from Tyson Wade Johnston on Vimeo.

source:Vimeo

26 October 2012

Ghost Stories Volume 5 DVD Review

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The fifth volume of the BBC’s Christmas ghost stories, released by the BFI next week, sees the combined issue of A View From a Hill and Number 13, the short-lived noughties reincarnation of that excellent strand of yuletide chillers, A Ghost Story for Christmas.

Stretching back to the 1971 offering, The Stalls of Barchester (but pre-empted by 1968’s superbly creepy Whistle and I’ll Come to You), the series was fixture of Christmas television through the decade before the wheels ultimately fell off and it was sadly canned. It was briefly resurrected in 2005 in the shape of A View From a Hill, with Number 13 following a year later, before history unfortunately repeated itself.

In the first of the spectral tales, A View From a Hill, archaeological academic Dr Fanshawe (Mark Letheren) visits the estate of formerly prosperous landowner Squire Richards (Pip Torrens) charged with cataloguing the oddities held within his impressive home. Among the curiosities is a pair of binoculars once belonging to a disreputable amateur archaeologist; a man whose extra-curricular, corpse-centric activities led to his untimely demise on the spot of an old execution site. Taking the binoculars to a nearby hill Fanshawe glimpses the ghostly image of an ancient local monastery, long since ruined; the disturbing apparition suggesting that the binoculars hold some ghastly power imparted by their late owner.

The adaptation of M. R. James’ Number 13 transposes the action from northern Denmark to a closely-knit, rural English setting, in which another academic (this one from Oxford and going by the name Anderson) finds himself in the employ of the local librarian. Anderson’s work revolves around some of the more macabre entries into the town’s archives, ones which reference civil war-era witch trails, and grim accounts of bizarre satanic rituals in nearby buildings. The Oxford man’s involvement in the case becomes more dangerous upon the realisation that his hotel room sits adjacent to a mysterious, occasionally perceptible and sinister room 13, a location with possible links bizarre goings-on.

The BBC’s Christmas ghost stories are uncanny in their ability to ramp-up colossal amounts of tension, and generate a tangible sense of dread in a little over half an hour, all with a miniscule budget. Luke Watson’s ability to suggest the presence of a malevolent woodland entity, stalking the forlorn yet determined Fanshawe in A View is absolutely Blair Witch-esque in its captivating, minimalist creepiness. Pier Wilkie opts to add a dash of visual horror to his tale in 13, in a largely successful move away from the simplicity of the previous story; the occasional moments in which the production’s lack of financial clout is visible are overshadowed by the charismatic and convincing performances of its cast. Paul Freeman is enjoyably devious as the untrustworthy librarian, Greg Wise thoroughly engaging as the uncertain professor who is dragged through the emotional and psychological wringer.

An exercise in economical horror, the DVD extras including essays by BFI Mediatheque Curator, Simon McCallum, author Jonathan Rigby (amongst others), and Christopher Lee’s 2000 reading of Number 13 contribute to a neat package. A fully fledged five-disc box set also available combines all of the BFI’s previous releases to remind you that not all TV is talent shows and Tyneside tantrums.

Chris Banks (@chris_in_2d) 

★★★1/2

Rating:12
DVD Release Date: 29th October 2012 (UK)
Directed By: Pier Wilkie, Luke Watson
Cast: Greg Wise, Paul Freeman, David Burke, Mark Letheren, Pip Torrens
Buy Ghost Stories Volume 5:DVD

Horror Channel brings winter chills

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Deep and crisp and bloody! Get ready to be frozen to the bone this November with Horror Channel’s Winter Chills Weekend – featuring some truly snow-filled spine tingling premieres.


Fri Nov 9 @ 22:55

The hills are alive – with undead Nazis as the season kicks off with the premiere of DEAD SNOW (2009), a beautifully nasty horror comedy directed by Tom Wirkola (Hansel &Gretel Witch Hunters). With a car full of ski equipment and enough beer to fuel their escape from everyday life, eight medical students head out on their vacation.  Isolated in the snowy hills the group begin to realise they came to the wrong resort, as deep in the hills lay an unthinkable evil. 


