10 February 2013

Sinister DVD Review

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Of all the horror films to make it to the big screen last autumn, Sinister, starring Ethan Hawke and directed by Scott Dickinson (The Exorcism of Emily Rose), probably had the most attention. If you were to take one look at any respectable horror web site the stills, TV spots, trailers etc were proudly flaunted as if with some secret knowledge that this will be something to remember. Though the film isn’t exactly a deal-breaker, it’s definitely one of the most skilfully executed horrors seen in 2012.

The story follows Ellison (a top-form Ethan Hawke), a true crime writer who, for his new project, moves him and his family to a new home. Soon after arriving, Ellison finds a box of old films that show the brutal murders of numerous families by an unknown assailant. As he gets closer and closer to unravelling the mystery of the tapes his family are pulled with him into grave danger.

Sounds like a fairly standard horror tale, but it’s not. The thing that puts this film above most is its finely tuned understanding of its subject; the use of old celluloid pulls out a hundred references to voyeuristic horror, Peeping Tom and Psycho jump to mind, and then there’s the family under duress aspect which brings in just about any “haunted house” film you’ve seen. But under all this is the relentless beating heart of a genuine horror story. Take any sequence where Ellison watches the films and you’ll find some of the tautest in ages. From the second we lay eyes on the conspicuous black box of home movies, with their unassuming yet ominous titles, there’s a feeling of dread lording over all. All of a sudden, we want the family to get away from the house, but at the same time we really want to see those movies. Even after the first we want to know what the rest of those canisters hold. That’s where the voyeuristic guilt comes into play and we, the audience, are all of a sudden participants to something ghastly. Unfortunately it’s the film’s own ingenuity that really highlights how lazy it can be, particularly its jump-scares which leap-frog the suspense and capture a significantly cheaper thrill.

Derrickson’s tight direction and frantic style keep the film on track also lending a chaotic feel to some of the more brutal moments. Ellison’s slow-slipping sanity comes with the rapid cutting-in of super 8, an effect that in other hands might have been wasted but here gives a Shining-esque sense of schizophrenia. The speed of the film is important to its narrative: just as the characters very quickly become confused and assailed, the narrative flickers through “haunted house” past “serial killer”, and eventually spirals into a web of macabre beyond the isolated affairs of Ellison’s new home.

The film’s primary issue is one not unusual in modern horror: it shows too much. A lack of reserve in relation to some of the more terrifying concepts allows those concepts to become almost laughable through over-exposure. A scene which sees Ellison wake in the night to wander his creaky old house suddenly becomes an abstract ballet with ghostly children. Mr Boogie, a genuinely unsettling omnipresence, eventually becomes too familiar which is a shame considering he’s the reason you spend half the film wincing in terror and trying to burrow into your seat.

Special note has to be reserved for Christopher Young’s soundtrack, which doesn’t bother to come up with a specific melody; instead it focuses on blurring the lines between film and reality, which in turn leaks Ellison’s world into ours. The insect flickering of the finished celluloid film pops up throughout the film amidst abstract chanting and a host of other deeply unsettling sounds to illustrate Ellison’s mind state and keep us wondering whether he’s bothered to wake up (or fall asleep) once the films have stopped rolling. It truly is a masterful score to be put up there with Young’s work on Hellraiser.

Sinister may not be a film to induct into the canon, but it’s certainly a well-executed piece of nerve-shredding that will haunt you for some time, and it definitely has the potential to seriously disturb your kids. Don’t see it alone.

Scott Clark

★★★★

Rating:15
DVD/BD Release Date: 11th February 2013 (UK)
Directed By: Scott Derrickson
Cast:Ethan Hawke, Juliet Rylance , James Ransone , Clare Foley, Vincent D'Onofrio
Buy Sinister:Blu-ray/ DVD

Beasts Of Southern Wild Blu-Ray Review

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It's awards season and with all the big-name prestige pics like Lincoln, Zero Dark Thirty and Movie 43 elbowing each other for the spotlight, it's easy to miss this one, despite it being up for Best Picture. Beasts of the Southern Wild (not to be confused with Breasts of the Southern Wild, a DVD that probably already exists) has been nominated for 4 Oscars, including Lead Actress for 9 year old Quvenzhané Wallis, who has become the youngest actress to ever be up for the award. Unfortunately, I don't think BotSW will win much, but then again, it ain't all about awards is it?

Beasts of the Southern Wild is the story of 5 year old Hushpuppy (Quvenzhané Wallis), an imaginative child who acts as our narrator as she relays her life in The Bathtub, a Louisiana bayou community cut off from the mainland by a levee. We see her deal with her temperamental father, Wink (Dwight Henry) and threats that may change life in The Bathtub forever.

On the surface, BotSW is exactly the sort of film you'd expect an Oscar outsider to be. We have an innocent child narrator, a portrayal of a way of life free of modern toss like Facebook notifications, council tax and iPad minis and a fantastical edge to it all,giving everything a dream-like quality. With all those elements in play, you would be forgiven for rolling your eyes and rewatching the first Transformers film. BotSW is better than the sum of its parts though. Firstly, we have an amazing and naturalistic central performance from Quvenzhané Wallis, who carries the film on her small shoulders. I think she may be the best child actor I've ever seen. Hushpuppy is a firecracker, going from daydreaming her way around the farm to scowling like a caged beast. Her relationship with Wink is fantastically done and genuinely touching. Wink is quick to anger and aloof at times, but undeniably cares about Hushpuppy. Dwight Henry keeps the character always teetering on the brink of struggling father and unfeeling arsehole, but never tips over. There's a fantastic scene where Wink runs out into torrential rain, blasting his shotgun and yelling in an effort to pick a fight with the storm to allay Hushpuppy's fears. Wink's a complex man who will have you questioning just how to react to him throughout the course of the film.

The lyrical quality of the language used is the first thing that struck me about the film. As soon as the film opens, we see Hushpuppy listening to various animals' heartbeats, with her voiceover saying: “All the time, everywhere, everything's hearts are beating and squirting, and talking to each other the ways I can't understand. Most of the time they probably be saying: “I'm hungry”, or “I gotta poop”. But sometimes they be talkin' in codes.” There's something about it that makes the dialogue a joy to listen to and gives it the ability to blindside you with some truly affecting bits, especially when Hushpuppy is trying to deal with and explain some big concepts. There's a real sense of impending doom that hangs over Hushpuppy's head and therefore the film.