Sat Nov 10 @ 22.55


The season continues with BLOOD RUNS COLD (2011). Swedish director Sonny Laguna gives the slasher genre a welcome Scandinavian make-over. Record-producer Winona heads to her hometown on the outskirts of Stockholm for a break... Shortly after settling in, she invites a former boyfriend and a couple to the house. But there is an unknown presence stirring within the house, one that has been waiting for the right moment to strike.

 

 

Sun Nov 11 @ 22.55


Wrapping up the season is sci-fi horror thriller THE THAW (2009) Directed by Mark A Lewis, it stars Val Kilmer as Dr. Krupien the head of a team of ecology students, who are examining a melting ice cap in the Arctic.  When Krupien unearths a prehistoric specimen the likes of which has never been seen, he summons four of his brightest students to take part in the excavation. But the melting polar ice-cap has released a deadly pre-historic parasite…

 

Moments Worth Paying For Gemma Atkinson Supports Anti-Piracy Campaign In Iconic Way

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Two young design students from London have created an innovative take on anti-piracy advertising for the UK film, TV and video industry.

Leighton Pountney (24) and Omri Dvir (27) will see their idea brought to life in outdoor advertising UK-wide, as well across the Internet from today.
Called All for the Price of a Ticket, their idea uses till receipts – with a twist – to celebrate the entertainment value behind the purchase price of a DVD, download or cinema ticket. The campaign has been brought to life in the form of a film quiz called Riddle Me Th?s, which features giant receipts, each offering the public the chance to  solve clues to great films at FindAnyFilm.com, the UK search engine for official film, TV and video.

A host of screen stars are supporting the approach, including BAFTA award winner Adam Deacon and film and TV actress Gemma Atkinson. Their favourite films feature as riddles in the campaign, alongside clues from other film and TV experts, including film critics and bloggers.

 Adam Deacon said: “So much time, energy and passion goes into making films and TV shows, so it’s always disappointing if people choose not to pay for your work. It’s great to see a campaign that celebrates the entertainment value you get back from your DVD, download or cinema ticket.”

 Gemma Atkinson added: “It’s refreshing to see the industry creating a campaign like this with the young people it hopes to inspire. The riddle element is a great way to get people thinking about how film and TV makes you feel – and whether that feeling is something worth paying for.

The students behind the campaign first submitted their idea to the YCN Annual Student Awards, which spotlight young talent by challenging students to answer a live creative brief. The Industry Trust for IP Awareness, which commissioned an anti-piracy brief for the 2012 Awards, spotted the potential of the concept – and is working with its industry partners to bring it to life.
Omri Dvir, one of the students behind the campaign, said: “We’re thrilled that our idea is being turned into a real campaign. We wanted to get across the point that the price of your film or TV show is great value for all the enjoyment you get in return. You get magical worlds, futuristic technology, great memories and of course countless pub conversations.

 Liz Bales, Director General of The Industry Trust for IP Awareness, which commissioned the campaign on behalf of the UK film, TV and video industry, said: “We’re delighted to be bringing Omri and Leighton’s idea to life. Our research shows that nearly half of young men today access some of their entertainment from unauthorised sources. So who better to take inspiration from than the generation of people we are hoping to reach?

The new advertising will form part of the UK film, TV and video industry’s innovative Moments Worth Paying For campaign, which spans cinema, outdoor advertising, PR and social media. It will feature in Clear Channel advertising spaces UK-wide from tomorrow as well as on Findanyfilm.com and a wealth of other film and TV industry websites.

As you can see from the top image Gemma Atkinson one of her 'moments worth paying for' was the iconic scene to re-create an iconic scene from Pulp Fiction becoming Uma Thurman to help promote a Moment Worth Paying For campaign. Below is an behind the scenes video looking at how she becam uma thurman and her talking about her support for the campaign too. Here at The People's Movies & Cinehouse do support the campaign we also believe something has to be done about the pricing structure as well as the overall experience of going to the cinema or buying that DVD or Blu-Ray.Though we might have the home release but let's be honest there is some great scenes from films over the decades that should only be enjoyed in one format that's on the big screen at your local cinema.
To put your film know-how to the test, visit www.facebook.com/FindAnyFilm.