I suppose if I had to criticise the film, I'd say it's pretty heavy-handed with both the drama and its overall messages at times. There are some moments that are really effective and are guaranteed to make you think. However, there are others that over-egg the drama so much that it broke my immersion. These aren't glaring flaws though. Just little anomalous bits that didn't fit in with the rest of the film. It's worth saying that the cinematography of this film is beautiful. Marvel at some of the images here. Just wow.

I really enjoyed Beasts of the Southern Wild. It's a well told story relayed to us by the most kick-ass kid ever. I'd love for her to win the Oscar. It may even restore my faith in the overblown Academy. Anyway- highly recommended.



Ben Browne

★★★★

Rating: 12
DVD/BD Release Date:11th February 2013 (UK)
Director
Cast
Buy  Beasts Of The Southern Wild: Blu-ray / DVD





9 February 2013

Win Sinister On Blu Ray & Limited Edition T-Shirt

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The “Genuinely terrifying” (5*, Daily Mail) box-office sensation that terrified cinemagoers and critics alike is shortly upon us; the Ethan Hawke-starring Sinister arrives on DVD, Blu-ray and Download February 11th through Momentum Pictures.

To celebrate the release of Sinister, we’re giving away a limited edition t-shirt and a copy on Blu-ray! Plus, one lucky runner-up will also receive a limited edition t-shirt.

#SurviveSINISTER On Valentine's Day! From 8.00pm Thursday 14th Feb press play and watch your copy of Sinister and join in the fun on twitter following the hashtag #SurviveSINISTER. Share the fear and win prizes. Our team will be online from 7.30pm tweeting from @Sinister_UK to help you get ready!

Desperately in need of a best seller to revive his struggling career, true crime writer Ellison (Ethan Hawke), moves his family to the scene of his most recent story; the unsolved, gruesome murder of a loving, happy suburban family.

Shunned by the local community and strained by his obligations to his family, the discovery of a batch of home movies in the attic offers Ellison shocking proof to the crime he is investigating. Ellison notices the same unidentified figure appearing in each of the 8mm films, leaving him convinced that all the incidents are linked by a truly bizarre connection. As his investigations uncover the terrifying truth he starts to lose his grip on reality and it soon becomes clear that he is placing his own family in harm’s way.

To win the Sinister prizes please answer the following question:

Q.Sinister Ehtan Hawke and Dark Skies (out April) Josh Hamilton In films that share same production teams both starred in a film together in 1993 name that film?

Deadline for this competition is Thursay 28th February (2359hrs), Must be 15 years or older to enter
Please label email Sinister, include answer, name, address only to winatcinehouseuk@gmail.com
Pre-Order/Buy:DVD / Blu-ray
Terms & Conditions:1.This prize is non transferable.No cash alternatives apply.UK & Irish entries only.2.The Peoples Movies, Cinehouse and Momentum Pictures. have the right to alter, delay or cancel this competition without any notice 3.The competition is not opened to employees, family, friends of The Peoples Movies, Cinehouse,Momentum Pictures employees 4.This competition is promoted on behalf of Momentum Pictures  5. If this prize becomes unavailable we have the right to offer an alternative prize instead 6.To enter this competition you must send in your answer, name, address only, Deadline 28th February 2013 (2359hrs)7.Will only accept entries sent to the correct email (winatcinehouseuk@gmail.com), any other entry via any other email will be void.8.If the above form fails please send the information required from the form email it to win [at] thepeoplesmovies [dot] com (label sinister) If any info required from the form is not sent in the email your entry will be void 9.automated entries are not allowed and will be disqualified, which could result you been banned.10.If you are friend or like us at facebook for every competition you enter you get double entry, but you must stay stay friend/like us all the time,or future entries maybe considered one entry.11.The Peoples Movies, Cinehouse takes no responsibility for delayed, lost, stolen prizes 12.Prizes may take from days to a few months for delivery which is out of our control13.The competition is opened to Aged 15 and over.14. Majority of the prizes on offer will come from representatives of the distributor, no The People’s Movies &Cinehouse, when we do have the prizes we will inform you.15. Unless Stated Please Do Not Include Telephone Numbers, we don’t need them and if you include your telephone number Cinehouse and The People’s Movies are not responsible for the security of the number 16.The winning entries will be picked at random and contacted by email or announced via facebook, sometimes we are unable to confirm winners.17.This competition is bound by the rules of Scotland,England & Wales, Northern Ireland, Ireland.18.By sending your entry for this competition you are confirming you have read and agreed to these Terms & Conditions.
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8 February 2013

Watch The Atmospheric Indie Short The Devoured

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 The Devoured is a slick atmospheric short indie horror from Wes Palmer and Zach Bokhour which was all made with the grand budget of $100 (£78)!

The Devoured is about a young man who is convinced his house is haunted and approaches a businessman who has a set of unusual associates who can get rid of those spirits.

It's a simple story and a another fine example of getting the best out of what you've got and despite glitches here and there The Devoured is a honest tension layered short film.

John Woo's Reign Of Assassins Getting UK DVD Release End Of February

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John Woo co-directed Reign Of Assassins this friday will get itself a limited cinema release before been released on DVD  later this month. Reign Of Assassins (Jianyu) has an all-star cast in this period-set martial arts actioner that combines the action-comedy and romance of “Mr. & Mrs. Smith” with the identity swap thrills of “Face/Off”.

Nominated for ten Hong Kong Film Awards (including Best Picture, Best Director, Best Action Choreography, Best Cinematography), this is far and away the classiest and best-choreographed martial arts extravaganza we’ve seen since “House Of Flying Daggers”. John Woo’s inimitable directorial touch, sumptuous visuals, astonishing action set-pieces and a beautiful and extremely talented cast featuring the cream of Asian cinema, all performing at the top of their game, make this a must-see.

Reign of Assassins stars Michelle Yeoh, woo-song jung, Xueqi Wang, Shawn Yu, Kelly Lin and Barbie Hsu. Reign Of Assassins will be released cinematically on 15th February, DVD on 25th February

Special Features:

Preparing The Story

Challenging The Strongest

The Characters

Destiny

Sword Fighting & Magic

Buy Reign Of Assassins:On DVD






Synopsis

In Ancient China, “Drizzle” is the most deadly and ruthless assassin of the Dark Stone gang. After a life of theft and murder, she seeks to atone for her ways and leave the gang forever. Undergoing a drastic procedure to alter her appearance, she changes her name to Jing and starts a new life in the capital.