25 October 2012

Try To Remain Calm And Watch Official Trailer For UFO

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Super Bitch DVD Review

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Massimo Dallamano's latest film to be re-released, Super Bitch, takes us down a different route to the previously reissued, The Night Child. Instead of religious horror, the cinematographer turned director takes us on a tale chock-full of espionage, blackmail and sexual depravity. It is likely to have its fans, but to a casual viewer, it's difficult to understand the point of Super Bitch.

Undercover police inspector Ivan Rassimov attempts to expose an escort agency that has been blackmailing high profile clients into smuggling drugs over the border.

 Super Bitch begins like a trashy James Bond film/Euro-Crime thriller opening with crime honcho, Mama (Patricia Hayes), in a ruined Middle-Eastern city arranging drug deals with a mysterious stranger. It's not long until this stranger is wiped out by a skulking undercover cop, Cliff (Rassimov) soon resulting in a high octane car chase. Super Bitch begins feeling focused, however, things then seem to take an unfocussed turn with the plot soon verging on softcore erotica meets crude comedy. It all simply feels a bit disjointed and unclear.
The title Super Bitch (used for the film's 1980s reissue, to cash in on Stephanie Beacham's fame as Sable Colby in Dynasty and The Colbys), does not feel hugely appropriate - it gives the impression Dallamano's film is like The Stud or The Bitch. The original Blue Movie Blackmail is probably a more fitting title.

Beacham does bring her traditional feisty sex appeal to the role and as ever is a complete pleasure to watch as Joanne, the escort sleeping with high profile clients. Ivan Rassimov brings a sense of sleazy gravitas to the role of Inspector Cliff, playing the part of the Dirty Harry-esque cop well. 

There is also a funky trumpet infused score from Riz Ortolani (that screams cult film), used to fit the ever shifting tone of Super Bitch. Cult film enthusiasts are likely to enjoy the madness and incoherency of this feature, as well as its trashy charm. Where else would you see a high profile politician dressed as a rabbit being fed carrots by a half naked Stephanie Beacham or Patricia Hayes driving a convertible filled with oddball Italians singing songs about her?

If in the mood for something madcap, and slightly different you could do a lot worse than Super Bitch. However, if you are look for a solid story and sense of focus, Super Bitch is one to miss.
As always, Arrow Video have restored the print to a stellar quality and included a selection of interesting special features, including short documentary, 'Bullets, Babes and Blood'.

Andrew McArthur 

★★1/2☆☆

Stars: Stephanie Beacham, Ivan Rassimov , Patricia Hayes
Director: Massimo Dallamano
Release: 29th October 2012
Certificate: 15 (UK)
Buy Super Bitch:DVD

24 October 2012

Excision Review

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90210's AnnaLynne McCord leads the cast of Excision, a dark, visually rich tale, filled with stirring horror and tinges of black comedy. The unique style and self-awareness that fills Richard Bates Jr.'s film helps assert it as one of the finest features of 2012.

Pauline (AnnaLynne McCord) is a teenage outcast, infatuated with the idea of performing surgery. Her sinister behaviour alienates her from her image-conscious parents, Phyllis (Traci Lords) and Bob (Roger Bart) as well as her bitchy classmates and judgemental teachers. Only Pauline's young sister (Ariel Winter) who suffers from cystic fibrosis understands her, resulting in the young outcast attempting to perform life-saving surgery on her sibling.

Bates Jr. does not hold back in any way, fully transporting us into the mind of a twisted teenage outcast. Excision captures the gore-filled fantasies that clog Pauline's psyche with a trippy visual originality. This is paralleled by the cynical glistening sheen of middle class suburbia, a world that tries its best to subdue Pauline's warped fantasies. This idea of crude madness in suburbia gives vibes of the iconic work of John Waters (think modern day Polyester or Serial Mom), who has clearly been an influence on the young filmmaker. The teenage outcast theme in Excision also feels slightly reminiscent of the likes of Carrie, whilst the elements of body horror have David Cronenberg written all over them. It is essentially the best elements of many classic horrors and cult films finely crafted into one feature.

Part of the pleasure of Excision comes from the perfect elements of self-aware, dark comedy layered throughout the feature. From Pauline's no holds barred attitude with her parents and classmates to the frequent cynical looks at suburban life, Excision hits a perfect balance between horror and comedy.

Excision's cast is also likely to delight fans of camp and cult cinema. AnnaLynne McCord (90210) is completely unrecognisable in this dark role, managing to make us sympathetic to a highly unlikeable character. Pauline may be completely demented and her actions repulsive, but McCord's performance still connects with viewers - primarily when seeing Pauline bonding with younger sister, Grace. Roger Bart (The Stepford Wives) excels as Pauline's tired Father, whilst Ariel Winter's (Modern Family) pitch-perfect turn is likely to tug at your heartstrings.

The performance of the year, however, goes to the magnificent Traci Lords as Phyllis, Pauline's mother. Phyllis appears as a harsh, controlling figure to begin with - we see her judging her family every morning at the breakfast table, yet we still connect through Lords' stellar performance. We gradually see that Phyllis is a flawed character who simply wants the best for her children, however this is hindered by Pauline's actions slowly breaking her family apart. Lords is a revelation.

Excision also features an amusing appearance from John Waters' as a minister who counsels Pauline. Seeing the Pope of Trash as a devout representative of God is just another element of Bates Jr.'s clever, self-aware screenplay. Malcolm McDowell adds further star quality as a frustrated teacher, whilst Ray Wise and Marlee Matlin bring some further fun to the cast .

Excision is a must see for fans of cult cinema - it is the finest horror of the year.

Andrew McArthur 

★★★★★

Stars: AnnaLynne McCord, Traci Lords and Roger Bart  
Director: Richard Bates Jr.
Certificate: 18 (UK)
Ltd. Theatrical Release: 2nd November 2012
DVD/BR Release: 12th November 2012
Pre-Order/Buy Excision:DVD / BLU-RAY

London: The Modern Babylon DVD Review

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With 2012, Diamond Jubilee, Para-Olympics, Olympic Games and all, placing London under the gaze of the world’s media; London: The Modern Babylon gives the capital city another chance to take centre-stage.

Julien Temple’s kaleidoscopic ode to London mixes archive footage with interviews, film and television clips, documenting its history throughout the Twentieth Century up to the present day, from idyllic Edwardian summers, through war, immigration, rock and roll, and boom and bust. Temple mixes his footage, juxtaposing his images to create a fluid tableau of events covering the last hundred years or so. Early Twentieth Century immigrants appear alongside their modern day counterparts, suffragettes and Mary Jane’s Mishap, accounts of racial tension and class divides with the voyeuristic first-person filter of Michael Powell’s Peeping Tom. From 1905 to 2012 it’s a glimpse at a city which has changed immeasurably over the decades, but still retains an enduring sense of identity.

As is to be expected from the man who helmed such films as The Great Rock ‘n’ Roll Swindle and Oil City Confidential, music plays a pivotal role in the creation of this two hour, London-centric collage. Footage of bombed-out terraces and air-raid shelters roll along to the beat of Mr Churchill Says, while riots and anti-war demos (not surprisingly) dance to the tune of Street Fighting Man. The result is an entrancing amalgam of sights and sounds that feels immensely substantial, pertinent and raw, even if so much of this trip down memory lane might really be old news.

The stars of the show are without question the city’s inhabitants. Tony Benn, and the late Malcolm McLaren pop up to wax lyrical about their home town, along with numerous commoners who have made the city their home over the years. It’s an intriguing and expressive way of reinforcing the notion that an organisation is only as good as its people.

London may receive an inordinate amount of exposure in comparison to this nation’s other cities of note, but Temple’s ability to weave and create such an alluring, musical, rhythmic tribute should be of interest to even those who hail from very distant towns.