Even with her newfound life as a shopkeeper and a budding romance to Ah-Sheng, the Dark Stone gang is hot on her trail. She alone holds the secret of the mystical Buddhist monk’s remains, which legend says the possessor will gain control of the whole world. The gang will stop at nothing in their pursuit to control this power

7 February 2013

The Top 5 Advertising Campaigns ('No' Feature)

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Tomorrow Friday  8th February sees the UK&Irish release of Oscar Nominated NO starring Gael Garcia Bernal.

.Bernal is cynical advertising executive, Rene Saavedra, who is asked to spearhead the ‘NO’ campaign to bring democracy to Chile. How does he manage to create a campaign despite scant resources, scrutiny from colleagues sympathetic to the regime including ad agency colleagues and the secret police?

No is the true story of how the ad men toppled tyrant dictor General Augusto Pinochet in 1988 and to celebrate tomorrow's release we have a look a five of the best advertising campaigns that toppled the 'opposition'

1 Volkswagen's "Think Small" Campaign

Volkswagen completely destroyed the status quo for automobile ads with the “Think Small” campaign as the 50s and 60s were a time when cars were a fashion statements and an example of social status.  This was also a foreign car,a post-WWII German car no-less!
At the time the campaign was created, Americans didn’t buy small German cars and preferred instead big, conspicuous vehicles! So what did this Volkswagen ad do? It played right into the audience’s expectations: “You think I’m small? Yeah, I am and that’s what makes me special!”
Print advertisements for the campaign were filled mostly with white space, with a small image of the Beetle shown, which was meant to emphasize its simplicity and minimalism.


2 Clairol: Does She or Doesn’t She?

Clairol did the opposite of what most typical advertising campaign would do. They didn’t want every woman on the street running around saying they were using their product! They wanted women to understand that their product was so good, people wouldn’t be able to tell if they were using it or not.
The campaign became very effective and within six years, 70% of all adult women were colouring their hair, and Clairol’s sales increased by 413%!! The campaign was so successful and the products use so widespread that some US states  stopped asking women to list their hair colour on their driver's licenses.


3 Nike's "Just Do It"

One of the most recognised advertising slogans in history, Nike’s "Just Do It" was short, sweet and to the point. It reflected a human truth everyone could relate to: that drive to push yourself further as well as Nike’s can-do attitude. The campaign inspired a sense of grit, determination and passion and branded Nike as inescapable ‘cool’.

After the introduction of this advertising campaign Nike's market share jumped from 18% to 43%, and their sales exploded from $800 million a year in 1988 to upwards of $9.2 billion in 1998.


4 Got Milk?

The California Milk Processor Board needed to reverse plunging industry sales of milk and its "Got Milk?" marketing campaign not only helped turn around milk sales in the US but also changed the face of consumer marketing forever. This ingenious advertising campaign inspired people the world over to drink cow’s milk and was supported by children, animals, style icons, and celebrities, each sporting the iconic milk moustache. The campaign has been running since 1993 and is one of the longest lasting campaigns ever.


5 MARLBORO MAN

Now one of the more controversial campaigns, the Marlboro Man ads inspired a generation of smokers branding it as cool and the only course of action for ‘real men’. Creating an entire lifestyle around the smoking of a Marlboro cigarette, the ads captured an ideal lifestyle that many aspired to.
The campaign transformed a once feminine product, associated with the slogan "Mild as May", into one that was masculine. Although there were many Marlboro Men, the cowboy proved to be the most popular which led to the "Marlboro Cowboy" and "Marlboro Country" campaigns.
Three men who appeared in Marlboro advertisements died of lung cancer, thus earning Marlboro cigarettes, the nickname "Cowboy killers"


NO is released in UK&Irish cinemas from tomorro Friday 8th February.

Possess Yourself To Watch UK Trailer For The Last Exorcism Part 2

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"Devil Kissed it, God Blessed it" A little saying My Mum used to say to me if I dropped something  but for Nell Sweetzer God may ask, but the Devil commands and he commands you to be possessed by the UK Trailer and Poster For The Last Exorcism Part 2.

Will poor Nell (Ashley Bell) get a break from Auld Nick and his demented ways?Once the devil has his sights on you he has some canny plans for you and next month we will see what those plans will be when the film arrives in UK&Irish cinemas.

The Last Exorcism Part 2  picks up where Daniel Stamm's first film left off with Nell found dirty, scared, confused with no recollection of what's just happened to her. As Nell attempts to make a life for herself with new job even a boyfriend the traumatic events from the first film are creating buzz online, Nell still doesn’t feel right even if things are looking good for her. She was right to be concerned  as the demon that possessed her once before wants her again but not in the same way this time.

The Last Exorcism Part 2 is directed by Ed Gass-Donnelly who directed the recent indie hit Small Town Murder Songs who has went for the straightforward narrative than found footage, Eli Roth once again in the producers hotseat. The film also stars  Spencer Treat Clark, Andrew Sensenig with the film due to arrive in UK&Ireland 15th March with USA release on March 1st



LASTEXORCISM2-UKQuad

Shock Till' You Drop have also unleashed a new tv spot online check it out below!
source:ThePeoplesmovies

6 February 2013

Watch Full Trailer For Japanese Drama Drive Petal Dance

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Friends will be friends they always say your true friends will stick with you until the end and when you hear stories that one friend may have died you want to know the truth. In Hiroshi Ishikawa's Petal Dance this is the case and before its April release in Japan a full trailer has been released.

Petal Dance (or Pedal Dance as its also called) stars Aoi Miyazaki, Sakura Ando as friends Jink and Motoko hear about a unusual but worrying rumour that their friend Miki (Kazue Fukiishi) she jumped into the ocean only to be rescued at the last minute. Now in a local hospital the girls head to Miki's hometown to find out the truth behind what happened  and on the way they find a third person (Shioli Kutsuna) who joins them.

Petal Dance will be released on 20th April 2013 in Japan.


A big thanks to Nipponcinema for trailer

BFI to release Roman Polanski's Tess (1979) on DVD & Blu-ray This March

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On 18 March the BFI will release Tess, the triple Oscar-winning 1979 adaptation of Thomas Hardy’s novel, Tess of the d’Urbervilles, directed by Roman Polanski (Chinatown, The Pianist). This beautiful-looking film, mastered from a stunning 4K ultra high resolution digital restoration, is presented in a Dual Format Edition, bringing it to Blu-ray for the first time in the UK. Special features include three documentaries covering the adaptation, the technical challenges and the filming experience.

Nastassia Kinski (Cat People, Paris, Texas) gives a career-defining performance as the ill-fated peasant girl of noble origin, whose beauty is both her fortune and her undoing and has strong support from Peter Firth (Equus, The Hunt for Red October, Spooks) and Leigh Lawson (Being Julia, Casanova, Silent Witness).