Chris Banks (@Chris_in_2D)


★★★★


Rating:15
UK DVD Release Date:29th October 2012
Directed by: Julien Temple
Cast: Michael Gambon, Hetty Bower , Miss Marsh , Tony Benn
Buy:London: The Modern BabylonOn DVD

22 October 2012

Hammer Films DVD Special Edition Reviews: Rasputin, The Mummy's Shroud, The Devil Rides Out

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The Hammer vaults flaunt perhaps the world’s greatest collection of classic horror.  Sure, the Universal monsters have garnered legendary status and are perhaps a little more dependable for production value, but for cult status and cast, the British titan has no real adversaries. Perhaps due to the company’s recent revival and the commencing of its film production (last years The Woman in Black starring Daniel Radcliffe was new-wave Hammer produce) classic Hammer films have been re-mastered and reissued on DVD and Blu Ray, making now the best time to own an integral part of cinema history.

Rasputin (1966)

Rasputin, a holy man with the power to heal the sick, slowly makes his way through pre-revolution Russia towards St Petersburg with the sole intent of working his way towards the Tsars, his ruthless pursuit of wealth and power mark him as a danger to all those who stand in his way.
                One of Hammer’s many historical-epics-on-a-tight-budget, Rasputin starring Christopher Lee as the infamous holy man-cum-mad-man is handled with diligent care and mindfulness to its capabilities. In less skilled hands the film could have appeared over-reaching, but with a solid cast and careful scripting it keeps its focus on character.
                It’s important that the film be labelled as a historic drama with a dark side (what history doesn’t have a dark side?) as opposed to Hammer’s typical horror, to label this a horror movie feels somewhat criminal and dismissive. The thing that constantly amazes is Lee’s wonderful performance as the boisterous, brutish, subtle, and manipulative Rasputin.  Never before, and possibly after, has Lee achieved that range of character; his ability to slip between the mad monk’s many faces is the prize of the feature and the staple that holds it together.  The film does unfortunately waver at points, losing its focus or drifting into less arresting grounds, but on the whole it’s an enjoyable a and unwholesome affair.

★★★☆☆


The Mummy’s Shroud (1967)

The Mummy’s Shroud is perhaps the most bipolar in terms of quality out the three releases, at its best points it appears quant, romantic even, adventurous, and unsettling, yet on the other hand it can seem amateur and messy.  The third of Hammer’s Mummy films, Shroud allows itself to become victim to tedious writing, the typical story of “archaeologists warned against their escapades, unleash terror on themselves”, seems the basis for just about every Mummy film in existence. If you ignore the recycled narrative then the film can still thrill.
                Once the Mummy is awakened the film breathes new life into itself picking up pace. The Mummy scenes are actually quite vicious; Eddie Powell’s (Christopher Lee’s regular stunt double) slow cumbersome movements and the brutality of his Mummy’s attacks foresee a time when monsters like Michael Myers and Jason Voorhees would rule the screens. A fantastic climax leaves the film in good standing, but one can’t help but wish the rest of the film achieved that level of excitement.
                There are glimpses of style and suspense but too few to mark the film out, this along with the fact the feature is mostly a few tense scenes strung together with a lack of real grit, lure the film into a middle ground of average horror.
Directed by: John Gilling Cast: André Morell, John Phillips , David Buck

★★☆☆☆


The Devil Rides Out (1968)
One of the truly great Hammer contributions to cinema, The Devil Rides Out is an exercise in perfect occult horror. Adapted by Richard Matheson from a Dennis Wheatley novel, the film follows two old friends, The Duc de Richleau (Christopher Lee) and Rex Van Ryn(Leon Greene) as they try to rescue a deceased friend’s’ son from the clutches of a satanic cult. The cult, led by the diabolic Mocata (Charles Gray), will stop at nothing to retrieve the young man and punish those who crossed them.
                Jumping straight to the point is a key factor in the films’ success; the story keeps the characters moving and never takes a dull or pointless turn. A stellar performance from Lee (one of his very best, and personal favourites) ensures that the plot is guided carefully around any possibly ridiculous devices. One of the key strengths of the piece is Lee’s polar relationship to Gray’s equally mesmerising Mocata, the two play out a battle of wits whilst rarely sharing any actual screen time.  The action is kept in check, the plot is gripping, the Wicker man vibe is strong and helps put a stamp of purely British terror on the feature, plus there are more than a few genuinely unnerving scenes.     
The film is frequently criticised for its disappointing visual effects, but apart from a dodgy spider gag the effects work pretty damn well.  The appearance of the actual Devil is a terrifying visitation thanks to some brutally unattractive make-up, as is the appearance of the Angel of Death, things that out of context could seem dated, but given the sharpness of the script and Terence Fisher’s tight direction pulls off smoothly.
                Few Hammer films achieve the crisp and startling quality of this piece after all these years, and even fewer are almost faultless. The Devil Rides Out is not just a fantastic example of Hammer’s capabilities, but a perfect alignment of those qualities that evade most horror productions; a stellar script, perfect cast, and genuine thrills.