Reportedly the most expensive film ever made in France at the time, both the long shoot and post-production work had their problems. Original cinematographer Geoffrey Unsworth died suddenly during filming and was replaced by Ghislain Cloquet. The Wessex setting needed to be authentically recreated in France, right down to a replica Stonehenge. The film was the first in France to use Dolby Stereo and with an initial cut of over three hours, months more work was needed to reduce it by 20 minutes.

The film went on to win Oscars for Art Direction, Cinematography and Costume Design, the latter won by Anthony Powell, whose original designs are seen here in a short film, a BAFTA for Cinematography and a Golden Globe for Best Foreign Film.

Hardy’s enduring 1891 novel continues to sell strongly and last year booksellers reported a huge spike in sales after its appearance and significance in the 4 million-selling erotic novel Fifty Shades of Grey.



Special Features:
• New 4K digital restoration
• Presented in both High Definition and Standard Definition
• Tess: From Novel to Screen (Laurent Bouzereau, 2004, 29 minutes, DVD only): Polanski on the adaptation of Hardy's classic novel with contributions from Hardy scholars and cast and crew
• Filming Tess (Laurent Bouzereau, 2004, 26 mins, DVD only): cast and crew discuss the technical challenges they faced
• Tess: The Experience (Laurent Bouzereau, 2004, 20 mins, DVD only): those who worked on Tess discuss their experiences
• Costume Designs (2013, 2 mins): Anthony Powell's award-winning designs
• Original theatrical trailer
• Illustrated booklet with essays and credits

Pre-order / Buy:Tess (DVD & Blu-ray) [1979]


5 February 2013

GFF 2013 - Watch The American Trailer For Studio Ghibli's From Up on Poppy Hill

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It maybe still doing the festival circuit rounds but 2013 finally looks the year Studio Ghibli's From Up On Poppy Hill will finally be released in English as tonight we have the US Trailer.

Based on a Manga of the same name , From Up on Poppy Hill is an coming of age story  set in the 1960s  2 teenagers who fall in love in the wake of preventing an old clubhouse at the school their both at in Yokohama.

The film marks a return to directing from Goro Miyazaki with his father the legendary Hayao Miyazaki on scripting , the film on the animation equivalent of an Oscar back in 2011, the Japan Academy Prize for Animation. From Up On Poppy Hill certainly keeps the charm, beauty and even innocence we expect from Studio Ghibli, our only concern with this, is its not one of Studio Ghibli's 'fantasies' which are a easy sell however the source of this film should be enough to sell this one.

This a dubbed version of the film, we don't know yet if they'll be an UK voice cast like Arriety, if not Chris Noth, Jamie Lee Curtis, Ron Howard, Bruce Dern and Aubrey Plaza will provide the cast. GK Kids are the new American distributor taken over from Disney, Here in The UK we're still expecting Studiocanal to release this for now next UK screening is at Glasgow Youth Film Festival 10th February, USA Release will be 15th March .

Synopsis

The latest Studio Ghibli masterpiece is scripted by Hayao Miyazaki and directed by his son Goro. Set just before the 1964 Olympics, this anime features Umi, a hardworking teen looking after her family while her mother is abroad. One day she comes across a poem in the school newspaper, apparently written about her. A little while later she meets Shun, a daring young man who is part of a school movement to help save the local clubhouse from demolition. Umi joins the movement and she and Shun grow closer, until they are suddenly torn apart by a shocking secret…



source:TheFilmStage

4 February 2013

GFF 2013 - Rob Zombie's The Lords Of Salem Trailer 2

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We're impressed by the visual style of Rob Zombie's The Lords Of Salem first trailer which played to the sounds of Mozart's Requiem playing like an homage to horror Maestro Mario Bava. Tonight we have an second trailer for The Lords Of Salem which possess the atmosphere, visual qualities of the previous trailer but now going for a more conventional approach.

The Lords of Salem stars Sherri Moon Zombie (wife of director) plays a radio DJ who receives a strange gift in a wooden box, within the box is a record 'gift to the lords' which awakens a 200 year old coven of witches.

This new trailer has given us a better understanding in what the film is all about you can see the plot is delving into old school giallo , near enough arthouse style horror but the question is The Lords of Salem more style over substance? Hopefully not as this looks insane film, he does have an uphill battle with cinephiles convincing his film making skills are as worthy as his musical talents, we're convinced!

No word on a UK Release just yet however on 22nd February The Lords Of Salem will make its UK Premier at Glasgow Film Festival during Film4 Frightfest strand. The Lords of Salem also stars  Bruce Davidson, Jeffrey Daniel Phillips, Ken Foree, Patricia Quinn, Dee Wallace, Maria Conchita Alonso, Judy Gleeson, Meg Foster, Griffin Boice.



Synopsis

Hard rock Boston DJ Heidi Hawthorne co-hosts a late-night radio show. One day she receives a promo record from a mysterious band called The Lords whose music is strange and sinister. It transpires the droning tune was composed during the Witch Trials to turn all the local Salem women into satanic acolytes. When she plays it on the air, Heidi spirals into drug addiction and starts having nightmare hallucinations about the demon seed. Cult director Rob Zombie returns with his darkest horror – a journey to the unfathomable depths of terror in the tradition of Rosemary’s Baby and The Devils. 


source: Bleeding Cool

GFF 2013 - New Poster For Nordic Thriller A Hijacking

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It wouldn't be same without some Scandinavian presence on our television or cinema and this May Arrow Films will release Nordic thriller  A Hijacking (Kapringen) and they have sent us this eye catching poster.

A Hijacking is written & directed  by Tobias Lindholm (writer of the Hunt) a acclaimed Somali pirate drama which stars a few familiar to fans of the recent Nordic TV invasion ,, Borgen's  Pilou Asbæk and The Killing's Søren Malling.The film is based on stories of the recent attacks from Somalian pirates and in A Hijacking it's the Danish cargo vessel, MV Rozen that falls fowl to the pirates in The Indian Ocean.

The poster symbolic with the silhouettes of a freighter ship and the gun the symbol of the pirates with the red lettering the danger sailing in the shores which could cause your life. If Lindholm  delivers the same solid storytelling like Borgen we have a powerful entertaining film on our hands and the early reviews from the films London film festival back that promise up.

A Hijacking is set for an 10th May UK&Irish release but you can catch early previews of the film at this month's Glasgow film Festival on the 20th & 21st February.

Synopsis

A tense, chilling drama following the emotional journeys of a ship’s crew as they are taken hostage in the Indian Ocean, A HIJACKING was the stand out film at the Venice and Toronto’s Film Festivals 2012.

The cargo ship MV Rozen is heading for harbour when it is hijacked by Somali pirates in the Indian Ocean. Amongst the men on board are the ship’s cook Mikkel (Pilou Asbæk) and the engineer Jan (Roland Møller), who along with the rest of the seamen are taken hostage in a cynical game of life and death. With the demand for a ransom of millions of dollars a psychological drama unfolds between the CEO of the shipping company (Søren Malling) and the Somali pirates.
A_HIJACKING_UKPoster

Did you miss the trailer? Here it is one more time....

Official Trailer


GFF2013 - ABCs Of Death Getting A UK&Irish April Release

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Monster Pictures announced today that The ABCs of Death, an anthology of 26 short films, directed by 26 Directors depicting 26 ways to die will be released theatrically in the UK & Eire in 26 cinemas nationwide on the 26 April 2013.

· 26 Directors

· 26 ways to die

· 26 cinemas

· 26 April 2013

The ABCs of Death is perhaps the most ambitious anthology film ever conceived with productions spanning fifteen countries and featuring segments directed by over two dozen of the world's leading talents in contemporary genre film, including the directors of House of the Devil, Hobo with a Shotgun, A Serbian Film, Tokyo Gore Police, You’re Next & four British Directors - Ben Wheatley (Sightseers), Simon Rumley (Red, White & Blue), Jake West (Doghouse) & Leeds based Lee Hardcastle, who with his claymation short, won a competition to be the final Director. Inspired by children’s educational books, the motion picture is comprised of twenty-six individual chapters, each helmed by a different director assigned a letter of the alphabet. The directors were then given free rein in choosing a word to create a story involving death.

This alphabetical arsenal of destruction orchestrated by what has been described as "a stunning roll call of some of the most exciting names in horror across the world." is one of the most hotly anticipated releases for 2013. When the trailer received its first UK airing, last year, it was screened to a packed audience at the 13th Frightfest, Empire Cinema, Leicester Square, the 2 minute clip received rapturous applause from the attending audience. The film will receive its UK premiere at the this year’s Glasgow Film Festival as part of Film4Frightfest (Tickets for this event are now sold out) and its Irish premiere at the inaugural Twisted Celluloid Film Festival at the Triskel Arts Centre.Cinehouse & The People's Movies will be attending the whole of Film4 Frightfest @Glasgow Film Festival so stay tuned for our review but if you enjoyed the recent V/H/S film you'll dig this one, If your attending do say hello as I'll be one of The Ushers during the weekend.

Monster Pictures UK have also gave us the list of  26 cinemas you can catch ABCs Of Death at before that check out the full list of short films and the 26 directors behind them....

The Short Films & Directors
Apocalypse by Nacho Vigalondo (TimeCrimes), Spain
Bigfoot by Adrían Garcia Bogliano (Cold Sweat), Mexico
Cycle by Ernesto Díaz Espinoza (Mirageman; Mandrill), Chile
Dogfight by Marcel Sarmiento (Deadgirl), USA
Exterminate by Angela Bettis (Roman), USA
Fart by Noburu Iguchi, (Robo Geisha), Japan
Gravity by Andrew Traucki (The Reef), Australia
Hydro-Electric Diffusion by Thomas Malling (Norwegian Ninja), Norway
Ingrown by Jorge Michel Grau (We Are What We Are), Mexico
Jidai-Geki by Yudai Yamaguchi (Yakuza Weapon), Japan
Klutz by Anders Morgenthaler (Princess), Denmark
Libido by Timo Tjahjanto (Macabre), Indonesia
Miscarriage by Ti West (House of the Devil; The Innkeepers), USA
Nuptials by Banjong Pisathanakun (Shutter), Thailand
Orgasm by Bruno Forzani & Héléne Cattet (Amer), Belgium
Pressure by Simon Rumley (Red, White & Blue), UK
Quack by Adam Wingard (A Horrible Way to Die), USA
Removed by Srdjan Spasojevic (A Serbian Film), Serbia
Speed by Jake West (Doghouse), UK
Toilet by Lee Hardcastle (T is For Toilet), UK
Unearthed by Ben Wheatley (Kill List), UK
Vagitus by Kaare Andrews (Altitude), USA
WTF! by Jon Schnepp (Metalocalypse; The Venture Bros.), USA
XXL by Xavier Gens (Frontiers; Hitman), France
Youngbuck by Jason Eisener (Hobo With A Shotgun), Canada
Zetsumetsu by Yoshihiro Nishimura (Tokyo Gore Police), Japan

26 Cinemas
ABERDEEN, The Belmont Picturehouse http://bit.ly/12mkxl8
BELFAST, QFT http://www.queensfilmtheatre.com/films/theabcsofdeath/
BRIGHTON, Duke of York's Picturehouse http://www.picturehouses.co.uk/cinema/Duke_Of_Yorks/
BRISTOL, Watershed http://www.watershed.co.uk/
CAMBRIDGE, Arts Picturehouse http://www.picturehouses.co.uk/cinema/Arts_Picturehouse_Cambridge/
CANTERBURY, Gulbenkian Cinema http://www.kent.ac.uk/gulbenkian/
CARDIFF, Chapter http://www.chapter.org/index.html
DERBY Quad www.derbyquad.co.uk
EDINBURGH, Cameo Picturehouse http://bit.ly/WSBz6o
EXETER, Exeter Picturehouse http://bit.ly/Tyl2EQ
GLASGOW, The Grosvenor Cinema http://www.grosvenorcafe.co.uk/cinema.php
LEEDS, Hyde Park Picture House http://bit.ly/YwrT0s
LEICESTER, Phoenix Square http://phoenix.org.uk/
LONDON, Stratford East Picturehouse http://www.picturehouses.co.uk/cinema/Stratford_London/
LONDON, Clapham Picturehouse http://bit.ly/WSqUbN
LONDON, Hackney Picturehouse http://bit.ly/X9y0ai
LONDON, Greenwich Picturehouse http://www.picturehouses.co.uk/cinema/Greenwich_Picturehouse/
LONDON, Ritzy Picturehouse, Brixton http://bit.ly/URkpFN
LONDON, Prince Charles Cinema http://www.princecharlescinema.com/index.php
LIVERPOOL, Picturehouse at FACT http://bit.ly/VyFZME
NEWCASTLE, Tyneside Cinema https://www.tynesidecinema.co.uk/
NORWICH, Cinema City http://bit.ly/WLv1U5
OXFORD, Phoenix Picturehouse http://bit.ly/Y4RoUN
SOUTHAMPTON, Harbour Lights Picturehouse http://bit.ly/11AGZa2
STRATFORD-UPON-AVON, Stratford Picturehouse http://bit.ly/XiCVnl
YORK, City Screen Picturehouse http://bit.ly/Y4RMCC

Tickets for many of the venues are available to pre-order now. The ABCs of Death will also be previewed in selected cities around the UK. Further details will be announced shortly.