★★★★★


SCOTT CLARK

21 October 2012

Your Sister's Sister Blu-Ray Review

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Any one who says love isn't complicated must be reading too many Mills 'n' Boon novels need to get a grip of reality. Life is complicated but is also beautiful in it's simplest form just like relationships, so introduce Lynn Shelton the director of Humpaday to the mix. Take those simple conventions of life make them complex going on farcical but most of all situations become truly believable resulting in the charming Your Sister's Sister.

Lost in emotional slump for the past year due to his brothers death Jack (Mark Duplass) takes the advice of his best friend Iris (Emily Blunt) to spend a week at her family's remote island retreat for a week of solitude and reflection. Upon arrival at the house Jack discovers some one is already there, Hannah (Rose Marie De Witt) Iris Sister who is also there for reflection with the end result the pair spending an awkward night together. The following morning the pair get an unexpected guest when Iris arrives at their front door setting off boundless revelations, complicated secrets and emotionally twisted tale of siblings and best friends, loyalty and love.

When you have a film that has improvisation or even improvisation in any form it can be a risky move. In Your Sister's Sister what we get is something that's brutally honest most of all very sincere.Everything is kept believable thanks to the characters who are likeable as well as creating a nice chemistry between the three leads which never feels forced. To highlight how natural and flowing things where Shelton captures the moment with scenes were shot in one shot which is a rarity these days.

Your Sister's Sister isn't a laugh out loud a minute film nor a romantic comedy in the same description as the Romcoms we get these days a dime a dozen. I would go as far as calling this more a sitcom as it's all in the dialogue and the rapport of the characters, also we don't get bombarded with long winding info on each character just enough to know she was with him, he is a slacker, she was with her then with him and Bob is your uncle.

Everything seems to work thanks to the performances of the cast. Mark Duplass despite the one been lumbered at times with the films 'awkward moments' handles Jack's part masterfully balancing his character's mischievous buffoonery with endless insecurities. His handling of the character probably thanks to him been one of the founders of Mumblecore sub-genre, so if Duplass is Ying Rose Marie De Witt must be Yang. As Hannah she is cheekily manipulative , homewrecker of sorts but also a fragile troubled soul too.Emily Blunt as Iris delivers a safe performance and been the bigger name of the three cast members credit goes to her as she proves she has the ability to improvise an area many other bigger names have either tried and failed miserably or don't even go near. You may also ask how come Iris and Hannah are sisters whilst one is American the other British? Don't have to Sherlock Holmes to figure it out but I won't spoil the moment as it's a funny scene but it gives the film an extra dimension. With De Witt been a late replacement for Rachel Weisz you wonder if this film would have worked with 2 British female leads?

In words of a former Colleague Your Sisters Sister is also a film that will be enjoyed 'by dudes' just as much as women.There's no fantasy fairytale scenarios just 3 normal fragile souls in need of some 'me time' but now finding themselves in a rather crowded retreat,a crowed house that leads to some farcical results. For all it's charms Your Sisters Sister does at times fell a little stretched , even flat at times but thanks to the simplicity of the plot and great performances from the cast it keeps the film interesting but most of all entertaining. The end scene may frustrate some of you but as improvisation is the name of the game here Lynn Shelton leaves this point of the film for you to improvise.

Paul Devine


★★★1/2


Rating:15 (UK)
DVD/BD Release Date: 29th October 2012
Directed By: Lynn Shelton
Cast: Mark Duplass, Emily Blunt , Rosemarie DeWitt
Buy/Pre-Order Your Sister's Sister:DVD / Blu-ray