Provocative, shocking, funny and ultimately confrontational, The ABCs of Death is the definitive vision of modern horror diversity.

For further information and details about The ABCs of Death go to the film’s official website www.26waystodie.com and follow on Twitter @26waystodie

A DVD and Blu-ray edition of The ABCs of Death are set to be released on 3 June 2013. Pre-order now from Amazon and other online outlets DVD or BLU-RAY. Details about extras and special features will be announced later this year.

1 February 2013

GFF 2013 - Watch The UK Trailer For Neil Jordan's Byzantium

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Neil Jordan returns to the vampire genre for his next film but instead of interviews with vampires its vampires on the run with Byzantium and we have the new UK Trailer.

Byzantium stars Gemma Arterton, Saorise Ronan play Eleanor and Clara Webb 2 mysterious women who seek refuge in a run-down coastal resort. Struggling to make ends meet thanks to a lonely man called Noel the find refuge in the deserted Byzantium guesthouse. As they start to befriend the local its not long until their deadly secret is out, there vampires and the past they have been running from suddenly catches up with them with deathly consequence.

The vampire genre is in dire need of  TLC especially after a certain tween franchise made the sub genre very unpopular, Byzantium may just be that film to help the creatures of the night become a little more popular  once again. Oscar winning Neil Jordan knows how how deliver something a little bit different  and Byzantium does look a unique take on the vampire myth.With its grandoise visuals, opulent in nature, most of all chilling, atmospheric and melancholic something that you find throughout Jordan's work

Byzantium made it's world premier at Toronto Film Festival in 2012 leaving with some great positive reviews and later this month on 22nd February the film will make it's UK Premier at Glasgow Film Festival in the Film4 Frightfest strand with Jordan, Arterton and Ronan all confirmed to attend.

Studiocanal are releasing Byzantium in UK&Ireland with the film due to be released on 3rd May 2013, IFC will deal with the American release but no date has been confirmed yet. The film also stars Jonny Lee MillerCaleb Landry Jones, and Sam Riley.

Berandal aka The Raid 2 Starts Shooting, First Images Revealed

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Production has finally started on the eagerly awaited The Raid 2 also known as Berandal, kicking off an 100 day shoot in the Indonesian capital Jakarta and we have some images to get us in the mood!

The Raid 2:Berandal reunites Gareth Huw Evans and star of The Raid Uwo Iwais as Rama once again picking up from the moment he leaves the towering high rise taking the city's infamous crime syndicate. With the stakes now even higher and with corruption among the city's police department now exposed too Rama must protect his family and go deeper into Jakarta's criminal underworld.

Very moody images with Rama looking tired, bruised but not out looking edgy but most of all ready to inflict more pain on some nasty people which we want to see. What's more intriguing is Evans promises The Raid 2: Berandal will be “bigger, better and bloodier!”. The Raid was one of my highlights of 2012 when it made it's UK premiere at Glasgow Film4 Frightfest  meeting the director and the film's main star and of course my autographed poster takes centre stage in The Peoples Movies & Cinehouse main office!

The Raid 2: Berandal will arrive sometime 2014.






Here's the official American press release:

Highly-anticipated Actioner “The Raid 2” Starts Production in Jakarta, Indonesia

Los Angeles, CA (January 31, 2013) – PT Merantau Films and XYZ Films announce the start of production for THE RAID 2 (Indonesian title, THE RAID 2: BERANDAL), the sequel to the wildly popular international hit THE RAID (aka THE RAID: REDEMPTION).  The film reunites writer/director Gareth Huw Evans with actor Iko Uwais, who will be reprising his starring role.  Ario Sagantoro is producing for PT Merantau Films, along with Nate Bolotin, Nick Spicer, Aram Tertzakian and Todd Brown for XYZ Films.  Executive producing are Rangga Maya Barack-Evans and Irwan D. Mussry.

In addition to Uwais, the international cast includes Tio Pakusadewo, Putra Arifin Scheunamann, Julie Estelle, Alex Abbad and Roy Marten.  The film is currently lensing in Jakarta, Indonesia and is scheduled to shoot for over 100 days. Line producing the film is Daiwanne Ralie, with Matthew Flannery and Dimas Imam Subhono serving as directors of photography.

Picking up right where the first film ends, The Raid 2 follows Rama (Uwais) as he goes undercover and infiltrates the ranks of a ruthless Jakarta crime syndicate in order to protect his family and uncover the corruption in his own police force.

The Raid premiered at the 2011 Toronto International Film Festival, where it took home the Audience Award in the Midnight Madness section. It went on to play at Sundance and SXSW, before enjoying a theatrical release in the United States through Sony Pictures Classics. The film is approaching $15M in global box office.

XYZ and PT Mereantau Films are also in post-production on KILLERS, which is co-directed by Timo Tjahjanto and Kimo Stamboel, with Gareth Huw Evans and Rangga Maya Barack-Evans executive producing .  Evans and Tjahjanto recently collaborated on SAFE HAVEN, a celebrated segment in the horror anthology film S-VHS, which just premiered at this year’s Sundance Film Festival.

XYZ Films recently premiered Calvin Lee Reeder’s THE RAMBLER at Sundance as well.

“We’re incredibly excited to start the next chapter of The Raid story,” said XYZ Films. “Gareth introduced a rich and fertile world in the first film, and we’re eager to see him expand on that vision with Berandal.”

“To all our fans thank you so much for your support. We can’t wait to come back and show you what we have been working on,” said writer/director Gareth Evans. “We’ll be there in 2014 with a film bigger, better and bloodier! Wish us luck.”
source:Twitch

31 January 2013

Chained Review

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First thing to note about Chained is: it is not a pleasant viewing experience.
Second thing to note about Chained is: it will probably rot your soul a wee bit.


From Jennifer Lynch (yes, that’s David Lynch’s daughter) comes possibly the most brutal study in serial killers you’ll see this year and I don’t feel too pedantic saying that even though its only February. This truly intense piece of film, is unrelenting in its focus and painful in its portrayal of life with a serial killer.

A young boy (Evan Bird) is forced to become the personal slave of a serial killer cab-driver called Bob (Vincent D’Onofrio), after him and his mother are kidnapped and the mother murdered.  As a strange relationship forms between the two, not unlike a master-apprentice, the boy, (now older and portrayed by Eamon Farren) must choose whether to follow in his captor’s footsteps or make desperate attempts to flee the horror of the isolated home.

Even the first ten minutes is enough to deeply unsettle any seasoned horror fan, and it kinda roller coasters from there, reaching highs that have you so wound up you’ll want to look away and lows that will make you ponder the sad and inevitable lifestyles inherent to many abusive childhoods.  These lows are where D’Onofrio shows his true worth, in those sad wretched moments masked with rage and in the flashbacks of a life plagued with violence and cruelty. His quiet lisping voice and gaited wander are so adept at masking the strength and ferocity of a murderer, that at some points you can’t help but feel sorry for him. But then, that’s Lynch’s point: there’s a feeling that this piece doesn’t really have a villain in the traditional sense,  there’s too much cause and effect going about to simply mark any of the characters down as “evil”. By the end, though, he definitely deserves his comeuppance,

This careful characterisation allows the bizarre father/son relationship between Bob and Rabbit to grow without ever seeming laughable. Farrer’s barren performance is painful to watch but in that good way reserved only for truly distressing thrillers, kind of like Leland Orser in Se7en. Stuttered words and the furtive body language of a terrified child in a teen’s body all hint at years of systematic abuse and exposure to a life less cared for. Lynch is careful with which details of Rabbit’s life she presents to us, and which she holds back, since this is an intricate study in psychological horror it could easily be upset by anything too out-there.

There’s an ironic tone under all this misery matched with a deft and startling eye for detail. Bob’s taxi, scrawled luxuriously with the word Comfort is unsettling start to finish, Rabbit’s seemingly mile-long chain is near iconic, and Bob’s house in the middle of a lush green field seems like a prison island out at sea, to name a few wee details. That’s not to mention Bob and Rabbit playing trumps with the slain girls’ I.D. cards. There are a lot of clever little touches and beautiful framings which play with the restricted space of the house also, ensuring the film has merit as a cinematic construction as well as a heart-wrenching psyche-disturbance.

This is why it’s such a shame the ending flops.

A last minute dash for a twist leaves the film switching tracks far too late and the message gets thrown into the air. Its disappointing and does render the film slightly less than if it had stayed on its simple but strong premise.

Overall an intense and wholly unsettling affair thanks to careful scripting and a jaunting, claustrophobic style. D’Onofrio’s stellar performance is one of the best screen killers in a long time, whilst Lynch’s direction maintains an impressive near-perfect study of the cycle of abuse, spoiled only by an outlandish finale.

SCOTT CLARK

★★★★

Rating:18
UK Release Date: 1st February 2013 (Cinema) 4th February 2013 (DVD)
Director
Cast
Pre-order/Buy Chained: DVD / Blu-ray

Antiviral Review

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Take a look at the modern world and it’s difficult to deny we’re in a certain amount of trouble. Pick up any magazine, flick through any social networking sites, and you’ll see we have celebrity on the brain. Brandon Cronenberg (son of cult director, David Cronenberg) has chosen this sordid affair as a launching point for his impressive debut: Antiviral.

                Syd March (Caleb Landry Jones) works at the Lucas Clinic, a multi-million dollar institute that specialises in a very particular product: viruses that have been extracted from celebrities. In a world where celebrity obsession has reached dizzying levels, these diseases are the most intimate way for fans to connect to their idols. Syd infects himself with the diseases in order to smuggle them out the clinic and sell them on the black market, but after infecting himself with a disease that goes on to kill superstar Hannah Geist, he is forced to race against time in a desperate attempt to unravel the mystery of what is happening to his body.

                I can’t actually remember the last time a debut feature was so poignant, so keyed into what’s going on in the modern world. Brandon has obviously inherited his father’s keen eye for social commentary along with a vivid sense of style. Dependency on gossip, desire for more than just autographs, and the tide of nonsense crap that we consume daily in our desire to know more and more about glorified wannabes, it’s all here. Cronenberg flaunts his wit when he shows just how all this madness will end up, his script proves inventive time and time again; the faces given to viruses in order to determine their character, edibles made from celeb stem cells, cyber strippers, you get the drift. It’s a bleak and unsettling affair.

                The film looks dead sharp too; the cinematography, particularly the miserable palate, enforces a truly bleak dream-like world where the only real colour amidst the droll is blood-red. Bare minimum white-washed sets dominated by unnervingly large celeb posters are to be found everywhere in Cronenberg’s world. There’s some genius moments of body horror here reminiscent of early Cronenberg Sr; mechanical-human crossovers are unnerving viewing but if any real achievement is made, its making blood genuinely horrific. The parasites unseen are where our fears should really be lying, and after watching Syd slowly succumb, you’ll probably start noticing how few people bother to cover their mouths when they cough.

                Landry Jones deserves praise for a fantastic performance, one which becomes more and more desperate as the film progresses and hence, more riveting to watch.  Malcolm McDowell sneaks in as a Doctor interested in Syd’s regression, at one point admitting to him ‘I’m afraid you’ve become involved with something sinister’, surely  scoring the best horror one-liner thus far this year. It’s a wonder it’s not on the poster.


By the end of this ride you may be left wondering if the plot packs enough wallop, but in the face of the concept, style, and discourse, narrative can be excused ever-so-slightly. This is not only an impressive debut, but an important one, especially depressing when you stop to think, actually…this isn’t that far-fetched.

SCOTT CLARK

★★★★

Rating:15
UK Release Date: 1st February 2013 (Cinema) 11th February 2013 (DVD)
Director:
Cast
Buy:Antiviral [DVD]

Bullhead Review

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In February 2011 Bullhead, the directing debut of Michaël R. Roskam, was released in Belgian cinemas and enjoyed success with both viewers and critics. Later that year it was selected and lauded by multiple international festivals. The director Roskam appeared on the “Ten directors to watch” list of Variety and it’s rumored that Hollywood is interested in Matthias Schoenaerts, who plays the lead in the film. But all this praise for a rather small Belgian movie pales in comparison to the news released a few days ago. Bullhead has been nominated for the “Academy Award for Best Foreign Language Film”. It is in the light of this latest bit of praise that I went to revisit this tale of animals and hormones but above all of one’s humanity.

When you hear the opening monologue of the movie you already sense you’re in for something rather special. Beneath the surface it already hints at the deeper themes of the movie in a profound but delicate way.

You might’ve heard about Schoenaerts who gained 25 kilos of muscle for the role. And while this may sound impressive one might argue that the role of an actor is not (only) one of physical transformation. But transformation is more than physical the movement, the look, the tics but predominantly the eyes. The praise Schoenaerts presentation received is no hyperbole, it is a full and complete character. And quite a meaty one at that.

The movie has excellent pace there is never a dull moment as the story slowly unfolds and brings you deeper and deeper in its ever escalating tragedy. The finale especially is a powerful piece of cinematography, it almost feels hallucinatory, with powerful acting and beautiful camerawork. Speaking of which, the camerawork throughout the whole movie is splendid it doesn’t take the forefront by quick montages and flashes of imagery but just produces powerful images with panning slowly and making great use of depth of field which creates ghostlike visions that suite the overall tone and story rather nicely. The music has the same use keeping a low profile; but still contributing in acquiring that overall powerful emotional feel.

Well after all this praise I have to admit the movie is not without its faults. The gags with the two Walloon mechanics are in the vain of a typical French comedy (be it of a lesser comedic quality) which is indeed an acquired taste. And some might say they feel a bit out of place.

You might’ve noticed I didn’t provide a synopsis of the story as is customary in reviews. I did this for two reasons.What I particularly like about the movie is its deeper underlying story. At first it might seem like a regular cops an gangster movie with some side story, but it is quite a bit more than that. It is a movie which touches on a few difficult themes and an intricate way. It is a story about the border between feeling human and the bestial. What it is like, to not feel normal and the obsessions it creates. And it tells this using a strong, hypnotic narrative, supported by equally strong visuals. A movie with balls, powerful but fragile at the same time.

Lieven Glovers

★★★★1/2

Rating:15
Release Date: 1st February 2013 (UK)
Director:
Cast:  

*This is a reprint of review posted 4th February 2012
T

29 January 2013

Ask Gael Garcia Bernal A Question, In live Q&A For NO

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Gael Garcia Bernal is starring in 'No', the Oscar-nominated film looking at the referendum and ad campaign that helped force General Pinochet out of office.

Gael is no stranger to Amnesty, or to political films - he worked with us to create The Invisibles, four films which charted the dangerous journey across Mexico for migrants who are kidnapped, raped and sometimes murdered as they aim for America. He also played Ernesto Guevara (Che) in The Motorcycle Diaries.

Send us your questions for Gael - about his new film 'No', his previous work, or anything else - and we'll ask him a selection during a live Youtube broadcast on Thursday. Leave them as a comment, or ask them on Twitter using #AskGael

You can also send in your questions for Eugenio Garcia, one of the two advertising executives who created Chile's 'No' campaign, who Gael's character in 'No' is partly based.

The event is happening  in association with Amnesty International on Thursday 31st January at 1545 until 1630 (GMT)


Watch Creepy Clip For Jennifer Lynch's Chained

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She is certainly a 'daddy's girl' Jennifer Lynch as her latest film Chained is showing her daddy David Lynch has certain been a 'father figure' to her inspiring twisted wholesomeness.

This Friday will see the limited cinema release of Chained starring Vincent D'Onfrio as Bob the serial killing taxi-driver, but he is a serial killer with a difference. One of his victims had a boy and he raises him not as a father/ son relationship but to be his protege calling him rabbit instead of Tim his correct name, but will he follow his new found daddy's steps?

Below is a new creepy clip which shows the new family set up is not as happy and dynamic as it should be.


Chained is set for a limited release in UK cinemas on 1st February with the film been released on DVD& Blu-Ray from 4th February. Chained stars Evan Bird, Jake Weber and Julia Ormond.

source:Totalfilm

Treat Your Other Half With Future Cinema Presents…Casablanca At The Troxy

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“Of all the gin joints in all the towns in all the world, she walks into mine”
If your ever looking for an cinematic experience with a difference our friends  Future Cinema, the creators of Secret Cinema know how to deliver that experience and this February  they return for a classic romantic film. Returning  to the Troxy for a Valentine’s Day special, bringing to life the enduring tale of love, exile and adventure, the iconic romance  – Casablanca.
 It is 1941 and the Second World War is raging. The Germans have taken Paris and occupied France.

Casablanca is one of the last free cities. The city is a melting pot of cultures, stories and sights.  People are desperate to flee a tumultuous Europe and are looking for safe passage across the Atlantic to the Americas. Amidst the turmoil and the frenzy, Ricks Café Americain is a haven for refugees trying to purchase illicit papers and flee the fast approaching war. On a dark night, amongst the chaos, a world-weary Rick Blaine meets his one time love…

 Future Cinema invites audiences to step inside the world of Casablanca as the Troxy is transformed into the most exclusive night-spot in town, and join Rick and Ilsa on this whirlwind of mystery, romance and espionage. Gather around Sam’s Piano and join in the chorus of the Marseillaise, dance to Benoit Viellefon and his Orchestra, dine at the Blue Parrot Café with food by acclaimed Spanish/North African London restaurant Moro, search for secret bars and discover secret bands, explore the vivid and wild Casablanca and re-live the story as never before.
Applications for identity papers will be open this Tuesday 29th January, from 1.00pm at www.futurecinema.co.uk/tickets.

Other news from Future Cinema: Following the sold-out Secret Cinema production of The Shawshank Redemption (October 31st December 2nd 2012), Future Cinema reopened the production on Thursday, January 10th, with an extended run until February 24th. Court times can be booked here: www.futurecinema.co.uk/tickets.





-       Future Cinema presents Casablanca

Dates:   14th February – 3rd March 2013

            Tickets: www.futurecinema.co.uk/tickets (£25 Full / £20 Concessions / £15 Children (matinees only))

-       2013 Extension: Future Cinema presents The Shawshank Redemption

Dates:  10th January - 24th February 2013. Productions will take place on Thursdays, Fridays, Saturdays and Sundays

Tickets: www.futurecinema.co.uk/tickets (£43.50 Full / £33.50 Concessions)

Here's a little video on the Shawshank  Redemption event:

-       Secret Cinema 20 – London, New York and Athens

Dates: 24th April – 5th May 2013 in an undisclosed location in London and launching in New York and Athens.

Tickets: www.secretcinema.org/tickets - on sale date TBA

If your a newbie to the Future and Secret Cinema you can get more information at  www.secretcinema.org / www.futurecinema.co.uk